The Squid's Ear Magazine


Mahanthappa, Rudresh: Hero Trio (Whirlwind)

Turning his attention from original compositions to the music of his heroes--Ornette Coleman, Stevie Wonder, Keith Jarrett, Johnny Cash, John Coltrane & Charlie Parker--saxophonist Rudresh Mahanthappa turns in an upbeat and exuberant album of standards performed in a trio with bassist Francois Moutin and drummer Rudy Royston.
 

Price: $14.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Rudresh Mahanthappa-alto saxophone

Francois Moutin-acoustic bass

Rudy Royston-drums


Click an artist name above to see in-stock items for that artist.




UPC: 630808828775

Label: Whirlwind
Catalog ID: CD-WWR-4760
Squidco Product Code: 29415

Format: CD
Condition: New
Released: 2020
Country: UK / EU
Packaging: Digipack
Recorded at Sound on Sound Studios,at Montclair, New Jersey, on January 24 and 25, 2020, by David Amlen.

Descriptions, Reviews, &c.

"In the chordless trio tradition of tenor saxophonist Sonny Rollins on A Night At The Village Vanguard (Blue Note, 1957) and alto saxophonist Lee Konitz with his Motion (Verve, 1961), alto saxophonist Rudresh Mahanthappa offers up his Hero Trio, a saxophone, bass and drums outing nodding to his influential musical heros.

Mahanthappa began his career in the shadow of Vijay Iyer, playing on the pianist's Panoptic Modes (Red Giant, 2001), Blood Sutra (Pi Recordings, 2003), and Reimagining (Savoy Jazz, 2005). But he blew out of that shadow with excellent recordings under his own name like Mother Tongue (Pi Recordings, 2004) and CodeBook (Pi Recordings, 2006) and consistently successful forays into incorporating the music of his ancestral India into his sound. His searing and propulsive tone on the alto sax is distinctive. Listen blindfolded and five notes in you know who it is, whether it's inside Arturo O'Farrill's Latin Afro Jazz Orchestra or on Bob Belden's Miles From India project, or on one of Vijay Iyer's sets or one of his own.

The sound of his Hero Trio, with bassist Francois Moutin and drummer Rudy Royston, breaks out with a loose-jointed distinction, too. A companion piece of sorts to Mahanthappa's 2015's Bird Calls (ACT Records), which featured the alto saxophonist's original compositions inspired by the work of the ever-inspirational Charlie Parker. Hero Trio is Mahanthappa's first recording of non-original works. It pays tributes to more of his heros: Stevie Wonder, Ornette Coleman, Keith Jarrett, Johnny Cash, John Coltrane, and, again, Charlie Parker, opening and closing the disc with Parker tunes-"Red Cross" and "Dewey Square," respectively.

The sound is free and lively, the up-tempo tunes seeming like a soundtrack to video of major league hitters trying to hit the impossible and unpredictable wobble of an incoming knuckleball. Long, lanky hitters, lots of knee and elbows and flailing bats, seasoned pros engaged in a difficult task with a contortionist's grace, Mahanthappa's alto tracing the flight of the ball, bass and drums goosing the batters into their rubbery attempts.

Freedom from the chords and a collective gusto gives the music a rollicking, loose-jointed feeling. The opener, "Red Cross," is a joyful, bursting-with-life assault. "Barabados/26-2," puts Parker and Coltrane together, in a menacing mode, like a squall rolling in off the ocean.

The group takes on some standards with "I Can't Get Started" and "I'll Remember April," the former a lassitudinous dirge, the latter a burner that could fit in on Mahanthappa's previously-mentioned Codebook.

Then there's the Johnny Cash hit, "Ring Of Fire," saying there's no reason why you can't take the music seriously and have some fun at the same time. The trio plays it straight, with a bounce in its step, perhaps a tongue in its cheek, shining a new light on the sound that evolved out of Sun Records."-Dan Mcclenaghan, All About Jazz

Also available on vinyl LP.
Get additional information at All About Jazz

Artist Biographies

"Born in Trieste, Italy to Indian émigrés in 1971, Mahanthappa was brought up in Boulder, Colorado and gained proficiency playing everything from current pop to Dixieland. He went on to studies at North Texas, Berklee and DePaul University (as well as the Stanford Jazz Workshop) and came to settle in Chicago. Soon after moving to New York in 1997 he formed his own quartet featuring pianist Vijay Iyer. The band recorded an enduring sequence of albums, Black Water, Mother Tongue and Codebook, each highlighting Mahanthappa's inventive methodologies and deeply personal approach to composition. He and Iyer also formed the duo Raw Materials.

Coming deeper into contact with the Carnatic music of his parents' native southern India, Mahanthappa partnered in 2008 with fellow altoist Kadri Gopalnath and the Dakshina Ensemble for Kinsmen, garnering wide acclaim. Apti, the first outing by Mahanthappa's Indo-Pak Coalition (with Pakistani-born Rez Abbasi on guitar and Dan Weiss on tabla), saw release the same year; Agrima followed nine years later and considerably expanded the trio's sonic ambitions.

Mahanthappa has also worked with Jack DeJohnette, Mark Dresser, Danilo Pérez, Arturo O'Farrill's Afro-Latin Jazz Orchestra, the collaborative trios MSG and Mauger, the co-led quintet Dual Identity with fellow altoist Steve Lehman, and another co-led quintet with fellow altoist and Chicago stalwart Bunky Green (Apex). His exploratory guitar-driven quartets on Samdhi and Gamak featured David Gilmore and Dave "Fuze" Fiuczynski, respectively. In 2015 he was commissioned by Ragamala Dance to create Song of the Jasmine for dancers and a hybrid jazz/South Indian ensemble. He was also commissioned by the PRISM Saxophone Quartet to compose a chamber piece, "I Will Not Apologize for My Tone Tonight," which can be heard on the quartet's 2015 double-disc release Heritage/Evolution, Volume 1."

-Rudresh Mahanthappa Website (https://www.rudreshm.com/about)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Francois Moutin was born in Paris. His early interest in music was encouraged by his parents. At age 5, Francois began studying guitar, then piano by age 11. The acoustic bass became his most lasting passion as a teenager. Also studying mathematics and physics, Francois received a college degree in engineering and earned a doctorate in physics at the age of 24. Then he elected to become a professional musician.

Three years later, as a member of the legendarey Martial Solal's Trio, Francois was recognized as one of the finest young bass players in Europe. At 29, he began co-leading the Quintet Moutin with his twin brother Louis, a top echelon Jazz drummer. This project has evolved into the Moutin Reunion Quartet. With this band, the brothers are touring extensively around Europe and the United States. The third album of the Moutin Reunion Quartet "Something Like Now" (after "Power Tree" and "Red Moon"), was released in September 2005.

When he was still living in Paris, Francois worked non-stop with the greatest musicians of this age : Martial Solal, Michel Portal, Antoine Herve, Daniel Humair, André Ceccarelli, Eric Lelann, Jean-Michel Pilc, Christian Escoude. He has also performed with Peter Erskine, Randy Brecker, Niels Lan Doky, Mino Cinelu, Dave Liebman, John Abercrombie, Toots Thielemans, Didier Lockwood, Larry Schneider, Aldo Romano, James Moody, Terry Lyne Carrington, Richard Galliano, Bernard Lubat, Aaron Scott, George Brown, Sunny Murray, Michel Legrand, Archie Shepp, Claude Nougaro, Trilok Gurtu, Bob Berg, Birelli Lagrene, Wladimir Kosma, Marius Constant, Markus Stockhausen, L'ensemble Inter Contemporain. François has performed in every important European Jazz Festival, and he has toured in over 30 countries around the world.

In November 1997, Francois moved his base to New York where he has found steady work in live performance and studio sessions with the premier artists on the New York Jazz Scene. A partial list of their names reads like the yellow pages of Jazz : Franck Wess, Jimmy Heath, Monty Alexander, Benny Powell, Don Alias, Mike Stern, Lew Soloff, Steve Kuhn, Joe Locke, Billy Hart, Jeff Tain Watts, Victor Lewis, Billy Drummond, Richie Beirach, Dave Liebman, Oliver Lake, Harry Belafonte, Odean Pope, James Hurt, Ari Hoenig, Jean-Michel Pilc, Rick Margitza, Franck Kimbrough, Joel Frahm, Greg Tardy, Gene Jackson, Dave Binney, Rudresh Mahanthappa, Vijay Iyer, Adam Rogers, David Gilmore, Ben Monder, John Hart, Billy Drews, Jamie Haddad, Steve Hass Bob James... Francois has also recorded and performed with Arab Music star Simon Shaheen. He is a familiar presence on the stages of such establishments as Sweet Rhythm, Jazz Standard, Birdland, Village Vanguard, Blue Note, Knitting Factory, Zinc Bar, Jazz Gallery, Tonic, Smoke, Lincoln Center, Town Hall, New York Symphony Space, Museum of Modern Art. François has also appeared in some major Jazz Festivals around the coutry like Newport JVC Jazz Festival, Bell Atlantic Jazz Festival in New York, Freihoffer Jazz Festival in Saratoga Spring, Detroit Jazz Festival, Monterey Jazz Festival, San Francisco Jazz Series, or Kansas City Jazz Festival."

-Francois Moutin Website (https://www.moutin.com/Francois.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

A native of Ft. Worth, Texas, Rudy Royston was raised in Denver, Colorado. He began playing drums and percussion as a toddler, playing in church and along with an eclectic array of LPs his siblings would have on rotation. The youngest of five, Royston attributes his musical interests and palate to his siblings and parents. Rudy's older brothers and sister were avid listeners of all genres of music, his mother a constant support, and his father the supervisor of shipping at an established children's percussion instrument making company. Rudy's brothers would expose him to a myriad of music, and his father would bring home slightly damaged percussion instruments. As a result, Rudy grew up surrounded by bongos, rhythm sticks and xylophones, recorders, metallophones, glockenspiels, drums and many other percussion instruments. In the fourth grade, with his mother's ceaseless support, Rudy began studying music more formally, beginning his studies in reading and writing music. He continued his music studies through middle and into high school-receiving some training on viola and tenor saxophone as well.

While a sophomore in high school, Rudy attended the Telluride Jazz Camp in Telluride, Colorado on scholarship, where he studied jazz drum set for the first time with Duffy Jackson and Ed Soph. It was then Rudy knew he would pursue music the rest of his life. He began studying classical and jazz repertoire, as well as marching percussion, rising to achieve membership into topnotch city and state-wide high school ensembles.

Rudy went on to study marching percussion, classical percussion and Jazz Performance at University of Northern Colorado, Metropolitan State College of Denver, and University of Denver. Rudy graduated with honors from University of Denver, where he received Bachelor of Arts degrees in Music and Poetry. He later received K-12 teaching credentials from Metropolitan State College of Denver.

While in college, Rudy began playing with well-regarded trumpeter Ron Miles, whom Rudy deems his greatest teacher and music mentor. Now a major figure in the Denver music scene, Rudy performed with some of Colorado's finest artists such as Fred Fuller, Dale Bruning, Laura Newman, Fred Hess, Dotsero, Leslie Drayton, Joe Keel, Nelson Rangell and Bill Frisell-with whom he still plays.

