The Squid's Ear Magazine


Nakatani, Tatsuya / Shane Parish: Interactivity (Cuneiform)

The second album for the duo of Japanese avant percussionist living in New Mexico Tatsuya Nakatani and Asheville, NC guitarist Shane Parish (Ahleuchatistas), recorded live at Static Age Records during Nakatani's extensive 2018 tour, finding both players intensely involved in their dialog, through highly interactive and deeply reflective passages.
 

Price: $15.45


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Tatsuya Nakatani-percussion

Shane Parish-guitar


Click an artist name above to see in-stock items for that artist.




UPC: 045775046921

Label: Cuneiform
Catalog ID: Rune 469
Squidco Product Code: 29242

Format: CD
Condition: New
Released: 2020
Country: USA
Packaging: Jewel Case
Recorded at Static Age Records in Asheville, North Carolina on June 10th, 2018, by Dylan Jordan.

Descriptions, Reviews, &c.

"Tatsuya Nakatani is an avant-garde percussionist and composer, active internationally since the 1990's; Nakatani tours extensively, performing over 150 concerts a year. He teaches master classes and lectures at universities and music conservatories around the world. Originally from Japan, he has lived in the United States for a quarter century and he makes his home in the desert town of Truth or Consequences, New Mexico. Nakatani creates his distinctive music centered around his adapted bowed gong, in consort with his hand-carved Kobo Bow both of which are also supported by an array of drums, cymbals, and singing bowls. Within this framework of contemporary / avant-garde / improvisational work, one can still recognize the dramatic pacing, formal elegance and space ('ma') felt in traditional Japanese music.

Shane Parish is a guitarist from Asheville, North Carolina, who is known for his work fronting the electric and aggressive, avant-technical duo Ahleuchatistas, who mix influences of jazz, progressive rock, avant-garde, and experimental to create a unique sound, and who have toured internationally, releasing 8 albums released on Tzadik, International Anthem and Cuneiform. He is simultaneously known for his dexterious, finger-style acoustic guitar work, informed by Americana masters such as Fahey and Basho but also reflecting his own wide range of musical interests as well as his continuing study of folksongs from all over the world.

Interactivity is the second album by the duo. The master percussionist and guitarist have been collaborating for nearly a decade, performing improvised duets in Parish's hometown, whenever Nakatani's annual world tour brought him through the Appalachian Mountain town. Both musicians are lifers, committed to advancing their respective crafts, and the passage of time has allowed their musical growth to push their collaboration to new heights and possibilities. Interactivity was recorded in performance at Static Age in late spring, 2018 and finds both players at the top of their game in a live setting, featuring telepathic communication, deep listening, texture, and explosive energy."-Cuneiform


Artist Biographies

"Tatsuya Nakatani. Acoustic Sound Artist, Master Percussionist. b. 1970, Osaka Japan

Tatsuya Nakatani is an acoustic sound artist and master percussionist originally from Osaka, Japan. He has released over eighty recordings in North America and Europe. Residing in the USA since the mid-nineties, he has performed countless solo percussion concerts and has collaborated with hundreds of artists in international music festivals, university concert halls, art museums and independent venues. Infamous for his constant touring, Nakatani criss-crosses the country every year inspiring audiences with his pioneering sound. In addition to his solo performances, he conducts the Nakatani Gong Orchestra (NGO), a mobile community engagement project which organizes local ensembles performing on multiple bowed gongs.Nakatani teaches master classes and workshops at universities, giving students an opportunity to share his unique musical approach and philosophy for creating visceral, non-linear music.

He has created his own instrumentation, effectively inventing many instruments and extended techniques. Utilizing drums, gongs, cymbals, singing bowls, wooden sticks, metal objects, and the bows and mallets he handcrafts in his Kobo; he creates an intense, intuitively primitive, expressive music that defies genre. His work references improvised-experimental music, free jazz, and noise, while still retaining the sense of space and beauty found in traditional Japanese folk music."

-Tatsuya Nakatani Website (http://www.hhproduction.org/tatsuya_bio.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Shane Parish is a guitarist residing in Asheville, North Carolina, who spends much of his time developing his unique voice on the instrument. A self-taught musician, his teenage years were spent improvising and writing original music with friends. Later he taught himself to read music, studied theory, and learned classical guitar, jazz and folk styles. His sound simultaneously draws from the guitar's rich history and aims for its future. He communicates through emotion, unexpected melodicism, technical whimsy, a nuanced sense of form, and rich timbral variety.

Parish is known for his work fronting the electric duo Ahleuchatistas, described by The Wire Magazine as "...knotty, instrumental rock that blends punk, prog, jazz, non-Western music and improv into something exhilarating and even awe-inspiring." Other media who have had their say about Ahleuchatistas include Pitchfork ("possessed of many moments of beauty and mayhem"), National Public Radio ("the kind of musical tug-of-war that sounds as jagged as it is graceful"), and The New York Times ("music of upfront physicality and twitchy intent"). Their 2004 album, The Same and the Other, (re-issued in 2008 on Tzadik Records) was described by NYC composer John Zorn as "one of the most intense documents of compositional rock complexity ever recorded," and "a cult rock masterpiece." The project has toured internationally and released albums on Tzadik, International Anthem and Cuneiform Records.

Parish is also known for his dexterous, finger-style acoustic guitar work, informed by American masters such as Mississippi John Hurt and Elizabeth Cotten, Brazilian masters such as Luiz Bonfa and Bola Sete, Spanish masters such as Fernando Sor and Francisco Tarrega, jazz masters such as Jim Hall and Charlie Christian, to name but a few. Avant Music News described Parish as "one of the most consistently innovative finger-picking acoustic guitarists in a generation." His 2016 breakthrough solo acoustic album, Undertaker Please Drive Slow, was released on Tzadik records, placing him in the company of such celebrated guitar soloists as Marc Ribot, Tim Sparks, Derek Bailey, and Bill Frisell. Of this recording, Marc Ribot wrote "Shane Parish is one of the most interesting new guitar voices to come out of the country blues tradition of Mississippi John Hurt, Lighting Hopkins..."

Parish continues to release recordings of public domain folk music. In 2019 he self-released a 147-song album entitled The Fireside Book of Folk Songs, consisting of his unique takes on hymns, sea shanties, work songs, and folk ballads. His original composition, "Leicester Hwy", was included in the 2019 Tompkins Square guitarist compilation, Imaginational Anthem, curated by Ryley Walker.

As a collaborative free improvisor, Parish has performed and recorded with many creative musicians, and has released duo albums with trumpeter Jacob Wick, percussionists Tatsuya Nakatani and Frank Rosaly, and guitarists Wendy Eisenberg and Tashi Dorji. This work has been featured in Downbeat Magazine, Bomb Magazine, The Wire and more.

He has recently begun incorporating his voice into his performances, adding a layer of sound and narrative.

He is a sought-after educator, and a musician for hire."

-Shane Parish Website (http://www.shaneparish.com/#about)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Threadbare 12:34

2. Sightlines 10:11

3. Embarkation 21:13

Related Categories of Interest:


Improvised Music
Free Improvisation
Duo Recordings
Percussion & Drums
Guitarists, &c.
Cuneiform

Search for other titles on the label:
Cuneiform.


