"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

"Brought up in a musical household in Miami, 29-year-old drummer, Kenny Grohowski has been performing since the age of 14. His rich musical background is demonstrated through the growing list of his collaborators and guest artists, including Vernon Reid, Corey Unger (of Blood Has Been Shed), Emeline Michel, Peter Cincotti, Jorge Sylvester, Bobby Sanabria, Bill T. Jones, Rory Stuart, Cassandra Wilson, Richie Ray & Bobby Cruz, Giovanni Hidalgo, John Benitez, Francis Mbappe, Domingo Quinones, and Bobby Valentin.

Grohowski has been a member of bassist Lonnie Plaxico's band since 2003, and a member of Andy Milne's Dapp Theory since 2006, having come back from a successful US/Canada tour with Dapp Theory, with Highlight shows in Vancouver opening for Jazz and Bass legend, Stanley Clarke, and performed in the 2007 Latin Grammy Awards Live from Madison Square Garden with the award winning group RBD. He has appeared on several recordings, including Plaxico's hit "So Alive" [Sony, Japan]. As of 2009, Grohowski has become a new member of acclaimed Haitian singer/cultural figure Emeline Michel's Accoustic Quintet, and has also performed at the Museum of Modern Art with the Ze Luis Quartet as part of their Live Art performances. Grohowski has also toured across the United States, South America, and Europe, as well as in Australia and China with New Classical Composer Daniel Bernard Roumain (a.k.a. DBR). Kenny has also performed regularly with acclaimed bassist Felix Pastorius and his group since 2010, performing regularly at such New York City venues as Zinc Bar and The 55 Bar. Recently, Grohowski has written and recorded for Grammy Award winning Producer and Arranger Victor "Papo" Ortiz on the album "Eres Santo".

When not working with his various affiliated ensembles, Grohowski enjoys a steady and fast paced Free lancing schedule, working with many of New York City's top Jazz, Rock, and Brazilian artists, as well as a multitude of others, and has recorded on over 40 albums. [...]"

Guitarist Matt Hollenberg was born in Philadelphia, Pennsylvania and is a member of iNFiNiEN, Cleric, Cetus, and has performed with John Frum. He studied Liberal arts at Community College of Philadelphia, and lives in Brooklyn, New York.

"Anthony John Medeski (born June 28, 1965) is an American jazz keyboards player and composer. Medeski is a veteran of New York's 1990s avant-garde jazz scene and is known popularly as a member of Medeski Martin & Wood. He plays the acoustic piano and an eclectic array of keyboards, including the Hammond B3 organ, melodica, mellotron, clavinet, ARP String Ensemble, Wurlitzer electric piano, Moog Voyager Synthesizer, Wurlitzer 7300 Combo Organ, Vox Continental Baroque organ, and Yamaha CS-1 Synthesizer (a "kids' toy"), among others. When playing acoustic piano, Medeski usually plays the Steinway piano and is listed as a Steinway Artist.

Medeski was born in Louisville, Kentucky, and grew up in Florida. After studying piano as a child (starting when he was five years old), he began as a teenager to perform with musicians such as Mark Murphy and Jaco Pastorius. He attended Pine Crest School. In 1983, after graduating from high school, he began studying piano at the New England Conservatory in Boston, where he performed as a sideman with Dewey Redman, Billy Higgins, Bob Mintzer, Alan Dawson and Mr. Jellybelly. Medeski attributes his early interest in playing improvised music and jazz to listening to Oscar Peterson."