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Pat Thomas:
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The fourth solo piano album from British improviser Pat Thomas on Otoroku, recorded at London's Fish Factory and drawing from his Sufi faith and the legacy of Arabic scientific innovation, as Thomas explores cosmic motion and spiritual resonance through dynamic inside-piano techniques, harmonic clusters, and deeply personal, rhythmically charged improvisations. ... Click to View


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For the first time on record, Yoko Ono's seminal 1964 conceptual text Grapefruit is sonically realized in a full album, as Stockholm's Great Learning Orchestra interprets 20 of Ono's event scores through ensemble performances, environmental recordings, and experimental sound actions, bringing her visionary work into vivid and imaginative musical form. ... Click to View


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Expanse (Percussion Edition):
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A powerful large-ensemble improvisation drawing on the metallic percussion roots of early Metal Chaos Ensemble, this edition of Expanse features Evil Clown regulars alongside Berklee percussionists — including rising drummer Andy Korajczyk and instrument inventor Ken Lovelett — in a resonant, textural work of shimmering sonorities and kinetic interplay, recorded live with real-time signal processing. ... Click to View


Joe Maneri / Tyson Rogers / Jacob Braverman:
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Christopher Kunz / Florian Fischer:
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Joe Henderson / Kenny Dorham / Andrew Hill / McCoy Tyner:
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Zero Point (Rick Countryman / German Bringas / Itzam Cano / Gabriel Lauber):
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An exciting meeting of free improvisers featuring saxophonists Rick Countryman and Germán Bringas — whose synesthetic explorations have defined Mexico City's free jazz underground since the '90s with his band Zero Point — updated here with bassist Itzam Cano and drummer Gabriel Lauber, Countryman joining while in Mexico City for this fiercely interactive 2022 session of profound sonic reflections. ... Click to View


Udo Schindler / Erhard Hirt / Ove Volquartz:
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Hemphill Stringtet, The :
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Adam O'Farrill :
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Brooklyn trumpeter Adam O'Farrill leads a superb octet — Mary Halvorson (guitar), Patricia Brennan (vibes), Tomas Fujiwara (drums), and others — through dramatically inventive compositions inspired by the literature and arts of the 1930s, balancing angular rhythmic intensity, rich melodic lyricism, and expressive improvisational depth with adventurous sophistication. ... Click to View


Laura Cocks:
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Flutist and TAK Ensemble member Laura Cocks crafts an intimate, breath-driven solo work that blurs sound and silence, guiding listeners through fragmented melodies, hushed textures, and resonant pauses, offering a deeply personal and poetic meditation on presence, absence, and the physicality of listening. ... Click to View


Ernesto Rodrigues / Nuno Torres / Guilherme Rodrigues:
Whispers In The Moonlight - In Seven Movements [2CDs] (Creative Sources)

Capturing a richly nuanced sonic journey across seven improvised movements from concerts in Berlin, Köln, and Munich, this 2-CD set from the Portuguese trio of Ernesto Rodrigues (viola), Guilherme Rodrigues (cello), and Nuno Torres (alto sax) presents a masterful exploration of intricate textures, hushed atmospherics, and lyrical interplay, woven into a vivid tapestry of contemporary European free improvisation. ... Click to View


Simulacrum:
Mecanique Analytique (Evil Clown)

An intricate electro-acoustic exploration from David Peck's Simulacrum sextet — featuring expansive horn and reed textures, a robust three-member electronics section, and eclectic percussion — in a sonically adventurous live session at Evil Clown Headquarters, resulting in vibrant improvisations blending organic timbres with dynamic electronic atmospheres. ... Click to View



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  Bobby Bradford / Frode Gjerstad / William Roper / Alex Cline 
  Frice  
  (Listen! Foundation (Fundacja Sluchaj!)) 


  
   review by Ken Waxman
  2025-01-06
Bobby Bradford / Frode Gjerstad / William Roper / Alex Cline: Frice (Listen! Foundation (Fundacja Sluchaj!))

A friendly reunion, Frice's five group improvisations recall a 2022 Los Angeles visit by Norwegian saxophonist/clarinetist Frode Gjerstad hooking up with local long-time associate, American cornetist Bobby Bradford, with whom he has been playing since 2009. On hand were cornet associates and West Coast free music stalwarts drummer Alex Cline and William Roper playing tuba and small instruments.

Most notable is the playing of Bradford, 88 at the time, whose brass timbre both straight-ahead and with plunger scoops or soaring triplets are as clear and authoritative as they were when he partnered Ornette Coleman or John Carter in the 1960s or the 1970s. Gjerstad, Norway's original free jazz archetype, then 74 is similarly in full command. Intertwining tones with the cornetist, whether they're slick trills that complement bugling upward riffs, or chalumeau growls that challenge squeaky triplets, he emphasizing sophisticated blending whether its from unexpected yelps or fluttering scoops. Cline's backing encompasses gong reverberations and bass drum rumbles as well as cadenced ruffs, while Roper's brass snores and blasts add timbral bounces and ballast in equal measure,

The most descriptive tune is "Divalproex Haze'". Built around Bradford's delicate triplet overlay mated with melancholy reed sniffs and Cline's vigorous thumps, its singular shape is singularly defined as Roper blows harmonica smears in tandem with Gjerstad's aviary flutters.

A joyful meeting for all, Frice captures a collection of unstoppable creative music as well as confirming Bradford's still potent brass power and skill.



Bobby Bradford / Frode Gjerstad / William Roper / Alex Cline: Frice
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