The Squid's Ear Magazine


Block, Oliva: 132 Ranks (Room40)

Commissioned for the Chicago performing space LAMPO and The Renaissance Society, Olivia Block composed this large work of drone and sound from 2016-2017, premiered on the massive Skinner Organ at Rockefeller Memorial Chapel in a free concert that included a sound installation of 6 speakers placed through the chapel playing white noise, sine tones, and prerecorded organ sounds.
 

Price: $19.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 1.00 units

Sample The Album:





Product Information:

Personnel:



Olivia Block-composer, performer, organ, electronics

Click an artist name above to see in-stock items for that artist.



UPC: 739027482086

Label: Room40
Catalog ID: RM 493CD
Squidco Product Code: 26463

Format: CD
Condition: New
Released: 2018
Country: Australia
Packaging: Cardboard sleeve, sealed
Recorded by Alex Inglizian.
Descriptions, Reviews, &c.

Artist Biographies

"Olivia Block is a media artist and composer. Her body of work includes sound recordings, audio-visual installations, performances, sound design for cinema, and scores for orchestra and chamber music concerts.

Over the last twenty years, Block has pioneered the utilization of audio field recordings and found materials in the realms of music and sound art. She combines field recordings, chamber instruments and electronic textures, resulting in mysterious and vivid electroacoustic sound pieces including Pure Gaze, Mobius Fuse, Karren, and others. Block creates multimedia installations and performances utilizing found sounds from micro cassette tapes, field recordings, video, and curated 35mm slides.

Block's work reflects her interests in site specificity, ethnographic sound, architectural sound, and found/archival materials from the 1950's-1990's. Her work with expanded cinema and film artists has led to interests related to cinema sound, and visual phenomena like shadows and reflections. Block has developed a body of partially-improvised compositions for inside-piano with various materials, including metal pieces and shards of broken glass. Her scores for orchestra and chamber instruments emphasize timbre and dynamics. Her most recent orchestral pieces include portions of "easy listening" inspired music from the 1970's, playing underneath recordings of room ventilation, white noise and commercial spaces like malls. Her solo performances include partially improvised pieces for electronics, amplified objects, and piano, presented in a slow and deliberate gestural style that Steve Smith of the New York Times described recently as having "palpable sensations of volition and emotional involvement."

Block has performed, premiered and exhibited her work throughout Europe, America, and Japan in tours in festivals including Incubate (Tilburg), Festival del Bosque Germinal (Mexico City), Sonic Light (Amsterdam), Kontraste (Krems), Dissonanze (Rome), Archipel (Geneva) Angelica (Bologna), Sunoni per il Popolo (Montreal), and many others. Additionally, she has presented work at the ICA (London), MCA (Chicago), La Biennale di Venezia 52nd International Festival of Contemporary Music, The Kitchen (NYC), ISSUE Project RoomExperimental Intermedia (Brooklyn), and TIFF (Toronto).

She has completed residencies and premiered works at Mills College of Music, The School of the Art Institute of Chicago and The Berklee College of Music. Block has presented talks at additional universities in film, music, media arts, and anthropology departments, including Yale University, University of Chicago, and Indiana University.

Block has created sound installations for public sites and exhibition spaces including the Museum of Contemporary Art in Chicago, CONTEXT (Miami and NY), Millennium Park (Chicago), the library at Wesleyan University in Connecticut, the Lincoln Conservatory Fern Room (Chicago), and at the "Echoes Through the Mountains" exhibit at the 2006 Winter Olympics (Turin, Italy).

Her 2013 LP/download release, Karren (Sedimental, 2013) was chosen as "Best of 2014″ by The Wire, Pitchfork, and Artforum, among other publications. She was selected as a 2014 "Person of the Year" in the Chicago Reader. Aberration of Light, her latest solo release, is now available on NNA tapes. She recently completed her large-scale multi-speaker sound installation, Sonambient Pavilion, in Chicago's Millennium Park, utilizing sounds from Harry Bertoia's Sonambient sculptures. She is currently working on several projects, including a multi-speaker presentation of her forthcoming release, Dissolution (Glistening Examples), and pieces for piano and organ. Olivia Block is based in Chicago."

-Olivia Block Website (http://www.oliviablock.net/bio-2/)
10/8/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:
Related Categories of Interest:


Electro-Acoustic
Compositional Forms
Piano & Keyboards
Installation Sound Work
Ambient & Minimal Music
Solo Artist Recordings
New in Compositional Music
New in Experimental & Electronic Music

Search for other titles on the label:
Room40.


Recommended & Related Releases:
Roigk, Stefan
Suffering For The Promised [VINYL]
(Fragment Factory)
Multi-disciplinary artist living in Berlin, Stefan Roigk developed "Suffering For The Promised" over a 14 year period, composing this large work of acousmatic music as an atmospherically intense yet utterly fragile piece, combining concrete sounds, field recordings and devotional vocal fragments in an eclectic and highly intimate composition of great depth and detail.
Hurd, Judson
Trouble Will Cause (A True Crime Documentary)
(Bad Architect Records)
The original motion picture soundtrack for a true crime documentary about the Lawson Family Murders on Christmas Day in 1929 from pianist and sonic experimenter Judson Hurd, presenting six tracks that accompany the movie through dark and mysterious passages of keys, synth and percussive tones; the profits of each copy sold will benefit victims of Hurricane Florence.
Hawkins, Chester
Magnetisk Nord
(Intangible Arts)
Chester Hawkins' curiosity for Denmark resulted in his renting an apartment in central Kobenhavn, bringing along his electronically modified lapsteel guitar, wind and reed instruments, tabletop noise-boxes, mobile synthesizer apps and a shortwave radio, which he joined with field recordings from the capital region, creating this magnificent loveletter to Denmark.
Refusenik (Arturas Bumsteinas)
Musikaliszer Pinkos
(Bolt)
A collection of more than two hundred Hebrew religious chants compiled and published by cantor Abraham Berenstein in 1927 in Vilna, Poland (today Vilnius, Lithuania), re-composed by Arturas Bumsteinas using fragments of melodies found found in the Berenstein's book, with electronics recorded on the old Russian analogue synthezier Polyvox then mixed in EMS.
Guionnet, Jean-Luc
Non-Organic Bias [2 CDs]
(Herbal International)
Stepping away from the saxophone, composer/improviser Jean-Luc Guionnet presents two large compositions for the organ, each taking a single CD to explore the organ's border effects, resonances, natural saturations, all artefacts that sign the acoustic, analogic, digital, process.
Newton, Jamie
Driving Nails Into Fog
(3acreTract(s))
Jamie Newton works with sound using guitar, keyboards, field recordings, processing, and Kyoto croquet, here in a contemplative set of works merging drone and thick noise with indistinct rhythms and layers of concrete sounds.
Newton, Jamie
Tone Wheel
(3acreTract(s))
Tonewheel organ meditations along with feedback and sound forms using processed guitar, keyboards and field recordings from sound artist Jamie Newton, 2 slowly evolving tonal works sandwiching three more turbulent pieces in a journey of drone, noise and reflection.
MusicWorks
#112 Spring 2012 [MAGAZINE + CD]
(Musicworks)
Canada's premiere new music magazine, with Philip Glass on the cover, plus articles on Jocelyn Morlock, Farah, D'Eon and Gill, and Olivia Block, and a 12 track CD of works by those and other artists.
Candlesnuffer
Wakool
(Room40)
Wakool is an interrogation into an expanded range of techniques and gestures from David Brown playing banjo, electroacoustic guitar, bandura, and eukolin.



Customers Who Bought This Item Also Bought:
La Casa, Eric
AIR.ratio
(Swarming)
Reissuing La Casa's 2006 album of ventilation systems, which started with a bathroom vent and expanded to a sonic exploration of aeraulic devices and air flows in Paris buildings of various ages and dimensions, documenting their sonic and musical qualities, functioning as a sound study, a sonic data bank, a CD of environments, and finally as music.
Feldman, Morton
Piano, Violin, Viola, Cello
(Another Timbre)
Morton Feldman's final composition, originally premiered in 1987, here performed by pianist Mark Knoop, violinist Aisha Orazbayeva, violist Bridget Carey, and cellist Anton Lukoszevieze, recording a year after their successful performance at London's Cafe Oto, maintaining focus and concentration on this large, unhurried work of micro-variations.
Fox, Chistopher
Works For Piano, Philip Thomas piano
(Hat [now] ART)
Four large and distinctive works by composer Christopher Fox performed by pianist Philip Thomas, who also writes the liner notes about the works, revealing and explaining the compositional elements, piano preparations, and physical requirements placed on the performer.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC