"K. Curtis Lyle was born and raised in Los Angeles, California. He was a founding member of the Watts Writers Workshop, joining it in 1966 and becoming a prominent member of the Los Angeles renaissance that the group represented. He has taught, lectured and read his poetry in performance in the major intellectual and urban centers of North America.

Lyle has published widely over the years and been anthologized in the United States, Canada, Latin America and Europe. Lyle's work has been widely adapted to music, especially to jazz. He built a performing and recording relationship with the late world renowned saxophonist and composer Julius Hemphill (1938-1995). The text of Lyle's poem, "Drunk on God", was recorded for Julius Hemphill's Big band (Electra/Asylum).

In June 2003, Lyle published a work of selected poetry entitled, Electric Church. In February of 2008 he published a long prose poem, "The Epileptic Camel Driver Speaks to a Refugee Death" (Firecracker Press). In November 2008, St. Louis Poetry Scores and Firecracker Press published a new work entitled, "Nailed Seraphim".

He currently lives in St. Louis, Missouri."

"Jaap Blonk (born 1953 in Woerden, Holland) is a self-taught composer, performer and poet.He went to university for mathematics and musicology but did not finish those studies.In the late 1970s he took up saxophone and started to compose music.A few years later he discovered his potential as a vocal performer, at first in reciting poetry and later on in improvisations and his own compositions. For almost two decades the voice was his main means for the discovery and development of new sounds.From around the year 2000 on Blonk started work with electronics, at first using samples of his own voice, then extending the field to include pure sound synthesis as well.He took a year off of performing in 2006. As a result, his renewed interest in mathematics made him start a research of the possibilities of algorithmic composition for the creation of music, visual work and poetry.

As a vocalist, Jaap Blonk is unique for his powerful stage presence and almost childlike freedom in improvisation, combined with a keen grasp of structure. He has performed around the world, on all continents. With the use of live electronics the scope and range of his concerts has acquired a considerable extension.

Besides working as a soloist, he collaborated with many musicians and ensembles in the field of contemporary and improvised music, like Maja Ratkje, Mats Gustafsson, Joan La Barbara, The Ex, the Netherlands Wind Ensemble and the Ebony Band. He premiered several compositions by the German composer Carola Bauckholt, including a piece for voice and orchestra. A solo voice piece was commissioned by the Donaueschinger Musiktage. On several occasions he collaborated with visual computer artist Golan Levin, for the Ars Electronica Festival.

Blonk's work for radio and television includes several commissioned radio plays.He also makes larger-scale drawings of his scores, as well as visual poetry, which is being exhibited.

He has his own record label, Kontrans, featuring a total of 25 releases so far. Other Blonk recordings appeared on various labels, such as Staalplaat, Basta, VICTO, Ecstatic Peace, Monotype Records, Terp and Elegua Records.His book/CD 'Traces of Speech' was published in 2012 by Hybriden-Verlag, Berlin. Forthcoming is a sequel with the title "Traces of Cookery".A comprehensive collection of his sound poetry came out as a book with 2 CDs in 2013, entitled "KLINKT"."

"Alex Cunningham is a violinist, improviser, and visual artist based in St. Louis, MO. His work explores free improvisation, drone, noise, and minimalist composition. Cunningham has recently performed with Mark Shippy, Sandy Ewen, Damon Smith, Stefan Gonzalez, and Lisa Cameron and has ongoing collaborations with Chris Trull (under the Apathist! moniker), Kevin Harris, and Claire Rousay. Past collaborations include the groups Vernacular String Trio, Hess/Cunningham Duo, and Hardbody. Cunningham has released music on Close/Far Recordings, Personal Archives, Already Dead Tapes and Records, Fort Evil Fruit, and Astral Spirits.

Cunningham's collage work has appeared on various album covers and concert posters. He was named St. Louis' "Best Concert Poster Designer" by the Riverfront Times in 2015. His visual work has shown at Hoffman LaChance Contemporary, Resident Arts, Blank Space, and the Thomas Dunn Learning Center and has been featured on bus stops in St. Louis as part of St. Louis Metro's "Arts in Transit" initiative. "

"Damon Smith studied double bass with Lisle Ellis and has had lessons with Bertram Turezky, Joëlle Leandré, John Lindberg, Mark Dresser and others. Damon's explorations into the sonic palette of the double bass have resulted in a personal, flexible improvisational language based in the American jazz avant-garde movement and European non-idiomatic free improvisation. Visual art, film and dance heavily influence his music, as evidenced by his CAMH performance of Ben Patterson's Variations for Double Bass, collaborations with director Werner Herzog on soundtracks for Grizzly Man and Encounters at the End of the World, and an early performance with the Merce Cunningham Dance Company.

Damon has collaborated with a wide range of musicians, including: Cecil Taylor, Marshall Allen (of Sun Ra's Arkestra), Henry Kaiser, Roscoe Mitchell, Michael Pisaro, Wadada Leo Smith, Marco Eneidi, Wolfgang Fuchs, Peter Brötzmann and Peter Kowald. After many years in the San Francisco Bay Area, and five great years in Houston, Texas working regularly with Alvin Fielder, Sandy Ewen, David Dove & Chris Cogburn, Damon will move to the Boston area in the fall of 2016. Damon has run Balance Point Acoustics record label since 2001, releasing music focusing on transatlantic collaborations between US and European musicians."