Upon graduating college, Rudy went on to play and record in the gospel, alternative rock and jazz scenes in Denver and around the United States. He taught music 10 years in public schools before relocating to the east coast in 2006 to pursue graduate studies in music at Rutgers University, Mason Gross School of the Arts, studying jazz percussion with the great Victor Lewis. Rudy quickly integrated into the New York music scene, performing with world-renowned artists such as Javon Jackson, Bill Frisell, Les McCann, David Gilmore, Ben Allison, Jason Moran, JD Allen, Sean Jones, Jeremy Pelt, Greg Osby, Jennifer Holiday, Tia Fuller, Ravi Coltrane, Ralph Bowen, Bruce Barth, George Colligan, Don Byron, Stanley Cowell, Tom Harrell, John Ellis, Jenny Scheinman, John Patitucci, Dave Douglas, Branford Marsalis, Rudresh Mahanthappa and The Mingus Big Band, to name a few. A lover of all genres of music, Rudy continues to expand his horizons as he gains increasing recognition in the world of Jazz.

-Rudy Royston Website (http://www.rudyroyston.com/html/about.php)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Red Cross 6:38

2. Overjoyed 6:43

3. Barbados/26-2 6:41

4. I Can't Get Started 5:31

5. The Windup 4:42

6. Ring of Fire 3:57

7. I'll Remember April 5:46

8. Sadness 3:08

9. Dewey Square 2:43

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
Melodic and Lyrical Jazz
Jazz & Improvisation Based on Compositions

Search for other titles on the label:
Whirlwind.


Recommended & Related Releases:
Other Recommended Releases:
Douglas, Dave
Overcome [VINYL]
(Greenleaf Music)
Beginning with a reimagining of the Civil Rights anthem "We Shall Overcome", trumpeter Dave Douglas' album is an emotional and powerful statement of human engagement towards justice--Racial justice; Climate justice; Voting justice; Gender justice--performed with Ryan Keberle on trombone, Fay Victor on voice, Camila Meza on voice, guitar, Jorge Roeder on bass and Rudy Royston on drums.
Greene, Burton / Guillaume Gargaud
Magic Intensity
(Chant Record)
Renowned pianist and composer Burton Greene joins French composer and improvising guitarist Guillaume Gargaud performing on acoustic guitar, for four duo improvisations recorded at Tilo's Ark, in Weesp, The Netherlands in 2019, in crisp & often rapid dialog that uses space and reflective moments well, the duo joined by Tilo Baumheier on flute for three pieces.
Carter, Daniel / William Parker / Federico Ughi
The Dream [VINYL + DOWNLOAD]
(577 Records)
This album was developed to present Daniel Carter, typically a wind/reed/trumpeter player, on an album that included his piano playing, which then advanced by adding the goal of both Carter and long-time collaborator, drummer Federico Ughi, to record with bassist William Parker, who rounds out this excellent trio on bass, tuba and shakuhachi.
Wooley, Nate
Argonautica
(Firehouse 12 Records)
Trumpeter Nate Wooley's major 3-part work makes oblique reference to dodecaphony, ambient tape music, and the minimalist rock of Terry Riley, conceived as a tribute to Wooley's mentor Ron Miles, who performs alongside Devin Gray & Rudy Royston (drums), Cory Smythe & Jozef Dumoulin (piano).
Dresser, Mark Quintet
Nourishments
(Clean Feed)
Double bassist Mark Dresser's first Quintet album in almost 20 years, innovative modern jazz from the impressive ensemble of Rudresh Mahanthappa (saxophone), Michael Dessen (trombone), Denman Maroney (hyperpiano), and Tom Rainey or Michael Sarin (drums).
Mahanthappa, Rudresh and Bunky Green
Apex
(Pi Recordings)
A blazing collaboration between alto saxophonists Rudresh Mahanthappa and Bunky Green in an all-star band with pianist Jason Moran, bassist Francois Moutin and drummers Damion Reid and Jack DeJohnette.
ElSaffar, Amir
Two Rivers
(Pi Recordings)
NY based Iraqi-American trumpeter ElSaffar in an emotionally charged work that invokes ancient Iraqi musical traditions and frames them in a modern jazz setting.



Customers Who Bought This Item Also Bought:
Fefer, Avram Quartet
Juba Lee
(Clean Feed)
From post/hard bop to African-influenced spiritual jazz, the 2nd release from saxophonist & clarinetist Avram Fefer's quartet with Marc Ribot on guitar, Eric Revis on bass and Chad Taylor on drums swings freely or finds introspective grooves in nine original Fefer compositions of rich melodies around unusual time signatures, yielding extraordinary soloing and group interplay.
Goncalves, Luisa
Unno
(Clean Feed)
A rich and lyrical album of solo piano improvisation from Lisbon-based Portuguese pianist Luísa Gonçalves, improvised yet merging elements of contemporary compositional music into beautiful and graceful forms that she reveals in a contemplative and pensive mood, savoring her notes and progressions while allowing melody to come forward in sophisticated ways.
Cortex (Hoyer / Nilssen / Alberts / Johansson)
Legal Tender
(Clean Feed)
Seriously joyful and consequential "avant-garde party music" from the Norwegian Cortex quartet of Ola Hoyer on double bass, Gard Nilssen on drums & percussion, Kristoffer Berre Alberts on saxophone, and Thomas Johansson on trumpet, in their 6th album of irresistible, upbeat free jazz.
Lencastre / Nuno / Faustino / Valinho
Anthropic Neglect
(Clean Feed)
Three heavy "Concept" pieces of electric jazz from the quartet of Lisbon saxophonist José Lencastre, electric bassist Felipe Zenicola (from Rio de Janeiro, Brazil), drummer João Valinho and Jorge Nuno, a guitarist generally associated with psychedelic rock, as the band slowly seethes through a brew that flirts with rock and 70s fusion in unique ways.
Mateen, Sabir / Patrick Holmes / Federico Ughi
Survival Situation
(577 Records)
Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.
Wooley, Nate
Seven Storey Mountain VI
(Pyroclastic Records)
Composer & trumpeter Nate Wooley presents the 6th composition of his SSM series exploring music's ability to bring catharsis and ecstatic release to the performers and listeners, in a large ensemble of 11 musicians and voice, in a stunningly sophisticated large work of modern orchestration through acoustic and electronic/amplified instruments; a masterwork.
Toyozumi, Sabu / Rick Countryman / Simon Tan / Isla Antinero / Stella Ignacio
The Search for the Five Senses
(Sol Disk Records)
Recorded during Sabu Toyozumi's first collaboration with Rick Countryman in 2017, this album features music from the same nights that produced Jya-Ne and Center of Contradiction: 6 tracks from an August 11th quintet performance with voice and trombone, and electric bass; plus 2 tracks from the following night in a trio format with acoustic bass.
Schubert / Schlippenbach / Blume
Forge
(Relative Pitch)
"Merge" aptly describes the nearly telepathic interplay between these three European Free Improv masters -- Alexander von Schlippenbach on piano, Frank Paul Schubert on alto & soprano saxophones, and Martin Blume on drums -- recorded live in 2019 at Ruhr Jazz Fest, in Bochum, Germany, for an expansive 47 minute improvisation and a brief "Forgin the Work" conclusion.
Ayler, Albert
Spirits Rejoice & Bells Revisited
(ezz-thetics by Hat Hut Records Ltd)
Revisiting two of the most essential and influential albums of saxophonist Albert Ayler's discography, both recorded in 1965 — Spirits Rejoice in a sextet and Bells in a quintet — both drawing from some of NY's finest players including Charles Tyler, Henry Grimes, Gary Peacock, Sunny Murray, Donald Ayler and Lewis Worrell, properly remastered to showcase Ayler's stunning conceptions in free jazz.
Kowald, Peter Quintet
Peter Kowald Quintet
(Corbett vs. Dempsey)
First ever CD reissue of the only band under bassist Peter Kowald's own name, remastered; originally released by FMP in 1972, this is exemplary European Free Jazz from one of the orignal innovators in a quartet with Peter Kowald on tuba, bass, & alphorn, Gunter Christmann and Paul Rutherford on trombones, Peter van der Locht on alto saxophone, and Paul Lovens on drums.
Kaze (Fujii / Tamura / Pruvost / Orins) w/ Ikue Mori
Sand Storm
(Libra/ Circum-Disc)
The cooperative quartet Kaze of Satoko Fujii on piano, Peter Orins on drums, Christian Pruvost on trumpet, Natsuki Tamura on trumpet, joins with elextroacoustic improviser Ikue Mori for seven exploratory pieces recorded in the studio after a one-week tour in Austria, France, and Russia, their enthusiasm for their extraordinarily unique group sound clearly evident.
Gato Libre (Tamura / Fjuii / Kaneko)
Koneko
(Libra)
The 8th album from Gato Libre with compositions from trumpeter Natsuki Tamura in a trio with Yasuko Kaneko on trombone and pianist Satoko Fujii here on accordion, Koneko translating to "Kitten", as Tamura explores 8 new cats from strays to shop cats through deceptively simple pieces of melodic appeal of warm color, tone & texture; absolutely charming.
Parker, Evan / Agusti Fernandez
Tempranillo
(Listen! Foundation (Fundacja Sluchaj!))
Reissuing this astonishing 1995 studio recording, capturing the first encounter between two legendary free jazz performers--UK saxophonist Evan Parker on tenor and soprano saxophones and pianist Augustí Fernández--in an 8-part dialog of mercurial speed balanced with moments of passionate introspection, resissued with new mastering, restoring this essential meeting.
Butcher, John / Thomas Lehn / Matthew Shipp
The Clawed Stone
(RogueArt)
Matthew Shipp (piano), John Butcher (saxophones) and Thomas Lehn (electronics) in a studio album recorded in France in 2017, a uniquely voiced collective trio of transformative improvisation, Lehn's additions and modifications blending perfectly with Shipp's solid foundations and Butcher's advanced technical expression, for an engrossing and expressive set of recordings.
Ballister
Znachki Stilyag
(Aerophonic)
The tenth year of the working and touring international Ballister trio of Dave Rempis on alto & tenor saxophones, Fred Lonberg-Holm on cello & electronics, and Paal Nilssen-Love on drums & percussion, here in an outrageously powerful yet explorative concert at Dom Cultural Center, in Moscow, Russia in 2019, a fierce example of what this band is capable of.
Schlippenbach Quartet
Three Nails Left
(Corbett vs. Dempsey)
Remastered and with the original cover, the expanded Schlippenbach Trio of pianist Alexander Von Schlippenbach, saxophonist Evan Parker on soprano & tenor, drummer/percussionist Paul Lovens, and German double bassist Peter Kowald, a stellar group captured in two incredibly inventive concerts at Third New Jazz Festival Moers and at Quartier Latin in 1974 & 1975.
Graves, Milford / Don Pullen
The Complete Yale Concert, 1966
(Corbett vs. Dempsey)
Originally issued in two volumes on their own SRP Records in 1966 & 67 as In Concert At Yale University and Nommo, the duo of drummer/percussionist Milford Graves and pianist Don Pullen are heard live in in this excitingly energetic and revelatory concert at Yale University, redefining the roles of their instruments during the most exploratory period of free jazz.
Hemingway, Gerry / Barre Phillips / Michael Moore
Slips
(Ramboy)
The first four pieces of a concert at Splendor Performance Space in Amsterdam in 2019 by the free improvising trio of Michael Moore on alto sax, clarinets & bird whistles, Barre Phillips on bass, and Gerry Hemingway on drums & percussion, three open-minded and masterful improvisers who balance free jazz forms and non-idiomatic approaches with a chamber sensilbility.
Stirrup + 6 (Lonberg-Holdm / Macri / Rumback)
The Avondale Addition
(Cuneiform)
The Stirrup trio of cellist Fred Lonberg-Holm, Nick Macri (bass), and Charles Rumback (drums) is merged with improvisers from Lonberg-Holm's Lightbox Orchestra project--Keefe Jackson & Mars Williams on reeds, guitarist Peter Maunu, violist Jen Clare Paulson, trumpeter Russ Johnson & Zoots Houston on electronics -for this compelling structured performance at Elastic Arts.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC