With packaging embellished by 5 images of Paul Dunmall's wood engravings, this album catches the saxophonist on soprano, alto and tenor in the company of saxophonist Frank Paul Schubert on soprano and alto, with Sebastiano Dessanay on bass and Jim Bashford on drums, performing live at Lamp Tavern, in Birmingham for an album of intertwining reeds and solid rhythmic support.
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Sample The Album:
Frank Paul Schubert-soprano saxophone, alto saxophone
Paul Dunmall-soprano saxophone, alto saxophone, tenor saxophone
Sebastiano Dessanay-bass
Jim Bashford-drums
Click an artist name above to see in-stock items for that artist.
UPC: 748079797055
Label: FMR
Catalog ID: 472-1117
Squidco Product Code: 25305
Format: CD
Condition: New
Released: 2017
Country: UK
Packaging: Digipack
Recorded at the Lamp Tavern, in Birmingham, England, on October 10th, 2017, by Matthew O'Malley.
With packaging embellished with five images of Paul Dunmall's wood engravings, this album catches the saxophonist on soprano, alto and tenor in the company of fellow saxophonist Frank Paul Schubert on soprano and alto, with Sebastiano Dessanay on bass and Jim Bashford on drums performing live at Lamp Tavern, in Birmingham, England in 2017 for an album of intertwining reeds and solid rhythmic support.
Artist Biographies
• Show Bio for Frank Paul Schubert "Frank Paul Schubert is a saxophone player in the realms of Improvised Music and Contemporary Jazz. Born in Neuss/Germany in 1965, he began to play the saxophone self-taught in 1982, took lessons with Lajos Dudas from 1988 to 1992, studied at Musikhochschule Aachen (classical saxophone repertoire as well as jazz) with Prof. Hugo Read from 1992 to 1996, and, after a short interlude in Aschaffenburg/Bavaria, moved to Berlin in 1999. Schubert works regularly with Willi Kellers, Andreas Willers, Johannes Bauer, Matthias Müller, John Edwards, Mark Sanders, Uwe Oberg, Paul Dunmall, Alexander von Schlippenbach and many more (more detailed list see below). Besides his main project GRID MESH (see "projects"), he also collaborated with drummer Günter Baby Sommer from 2006 on. Also in 2006 he started to work with trombonist Matthias Müller in several small group settings and finally in the duo FOILS, which since 2012 is expanded to the FOILS QUARTET with John Edwards and Mark Sanders.With Antonis Anissegos he has been playing since 2002. They released their duo CD "Phoobsering" in 2005. Frank Paul Schubert is member of the Willi Kellers Trio (with Clayton Thomas) as well as the Willi Kellers Quartet feat. Paul Dunmall.Since 2009 he has been playing a series of duo concerts with pianist Alexander von Schlippenbach (in Amsterdam, Leipzig, Münster, Berlin) as well as frequent local small group gigs featuring Mr. von Schlippenbach. Festival appearances include Nickelsdorf Konfrontationen, Ulrichsberg Kaleidophon, Sibiu Jazz&More, Madrid Hurta Cordel, Lisbon Jazz im Goethe Garten, Wiesbaden Just Music, Hamburg ElbJazz, JAZZDOR (Jazz d'Or) Offenburg, Greiz JazzWerk#9, Nordhäuser Jazzfest, Stuttgart Saxophonfestival and some more.Tours led him to Poland, Romania, Austria, Switzerland, Italy, France, Spain, Portugal, Holland, UK, USA and Canada.He released several recordings on labels including Leo Records, NoBusiness Records, Red Toucan Records, FMR, Creative Sources, gligg, JazzHausMusik, KONNEX, farai-NRW. Frank Paul had the pleasure to collaborate with many fine musicians including the following (in alphabetical order):Liz Allbee, Antonis Anissegos, Johannes Bauer, Simon Camatta, Anat Cohavi, Yorgos Dimitriadis, Paul Dunmall, John Edwards, Jörg Fischer, Rudi Fischerlehner, Gerhard Gschlössl, Paul Hubweber, Peter van Huffel, John Hughes, Klaus Janek, Hilary Jeffery, Kalle Kalima, Achim Kaufmann, Willi Kellers, Jan Klare, Meinrad Kneer, Andreas Krennerich, Burkard Kunkel, Klaus Kürvers, Lömsch Lehmann, Björn Lücker, Mike Majkowski, Christian Marien, Matthias Müller, Uwe Oberg, Olaf Rupp, Mark Sanders, Julie Sassoon, Alexander von Schlippenbach, Harri Sjöström, Günter Baby