Astroturf Noise is Sam Day Harmet on mandolin, Sana Nagano on violin, Zach Swanson on bass, Billy Martin on percussion, and Sarah Bernstein on violin, living at the intersection of American folk & roots music and free improvisation, using effects and sonic additions in an unusual mix that the quintet makes completely natural and all their own.
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Sample The Album:
Sam Day Harmet-mandolin, effects
Sana Nagano-violin, effects
Zach Swanson-bass
Billy Martin-percussion, effects
Sarah Bernstein-violin, effects
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Label: 577 Records
Catalog ID: 5839-CD
Squidco Product Code: 28574
Format: CD
Condition: New
Released: 2020
Country: USA
Packaging: Cardboard Gatefold
Recorded at BC Studios, in Brooklyn, New York, in August, 2019, by Martin Bisi.
"Astroturf Noise exists at the intersection of free improvisation, effects-heavy noise music, and American roots music.
The group's sound marries the propulsive rhythmic drive of bluegrass with the snarl of Downtown agitators such as the Lounge Lizards, Arto Lindsay, and James Chance along with textural flavors touching on glitch music, dub, doom metal, and Ornette Coleman. A broad melange to be sure, but one anchored by the group's energetic drive and idiosyncratic improvisational language. This is the synthetic counterpoint to Bill Monroe's "Bluegrass Boys".
Astroturf Noise was formed by Sam Day Harmet (mandolin/fx) and Sana Nagano (violin/fx) in 2016 after meeting at Karl Berger's Creative Music Studio and discovering a shared affinity for high-energy free improv and American folk traditions. After a period of developing as a duo, they added versatile bassist Zach Swanson in 2018. Their debut self-titled album features guest contributions from genre-defying artists Billy Martin (percussion) and Sarah Bernstein (violin).
Listen to this album to hear the New York avant-garde in conversation with rural America."-577 Records
Also available on vinyl LP.Artist Biographies
• Show Bio for Sam Day Harmet "Sam Day Harmet is a mandolinist, multi-instrumentalist, composer, improviser, and music educator based in Brooklyn, NY. A musician of diverse tastes, Sam's projects range from deconstructive folk music, to free improvisation, to early jazz, to electro-funk, to Soundpainting and beyond. He has also written extensively in theater settings often composing material that blurs the lines between far flung styles and disciplines. He holds an MFA from the Performance and Interactive Media Arts program at Brooklyn College. Around NYC, he can regularly be found performing with the Walter Thompson Orchestra, Karl Berger's Improvisers Orchestra, Astroturf Noise, Erica Mancini, Salon Man, and numerous improvising musicians. His theater collaborators include Casual FreyDay (with Julia Frey), Letter of Marque Theater Company, and the Irondale Ensemble. Aside from mandolin-ing, he also enjoys exploring the clarinet, electronics, banjos, and breaking the space-time continuum." ^ Hide Bio for Sam Day Harmet • Show Bio for Sana Nagano "Sana Nagano, violonist: Ever since she moved in New York City (2010), violinist and composer Sana Nagano has been performing actively in NY jazz, classical and underground music scenes. Her latest collaborations include with Karl Berger, Adam Rudolph, William Parker, Daniel Carter, the Manhattan Symphonie, Nioka Workman, John Ehlis, Federico Ughi, Harvey Valdes, Marius Duboule, Brittany Anjou, Jeffrey Shurdut and others. Nagano holds MA degree from Aaron Copland School of Music of Queens College, BA degree from Berklee College of Music, both in jazz performance/composition major. She had studied with Joe Lovano, George Garzone, Mat Maneri, Dave Fiuczynski, Mark Feldman, Antonio Hart, Chris Howes, Hal Crook, Darren Barrett, Jeff Galindo, Rob Thomas, Matt Glaser, David Berkman and others." ^ Hide Bio for Sana Nagano • Show Bio for Zach Swanson "Zachary Swanson is a versatile bassist performing music in an array of styles, with focus on improvised, experimental, original and folk music. Using gut strings and a personalized technique, Zachary has developed a conception of the double bass that heightens the integrity of various musical environments; from playing adventurous improvised music to backing singer-songwriters. In the summer of 2018, Swanson toured Italy and appeared at the Sile Jazz Festival with guitarist Nico Soffiato for their duo project, Dogwood, promoting their album 'Hecate's Hounds' on the Italian label nusica.org. Dogwood features an introspective approach to composition and improvised music with focus on exploring space and timbre. In March of 2019, the band Harbinger with Jarvis Earnshaw and Daniel Carter released their self-titled debut album. The music occupies a unique realm, with Earnshaw on sitar, tape-delay, and voice, Carter on a rotating cast of wind instruments, and Swanson on double bass. He has also appeared on Gaucimusic records as part of the 'Live At The Bushwick Series' releases. In March of 2020, 577 Records will be releasing 'Astroturf Noise', a trio with Sam Day Harmet on mandolin and Sana Nagano on violin. This group explores the intersection between free improvisation and bluegrass. In January of 2020, The Nick Horner Family self-released the album 'Sans Sebastienne' with Swanson on electric bass. Zachary is currently working on a forthcoming duo album with violinist Tom Swafford, and an improvised trio record with saxophonist Derrick Michaels and drummer Dalius Naujo, among being active in many other projects in the greater New York area. Swanson has appeared on albums released by 577 Records (Astroturf Noise, Federico Ughi Quartet's Heart Talk and The Listening Group), pfMentum (Sanctuary by Trumpets and Basses), Gaucimusic (Live At The Bushwick Series with Aron Namenwirth, Daniel Carter and Joe Hertenstein) and nusica.org (Dogwood's Hecate's Hounds). As an independent artist, he has been a part of many self-released albums over the years including Ghost Narratives, a duo with Tomchess, Harbinger (2019), Chamber Music (2016), a duo release with guitarist Stelios Mihas, Antenna (2015), the Movement Trio's Back of the Room (2012) among others.17883923_275106216282135_1898542423907972316_n-1Photo by Douglas Lowinger Zachary has performed at series' and festivals such as the Red Hook Jazz Festival with Tomchess' Moonship Quartet, the Inside Out music series at Brooklyn Conservatory of Music, the 577 Forward Festival, AE Randolph Presents, and is a regular performer at the Bushwick Improvised Music Series. He has also appeared at the Great Eastern Music Festival in Montauk, Falcon Ridge, Take me to the River, and Charm City Folk and Bluegrass Festival backing folk and Americana artists such as Letitia VanSant, He-Bird She-Bird, Greg Cornell, and Pluck & Rail. As an educator, Zachary has visited McDaniel College and Towson University to give a improvisation workshops with Derrick Michaels, Stelios Mihas and Jon Seligman. He has also given performances and hosted Q&A's at Marlboro College in duo with vocalist Amanda Bloom, a duo with Rodney "Godfather Don" Champman, and again with the ensemble No Land Bands, a project that combines jazz and Syrian music to promote awareness of the Syrian refugee crisis. Zachary began his bass studies at the age of 6 in his home state of Massachusetts, and is a graduate of the Peabody Conservatory of Music of the Johns Hopkins University. He can be seen performing regularly throughout New York City and beyond." ^ Hide Bio for Zach Swanson • Show Bio for Billy Martin "Billy Martin was born in NYC in 1963 to a Radio City Rockette and a concert violinist. At age 17, he devoted himself to music and dove into Manhattan's thriving, eclectic musical landscape. In the years to follow, he honed his craft everywhere from Broadway orchestra pits to Brazilian nightclubs and burgeoning underground performance spaces. From the roots of the downtown scene he emerged with Medeski Martin and Wood, bridging the harmonic complexity of jazz, the conversational fluency of free improvisation, and the groove and swagger of classic R&B and funk. A series of albums and high-profile collaborations with John Scofield, John Zorn, iggy Pop, Natalie Merchant, and others, brought the band international acclaim. Martin has relentlessly pursued diverse musical contexts, from free improvisation to chamber compositions to film scores. Much of his work is available via his Amulet Records label, which recently released the Road to Jajouka-a series of collaborations (produced by Martin) between the Master Musicians of Jajouka and such artists as Ornette Coleman, Flea, Marc Ribot, John Zorn, Lee Ranaldo, Bill Laswell, Mickey Hart, MMW and more. Martin is also an accomplished filmmaker and visual artist, whose work has been exhibited in solo and group installations around the world including 2014's Cartegena de indias Bienal in Colombia and the Drawing Sound series at The Drawing Center in NYC (2015) What began for Martin as tireless enthusiasm for music, percussion, and improvisation evolved into a wide ranging search for the roots of inspiration. Among the most valuable undertakings in this ongoing exploration is teaching. "When I teach," he explains, "I learn and discover methods to build my vocabulary and style, and I love to help others do the same" His experiences as a teacher, student, and musician led him to create and direct Life on Drums, a cinematic exploration of percussion and the creative process with his childhood drum instructor, Allen Herman. Billy is currently Executive Artistic Director and CEO of the legendary Creative Music Studio He also owns and manages his own record label Amulet Records." ^ Hide Bio for Billy Martin • Show Bio for Sarah Bernstein "Sarah Bernstein is a New York-based composer and violinist whose work incorporates vocals, electronics, improvisation and original text. She is known for her fiery multidisciplinary performances, and has garnered international acclaim for her distinctive recordings. She leads bands, performs solo, and collaborates with artists in avant-jazz, chamber music, experimental pop and noise. Nominated in the DownBeat Magazine Critics Poll for the past five years, Bernstein is a recognized innovator in forward-thinking jazz. Her approach merges post-tonal and polyrhythmic melody with sonic exploration and raw emotion. In addition to live performance, Bernstein's music is featured on radio programs, podcasts, and film scores. She is originally from San Francisco, CA." ^ Hide Bio for Sarah Bernstein
11/20/2024
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11/20/2024
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11/20/2024
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11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Orange Blossom Bullet Train 5:21
2. Black Berry 1:57
3. Morning Zephyr Waltz 4:13
4. Metropolitan Special 4:42
5. Blue Comet Bankruptcy 5:12
6. Liberty 5:15
7. Cluck 9:32
Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Quintet Recordings
Rock and Related
Improvised Rock
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