The Squid's Ear Magazine


Polyorchard (Pence / Jackson / Menestres / Ruccia / Phaneuf): Sommian (Out & Gone Records)

The North Carolina improvising collective Polyorchard is heard in this exceptional studio album, configured as a quintet with Michael Thomas Jackson on clarinet, David Menestres on double bass, Crowmeat Bob Pence on bass clarinet, Charles Phaneuf on clarinet, and Dan Ruccia on viola, for the 6 lettered "Sommian" suite of collective and far-ranging experimental improv.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Michael Thomas Jackson-clarinet

David Menestres-double bass

Crowmeat Bob Pence-bass clarinet

Charles Phaneuf-clarinet

Dan Ruccia-viola


Click an artist name above to see in-stock items for that artist.




Label: Out & Gone Records
Catalog ID: OG011
Squidco Product Code: 27252

Format: CD
Condition: New
Released: 2019
Country: USA
Packaging: Cardboard Gatefold
Recorded February 24th, 2018, by David Menestres.

Descriptions, Reviews, &c.

"Polyorchard is a collection of musicians with a strong desire not only to explore improvised and free music themselves but also - and this is important- to encourage others. Their aim is to explore different musical areas. They may form small ensembles or large collectives and since its inception in late 2012, the ensemble has performed spontaneous compositions, works by members of the group, and works by a variety of composers including Alan Courtis, Terry Riley, Alvin Curran, Eva-Maria Houben, Jacques Demierre, Magnus Granberg, Jackson Mac Low, John Zorn, and many more. Polyorchard has collaborated with a diverse array of artists including Japanese noise legend Merzbow and ensemBle baBel from Switzerland. Polyorchard has also implemented a program to commission new works specifically for improvising ensembles and has so far premiered works by Thomas Dempster, Andrew Weathers, D. Edward Davis, Will Redman, with more new pieces to come in the next few years. Polyorchard has performed on bills alongside Tashi Dorji, Dougie Bowne, Ken Vandermark, Nate Wooley, and many more."

[...]

The second CD Sommian - also out now- see a change of line up and a quintet. This time it is Michael Thomas Jackson on clarinet, David Menestres - double bass, Crowmeat Bob Pence - bass clarinet, Charles Phaneuf on clarinet and Dan Ruccia on viola. Track one opens with intent, the bass string bending the line up for the sax and viola singing out over the top, the sound is deep, heavy, thrusting and evocative. The bass clarinet voice is heard under many sections and is the mighty shoulders upon which much of the sound rests across the track. The contrasts with the clarinet and viola lines adds to the wonder of the track as it develops. Track 2 is spacey, stutt notes adding atmosphere and short, sharp points of reference, which the bass clarinet picks and develops the middle tone into a riff of its own, over which the bass enters and bows and bends its way into a cavernous depth of sound. This is a track enjoyable because of the interactions going on, which are busy, vital and emphatic, each instrument seeming to want more of a say - and the sound voids are amazing. Track 3 is interaction extreme, complete with bells and whistles which builds, builds again and develops the sounds, each musician picking up those laid before them and combining the key notes to create diversions, intricacies and changes - outstanding. Track 5 is a gentler affair, the percussive, spacey nature contrasting with the blast of before, but wait, this grows, it develops, it builds, it follows a rhythm from the second third, the rhythm firmly set by bass and around this everything builds and the sound wall is created - until it ebbs again, the dynamism here is extraordinary. Track 6 is different again yet still with that group entity which pervades this CD - the musicians listen, they interact, they entwine and unravel again and again.

The CDs show how musicians who listen and want to explore can develop huge sounds - or small, delicate intricacies depending on what takes the moment. Both CDs have a dialect of their own but they are linked by that universal language - the desire to explore, challenge and make good free flowing music with spontaneity and intrigue. There is a sense of a tunnel into which the sounds are poured and what emerges the other end could be anything - or everything."-Sammy Stein


Get additional information at The Free Jazz Collective

Artist Biographies

"Michael Thomas Jackson has been creating and recording music since 1985. He has been involved in fully notated composition, free improvisation, avant rock, concrete and electronic music, performance art and everything in between. He has worked with tape, found objects, analogue synthesizers, prepared guitars, various percussion, all manner of sound processing, electronic feedback systems, turntables, voice and extended techniques on the clarinet. Michael has played as, in, or with many fine projects and people including Eugene Chadbourne, Rompecabeza, Spool Ensemble, Viktimized Karcass, Alien Planetscapes, Choptsicks, Cobra Clutch, Cephalic Index, The George Steeltoe Ensemble, Brian Osborne, Chris Phinney, Martin Klapper, Rafael Flores, Isolation, Flutter, Jerry's Finger, Truncheonette, Projexorcism, Skoweyajeed, Katsu Itakura, Carl Howard, Bruce Eisenbeil, Quien Es, Thomas Dimuzio, Dave Fox, David Prescott, Pat Lawrence, Ian Davis, Scotty Irving, New Loft, Zan Hoffman, Hal McGee and O.N.E. Michael is currently active performing, recording and releasing music through the Primecuts Recordings imprint, raising a daughter and being poor."

-Heat Retention Records (http://heatretentionrecords.com/index.php/tag/michael-thomas-jackson/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"David Menestres is a bassist, composer, and writer currently living in the Piedmont region of North Carolina. David is the founder/leader of the Polyorchard ensemble and is the host and producer of Tone Science, a weekly two-hour radio show on taintradio.org since 2010."

-David Menestres Website (http://davidmenestres.com/bio/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Upon graduating with a degree in cinema production in the 90's, Crowmeat Bob swiftly went to work at the Record and Tape Exchange and started playing bass and guitar with friends (primarily guitar guru John Aguero) in his parents' basement and in a friend's garage. No gigs were played during those years; they were a freaky little neurotic island in the strip-mall wasteland of northern Virginia. The prevailing aesthetic was some kind of heavy splatterjazz-noise-math-rock-free-improv, with 'frop breaks spent listening intently to all kinds of bidness like electric Miles, Black Sabbath, Messiaen, Sonic Youth, Marc Ribot, Cecil Taylor, Bartok, Last Exit, The Stooges, you name it. He eventually made the move to North Carolina in like '96, where he resides to this day, and picked up sax and bass clarinet while continuing with guitar.

He's played with about a billion bands, either as a composer or sideman, and been gigging on about a weekly basis since settling in the Research Triangle in 2000. Becoming fairly well known as part of the small "free improv" scene there, he was fortunate enough to get to play with a lot of great touring musicians, some of whom you probably revere. And mixing with the indie rockers provided ample opportunity to add sax to various rock'n'roll bands. His playing can be heard on local labels like Merge, Sorry State, and Paradise of Bachelors. Now that he is almost a halfway-decent player and has had a lot of experience writing music for many different kinds of ensembles, he has finally put out a record as a leader: Judge Schreber's Avian Choir is the name he gives to a recurring project that takes slightly different forms, in this case a large string ensemble with a heavy rhythm section."

-Bob Pence 11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Charles Phaneuf is Raleigh Little Theatre's Executive Director. He's a Raleigh native who returned to the area in 2012. He was previously Managing Director of Joe's Movement Emporium, a multidisciplinary performing arts center located outside of Washington, DC, and Associate Managing Director at Shakespeare Theatre Company during the expansion into the Harman Center for the Arts. Charles is a founding member of the Capital Fringe Festival and Bohemian Caverns Jazz Orchestra, both in Washington. He is a UNC-Chapel Hill alumni, a board member of the Friends of the Gregg Museum at NCSU, and serves on the Dix Park Master Plan Advisory Committee."

-Raleigh Little Theatre (https://raleighlittletheatre.org/people/charles-phaneuf/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dan Ruccia (b. 1982) is a Durham, NC, based composer. He writes music that exists at the intersection of different styles, forms, and genres, particularly free jazz and punk in all of its manifestations. His music has been performed across the United States and Europe by Eighth Blackbird, The Bad Plus, Wet Ink, the Juventas New Music Ensemble, Ensemble Soli Fan Tutti, the Wavensemble, and [dnme]. He recently completed his Ph.D. at Duke University where he studied with Stephen Jaffe, Scott Lindroth, and Allen Anderson (University of North Carolina). Dan also has a B.A. in music from Princeton University, having worked with Dan Trueman, Dmitri Tymoczko, and Steven Mackey.

Additionally, Dan is a violist and improviser, playing with [dnme] (which he directed in 2009 and 2010), Microcephalic Superintendent, and other groups around the Triangle. He also is a DJ at WXDU, playing a freeform mix of rock, jazz, classical, and everything else, and writes album reviews for Dusted Magazine. He is also on Twitter."

-Dan Ruccia Website (http://www.danruccia.com/about.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Sommian A 5:10

2. Sommian B 8:35

3. Sommian C 9:44

4. Sommian D 8:19

5. Sommian E 6:57

6. Sommian F 6:19

Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
Quartet Recordings

Search for other titles on the label:
Out & Gone Records.


Recommended & Related Releases:
Tragic Assembly + Tatsuya Nakatani
Live at the Artscenter
(Soul City Sounds)
The NC Tragic Assembly free improvising trio of Charles Chace on guitar, Crowmeat Bob on reeds and Phil Venable on upright bass are joined for this 2022 concert at Carrboro, NC's ArtCenter by improvising percussion powerhouse Tatsuya Nakatani, adding sonic expansion and rhythmic punctuation to this trio's typically drum free configuration, heard in four striking improvisations.
Bishop, Jeb / Dan Ruccia
Scratch Slice Jag
(Out & Gone Records)
Trombonist Jeb Bishop and North Carolina-based Out & Gone Collective member, violist Dan Ruccia, after touring and performing with Eugene Chadbourne, Dan Lilley, and David Menestres, found their sound so compatible that they recorded this duo album using the languages of free jazz, chamber music, and extended improvisations to create something unexpected and rare.
Other Recommended Releases:
Tamarisk (Carter / Menestres / Weathers)
Comes From Far Away From Here [CASSETTE + DOWNLOAD]
(Notice Recordings)
A studio album from the Tamarisk free improvising trio of guitarist Andrew Weather, bassist David Menestres and Charalambides co-founder Christina Carter on vocals, the third album from this free folk trio of cathartic and unpredictable direction, here recording at Andrew Weather's recording space at Wind Tide, in Littlefield Texas in 2022.
Tamarisk (Carter / Menestres / Weathers)
House of the People, Property is Theft
(Editions Glomar )
The Tamarisk trio of bassist David Menestres, guitarist Andrew Weathers and vocalist Christina Carter (Charalambides) are heard live at Casa del Popolo, in Montreal and at PIT, in Brooklyn, New York, joined in Brooklyn by flutist Laura Cocks, each performance an extended journey between assertive, cathartic improvisation and introspective rumination.
Ackerley / Uesaka / Hinton
Petting Zoo
(Waveform Alphabet)
The NY trio of Jessica Ackerley (SSWAN) on electric guitar, Yuma Uesaka on saxophone & reeds and Colin Hinton on drums & percussion, associated with improvisers including Tyshawn Sorey, Patrick Shiroshi, Ingrid Laubrock, &c., in a collective trio of exceptionally attuned and implicitly melodic dialog promoting energetic interplay balanced with periods of explorative reflection.
Venable, Phil
Bringing The Light [CD EP]
(Soul City Sounds)
A new Free Jazz album inspired by Pharoah Sanders' Karma, from the North Carolina ensemble led by upright bassist, guitarist and Soul City Sounds label-leader Phil Venable with Crowmeat Bob on saxophone, Ken Moshesh on percussion and Tommy Jackson on drums, plus a work for spoken word with NC Poet Laureate Jaki Shelton Green and a song inspired by BLM with vocalist Jennifer Evans.
Polyorchard (Menestres / Bishop / Brice / Clancy / Grubbs / Eubank / &c)
scree/n
(Tripticks Tapes)
Composed, constructed and mixed by bassist, improviser and composer David Menestres, this extended electroacoustic work features work from a tremendous set of performers: Jeb Bishop, Olie Brice, Sean Clancy, D. Edward Davis, Laurent Estoppey, Chris Eubank, David Grubbs, Michael Thomas Jackson, David Jordan, David Menestres, & Catherine Sikora.
Hinds, Killick / Francesca Remigi
Empowered Kind
(Habitable & H(i)nds(i)ght Records)
The duo of guitarist Killick Hinds on stringed instruments, bells & electronics, and Italian/NY drummer Francesca Remigi on acoustic & electronic drums, percussion, and credited with Delene Porter for performing on "symbiote"; an "eclectic, ecstatic and exploratory duo strives for sonic research and for breaking the barriers of the conventional process of music making."
Tragic Assembly
Blood Drains And Memories
(Soul City Sounds)
The Durham, NC free improvising trio of Crowmeat Bob on alto & tenor saxophones, clarinet & guitar, Phil Venable on double bass and Charles Chance on drums notch up their playing, with Crowmeat Bob performing on both reeds and electric guitar as the band explores breaking down the barrier between subconsciousness and expression through collective improv.
Tragic Assembly
Instability
(Soul City Sounds)
The trio of North Carolina Triangle free jazz players Crowmeat Bob on bass clarinet, clarinet, alto & tenor saxophones, Phil Venable on upright bass, and Charles Chance on drums, Venable and Chance known from The Paul Swest band, here in a studio album of seven collective free improvisations using open and often abstract approaches to melody and rhythm.
Polyorchard (David Menestres / Jeb Bishop)
Ink [2 CDs]
(Out & Gone Records)
A remarkable set of duos recorded live at three concerts during April 2019 in Bloomington IN, Nashville, TN and Columbus, OH, between Polyorchard leader, double bassist David Menestres, and trombonist Jeb Bishop, two free improvisers using extended and unusual approaches to their instruments as a means to fascinating dialog as they engage their listeners.
Judge Schreber's Avian Choir
Bleed [VINYL]
(Cort)
Saxophonist and composer Crowmeat Bob's ensemble, Judge Schreber's Avian Choir, is a project name he's used to present his large ensemble pieces involving composition, improvisation, and conduction, here in a conducted collaboration with 15 bowed string players, a heavy metal rhythm section and Bob's own overdubs on reeds and guitar.
Polyorchard (Estoppey / Jackson / Menestres / Ruccia)
Black Mountain
(Out & Gone Records)
The North Carolina improvising collective Polyorchard, wrote this set of unusual and diverse improvisation for the 8th {Re}HAPPENING at Black Mountain College on March 31, 2018, this album a studio recording of that music featuring saxophonist Laurent Estoppey, Michael Thomas Jackson on clarinet and radio, David Menestres on bass and objects, and Dan Ruccia on viola and piano.
Rodrigues, Ernesto / Paulo Curado / Bruno Parrinha / Eduardo Chagas
Backlighting
(Creative Sources)
A live recording of a subtle improvisation led by Portuguese violist Ernesto Rodrigues in a quartet with winds and brass--Paulo Curado on flute, Bruno Parrinha on soprano saxophone & bass clarinet, and Eduardo Chagas on alto trombone--each using understated approaches to their instruments using extended and unusual techniques, aptly titled but rewarding close listening.
Polyorchard
Sextet | Quintet
(Out and Gone Music)
Quintet and sextet recordings from the Polyorchard group of Jeb Bishop on trombone, Chris Eubank on cello, Bill McConaghy on trumpet, David Menestres on double bass, David Morris on tuba, Dan Ruccia on viola, Jeb Bishop on trombone, and Jacob Wick on trumpet, recording at "The Store" in Raleigh, NC, for sublime and complex and collective free improvisation.
Polyorchard
Color Theory in Black and White
(Not On Label)
Two trios, "Black" with cellist Chris Eubank and violist Dan Ruccia, and "White" with trombonist Jeb Bishop and saxophonist Laurent Estoppey, each with the foundation of bassist David Menestres, balancing experience in free improvisation and compositional music to create an exciting hybrid, a chamber collective of tumult and control.
Polyorchard
Red October [CASSETTE w/DOWNLOAD]
(Out and Gone Music)
Polyorchard founder and double bassist David Menestres leads the quartet of Jeb Bishop on trombone, Shawn Galvin on percussion, and Laurent Estoppey on saxophone, using skills drawn from both improvisation and compositional music to present six free dialogs showing intent listening amongst the four as they create complex, interweaving, sophisticated statements; impressive!
Lisbon String Trio with Luiz Rocha
Akuanduba
(Creative Sources)
The 4th collaboration for Portugal's Lisbon String Trio of Ernesto Rodrigues on viola, Miguel Mira on cello, and Alvaro Rosso on double bass, with Brazilian clarinetist based in Barcelona Luiz Rocha, all captured live at Casa dos Bicos, Fundacao Jose Saramago, in Lisbon in 2017 for free improvisation that maintains a calm center amidst seething and commanding playing.
Lisbon String Trio with Blaise Siwula
K'ampokol Che K'aay
(Creative Sources)
One of the most active albums from the set of Lisbon String Trio (plus one) albums released in 2017, saxophonist Blaise Siwula brings a unique virtuosity to this live album from Galeria Monumental in Lisbon, prompting at times a chamber jazz feeling, alongside very free improvisation with impressive transitions from spacious to highly detailed playing.
Lebegue, Francois / Guillaume Gargaud / Ernesto Rodrigues / Eduardo Chagas
Sound Bridge
(Creative Sources)
Chrysakis, Thanos
Subterranean Sky
(Aural Terrains)
Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in five movements based on field recordings, synthesized, and acoustic instrumental sounds.
Rodrigues, Ernesto / Michael Thieke / Guilherme Rodrigues / Carlos Santos
Kreis
(Creative Sources)



Customers Who Bought This Item Also Bought:
Carter, Daniel / Steve Swell / Federico Ughi
Concrete Science
(577 Records)
Ughi, Federico / Gene Janas / Daniel Carter
People's Resonance
(577 Records)
Carter, Daniel / William Parker / Federico Ughi
Navajo Sunrise
(Rudi Records)
One of a pair of complementary CDs (Navajo Sunrise and Navajo Sunset) this 2010 trio recording of a live performance at Area Sismica, Ravaldino in Monte, Italy between Daniel Carter on alto sax & piano, William Parker on bass & shakuhachi and Federico Ughi on drums, is a solid example of the sensitivity and collaborative power of the Downtown NY creative jazz scene.
Carter, Daniel / Federico Ughi
Extra Room
(577 Records)
After years of collaboration through New York's Downtown scene, multi-reed & wind player Daniel Carter (also on piano) and drummer Federico Ughi recorded this 2012 studio album, their 3rd duo album together and a great example of their spontaneously lyrical give and take, ability to anticipate each other's momentum, and the deep jazz roots that each brings to their music.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC