"Mark Allaway is a graduate of the Guildhall School of Music and Drama where he studied saxophone, composition and arranging. He initially embarked on a performing career which included a European tour with renowned saxophone quartet Itchy Fingers, as well as session work for numerous film and television productions. Nowadays, Mark focuses his attention on composition. He wrote the score for the award-winning play Singular Women, which played London's West End and South Bank Centre, in addition to working and composing with the contemporary woodwind group Quadrophonic. Mark has written music for various television projects, such as the French television documentary Sans Retour, and advertising campaigns for products including Harpic Power Plus. He has also scored various short films: Adam's Garden, The Last Laugh and Chasing Chekhov, the latter of which won the LA BAFTA for Best Short Film in 2008."

"My musical education began around the age of fourteen, studying piano and music theory to diploma level with Lina Collins of the Royal Academy of Music London and later with Frank Stafford for arranging and orchestration.

In 1973/4 I studied electronic music and composition at the Royal College of Music in London with Tristram Cary and Lawrence Casserley where I became very much involved in the electronic treatment of the human voice and of percussion. My interest in percussion led me at this time to extensive research into Eastern musics - including Balinese and Javanese gamelan, Indian classical music, Japanese traditional music gagaku etc. as well as modern Western ideas in percussion, e.g. Messiaen, Cage Steve Reich, Stockhausen etc. During this time I also made detailed studies of the music of Messiaen and Stockhausen in the form of special projects.

From then I became increasingly involved in percussion as a performer and have developed an extensive background, having played and worked within jazz, classical (Western orchestral), rock and contemporary music.

I worked regularly over a period of 8 years as a member of an 'improvisation' trio with two close musical friends where as a group we achieved a high level of 'intuitive' playing. We rehearsed many aspects of structured and unstructured improvisations, from the text pieces of Stockhausen and pieces written by ourselves to free improvisations.

In late 1975 I met Trevor Taylor a fellow percussionist who shared the same musical interests as myself. We formed a percussion ensemble of 6 players with the view of performing works in the UK. written for Les Percussions de Strasboug, as well as little known percussion music by Cage, Haubenstuck-Ramati, Benguerel, Hashagen, Takemitsu etc.

Later, Trevor and I decided to re-structure our approach and perform as a duo. This enabled both of us to explore musical ideas and works that previously were not possible, and as a result a strong musical and spiritual rapport seemed to evolve in our work. A short tour in 1977 took in St Andrews and Edinburgh festivals. This project also explored and made use of electronic modulation of percussion as well as alpha wave and G.S.R modulation (Galvanic Skin Resistance).

Trevor and I continued working for a while including projects with the London Contemporary Chamber Ensemble and with composer Barry Anderson (Mask).

n 1978/9 I toured the West Indies and Mexico with a cabaret showband. My interest in contemporary jazz led to work with Graham Collier and Geoff Warren whose quartet toured the UK., Hungary and former Yugoslavia.

After attaining an L.R.A.M. in percussion and timpani I became interested in specialist teaching on a part time basis and in 1985 began giving many lecture-recitals in all aspects of percussion both occidental and oriental including a recital/demonstration with Evelyn Glennie at the Redbridge Music School where I am currently Head of Contemporary music, ICT, Percussion and Guitar.

In 1986 I was appointed percussion examiner for the Guildhall School of Music London, London and is now Senior Examiner and Instrumental Adviser for Trinity College London and this work has taken me to many overseas centres including Netherlands, Spain, Switzerland, Malaysia, Hong Kong, China, Japan, India, New Zealand, Australia, Singapore, South Africa, Indonesia and the Middle East.

I have worked regularly at the Nordorff Robbins Music Therapy Centre holding workshops for students and staff and continue to work in all areas of percussion performing in many theatre productions and concerts with such names as Simon Callow, Kate O Mara, Don Maclean, Rolf Harris etc. and the Scarborough Spa Orchestra featured on BBC TV and Radio.

In 1994 I took part in the western world premiere of Moscow Cheryomushki a musical by Shostakovitch at the Lyric Theatre London.

My work has extended into music technology, running a computer based recording studio producing music for film, TV. and video of which one of our pieces was broadcast throughout the UK. by Independent Television News for their coverage of the 'Gulf War" in 1990.

Works include many short 'library music' pieces, O-taiko-Do a piece embracing many eastern styles including Japanese drumming, TerRor Nova for African & Sth American percussion, samplers and keyboards, 'Close your eyes and see...' for orchestra, (FMR records) written for youth orchestras and commemorates 50 years of the liberation of Auschwitz concentration camp. My piece Star Song for choir and small ensemble was performed at the Royal Albert Hall as part of a Christmas Celebrity Concert in 1995. In 1994 I wrote incidental music for the Bronte play 'Wuthering Heights' and the same year together with Andrew Parmley wrote original music for 'The Fair Maid of the West'.

As well as writing and arranging, I continue to be very active as a freelance musician in many different areas of creative music making, including concert and theatre work. My provincial theatre work has expanded to the role of musical director for such shows as Crazy for You, Sweet Charity, Good News, Hello Dolly, Me and My Girl, The Slipper and the Rose, Promises Promises, The Music Man, Brundibar (Hans Krasa), Kinneret (Opera for All Productions), Mack & Mabel, West Side Story, Carousel, Guys and Dolls and various compilation concerts.

I was a former member of the Klezmer Swingers a group who trace the roots of traditional Jewish music through to jazz, and regularly appeared at the South Bank, 100 Club and Ronnie Scotts Club London.

I wrote regularly for the contemporary music magazine AVANT where passed articles and reviews have been on Harry Partch, Steve Reich, Early electronic Instruments, Pierre Boulez, Newband and Karlheinz Stockhausen whom I interviewed at his home in December 1997.

I am also included in Francois Baschet's book Les Sculptures Sonores, an historical account of the Baschet Brother's sound sculptures, as one of only two British percussionists who have used them.

I am one of only a few British musicians to play the Ondes Martenot and offer workshop recitals to raise the profile of the instrument in the UK and abroad.

I am webmaster for The Olivier Messiaen Page, the only dedicated web site to the 20th century French composer."

"Paul studied bass guitar and composition at Leeds College of Music and the Guildhall School of Music & Drama

He has worked extensively in the worlds of Jazz, Pop and Media Music as a Musician, Composer and Songwriter.

His work has been released and performed all over the world and his production music has been synchronized to TV programs broadcast by numerous major channels, including the BBC, ITV, C4 & Sky. Other credits include; Storm Warning, Coup D'etat, Cayenne, Anne Clark, Martha Reeves, Jimmy Ruffin, Mark Murphy, Ricky Gervais, Brian Abrahams, LJO, Stacey Kent, Jill Jarman, Chris Simmons, Process Seven...

Paul has also released three albums as a singer-songwriter. 'Days Of Light', 'Let's Move Out To Mars' and 'Silver Fire' and he is a founder member of the jazz fusion project 'Process Seven'​ and the arthouse project 'ESP Project'.

He holds an LGSM (Licentiate of the Guildhall School of Music & Drama) in electric bass guitar."