Sommer, Ricardo Tejero, Christof Thewes, Clayton Thomas, Andreas Willers." ^ Hide Bio for Frank Paul Schubert • Show Bio for Paul Dunmall "Paul Dunmall was born 1953, Welling, Kent; saxophones, clarinets, bagpipes, miscellaneous wind instruments. As told to Watson (1989), Paul Dunmall was a working class lad from Welling who left school at 15 and spent two years repairing instruments at Bill Lewington's shop in Shaftesbury Avenue, London. He turned professional at 17 and, following two years touring Europe with a progressive rock band (Marsupilami), joined the Divine Light Mission, a spiritual movement led by Guru Maharaj Ji and moved from London to an ashram in America. He told Isham (1997), 'I moved to an ashram full of musicians - a music ashram - but it was still spiritual practice. That gave me a spiritual understanding through meditation, Coltrane's music, and all the rest of it, led me to that, and that's been a fundament in my life ever since - that I can actually sit down and meditate and forget my body. I realise how important meditation is in my life... but I don't do it so much these days.' During the three years he lived in America, Dunmall played with Alice Coltrane (in a big band with the Divine Light Mission) and toured for twelve months with Johnny 'Guitar' Watson. Back in England, he played with Danny Thompson and John Stevens as well as folk musicians Kevin Dempsey, Martin Jenkins and Polly Bolton and then, in 1979 he became a founder member of Spirit Level (Tim Richards, piano; Paul Anstey, bass; Tony Orrell, drums), staying with the group until 1989. During his time with Spirit Level, Dunmall joined the two-tenor front line group Tenor Tonic with Alan Skidmore (1985), played and broadcast with Dave Alexander and Tony Moore in the DAM trio (1986) and formed the Paul Dunmall Quartet with Alex Maguire, Tony Moore and Steve Noble (1986). In 1987 Paul Dunmall joined the London Jazz Composers Orchestra, being a constant member and appearing on all their recorded output from that date onward. The following year the improvising collective quartet Mujician was formed by Keith Tippett, Dunmall, Paul Rogers and Tony Levin and has continued to be a regular performing, touring and recording group, sometimes augmented by other musicians. Dunmall has also played in a trio with Keith and Julie Tippetts and in Keith Tippett's big band Tapestry. Two other duos have also sprung out of Mujician: Dunmall with Tony Levin (two CD releases) and Dunmall in folk-influenced outings with Paul Rogers. Another regular playing partner throughout this period and up until the present includes Elton Dean. In 1995, two trios were formed, the first with Oren Marshall, tuba and Steve Noble, percussion, the second with John Adams, guitar and Mark Sanders, percussion, these sometimes coming together as a quintet. More recently, Dunmall has played in another reeds/guitar/drums trio with Philip Gibbs and Tony Marsh and there appears to be regular crossover between all these players. The Paul Dunmall Octet was founded in 1997." Dunmall also has released a large number of albums and a box set on the UK FMR label, in various configurations and instrumentation. ^ Hide Bio for Paul Dunmall • Show Bio for Sebastiano Dessanay "Sebastiano Dessanay is an Italian double bassist, electric bassist and composer resident in Birmingham (UK). His music is highly informed by a strong sense of melody and attention to textural details. The double bass has often a prominent role in his research and elements of improvisation permeate his compositions, often enriched by the use of electronics. Sebastiano started to play piano and cello when he was 11 and then turned to electric bass, playing with different rock and pop bands. Some years later, after having obtained a geology degree at Cagliari University, he started studying double bass and composition at Cagliari Conservatoire where he graduated in 2007. In November 2007 he moved to UK, in 2009 he completed a Master in Music Composition at the Birmingham Conservatoire, where he also obtained a PhD in Composition in 2014. He currently teaches double bass and music theory at the Birmingham Junior Conservatoire, and he collaborates with the Music Department at the University of Birmingham. Sebastiano regularly collaborates with musicians in classical and contemporary music, jazz, pop-rock and folk music, opera, theatre, dance, film and visual arts. He has performed extensively throughout Europe and has recorded in many projects as a leader and as a session musician. Prizes and awards have included: Honorable Mention from the International Society of Bassists (ISB) for the composition Noise for double bass and electronics at the 2012 David Walter Composition Competition; 1st prize at Sardinia International Composition Competition in 2004 with the composition Scherzo for solo double bass. His music has been performed at the Elgar Concert Hall, Bramall Building (Birmingham, 2017), the Barber Institute of fine arts (Birmingham, 2017), the Royal Festival Hall, Southbank Centre (London, 2016), the REP Theatre (Birmingham, 2016), the Traverse Theatre (Edinburgh, 2016), the Tramway Theatre (Glasgow, 2016), the MAC (Midlands Arts Centre, Birmingham, 2015), Library of Birmingham (Birmingham, 2015), Stratford On Avon Music Festival (Stratford-upon-Avon 2012), Jazz Dock (Prague, 2012), Sound New Festival (Canterbury, 2010 and 2012), European Jazz Expò (Cagliari, 2012), Nuoro Jazz Festival (Nuoro, 2012 and 2013), Integra Festival (Copenhagen, 2011), University of Nebraska (Omaha, 2011), Royal Conservatoire (Stockholm, 2011), Frontiers Festival (Birmingham, 2009 and 2010), The Place (London, 2008 and 2009), Spazio Musica Festival (Cagliari, 2004), Time in Jazz Festival (Berchidda, 2000)." ^ Hide Bio for Sebastiano Dessanay • Show Bio for Jim Bashford "Jim Bashford, who hails from Sutton Coldfield UK started playing drums age 10 and was influenced by the rock/progressive rock and jazz scene worldwide, he was mainly self taught for the first 6 years then he studied drums under Steve Palmer. The CONSTRUCTION quartet formed by Jim performed a tour in 2010 of original compositions with Icelandic guitarist Hilmar Jensson, Johnny Brierley bass and Robin Fincker sax and clarinet. The quartet was then joined by Tim Harries on bass with a recording to follow called CENTRELINE THEORY which has recently been released on LEO Records 2017. After 14 years of playing as a sideman in bands covering all genres and also working in construction full time whilst studying on a popular music course, Jim then moved on to study at the Birmingham Conservatoire for the BMus (Hons.) jazz course where he continued under drum tutors such as the great Tony Levin, Gene Calderazzo, Jeff Williams and Malcolm Garrett. He runs Auditions at the Birmingham Conservatoire and organises workshops with highly acclaimed artists on the jazz scene in Europe and the U.S. and also collaborates with Cheltenham Jazz Festival to run a session with the conservatoire students and Trondheim students as well as organising auditions for the course in the U.K. and Singapore and Kuala Lumpur. Jim is a member of no less than 20 different ensembles and tours extensively throughout the UK and Europe, including appearances at London jazz venues such as the Barbican Centre, The Vortex and Kings Place; and prominent venues in Birmingham. He has also performed in prestigious international jazz festivals including the Cheltenham Jazz Festival, Juan le pins Jazz Festival and future engagements at the London Jazz Festival. Also a short tour with Dave Sinclair from the band Caravan with a recording in Japan to follow and also recently a European tour with Katie Melua." ^ Hide Bio for Jim Bashford
11/20/2024
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11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Sign Of The Times 31:50
2. Talbot 21:08
3. Blues Is The Colour Of My Beloved 8:18
Improvised Music
Jazz
Free Improvisation
Quartet Recordings
Recordings by or featuring Reed & Wind Players
London & UK Improv & Related Scenes
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