Recommended & Related Releases:
Other Recommended Releases:
Nakatani, Tatsuya / Kris Tiner
Dagny
(Nakatani-Kobo)
An extended improvisation in two parts at Dagny's Coffe Company in Bakersfield, CA: first a solo performance by Japanese percussionist Tatsuya Nakatani in a sweeping sonic manifestation of bowed gongs, cymbals, bass drums and objects, which then continues as a duo with trumpeter Kris Tiner for an exhilaratingly peak of adept brass excitement ending in a pensive reflection.
Nakatani, Tatsuya / Shawn Hansan / Michal Stover / Jeff Harshbarger
Kansas City Ship
(Nakatani-Kobo)
One of four releases from percussionist Tatsuya Nakatani's 2019 tour, each from a different region and performing with local improvisers, this spectacular concert recorded at The Ship, in Kansas City, MO with Shawn Hansan on organ & sunthesizer, Michal Stover on pedal steel guitar and Jeff Harshbarger on contra bass for a diverse, extended collective improvisation.
Nakatani, Tatsuya / Kawabata Makoto
Reverse Fault
(Acid Mothers Temple)
Recording at percussionist Tatsuya Nakatani's studio Nakatani-Kobo in Truth or Consequences, New Mexico and at Acid Mother's Temple guitarist Kawabata Makoto's studio in Asuka, Nara, Japan, the duo continue their collaborations honed through live touring and various improv configurations, generating incredible seismic sonics through unusual use of their instruments.
Nakatani, Tatsuya
Yama Yaki
(Nakatani-Kobo)
Recorded in his home state of New Mexico, Japanese percussionist Tatsuya Nakatani presents a 46 minute continuous improvisation of acoustic percussion, a perfect reflection of his solo performance sets, Nakatani alternating between extremely rapid interactions and reflective and atmospheric environments, always creative and quick-witted through staggeringly impressive playing.
Nakatani Gong Orchestra
Live Concert At Silo City
(Nakatani-Kobo)
A full scale concert of Tatsuya Nakatani's Gong Orchestra with 15 performers bowing and striking Nakatani's collection large gongs under the conduction of Nakatani, recorded at the Silo City performance space in Buffalo, NY in 2017 in a rich, deep and mysterious album of large tones using the natural resonance of the Marine A Grain Elevator.
Nakatani, Tatsuya
Present Presence
(Nakatani-Kobo)
Percussionist Tatsuya Nakatani presents thirteen pieces that take the listener on an expedition in the modern use of percussion, beautifully paced with rich sound, unexpected harmonic properties, fascinating punctuation, a mesmerizing journey.
Nakatani / Perlowin
Anatomy of a Moment
(Nakatani-Kobo)
Percussionist Tatsuya Nakatani in a duo with Ahleuchatistas guitarist Shane Perlowin, who complements Nakatani's intuitive percussive work with arpeggiated grooves and intricate guitar work, to create introspective and ardent works of music and sound.
Tsahar, Assif / Tatsuya Nakatani
I Got It Bad
(Hopscotch Records)
The third collaboration from the duo of Israeli saxophonist Assif Tsahar and Japanese percussionist Tatsuya Nakatani, an amazing journey in tone and rhythm from two kindred spirits through 20 short, inventive, and stunning improvisations.
Nakatani / Fells / Nicholson / MacDonald / Davidson
Aporias (Nakatani / Fells / Nicholson / MacDonald / Davidson)
(Creative Sources)
N.R.A.
untitled
(H&H Production)



Customers Who Bought This Item Also Bought:
Fujii, Satoko / Otomo Yoshihide
Perpetual Motion
(Ayler Records)
Expanding their instruments into sonic sculpture, this first meeting between acclaimed Japanese improvisers Satoko Fujii, performing inside and out of the piano, and electric guitarist Otomo Yoshihide, demonstrates their incredible compatibly as heard in these live recordings at Tokyo's Pit Inn, part of an annual festival organized by Fujii & trumpeter Natsuki Tamura.
Nakatani, Tatsuya / Donald Miller / Rob Cambre / Emmalee Sutton
Moisant Stock Yards
(Nakatani-Kobo)
A recurring trio in New Orleans between touring percussionist Tatsuya Nakatani and guitarists Rob Cambre (Malevitus, Rough Seven, The Death Posture) and Donald Miller (Borbetomagus) performing at Mudland Public Theatre in 2018 for two extended, gritty and ringing exchanges.
Nakatani, Tatsuya / Kyle Motl
Quicksand
(Nakatani-Kobo)
Innovative Japanese percussionist Tatsuya Nakatani met with bassist Kyle Motl (Peter Kuhn Trio) at Nakatani Kobo Studio, in New Mexico to record these two extended improvisations, the 1st creating an aural environment through ringing metal and bowed contrabass, the 2nd a set of agitated and disruptive interactions through incredible technical skill and expressive dialog.
Burnett, Aaron
Correspondence
(Relative Pitch)
Promo copy with line thru bar code.
Johnson, Max
Hermit Music
(Unbroken Sounds)
An extraordinary set of solo double bass improvisations captured in the warm Booklyn Conveyor Recording Studio, Johnson showing his strength with his fingers on the large strings or a bow in his hand, in five turbulent and superb solos under reflection of personal struggles and the strain of pandemic, bringing a new sense of self and determination to his playing.
Wooley, Nate
Seven Storey Mountain VI
(Pyroclastic Records)
Composer & trumpeter Nate Wooley presents the 6th composition of his SSM series exploring music's ability to bring catharsis and ecstatic release to the performers and listeners, in a large ensemble of 11 musicians and voice, in a stunningly sophisticated large work of modern orchestration through acoustic and electronic/amplified instruments; a masterwork.
Moritz / Ali / Costa
Estuary
(Neither/Nor Records)
After having collaborated in a variety of contexts for a few years, in 2017 Jonathan Moritz, Sean Ali and Carlo Costa started to perform regularly as a trio, over time honing a distinctive sound, using space through patient development, abstraction and textural playing and central tenets in their jazz-influenced improvisations, here in their first album.
Ulher, Birgit / Franz Hautzinger
Kleine Trompetenmusik
(Relative Pitch)
Translating to "Little Trumpet Music", the duo of trumpeters Birgit Uhler and Franz Hautzinger, Uhler also performing on radio & objects, use extreme techniques and approaches to their improvisations, focusing on extraneous sounds from their instruments in enigmatic and captivating ways, expansively defining reductionism in masterfully idiosyncratic ways.
Thing, The (Gustafsson / McPhee / Haker Flaten / Nilssen-Love)
She Knows...
(ezz-thetics by Hat Hut Records Ltd)
Named for a Don Cherry composition included on this album, the core trio of The Thing--Mats Gustafsson on reeds, Ingebrigt Haker Flaten on bass, and Paal Nilssen-Love on drums--is joined by saxophonist and pocket trumpter Joe McPhee, recording classic free jazz and harmolodic pieces by Don Cherry, Ornette Coleman, James Blood Ulmer, Frank Lowe, & Joe McPhee.
Nakatani, Tatsuya
Monochrome
(self-released)
As much a solo percussion album as a collection of large-scale compositions, Tatsuya Nakatani created hundreds of recordings of his collection of gongs, meticulously capturing each instrument's voice and arranging them into seven large works, maintaining the character of each instrument as material for these wonderfully dramatic and resonant works of silence, space and texture.
TEST / Roy Campbell
TEST / Roy Campbell
(577 Records)
A live recording from 1999 at Hint House in Harlem of TEST, led by Tom Bruno on drums with Matthew Heyner on bass and Sabir Mateen on alto & tenor sax, flute & clarinet, joined by Daniel Carter on alto & tenor sax, trumpet & flute, the set recorded by Matt Motel who captures the essence of this freewheeling band who brought their music not only to jazz clubs, but also to the street and subway.
Ballister
Znachki Stilyag
(Aerophonic)
The tenth year of the working and touring international Ballister trio of Dave Rempis on alto & tenor saxophones, Fred Lonberg-Holm on cello & electronics, and Paal Nilssen-Love on drums & percussion, here in an outrageously powerful yet explorative concert at Dom Cultural Center, in Moscow, Russia in 2019, a fierce example of what this band is capable of.
Reid, Tomeka / Joe Morris
Combinations
(RogueArt)
New York and Chicago string improvisers combine for an album of dense abstractions through individual lines that weave between the two players, briefly combining then moving off to independent methods, as guitarist Joe Morris and cellist Tomeka Reid meet in a Brooklyn studio to record ten improvisations, including one each dedicated to their home cities.
Davies, Rhodri
Telyn Rawn
(Amgen Records)
Dating back to the 13th century in Wales, the Telyn Rawn is a nearly forgotten horsehair harp; UK improvising harpist Rhodri Davies researched the instrument and its unique sound, commissioning the construction of a harp on which he performs 18 improvisations of impressive technique and sonority, launching his new Amgen Records label with this album named for the instrument.
Kahn, Jason / Christian Wolfarth
Spirits [VINYL]
(Editions)
The 2nd release from Jason Kahn, here on voice and resonator guitar, with Christian Wolfarth on Chinese Cymbal, an antique marching snare and objects, recorded after a series of concerts across Europe in the fall of 2019, Kahn applying a percussionist's perspective to his guitar by playing it as a lap slide, as the two invoke an unusual incantatory spirit from their improvisations.
Brotzmann, Peter / Lonberg-Holm, Fred
Memories Of A Tunicate
(Relative Pitch)
While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC