Music inspired by artist, teacher, writer and civic protestor Robert Henri (1865-1929) who in the early 1900s exhibited against the restrictive academic requirements of the National Academy of Design, from the free improvising trio of bassist Michael Bisio, Kirk Knuffke on cornet and Fred Lonberg-Holm on cello & electronics, in a mix of Bisio compositions and collective improvisations.
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Sample The Album:
Michael Bisio-bass
Kirk Knuffke-cornet, soprano cornet
Fred Lonberg-Holm-cello,electronics
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UPC: 825481505321
Label: ESP-Disk
Catalog ID: ESPDISK 5053CD
Squidco Product Code: 30377
Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Digipack
Recorded at Lone Pine Road, in Kingston, New York, on September 24, 2018, by Eli Winograd.
"Bassist Michael Bisio, cornetist Kirk Knuffke and cellist Fred Lonberg-Holm anchor a trio project that lives from improvisation. The Art Spirit, now out on the ESP-Disk label, is the follow up to Requiem For A New York Slice (Iluso Records, 2019). The music was inspired by the American painter Robert Henri, one of the organizers of a landmark show called 'The Eight', and consists of three Bisio compositions and five collective improvisations.
Besides leading their own groups, the members of this trio have been essential to many other groups and projects. The New York bassist has been working alongside Joe McPhee, Matthew Shipp and Ivo Perelman; the Colorado-born cornetist enriches the sound of Michael Formanek's Ensemble Kolossus, Matt Wilson Quartet and, more recently, James Brandon Lewis' Red Lily Quintet; while the Chicagoan cellist worked with Peter Brötzmann, Steve Swell and the amazing avant-jazz unit Vandermark 5.
"Not a Souvenir of Yesterday", the opening track and first improvisation to appear on the album, has weighty bass lines meshing with incisive cello threads, creating a perfectly audible convolution that swings while letting the cornetist loose on it.
Other improvised phenomenons that caught my ear are "Both Keys Belong to You" and "Like Your Work As Much As". On the former, the trio sculpts and paints with impressionistic ostinatos, free rambles and buzzing drones, with the ending sounding much like a written theme statement in which Knuffke has the word. The latter tune, on the other hand, plunges straight into a swinging flow that inspires not only Knuffke - who boasts exact phrasing, snappy articulations and extended technique - but also a fantastic integration of electronics devised by Lonberg-Holm.
Bisio's compositions encompass several moods, and if "R.henri" combines bowed strings and cornet cries to express a flow of mournful vulnerability, then "Orange Moon Yellow Field" gives the impression of amorphousness through an offbeat interlocking of the instruments. "Things Hum" presents a pizzicato dance of bass and cello for a start, and then, on a constant drive, finds space for a chamber section twisted by bowed strings and muted cornet.
Some invocations are catchier than others, but in this bubbling modern creative stew there's a lot of abstraction and clarification as well as tension and release to keep you tuned."-Filipe Freitas, Jazz Trail
Get additional information at Jazz Trail
Artist Biographies
• Show Bio for Michael Bisio "Michael Bisio, bassist/composer, has eighty five recordings in his discography, twenty four of these are split evenly between leader/co-leader, ten of them document his extraordinary association with modern piano icon Matthew Shipp. Michael has been called a poet, a wonder and one of the most virtuosic and imaginative performers on the double bass. Nate Chinen in the New York Times writes : "The physicality of Mr. Bisio's bass playing puts him in touch with numerous predecessors in the avant-garde, but his expressive touch is distinctive;..." As a composer Michael has been awarded nine grants and an Artist Trust Fellowship Collaborators include Matthew Shipp, Joe McPhee, Charles Gayle, Connie Crothers, Whit Dickey, Ivo Perelman, Barbara Donald, Newman Taylor Baker, Rob Brown, Sonny Simmons and Sabir Mateen." ^ Hide Bio for Michael Bisio • Show Bio for Kirk Knuffke "Cornetist and Composer Kirk Knuffke is the winner of Downbeat Magazine's "Rising Star"critics poll for 2015. A recipient of the Jerome Foundation composers grant, Kirk has released 15 recordings as a leader or co-leader. "One of modern jazz's most skilled navigators of the divide between inside and outside, freedom and swing", he has "full command of his most demanding instrument" - All About Jazz. Kirk placed in the top five in the World in the El Intruso critics poll and was one of 6 nominees for Trumpeter of the year by the Jazz Journalist Association. Matt Wilson, Allison Miller, Butch Morris, Uri Caine, Michael Formanek, and many more have hired him as a sideman for over 60 recordings, he has been called "One of New York City's busiest musicians" - New York Times. Knuffke has been based in NYC since 2005. Shortly after his arrival Knuffke began playing with Butch Morris, this friendship resulted in 4 recordings and several European tours. Kirk joined the celebrated Matt Wilson Quartet in 2009, recording "Gathering Call" (Palmetto) featuring John Medeski and touring each year. 2016 brought Matt Wilson's "Beginning of a memory" Palmetto, which received 5 stars in Downbeat Magazine. Michael Formaneks "The Distance" ECM was also awarded 5 stars this year. Knuffke also plays in "Sifter" with Mary Halvorson and Wilson, Ideal Bread, Allison Miller's "Boom Tic Boom", Todd Sickafoose's "Tiny Resistors" and groups led by Ray Anderson, Uri Caine, Mark Helias, Bill Goodwin, Karl Berger and Ted Brown to name a few. "Arm and Hands" a recent release garnering praise from every major Jazz publication as 4 Stars in Downbeat magazine review and Sunday New York Times. The Following CDs "Little Cross" Steeplechase records and "Lamplighter" Fresh Sound Records have also received much praise. Kirk Has had feature articles in Downbeat Magazine, Jazz Times, Germany's "Sonic", and Denmark's "JazzSpecial" among others." ^ Hide Bio for Kirk Knuffke • Show Bio for Fred Lonberg-Holm "Fred Lonberg-Holm (born 1962) is an American cellist based in Chicago. He relocated from New York City to Chicago in 1995. Lonberg-Holm is most identified with playing free improvisation and free jazz. He is also a composer of concert works. As a session musician and arranger, he is credited on many rock, pop, and country records. Lonberg-Holm currently leads the Valentine Trio, with Jason Roebke (bass) and Frank Rosaly (drums). This jazz trio performs original compositions as well as tunes by both jazz composers (e.g. Sun Ra) and pop songwriters (e.g. Jeff Tweedy, Syd Barrett). The group released its first album Terminal Valentine, in 2007, which was reviewed by AllAboutJazz critic Nils Jacobson. He coordinates and directs performances of his Lightbox Orchestra, an improvising ensemble with a flexible, ever-changing membership. Lonberg-Holm does not play an instrument in this group, but rather conducts its non-idiomatic improvisations via the "lightbox" and by holding up handwritten signs. The lightbox contains a light bulb for each musician which Lonberg-Holm switches on or off to suggest when they should play. Collective groups of which Lonberg-Holm is a member include Terminal 4 who released an album, in 2003, called When I'm Falling that received four and a half stars, and AMG Album Pick by Allmusic, and it was reviewed by Allmusic's Joslyn Layne, The Boxhead Ensemble, Pillow, the Lonberg-Holm/Kessler/Zerang trio (with Kent Kessler and Michael Zerang), and the Dörner/Lonberg-Holm duo (with Axel Dörner). Among groups led by other people, he is a member of the Vandermark 5, the Joe McPhee Trio, the Peter Brötzmann Chicago Tentet, Keefe Jackson's Fast Citizens, and Ken Vandermark's Territory Band. When he lived in New York, Lonberg-Holm frequently collaborated with the rock group God Is My Co-Pilot pianist and composer Anthony Coleman as well as multi-instrumentalist Paul Duncan of Warm Ghost. In Chicago, he has worked with Jim O'Rourke, Bobby Conn (on "Llovessonngs" [1999] and "The Golden Age" [2001]), The Flying Luttenbachers, Lake Of Dracula, Wilco, Rivulets, Mats Gustafsson, Sten Sandell, Jaap Blonk, John Butcher, and a great many others. Lonberg-Holm's concert works have been premiered by William Winant, Carrie Biolo, the Austin New Music Co-Op, Subtropics Ensemble, Duo Atypica, the Schanzer/Speach Duo, New Winds, Paul Hoskin, Kevin Norton, the E.S.P. Ensemble, and others. His scores for dance have been performed at the Brooklyn Academy of Music and Dance Theater Workshop as well as many other venues. He is a former composition student of Anthony Braxton and Morton Feldman. He performed improvised music in the role of a troubled composer who finds inspiration in the love of a couple he spots on the street in a short film for the Playboy channel." ^ Hide Bio for Fred Lonberg-Holm
11/20/2024
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11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Not a Souvenir of Yesterday 5:10
2. r. henri 7:49
3. Both Keys Belong to You 11:17
4. Use Them 6:51
5. Orange Moon Yellow Field 5:35
6. Things Hum 5:04
7. Like Your Work As Much As 11:01
8. A Dog Likes to Gnaw a Bone 9:08
Improvised Music
Jazz
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Trio Recordings
Collective Free Improvsation
NY Downtown & Metropolitan Jazz/Improv
Chicago Jazz & Improvisation
ESP
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