The Squid's Ear Magazine


Modelbau: Extricate (Sublime Retreat)

Re-modeling Modelbau, the long-running project of Frans de Waard (also of Kapotte Muziek, Beequeen, Goem, Zebra, Freiband, Shifts, &c), in a dark and atmospheric hour-long work of multi-tracked sound, evolving organically through 14 seamlessly connected sections that layer rich tonal and textural compositional elements, with a brooding and introspective urgency.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Frans de Waard-composer, performer


Click an artist name above to see in-stock items for that artist.




Label: Sublime Retreat
Catalog ID: SR018
Squidco Product Code: 35217

Format: CD
Condition: New
Released: 2023
Country: Poland
Packaging: Cardboard sleeve, w/ eco wallet insert
From various sessions recorded in 2020/ 2021.

Descriptions, Reviews, &c.

"The first ten years of Modelbau ended with the publication of 'X', a book and CD by Korm Plastics, documenting all there is to know (and see) about Modelbau. It also marked a substantial change in working as Modelbau. Almost everything was recorded 'live' in the studio in the first nine years. Everything was recorded and archived, and the best pieces ended up on a release. In 2021, it was time for a change, which meant working with multi-track recording and, to the end, many hours of processed sound were recorded and then meticulously edited and layered in the final piece on the CD. One piece in (almost) fourteen parts, with no individual markers, so as not to interrupt the flow - listen from beginning to end. Atmospheric, dark with an urgency, always moving and never waiting.

Modelbau is one of the many musical projects by Frans de Waard (also of Kapotte Muziek, Beequeen, Goem, Zebra, Freiband, Shifts, and many others), and the music he creates as such is quite lo-fi, using cassettes Dictaphones, walkmans, shortwave radio but also iPads. Modelbau has released over 70 releases, mostly on cassette but also on CD and LP, by such labels as Moving Furniture Records, Des Astres d'Or, Zhelezobeton, Econore, Grisaille, Cloudchamber and many others. Modelbau has worked with MvK, Scanner, Vertonen, PBK, Pool pervert, and Oprhax, among others. Modelbau played over thirty concerts in the Netherlands, Germany, Norway, Finland, and the Baltic States in the past ten years."-Sublime Retreat


Get additional information at Vital Weekly

Artist Biographies

"Frans de Waard (1965) has been producing music since 1984. First as Kapotte Muziek, but throughout the years, he also worked as Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop & Peter Duimelinks, both of whom are also a member of Kapotte Muziek these days), Zebra (with Roel Meelkop) and such solo projects as Freiband, Shifts as well as his own name. He has worked for Staalplaat (1992-2003) and since 1986 as a reviewer for his own publication Vital, now only Vital Weekly, an online music magazine, which has been the online source for underground music since 1995, and which celebrated it's 1000th issue in 2015. In February 2007 he played various solo concerts as Goem|FDW in Japan, as part of a package tour with Pan Sonic. Frans de Waard also likes to play sets of improvised music with whoever is available, just as he did with people like Guiseppe Ielasi, Jaap Blonk, Howard Stelzer, Roel Meelkop, Andrew Liles, Radboud Mens and the mayor of his home city Nijmegen. In 2008 film maker Harrie Timmermans made a small documentary about his work with Kapotte Muziek under the title 'What You See Is What You Hear'. He has given workshops and lectures at various places, such as Extrapool, the art academy of Maastricht en 's-Hertogenbosch, the Glinka Conservatorium in Moscow and Lithuania. With Scott Foust he formed the duo The Tobacconists in 2009, with Wouter Jaspers the duo Ezdanitoff in 2010, with Jos Smolders he started playing as WaSm in 2015 and in 2016 a new duo With Sindre Bjerga as Tech Riders. In 2012 he added Modelbau to his long list of names, this time for all things lo-fi and noise based.

In 2016 Timeless in France published his first book, an autobiography of life in Staalplaat called 'This Is Supposed To Be A Record Label'.

Frans de Waard has played concerts in The Netherlands, Belgium, France, UK, Germany, Austria, Hungary, Greece, Spain, Portugal, Sweden, Norway, Lithuania, Canada, Japan, United States, Russia and Italy."

-Frans de Waard Website (https://fransdewaard.com/biography/)
12/9/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Extricate 1:03:15

Related Categories of Interest:


Electro-Acoustic
Organized Sound and Sample Based Music
Sound, Noise, &c.
Compositional Forms
Electroacoustic Composition
Field Recordings
Solo Artist Recordings
European Improvisation, Composition and Experimental Forms
Staff Picks & Recommended Items
New in Experimental & Electronic Music
Recent Releases and Best Sellers

Search for other titles on the label:
Sublime Retreat.


Recommended & Related Releases:
Other Recommended Releases:
Sheffield, Colin Andrew
Moments Lost
(Sublime Retreat)
Debuting at the Molten Plains Festival 2023, Colin Andrew Sheffield's work blends manipulated samples from vintage soundtrack LPs into an abstract plunderphonic symphony; using layered loops, ambient drones, and vinyl surface noise, creating a haunting sonic collage of deconstructed melodies and textures, fusing past and present in a dream-like exploration of hidden secrets and lost moments.
Deasy, Johnathan
Le Sacre
(Sublime Retreat)
Unfolding as a deep listening experience with slowly oscillating sine waves created through SuperCollider, Jonathan Deasy's hour-long drone composition blends digital artistry with warmth, evoking orchestral textures reminiscent of processed cello or trombone with ascending and descending notes, creating a dramatic yet slow-moving, dark and spacious soundscape.
Bramnk, Falter
Music for Luminous Background
(Sublime Retreat)
A new solo project from French composer and improviser Falter Bramnk, exploring glass and crystal as exclusive sound sources, following his "Glassical Music" series; originally conceived for six Muzzix collective musicians, Bramnk reworked and expanded the compositions featuring glass struck, rubbed, blown, and shaken, on select tracks with contributions from Sam Bodart on Crystal Baschet.
Monteiro, Alfredo Costa
Transient Spaces as Impermanent Lines
(Sublime Retreat)
Unfolding as a sonic drift through varied sound atmospheres, Alfredo Costa Monteiro's large sonic canvas creates a narrative akin to a psychogeographical wander that evokes emotional states of disorientation; inspired by found footage techniques in cinema, it serves as a "cinema for the ear," where found sounds stripped of context form an immersive, unpredictable auditory journey.
Innovative Landscapes Laboratory
Spontaneous Dimensions
(Sublime Retreat)
Modelbau
Inlets
(Love Earth Music)
A journey through drone, abstract sound and concrete elements from Netherlands sound artists and writer Frans de Waard (Vital Weekly), mixed from recordings sessions in 2022 and sourced from small electronics, shortwave radio, aqueous recordings, iPad synths, Walkman and "whatever else", the work suggesting 11 movements through various textures and sonic environments.
Vehicule
Aubusson
(Sublime Retreat)
A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework.
Dead Mauriacs, The
Le Parc, rapport d'observations
(Sublime Retreat)
The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.
Cammisa, Edoardo
io_u,E
(Sublime Retreat)
Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.
Vales, David
Beta Vulgaris
(Sublime Retreat)
Working with sound and the relationship to food, crops, and the culinary identity of communities, Beta Vulgaris, (the latin name of the common beet) was composed by Bogota, Columbia born David Velez, a PhD graduate in Sound Art from the University of Huddersfield, who used these specific tones to stimulate the growth of beetroot in the garden of the Modern Art Museum in Medellin.
Machinefabriek
+
(Machinefabriek)
Trying to strike a balance between composition and the challenges of being a young parent, Rutger Zuydervelt, aka Machinefabriek, created a series of short tracks that could be developed quickly with invited collaborators, a concept that worked so well that in little time he found 52 enthusiastic and diverse musicians to develop the expanse of this impressive collection.
Belorukov, Ilia
Someone Has Always Come
(Sublime Retreat)
The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.
Zenial
Lancelot's Delusions
(Sublime Retreat)
The music project of Polish sound explorer Lukasz Szaankiewicz is Zenial, merging minimal ambient and micro-sounds with field recordings and a sense of skewed motion, creating long-form virtual journeys through strange environments, or in rich textures of a dark night accompanied by slowly moving tones, his years of experience heard through exceptional sonic qualities.
Duplant, Bruno / Seth Nehil
The Memory Of Things
(Sublime Retreat)
An immersive and often explosive set of dark compositions from Seth Nehil & Bruno Duplant, blending field recordings, electronics, percussion and percussive objects into a controlled chaos of inexplicably murky and uncategorizable sounds, at times like a surreal firework display, or inserted into a complex machine on the verge of collapse, all imbued with a consistent resonant hue.
Beequeen
Time Waits For No One
(Herbal International)
A reissue of the 1995 album from the duo of Frans de Waard and Freek Kinkelaar, electronic sound work in a Zoviet France mode, using looping structures but also freeform improvisation to create dark and alluring audio environments with beautiful sonic elements.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC