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Sabu Toyozumi / Richard Allan Bates / Rick Countryman:
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The trio of Sabu Toyozumi, Richard Allan Bates, and Rick Countryman delve into a contemplative exploration anchored by Bates's electric upright bass, whose resonant tones foster rich harmonic dialogues between Toyozumi's textured percussion and Countryman's fluid alto saxophone, emphasizing the nuanced interplay of sound and space. ... Click to View


Hemispheres :
II (FMR)

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Sonic Chambers Quartet:
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The debut album from the Sonic Chambers Quartet — co-led by multi-reedists Byron Asher and Tomas Majcherski with bassist Matt Booth and drummer Doug Garrison — presents a deeply expressive and texturally rich orchestration merging American avant jazz tradition with European chamber influences, shaped through collaborative composition, adventurous improv, and a strikingly unified ensemble sound. ... Click to View


Bruno Parrinha / Andrew Levine / Ernesto Rodrigues :
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In a live performance emphasizing minimalism and lowercase improvisation, Ernesto Rodrigues (viola, crackle box), Bruno Parrinha (bass clarinet), and Andrew Levine (Theremin, modular synth, crackle box, stereo field) engage in a nuanced exploration of subtle textures and sonic interactions, resulting in an immersive and introspective auditory experience.​ ... Click to View


Jean-Jacques Birge + 16 musiciens:
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In a vibrant fusion of spontaneous themes and collective improvisation, Jean-Jacques Birgé leads a 17-member ensemble through dynamic performances recorded at Studio GRRR and live during APÉRO LABO sessions, blending diverse instrumentation and real-time composition to create an album of unpredictable auditory journeys. ... Click to View


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An eccentric and captivating sonic collage from Jean-Jacques Birgé and the ensemble Un Drame Musical Instantané — with Francis Gorge and Bernard Vitet collaborating alongside extraordinary guests including Brigitte Fontaine, Joëlle Léandre, Luc Ferrari, Henri Texier, Carlos Zingaro, and René Lussier — in an inventive fusion of electronic improvisation, free jazz, and experimental sound art. ... Click to View


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Pianist Alexander Zethson (Vathres, Fire! Orchestra, Angles) and cellist Nikos Veliotis (MMMD, In Trance 95) present two expansive, darkly immersive improvisations that drift through glacial landscapes of resonant, slowly shifting textures and austere tonal drones, sculpting elemental sound environments of profound stillness and contemplation through deep-listening and hypnotic intensity. ... Click to View


TJ Borden / Steve Flato:
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Taking ironic inspiration from Stockhausen’s conceptual extremes, cellist Tyler J. Borden and guitarist Steve Flato fuse cello, microtonal guitar, modular synth, Gizmotron, and electronics in an absurdist yet introspective performance score, immersively weaving subtle textures and just-intonation harmonies shaped by physical and psychological excesses around food and discomfort. ... Click to View


Caleb Chase:
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Experimental composer Caleb Chase presents 15 succinct electroacoustic pieces that delve into intricate sound spatialization and panning techniques, crafting immersive auditory environments where layered textures and dynamic movements reveal hidden sonic details, rewarding attentive listening through headphones or stereo speakers. ... Click to View


Archer (Dave Rempis / Terrie Ex / Jon Rune Strom / Tollef Ostvang):
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A fierce and unpredictable quartet of international improvisers — saxophonist Dave Rempis, guitarist Terrie Ex, bassist Jon Rune Strøm, and drummer Tollef Østvang — recorded live in Chicago and Milwaukee, delivering a balance of explosive energy and nuanced restraint in a tightly coiled interplay of sonic provocation, rhythmic drive, and free-form invention. ... Click to View


Jeong / Bisio Duo w/ Joe Mcphee / Jay Rosen:
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A meeting of deep lyrical expression and adventurous collective free jazz, as Korean pianist Eunhye Jeong and bassist Michael Bisio expand their intuitive duo with the soulful power of Joe McPhee on tenor saxophone and the dynamic energy of drummer Jay Rosen, in a resonant, poetic session beautifully captured at Park West Studios for ESP-Disk. ... Click to View


Jordan Glenn's BEAK :
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An electrifying fusion of diverse musical traditions, this evening-length composition showcases the dynamic interplay of guitarists Karl Evangelista and David James, bassist Lisa Mezzacappa, vibraphonist Mark Clifford, percussionist Robert Lopez, drummer Jon Arkin, and Val Esway, seamlessly blending composed structures with spontaneous improvisation to capture the ensemble's innovative spirit. ... Click to View


Peter Brotzmann / John Edwards / Steve Noble / Jason Adasiewicz:
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One of Peter Brötzmann's final recordings, captured live at Cafe OTO with vibraphonist Jason Adasiewicz, bassist John Edwards, and drummer Steve Noble, presenting two nights of emotionally charged and fiercely expressive performances that blend power, lyricism, and deep intergenerational connection in a fitting and resonant farewell to the legendary saxophonist. ... Click to View


Peter Brotzmann / John Edwards / Steve Noble / Jason Adasiewicz:
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One of Peter Brötzmann's final recordings, captured live at Cafe OTO with vibraphonist Jason Adasiewicz, bassist John Edwards, and drummer Steve Noble, presenting two nights of emotionally charged and fiercely expressive performances that blend power, lyricism, and deep intergenerational connection in a fitting and resonant farewell to the legendary saxophonist. ... Click to View


Pat Thomas:
The Solar Model of Ibn-Al Shatir [VINYL] (Otoroku)

The fourth solo piano album from British improviser Pat Thomas on Otoroku, recorded at London's Fish Factory and drawing from his Sufi faith and the legacy of Arabic scientific innovation, as Thomas explores cosmic motion and spiritual resonance through dynamic inside-piano techniques, harmonic clusters, and deeply personal, rhythmically charged improvisations. ... Click to View


Pat Thomas:
The Solar Model of Ibn-Al Shatir (Otoroku)

The fourth solo piano album from British improviser Pat Thomas on Otoroku, recorded at London's Fish Factory and drawing from his Sufi faith and the legacy of Arabic scientific innovation, as Thomas explores cosmic motion and spiritual resonance through dynamic inside-piano techniques, harmonic clusters, and deeply personal, rhythmically charged improvisations. ... Click to View


Ono Yoko / The Great Learning Orchestra:
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For the first time on record, Yoko Ono's seminal 1964 conceptual text Grapefruit is sonically realized in a full album, as Stockholm's Great Learning Orchestra interprets 20 of Ono's event scores through ensemble performances, environmental recordings, and experimental sound actions, bringing her visionary work into vivid and imaginative musical form. ... Click to View


Phill Niblock / Anna Clementi / Thomas Stern:
Zound Delta 2 [VINYL] (KARLRECORDS)

A posthumous realization of Phill Niblock's 2022 composition, this dense, resonant work of drone and sonic intensity, written for Italian vocalist Anna Clementi and shaped and developed with guitarist and bassist Thomas Stern of Einstürzende Neubauten and Crime & the City Solution, is presented in two monumental, haunting longform versions. ... Click to View


Expanse (Percussion Edition):
Clangorous Sounds Arise (Evil Clown)

A powerful large-ensemble improvisation drawing on the metallic percussion roots of early Metal Chaos Ensemble, this edition of Expanse features Evil Clown regulars alongside Berklee percussionists — including rising drummer Andy Korajczyk and instrument inventor Ken Lovelett — in a resonant, textural work of shimmering sonorities and kinetic interplay, recorded live with real-time signal processing. ... Click to View


Joe Maneri / Tyson Rogers / Jacob Braverman:
In The Shadow, First Visit (ezz-thetics by Hat Hut Records Ltd)

Capturing a multidimensional dialogue through breathy microtones, atonal piano fragments, and ambiguous percussion, Joe Maneri on sax and clarinet, Tyson Rogers on piano, and Jacob Braverman on drums craft abstract improvisations exploring the delicate interplay of shadow and light, revealing emotional nuances and identity in richly layered, spontaneous constructions of impressive expressive intensity. ... Click to View


Christopher Kunz / Florian Fischer:
Die Unwucht, Disperation And Focus First Visit (ezz-thetics by Hat Hut Records Ltd)

German saxophonist Christopher Kunz and drummer Florian Fischer capture the essence of German forests in their outdoor recording, titled to translate as 'The Unbalance, Desperation and Focus,' where sauntering saxophone and dynamic drums blend with environmental sounds to evoke a profound intimacy, growing with each listen and inviting deep engagement with nature's wild and humane aspects. ... Click to View


Joe Henderson / Kenny Dorham / Andrew Hill / McCoy Tyner:
Our Thing to In 'N Out Revisited (ezz-thetics by Hat Hut Records Ltd)

Joe Henderson, alongside Kenny Dorham and Andrew Hill, revisits the essence of the 'New Thing' in jazz with the remasters and reissues of Our Thing to In 'N Out, showcasing mastery of both conservative and adventurous impulses through a sly blend of inside and outside tactics, marked by intricate solos and dynamic group interplay that highlight the evolving soundscape of early 60s Blue Note recordings. ... Click to View


Zero Point (Rick Countryman / German Bringas / Itzam Cano / Gabriel Lauber):
Determinism (FMR)

An exciting meeting of free improvisers featuring saxophonists Rick Countryman and Germán Bringas — whose synesthetic explorations have defined Mexico City's free jazz underground since the '90s with his band Zero Point — updated here with bassist Itzam Cano and drummer Gabriel Lauber, Countryman joining while in Mexico City for this fiercely interactive 2022 session of profound sonic reflections. ... Click to View


Udo Schindler / Erhard Hirt / Ove Volquartz:
Shifting Types of Amazement (FMR)

A compelling live performance from Munich's Waldkirche Planegg uniting Udo Schindler's inventive bass clarinets, Erhard Hirt's textural guitar and computer interactions, and Ove Volquartz's resonant low reeds, weaving a rich tapestry of spontaneous, intricately layered improvisations infused with subtle electronic nuances. ... Click to View


Hemphill Stringtet, The :
Plays the Music of Julius Hemphill (Out Of Your Head Records)

Celebrating the profound compositional legacy of Julius Hemphill through inventive string adaptations of his saxophone quartet and sextet works, violinists Curtis Stewart and Sam Bardfeld, violist Stephanie Griffin, and cellist Tomeka Reid channel Abdul Wadud's expressive spirit, transforming Hemphill's blues-inflected jazz into vividly textured chamber improvisations with lyrical intensity. ... Click to View


Adam O'Farrill :
For These Streets (Out Of Your Head Records)

Brooklyn trumpeter Adam O'Farrill leads a superb octet — Mary Halvorson (guitar), Patricia Brennan (vibes), Tomas Fujiwara (drums), and others — through dramatically inventive compositions inspired by the literature and arts of the 1930s, balancing angular rhythmic intensity, rich melodic lyricism, and expressive improvisational depth with adventurous sophistication. ... Click to View


Laura Cocks:
FATHM [VINYL] (Out Of Your Head Records)

Flutist and TAK Ensemble member Laura Cocks crafts an intimate, breath-driven solo work that blurs sound and silence, guiding listeners through fragmented melodies, hushed textures, and resonant pauses, offering a deeply personal and poetic meditation on presence, absence, and the physicality of listening. ... Click to View


Ernesto Rodrigues / Nuno Torres / Guilherme Rodrigues:
Whispers In The Moonlight - In Seven Movements [2CDs] (Creative Sources)

Capturing a richly nuanced sonic journey across seven improvised movements from concerts in Berlin, Köln, and Munich, this 2-CD set from the Portuguese trio of Ernesto Rodrigues (viola), Guilherme Rodrigues (cello), and Nuno Torres (alto sax) presents a masterful exploration of intricate textures, hushed atmospherics, and lyrical interplay, woven into a vivid tapestry of contemporary European free improvisation. ... Click to View


Simulacrum:
Mecanique Analytique (Evil Clown)

An intricate electro-acoustic exploration from David Peck's Simulacrum sextet — featuring expansive horn and reed textures, a robust three-member electronics section, and eclectic percussion — in a sonically adventurous live session at Evil Clown Headquarters, resulting in vibrant improvisations blending organic timbres with dynamic electronic atmospheres. ... Click to View



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  Maggie Nicols / Mark Wastell 
  And John  
  (Confront) 


  
   review by Massimo Ricci
  2023-10-23
Maggie Nicols / Mark Wastell: And John (Confront)

There are albums, particularly in the improvisational genre, where one is hesitant to attempt an analysis of what is going on beyond the level of the material description. When that happens, a reviewer can almost feel as a foreign body in a ritual that is just for members of a restricted circle. And John somehow fits inside this category of release, especially after learning that the live document — recorded at London's Hundred Years Gallery in January 2022 — was additionally improved by Ritchie Stevens, son of the dedicatee John, lending Mark Wastell two cymbals, and by the presence of the aforementioned's daughter Loo (cum grandson) during the concerts.

The pair frequently push the boundaries of what is perceivable by contrasting tiny phonemes created by Maggie Nicols' fragmentation of her own larynx with Wastell's dispersed percussion, acting as a responsive counterpoint with no predetermined patterns. The vocalist, as always, conveys the full spectrum of emotion. Anxiety, bird-ish chattiness, snippets of singable serenity, and the utterly human unsureness of self-expression are often followed by liberating cries that, on the contrary, express everything — including the seemingly unspeakable. All of the above was part of John Stevens' teachings, and Nicols is never afraid to repeat.

For this listener the longest track, "Such A Beautiful Place" — featuring extended stretches of pure trance — comprises the most gratifying portions, with wonderful marriages of vocals and gong (incidentally, if you're feeling under the weather right now, go listen to Wastell's "Vibra" series for solo tam tam). The space's reverberation, which at other times seems to envelop the duo's improvised microorganisms, serves as a third instrument in this instance, enhancing the inner meaning-filled halo surrounding the music. The record ends exactly like this, giving us the opportunity to look within once again, trying to find in ourselves the abilities to react to adversity, and generate rational and creative energy anew.



Maggie Nicols / Mark Wastell: And John
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