![DNS: Taking Big Bites Of The Khandas Three Cafes Deep [2 CDs] (Self Released)](https://www.teuthida.com/productImages/misc4/35334.jpg "DNS: Taking Big Bites Of The Khandas Three Cafes Deep [2 CDs] (Self Released)")
![DNS: Taking Big Bites Of The Khandas Three Cafes Deep [2 CDs] (Self Released)](https://www.teuthida.com/productImages/full/35334.Full.jpg "DNS: Taking Big Bites Of The Khandas Three Cafes Deep [2 CDs] (Self Released)")
"Long form duo improvisations using live electronics. Fluid approach to form and use of microtonal clusters inspired by David Tudor and the Dagar Brothers.""
...In Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 5.00 units
Sample The Album:
Click an artist name above to see in-stock items for that artist.
Descriptions, Reviews, &c.
Label: Self Released
Catalog ID: None
Squidco Product Code: 35334
Format: 2 CDs
Condition: New
Released: 2024
Country: USA
Packaging: Digipack
Mastered by Xopher Davidson
"Long form duo improvisations using live electronics. Fluid approach to form and use of microtonal clusters inspired by David Tudor and the Dagar Brothers.""
Track Listing:
CD 1
1. untitled 12:59
2. untitled 18:34
3. untitled 15:26
4. untitled 20:09
CD 2
1. untitled 18:47
2. untitled 11:50
3. untitled 22:40
4. untitled 23:01
In Stock, Not Yet Cataloged
Electro-Acoustic
Electro-Acoustic Improv
Improvised Music
Solo Artist Recordings
Search for other titles on the label:
Self Released.
Other Recommended Releases:
 | Lyle, Erica Dawn Colonial Motels [CASSETTE + DOWNLOAD] (Notice Recordings) |
| The former touring guitarist for Bikini Kill, who has also worked with The Raincoats and Kim Gordon, in a 2-part solo work of experimental approaches to the electric guitar, starting with minimal loops that slowly layer in intensity until reaching a climactic release and dispersal, picked up again in the second part for a unique work of noise and alien guitar soloing. | |
 | CHANGES TO blind Volume Eight: Before Birth to Expiration (Squidco Records) |
| The eighth album from the long-running CHANGES TO blind project of Phil Zampino, eight works drawing on compositions & improvisations, acoustic & synthetic instruments, field recordings & samples, with guests Levi Erik providing field recordings & voice and Wilmington, NC's 910 Noise Members of Carl Kruger, subterrene, John Bishop, Authorless and Ryan Lewis. | |
 | Barradas, Joao Solo II - Live at the Festival D'Aix-En-Prevence (Clean Feed) |
| Active in both contemporary music and as an improviser, Portuguese accordionist João Barradas is heard live at the 2022 Festival d'Aix-en-Provence in France, performing solo on a chromatic accordion, MIDI chromatic accordion and voice for an expansive, un-interrupted six-part improvisation that showcases both his technical skills and his emotional passion. | |
 | Nakamura, Toshimaru No Input Mixing Board 11 - Live In Tokyo (Input Error) |
| Four live recordings from Tokyo performances during 2021 & 2022 by No-Input Mixing Board performer Toshimaru Nakamura, the 11th in his series of albums featuring his unique approach to cross-wiring a mixer to harness the unexpected (and manufacturer's ill-advised) sounds of feedback & distortion, structuring the results into surprising and riveting sonic soundscapes. | |
 | Sguera, Luca Piano, Exploded (Shhpuma) |
| Performing on both piano and bass drum, Italian improviser & composer Luca Sguera presents six works based around the physical sounds of the piano, traditional acoustic piano progressions and rhythmic arrangements fitting the development of each piece's sound, as much sound art as piano composition through sophisticated hybrids of acoustic and sonic environments. | |
 | Lingens, Hannes Nachthund [VINYL + CD] (Umlaut Records) |
| Three recordings from percussionist Hans Lingens in his 2nd solo album on Umlaut, working at the intersection between improvised and composed forms of experimental music: "Nacht", a montage of prerecorded layers of mostly rolls and brush sounds; and two recordings in one take using close miking as he performs on a single cymbal with mallets ("Hund") and a bass bow ("Manatee"). | |
 | Silvola, Juhani Wolf Hour Roundelay (Shhpuma) |
| Finnish/Norwegian guitarist Juhani Silvola describes the music on this fascinating solo album, performed on acoustic and prepared acoustic guitars (using objects below and above the strings) and augmenting his playing with electronics & amplifiers, as "speculative sonic archaeology" or "ritual music made by a civilisation that could have stepped off the pages of a Jorge Luis Borges story. | |
 | Killick! Imbricate (Habitable Records) |
| A series of real-time improvised performances from Athens, Georgia guitarist Killick Hinds, made with strings and occasional computer augmentation, an album he describes as to date his fullest expression of the Appalachian Trance Metal/Piedmont Shaman Rock concept that he has been developing for years, these works inspired by Zaila Avant-garde, Paolo Angeli and Bali. | |
 | Pettersen, Ed The Problem With Livia (Orbit577) |
| Given the chance to perform in the dark fresco-covered room of the Emmanuel Vigeland Mausoleum and museum in Oslo, Norway, guitarist Ed Petterson brought his 8-string Weissenborn guitar, various keyboards and a modular synth, using the pensive atmosphere of the location to trace spacious and exploratory works through 15 varied and succinct improvisations. | |
 | Fousatt, Jean-Marc Les Vraies Richesses [VINYL + DVD] (Fou Records) |
| Two concerts by improvising keyboardist and vocalist Jean-Marc Foussat, on the LP a recording at the Tout Rennes S'Emmerde event organized by From Town to Town, Capital Taboule, Consternation, L'Effroyable Association Western Soviets Satanist and Dream'in Noise, the 2nd a DVD of Foussat performing live on the beach as part of the 13th Farniente Festival. | |
 | Bernstein, Sarah Exolinger (577 Records) |
| Recorded in the studio as an urgent response to the latent unease in the time of pandemic and political dissent, NY poet, violinist, composer and improviser Sarah Bernstein uses washes of distorted violin, ecstatic vocalizations, and poetic spoken word, an expression of immediacy and tension between extremes, a personal and articulate set of observational expressions. | |
 | PEK Solo Precedents [2 CDs] (Evil Clown) |
| Two discs of solo work from Boston-area reedist, composer and Evil Clown collective leader David Peck (PEK), the first CD with 3 tracks, each focusing on a unique instrument from David Peck's large arsenal, in this case the bass tromboon, a C flute and a contrabass clarinet; the second a large improvisation using a mix from the first recordings along with live signal processing. | |
 | Killick Stay-At-Home Monk [VINYL] (H(i)nds(i)ght) |
| Varying the instrument and proportions of acoustic or electric presentation straddling the foreground/background dynamic for each track, Appalachian Trance Metal guitarist Killick presents his first vinyl LP to extend his vast CD discography; a worthy and curious album of solo guitar, acoustic and electroacoustic work that belongs in any guitar enthusiast's collection. | |
 | Liedwart, Kurt Tone (Mikroton Recordings) |
| Kurt Liedwart creates a personal journey through multiplicity of intense abstract layers of electronic and synthetic sound, constructing atmospheres of dronescapes, and cryptic songs, keeping the listener on edge in this album of intense "Tones" wrought from sythesizers, electronics, light controlled electronics, electromagnetic devices, and radio. | |
 | Vanoli, Raphael Bibrax (Shhpuma) |
| Amsterdam guitarist Raphael Vanoli in a solo record of discovery, hiper-amplifying his guitar so that slight motions create forceful statements, where gently blowing on the strings creates dynamics and harmonics rarely explored, effected to create complex sonic compositions with unique, unusual and fascinating properties. | |
