The Squid's Ear Magazine


Rousay, Claire: A Collection [2 CDs] (American Dreams Records)

Exploring the earliest work of Claire Rousay, from her performances as a solo drummer and then transitioning into a musique concrete/new music composer, the 1st CD collecting Rousay's favorite drumming cuts, sequenced into a large single composition, the 2nd CD beginning with percussion work as Rousay adds voice, sonic & field recorded material to create a monumental composition.
 

Price: $19.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Claire Rousay-percussion, electronics, voice


Click an artist name above to see in-stock items for that artist.




UPC: 618119855192

Label: American Dreams Records
Catalog ID: CD-ADR-28
Squidco Product Code: 30538

Format: 2 CDs
Condition: New
Released: 2021
Country: USA
Packaging: Cardboard Gatefold
Recorded in San Antonio, Texas, at Matador Recording Studios by Tommy Munter, and Claire Rousay; in Saint Louis, Missouri, by Claire Rousay.

Descriptions, Reviews, &c.

"Over the last four or five years, Rousay's made a lot of music - frankly, it can be hard to know where to start. A Collection is American Dreams Records's attempt to showcase her music prior to a softer focus - an origin primer, beginning with her recordings as a solo drummer and the ensuing transition into musique concrete/new music composer.

A Collection clocks in at about two hours and fifteen minutes and boasts thirteen songs, split over two CDs. Rousay selected her favorite drumming cuts to fill the first CD and did the same with musique concrete/new music for the second.

On disc one, scattershot, frenetic percussion compositions like 'All,' 'Tusk,' and 'Good Set' share space with more constant drumming pieces like 'Virulence.'

Disc two often maintains the use of percussion, but even at the outset on 'Things I Doubt You'd Care About,' we hear Rousay's vocals - sometimes spoken, sometimes whispered. We begin to find light melodic content, a shrill drone frequency, her now-staple field recordings, and voice-to-text like on 'I'm Not A Bad Person.' Want to find where Claire Rousay begins? Look no further. "-American Dreams Records


Artist Biographies

"Claire Rousay is a performer and musician based in San Antonio, Texas. Her work explores queerness, human relationships, and self perception through the use of physical objects and their potential sounds.

Rousay has recently performed with Alex Cunningham, Brandon Lopez, Carol Genetti, Ingebrigt Haker-Flaten, Jacob Wick, Ken Vandermark, Lisa Cameron, Lori Goldston, Michael Foster, Sarah Hughes, Tom Carter, and others.

She has toured extensively across North America, booking 220 dates in 2017 alone. In 2018 she participated in the Sonic Transmissions Festival and NMASS Festival as well as performed at venues such as the Tobin Center for Performing Arts, Casa del Popolo, and Issue Project Room. Her work also received support from the Foundation for Contemporary Arts. 2019 has rousay participating in various residencies and concert series performances at places such as Experimental Sound Studio, Elastic Arts, RhizomeDC, and Beaubourg (NOLA)."

-Claire Rousay Website (https://clairerousay.com/about)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD1



1. All 00:43

2. Tusk 00:19

3. Good Set 05:45

4. Virulence 08:17

5. Clocked 08:59

6. Neuter 13:12

7. It Is Just 09:55

8. So Much More Difficult 19:31

CD2



1. Things I Doubt You'd Care About 16:38

2. For Theo, Erik, Meghan & Alex 17:21

3. A Moment In St. Louis 11:19

4. October 3rd 18:09

5. I'm Not A Bad Person 06:47

Related Categories of Interest:

Improvised Music
Percussion & Drums
Electronic Forms
Organized Sound and Sample Based Music
Field Recordings
Unusual Vocal Forms
Electroacoustic Composition
New in Experimental & Electronic Music

Search for other titles on the label:
American Dreams Records.


Recommended & Related Releases:
Other Recommended Releases:
Good, Kevin
Slow, Silent, Singing
(Edition Wandelweiser Records)
The centerpiece of composer Kevin Good's "Slow" series is this evening-length glockenspiel solo, performed by San Diego based glockenspiel player Michael Jones, the composition of slow, melodic fragments that are increasingly permeated by swathes of silence of increasing length, exploring how the expressivity of the melodies are perceived and framed by these silences.
Costa, Carlo
Silos
(Neither/Nor Records)
While on vacation in Rome in 2018, NY percussionist Carlo Costa took his portable recorder inside a grain silo in the countryside north of the city, eschewing traditional percussion for found bricks, pipes, rocks and branches found nearby, recording in the resonance of the silo with the sounds of cicadas and other ambiance permeating the silo as he unfolds this engrossing, thoughtfully paced improvisation.
Weston, Matt
Sparky 1 [CASSETTE]
(7272music)
Matt Weston (Arthur Brooks Ensemble V, Arc Pair) initiates a series of limited cassette releases with this solo album, seven works of percussion using traditional and idiosyncratic percussive sources with a pensive pace and somewhat irascible attitude, each piece fully notated and executed live in the studio, using a similar aesthetic to link each work.
Murayama, Seijiro
Mi-Tai
(Ftarri / Hitorri)
Eight improvised performances on percussion from Paris-based drummer/percussionist Seijiro Murayama recorded in 2019 using acoustic sources from snare drums, mallets, brushes, voice, steel tables, gong and voice, captured in four locations around France and in Mishima City, Japan, each exploring new compositional methods and ways to improvise within them.
Durand, Werner
Schwingende Luftsaulen 3
(ANTS Records)
A beautifully hypnotic album of wind music, especially on the Pan-Ney, an instrument developed by Berlin composer Werner Durand, along with electronics and a piece using the talking drum as performed by Marika Falk, presenting early works from the 1990s that bridge both improvisation and composition with an embraceable sound that reveals underlying complexity.
Mitzlaff, Ulrich
Transparent - fluorescent sound fibres
(Creative Sources)
German cellist and pianist living in Lisbon, Ulrich Mitzlaff recorded these two solo works titled "transparent — fluorescent sound fibers" #1 & #2 in 2015 and 2020, each voiced for extended and unusual instrumental technique in an interaction with percussive objects, the first from 2015 performing on cello, the second from 2020 performed on piano.
Nakatani, Tatsuya
Monochrome
(self-released)
As much a solo percussion album as a collection of large-scale compositions, Tatsuya Nakatani created hundreds of recordings of his collection of gongs, meticulously capturing each instrument's voice and arranging them into seven large works, maintaining the character of each instrument as material for these wonderfully dramatic and resonant works of silence, space and texture.
Gregoretti, Francesco
Solid Layers, Deafening Shapes
(Toxo Records)
A solo percussion album from Francesco Gregoretti, employing traditional instruments and unusual object to create unique audio environment that use predictable rhythmic elements against capricious approaches, giving his playing a personal style fueled by resonance and natural feedback; an album that balances chaotic and structured environments in riveting ways.
Rogers, Erin
Dawntreader
(Relative Pitch)
Performing on saxophones and cymbal, the debut album from NY-based Canadian-American composer, saxophonist, and performance artist Erin Rogers uses multiphonics, vocalization, circular breathing, and inciting of outer resonance to add layers of complexity to her gripping improvisations, which she describes as "No electronics, no bandmates, no composers... just me + dark room + 2 saxophones".
Osborne, Brian
Decorous Novelties
(Heat Retention Records)
Using metal, glass, wood, and plastic, percussionist Brian Osborne (The Gate, Hatchers) offers twelve tracks of interweaving layers of simplicity and complexity, clarity and haze, many pieces initiating with deceptive simplicity and insinuating themselves in unique ways, all performed live in the studio and presented with no overdubs or affects.
Lingens, Hannes
Pieces For Percussion [VINYL]
(Umlaut Records)
Compositions for percussion from Berlin drummer and accordionist Hannes Lingens (Musaeum Clausum, Antoine Beuger, Lucio Capece, &c), composed over six years, each using a restricted set of materials, instrument or instrument type, Lingens performing solo, and as a duo and quartet using overdubs, employing microphone techniques for detail and ambiance.
Costa, Carlo
Oblio
(Neither/Nor Records)
New York-based Italian percussionist and Neither/Nor label leader Carlo Costa in a solo percussion album of two pieces using drum set, concert bass drum, singing bowls, bells, triangles, wood blocks, tiles, styrofoam, cymbals, violin bows, marbles, chains, knives, and other objects, creating fascinating alien soundscapes of momentous activity without histrionics.
Fischerlehner, Rudi
15 8 Slum
(Not Applicable)
Austrian drummer percussionist Rudi Fischerlehner (RM, Xenofox, Parrot Feathers, &c) in his first solo album of energetic, polyrhythmic construction, titled for a chance proximity to a note on 15/8 rhythms and Rene Pollesch's book "www-slums", apt for the blend of precise playing and creative abstractions heard in this engaging and propulsive album.



Customers Who Bought This Item Also Bought:
Three-Layer Cake (Mike Pride / Mike Watt / Brandon Seabrook)
Stove-Top
(Rarenoise Records)
Circumventing pandemic lockdowns, the trio of Brandon Seabrook on guitar, banjo & tapes, Mike Pride on drums, marimba, glockenspiel, bells & organ and Mike Watt on bass recorded their contributions in separate studios and file-shared to create this genre-merging album of free improv, rock, experimental and inexplicable forms; an inspired and seriously unique album of challenges overcome.
Cleaver, Gerald / Brandon Lopez / Hprizm
In The Wilderness
(Positive Elevation / 577 Records)
Drawn from an experimental improv performance by drummer Gerald Cleaver and bassist Brandon Lopez at 577 Records' 2019 Forward Festival, electronic artist and producer Hprizm of the Antipop Consortium took those recording to reconstruct twelve works of illusory and often surreal music, from active beat-based electronica to hazy dreamlike ambience.
Golden, Barbara
Not Dead Yet [CD]
(fo'c'sle)
Bay Area experimental music scene legend and multi-disciplinary artist Barabara Golden celebrates her 80th birthday presents works created between 1980-2020, including performances by Robert Ashley, Maggi Payne, Chris Brown, WIGband with Johanna Poethig, George Lewis, William Winant, Mary Oliver and texts by Melody Sumner Carnahan.
Myers, David Lee
Room In A Moon House
(pulsewidth)
A series of "Rooms" and related electronic environments from New York sound artist David Lee Myers, whose long running Arcane Device project runs parallel to these nearly ambient works that Myers intimates are for intimate environments, developed through deft use of Eurorack electronics, feedback, sampling and other elegant electronic processes.
Lee, Yoon-Ji
Padong
(zOaR Records)
Five compositions from Yoon-Ji Lee, whose work employs unconventional and nonlinear structures that focus on quick transformations of language, noise, texture, and tonal color, here with five works, one performed by JACK Quartet & Mivos Quaret, a work for solo Saenghwang, a solo piano work, a string quartet, and a mixed chamber ensemble.
Sharp, Elliot / Orchestra Carbon
Radiolaria
(zOaR Records)
An algorithmic composition for Elliott Sharp's Orchestra Carbon modeled on biological paradigms of growth and reproduction, recorded at Tonic in 2001 with a large ensemble of instrumentalists including Ned Rothenberg, Steve Swell, Jim Pugliese, Andy Laster, &c. and programmers and sampler performers including David Weinstein, R. Luke Dubois, and Zeena Parkins.
Noyes, Charles K.
Crimes In High Places, Part 1
(zOaR Records)
Known as a percussionist, Bay Area improviser Charles K. Noyes' first part of his Crimes In High Places is performed on electric & resonator guitars plus amplified guqin, expanding on the innovations of Derek Bailey in free-form non-idiomatic playing as he works to create a personal language on the instrument, presenting a dark and creatively foreboding vision.
Kimmel.Ali.Harris
Vivary
(Amalgam)
A diverse set of electroacoustic improvisations, including pointillistic interplay, free explorations merging contemporary compositional cues, pieces composed around specific parameters and evolving experimental soundscapes, from the Michigan trio Kimmel.Ali.Harris of Jeff Kimmel on clarinet & electronics, Ishmael Ali on cello, guitar & electronics, and Bill Harris on drums & synth.
Toyozumi, Sabu / Simon Tan / Yong Yandsen / Rick Countryman
reAbstraction
(FMR)
Malaysian tenor saxophonist Yong Yandsen joins the working trio of Sabu Toyozumi, Simon Tan, and Rick Countryman for a lively set of performances, Sabu and Countryman having met Yandsen in Kuala Lumpur several times the previous year for unrelated projects, bringing confident familiarity to their improvisations, captured here as a trio and quartet from a 3-night engagement in Manila.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC