The first live recordings from 2021 in Switzerland of NY saxophonist James Brandon Lewis' Molecular concept of composition, inspired by molecular biology and yielding lyrical and sophisticated structures for his players, heard in nine compositions performed with the exemplary quartet of Brad Jones on bass, Chad Taylor on drums, Aruán Ortiz on piano and Lewis on tenor sax.

With a clarity in both improvising and in composing, NY tenor saxophonist James Brandon Lewis' second album with the rock solid quartet of Aruan Ortiz on piano, Brad Jones on bass and Chad Taylor on drums further explores his concepts of Molecular systematic music through powerfully solid compositions that lead to both lyrical and ardent soloing; exceptional.

A warmly lyrical, mostly instrumental album of modern jazz that surprisingly takes it's title from legendary punk band MDC, and its songs from their 1982 debut album Millions of Dead Cops, led by NY drummer Mike Pride and performed with Jamie Saft (keys), Brad Jones (bass), Mick Bar (guitars) and on a few songs, vocalists JG Thirlwell (Foetus), Sam Mickens (The Dead Science) and Dave Dictor from MDC itself.

Downtown New York multi-reedist mainstay Elliott Sharp in his third Aggregat release, in a quintet with Taylor Ho Bynum on trumpet, Barry Altschul on drums, Terry L. Greene II on trombone, and Brad Jones on bass, pushing elastic limits on the concepts of jazz and free improv.

The 2nd Aggregat album expands the first release's trio of Elliott Sharp (just on reeds this time), Brad Jones (bass) and Ches Smith (drums) into a quintet with Nate Wooley (trumpet) and Terry L. Green (trombone) for an amazing set of free jazz compositions.