The Squid's Ear Magazine


Schindler, Udo / Ernesto Rodrigues / Guilherme Rodrigues : Mycelial Studies [2 CDs] (Creative Sources)

Two complete live performances in Munich at Galerie arToxin, and at Udo Schindler's Salon fur Klang + Kunst Krailing in 2018, with Schindler on bass clarinet, soprano saxophone and cornet, Ernesto Rodrigues on viola, and Guilherme Rodrigues on cello, balancing active and introspective dialog of advanced harmonics, (a)rhythmic approaches, and extraordinary technique.
 

Price: $22.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Udo Schindler-bass clarinet, contra bass clarinet, soprano saxophone, cornet

Ernesto Rodrigues-viola

Guilherme Rodrigues-violoncello


Click an artist name above to see in-stock items for that artist.




UPC: 609063405941

Label: Creative Sources
Catalog ID: cs594
Squidco Product Code: 27603

Format: 2CDS
Condition: New
Released: 2019
Country: Portugal
Packaging: Cardboard Gatefold
CD 1 recorded live at Galerie arToxin in Munich, Germany on June 28th, 2018, by Gottfried Duren.

CD 2 recorded live at the 85th Salon fur Klang+Kunst Krailing/Munich, Germany on June 29th, 2018, by Udo Schindler.

Descriptions, Reviews, &c.

"Sometimes the legendary abundance of Creative Sources releases can be a double-edged sword. While it does warrant the awareness of diverse lexicons introduced by artists of varying renown and extraction, the risk is also high of overlooking precious stones amidst the mass. Mycelial Studies - staged on June 28 and 29, 2018 in Munich by Udo Schindler (bass clarinet, soprano saxophone and cornet), Ernesto Rodrigues (viola) and Guilherme Rodrigues (cello) - potentially belongs in that category. The concerts are now immortalized on a 2-CD set comprising about 130 minutes of music that appears surrounded by a halo of importance (for lack of a better word).

""""

The latter trait is suggested by several factors. To begin with, Schindler and the Rodrigueses exude rigorousness, reflected in each fragment of what they play. The trio acts as seriously as a speechless gathering of monks prior to a ritual. The most crucial aspect in such a typology of performance is the capacity of dissecting the timbral grain to collect every penny of substance and gravity. The inquisitive listener perceives individual notes, the superimpositions and permutations, and - naturally - the resulting impulsive counterpoint. But even in the parts where the propagations of tones and phrases promotes severe intricacy, the original silence from which everything comes is always discernible. You can feel the molecules in the air before they start to vibrate after the triggering gesture.

""""

Having said that, there are moments that literally verge on dramatic, the parallelism of urgencies pushing the interplay towards areas of (still elegant) pre-explosiveness. Three men dance barefoot in between strident clusters, serpentine lines, sharp harmonics. In total control of dynamics and pigmentations, their ears are perennially perked up to catch the infinitesimal motion. The marriage of chronic arrhythmia and imperturbable atonality symbolizes the sort of equality/equanimity only achievable through a dispassionate analysis of the problems presented by a conversation. However, where regular folks inevitably fall - namely, placing the ego firmly in charge in a growingly pointless chit-chat - musicians at this level of perception keep indicating methods for fortifying a healthy rationalism, without forgetting the necessary visionary hues."-Massimo Ricci, Touching Extremes


Get additional information at Touching Extremes

Artist Biographies

"Udo Schindler is a German improvisation musicians (bass clarinet, contrabass clarinet, saxophone, flute, cornet, also accordion, guitar, percussion, analog synthesizer) and architect. Schindler was active in the 1970s in Franconia first as rock and rock jazz musician before he had flute lessons at the conservatory Nuremberg. Subsequently, he studied architecture at the Technical University of Munich and worked as an architect. In the 1990s he turned to contemporary music (Arch.Ensemble) and improvised music (Schindler.Interferenz.3). In addition to the single tube instruments (saxophones and clarinets), he studied the cornet. In addition to his sound research, he also worked as a director, performer, musician and composer for various theater productions. In the following years he performed with solo and duo projects at new music festivals (Musica Viva, Klangaktionen, etc ...), jazz, experimental music, among others. This led to collaborations with musicians like Hubert Bergmann, Gerry Hemingway, Eddie Prevost, Sebi Tramontana, Georg Wissel, John Russell, Blaise Siwula, Frank Gratkowski, Hans Koch, Urs Leimgruber, Elisabeth Harnik, Katharina Weber and Frank Paul Schubert. In addition to his activities in solid cast he initiated in Munich a series of concerts to free improvisation in ad hoc to test instrumentation."

-Wikipedia (translated by Google and Squidco) (https://de.wikipedia.org/wiki/Udo_Schindler)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD1



1. Artoxin_1st Mycelium 13:58

2. Artoxin_2nd Mycelium 9:19

3. Artoxin_3rd Mycelium 13:04

4. Artoxin_4th Mycelium 13:11

5. Artoxin_5th Mycelium 12:59

6. Artoxin_6th Mycelium 10:01

CD2



1. Salon_1st Mycelium 16:18

2. Salon_2nd Mycelium 7:42

3. Salon_3rd Mycelium 11:44

4. Salon_4th Mycelium 7:50

5. Salon_5th Mycelium 8:35

6. Salon_6th Mycelium 8:51

Related Categories of Interest:


Creative Sources
Improvised Music
Jazz
Free Improvisation
European Improvisation and Experimental Forms
Trio Recordings
Staff Picks & Recommended Items

Search for other titles on the label:
Creative Sources.


Recommended & Related Releases:
Other Recommended Releases:
Schindler, Udo / Damon Smith / Jaap Blonk
The Munich Sound Studies Vol 2 & 3
(FMR)
Refined and free ranging improvisation between German reedist Udo Schindler performing on bass clarinet, tenor & sopranino saxophones and also on cornet, and US double bassist Damon Smith, recorded 3 days after the first volume in this series, presenting two sets from the same day of informed and diverse dialogs between two masterful improvisers.
Schindler, Udo / Damon Smith / Karina Erhard
The Munich Sound Studies Vol 1
(FMR)
Performing at the Gottfried Duren/arToxin at Galerie ar Toxin in 2019, the trio of Udo Schindler on clarinet, bass clarinet & alto horn, Damon Smith on double bass, and Karina Erhard on C flute & alto flute present a sophisticated set of free improvisations with a chamber improv feeling, using tremendous technique and intent listening through six fascinating dialogs.
Kita, Naoki / Guilherme Rodrigues / Naoto Yamagishi
S/T
(Creative Sources)
The trio of Portuguese cellist Guilherme Rodrigues, Japanese percussionist Naoto Yamagish currently residing in France, and Japanese violinist Naoki Kita, active in improvisation and contemporary fields in Portugal and Berlin, met in Saitama, Japan at Barber Fuji to record these open conversations integrating extraneous noise and incidental instrumental sounds.
Schindler / Kepl
Fabulierblattchen
(Creative Sources)
Track titles are borrowed from Friederike Mayröcker for their "concentrated word acrobatics and linguistic sensuality", and apt analogy to the duo of Udo Schindler on clarinets & cornet, and Irene Kepl on violin, who are recorded live at the 95th Salon für Klang+Kunst Krailling in Munich, 2019, in a set of 9 delicately virtuosic dialogs that use extended and unusual techniques.
Schindler, Udo / Masako Ohta
Music In Space
(Creative Sources)
Tokyo pianist Masako Ohta, who works in both compositional and improvisation fields and here perform inside and out of the piano, met mutli-instrumentalist Udo Schindler, here on clarinets and alto horn, as part of the art exhibition by Philp Fischer Ulrich: "monitorobjekte" at Salon fur Klang+Kunst, in Krailling/Munich, Germany in 2019.
Rodrigues / Torres / Mira
Setubal
(Creative Sources)
A live performance at Casa da Cultura during the "Creative Sources Cycle" in 2020, capturing an extended acoustic improvisation between Ernesto Rodrigues on viola, Nuno Torres on alto saxophone, and Miguel Mira on cello, using restrained approaches to deceptively detailed dialog of magnificent technique, as they sonically describe the Setúbal Inlet near Lisbon.
Schindler, Udo
PNEUMA_Sax+Erde
(FMR)
Reedist and mutli-instrumentalist Udo Schindler's first instrument was a soprano sax, and this solo concert at Atelier Ekkelancj Götze in Munich in 2018 brings to the foreground his 40 years of experience, advanced technique, and creative approach to this capricious and demanding instrument, performing a 2-part free-form "PNEUMA-Sax+Erde" and an encore.
Williams, Ed
Solos
(Creative Sources)
Guitarist Ed Williams, active in the experimental music scene of Marseille, France, is heard here in two concerts presenting a triptych of solo performances on bowed classical and electric guitar, improvised with no effects, with two parts on electric guitar recorded at the concert series "Aux Soirs Du Chercheur De Noises", the 2nd, "Spectrum, NY" on classical guitar.
Rodrigues, Ernesto / Yu Lin Humm / Philippe Trovao / Pedro Frazao / Andre Hencleeday / Ryoko Imai
Percolation
(Creative Sources)
Subtle acoustic improvisation from a global set of improvisors--Yu Lin Humm on cello, Pedro Frazao on euphonium, Ryoko Imai on marimba, percussion, Andre Hencleeday on piano, Philippe Trovao on tenor saxophone, and Ernesto Rodrigues on viola--in an attentive and tension-filled single movement, each player adding and reacting as ideas percolate and subsume.
Schindler, Udo / Masako Ohta
Kaiyushiki Teien
(Creative Sources)
SALON fur Klang + Kunst multi-reedist Udo Schindler met Japanese pianist Masako Ohta at Mohrvilla, Munchen/Freimann, Germany in 2017 to record this extended live improvisation, bringing Schindler's free jazz and non-idiomatic styles together with Ohta's contemporary classical background, in an intently educated and fascinating merging of styles and approaches.
Rodrigues, Ernesto / Denis Sorokin / Guilherme Rodrigues
Loneliness In Saint-Petersburg
(Creative Sources)
Fragile and understated with long spacious sections, the trio of Ernesto Rodrigues on viola, harpsichord, e-bow guitar and field recordings, Guilherme Rordrigues on cello, and Denis Sorokin on ukelele and pitch pipes, distill the sense of isolation amid patient motion through the red city, sections defined by cars passing and augmented with birds; peaceful and beautiful.
Munchen Neus (Schindler, Udo / Gunnar Geisse / Anton Kaun)
superGau
(FMR)
A single extended improvisation from the trio of Udo Schindler on reeds, brass & analogue synthesizer, Gunnar Geisse on laptopguitar & virtual instruments, and Anton Kaun on electronics, zeug & effects recorded live at Das Lihotzky/wagnis ART, in Munchen, Germany in 2017, a journey of odd intent, brilliant technique, eccentric attitude, and unorthodox dialog.
Munchen Neus (Schindler, Udo / Gunnar Geisse / Anton Kaun)
Gau
(FMR)
A set of unusual and wonderfully unpredictable electroacoustic improvisations recorded live at the Akustronik#18 concert at Projektraum Streitfeld (Munich) in 2017 from the trio of Udo Schindler performing on reeds, brass & analogue synthesizer; Gunnar Geisse performing on laptopguitar & virtual instruments; and Anton Kaun performing on electronics, zeug & effects.
Houben / Rodrigues / Rodrigues
The Haecceity Of Things
(Creative Sources)
A mysterious album of viola, viola d'amore, organ, and field recordings, merging the compositional minimal approach of Wandelweiser artist Eva-Maria Houben with Creative Sources performers Ernesto & Guilherme Rodrigues, the field recordings creating a virtual setting of environmental stillness, evoking slow motion in the unique "thisness" of haecceity.
Bistre (Muller / Rodrigues / Wong)
As We Read Along...
(Creative Sources)
A trio of free improvisers recording five detailed and subdued dialogs in the studio, from trombonist Matthias Muller (Splitter Orchester), cellist Guilherme Rodrigues, and guitarist Eric Wong, collective improvisation guided by long pointillistic passages that converge into lyrical focal points, a profound example of concentrative discourse.
Munich Rat Pack (Schindler / Kolb / Tramontana)
Hell Dunkel: Sound Notes For Wind Trio Plus
(FMR)
Live recordings from Pollat-Pavillion in Munich, Germany in 2015 from this seriously fun spontaneous collective improvising trio of Udo Schindler on reeds, cornet, euphonium, and monophonic analogue synthesizer, Philipp Kolb on trumpet, tuba and live electronics, and Sebastiano Tramontana on trombone, voice and whistling; expect the unexpected!
Rodrigues / Rodrigues / Santos
Cyclic Symmetry
(Creative Sources)
Recorded in the studio in 2017, "Cyclic Symmetry" presents an electroacoustic trio of Ernesto Rodrigues on viola, Guilherme Rodrigues on cello, and CS mainstay Carlos Santos on field recordings, in a minimal work suggested to be heard on infinite loop, contrasting deep silence with sections accenting the slow, interwining harmonics of both Rodrigues' string work.



Customers Who Bought This Item Also Bought:
Feldman, Morton (Judith Wegmann)
Triadic Memories [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
The second of four connected solo piano works by Morton Feldman, Triadic Memories is about that reality, the acoustic space created by the piano's strings and soundboard, as Feldman attempted to expand the temporal frame of his music, heard here in Judith Wegmann's 2019 recording, where thThe second of four connected solo piano works by Morton Feldman, Triadic Memories is about the acoustic space created by the piano's strings and soundboard, as Feldman worked to expand the temporal frame of his music, heard her in Judith Wegmann's 2019 studio recording where that space is revealed by a magnificent Bosendorfer 280VC piano.at space is revealed by a magnificent Bosendorfer 280VC piano.
TEST / Roy Campbell
TEST / Roy Campbell
(577 Records)
A live recording from 1999 at Hint House in Harlem of TEST, led by Tom Bruno on drums with Matthew Heyner on bass and Sabir Mateen on alto & tenor sax, flute & clarinet, joined by Daniel Carter on alto & tenor sax, trumpet & flute, the set recorded by Matt Motel who captures the essence of this freewheeling band who brought their music not only to jazz clubs, but also to the street and subway.
Sharp, Elliott / Sergio Sorrentino
Spilla'
(ANTS Records)
'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.
Fisher, Colin Quartet
Living Midnight
(Astral Spirits)
Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.
Paraskevopoulos, Villy / Uli Winter / Fredi Proll
Live at artacts `19 / St. Johann
(Creative Sources)
Austrian improvisers Ulit Winter (cello) and Fredi Pröll (drums) meet Greek-born pianist Villy Paraskevopoulos at Artacts '19, in St. Johann in Tirol, Austria in 2019 for these two superb extended free improvisations with a chamber/non-idiomatic approach, Paraskevopoulos performing inside and out of the piano, in technically impressive and well-balanced dialogs.
Bishop, Jeb / Matthias Muche
Duo
(Creative Sources)
Two trombones free improvising in the studio in Koln from the Duo of Chicago's Jeb Bishop and Cologne's Matthias Muche, both members of the trombone trio Bone-Crusher with Matthias Muller, this album recorded in the studio in Koln just before Bone-Crusher's "Konzert Fur Hannes" (NotTwo), elucidating this facet of the trio in 10 insightful dialogs of awesome technique and wit.
Variable Geometry Orchestra
Mare Tranquillitatis
(Creative Sources)
A dynamic and exciting concert captured during the 2018 CreativeFest XII of a conduction by Ernesto Rodrigues leading an ensemble of 28 free improvisors performing on a mix of traditional acoustic & modern electronic instruments, plus a toy piano, with powerful wind & string sections, as Rodrigues directs the musicians into both passionate and peaceful sections.
Dunston, Nick
Atlantic Extraction
(Out Of Your Head Records)
Brooklyn-based composer, bassist, and writer Nick Dunston in his debut album, blending jazz, contemporary, chamber and avant forms, in a uniquely voiced quintet with Louna Dekker on Vargas on flutes & piccolo, Ledah Finck on violin & viola, Tal Yahalom on guitar, and Stephen Boegehold on drums, in a sophisticated album of concisely fascinating compositions.
PEK Solo
Closed & Open Universes [2 CDS]
(Evil Clown)
Evil Clown mastermind David Peck (PEK) in a double album of solo work, 1st pure solo, then in a long work accompanied by his own prepared mixes, using clarinets, saxophones, English horn, goat horn, tarota, bamboo, Chistmas & alto flutes, slide whistles, sheng, Melodica, Akai Wind controller, moog subsequent, gongs, brontosaurus & tank bells, Englephone, and delay.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC