The Squid's Ear Magazine


Clement, Joda / Tim Olive / Mathieu Ruhlmann: Eidolon (845 Audio)

During his 2018-19 Canadian tours, Tim Olive joined Vancouver residents Joda ClŽment and Mathieu Ruhlmann for two trio performances, after which they went into the studio to record these four detailed improvisations using synthesizer, harmonium, glockenspiel, field recordings, feedback, magnetic pickups, preamps, octave generators, ukelin, cymbal, tapes, and objects.
 

Price: $10.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Joda Clement-synthesiezr, harmonium, glockenspiel, field recordings, feedback

Tim Olive-magnetic pickups, preamplifier, octave generators

Math Joda Clement-synthesizer, harmonium, glockenspiel, field recordings, feedback

Tim Olive-magnetic pickups, preamplifier, octave generators

Mathieu Ruhlmann-ukelin, cymbal, tapes, objects ieu Ruhlmann-ukelin, cymbal, tapes, objects


Click an artist name above to see in-stock items for that artist.




Label: 845 Audio
Catalog ID: 845-17
Squidco Product Code: 30487

Format: CD
Condition: New
Released: 2021
Country: Japan
Packaging: Letterpress Recycled Chipboard Package
Recorded at Mothcow, in Vancouver, Canada, in September, 2018, and June, 2019, by Nelson Donais.

Descriptions, Reviews, &c.

"A three-way collaboration from two different sessions in Vancouver, September 2018 and June 2019, with Joda Clement (Korg MS-20, harmonium, glockenspiel, feedback), Mathieu Ruhlmann (ukelin, cymbal, tapes, objects) and Olive (magnetic pickups, preamplifier, octave generators). While I am not sure if I have heard all the releases by 845 Audio, I would think that by now there is a common thread to be noticed in many of these releases, and that is a carefully constructed approach to the electro-acoustic end of improvisation. Instruments are not easily recognized in these pieces, save for the odd bow upon strings/cymbal/objects in the final piece. But in the opening piece, we hear a mass of dark sounds, and objects being carefully moved around upon an amplified surface, resulting in a similar yet different and mysterious piece of music.This is quite far removed from the traditional world of improvised music, with hardly any 'normal' instruments and some excellent interaction between the three players, each the master of their domain, knowing what they are doing and reacting accordingly. Excellent music!"-Frans de Waard, Vital Weekly


"A three-way collaboration from two different sessions in Vancouver, September 2018 and June 2019, with Joda ClŽment (Korg MS-20, harmonium, glockenspiel, feedback), Mathieu Ruhlmann (ukelin, cymbal, tapes, objects) and Olive (magnetic pickups, preamplifier, octave generators). While I am not sure if I have heard all the releases by 845 Audio, I would think that by now there is a common thread to be noticed in many of these releases, and that is a carefully constructed approach to the electro-acoustic end of improvisation. Instruments are not easily recognized in these pieces, save for the odd bow upon strings/cymbal/objects in the final piece. But in the opening piece, we hear a mass of dark sounds, and objects being carefully moved around upon an amplified surface, resulting in a similar yet different and mysterious piece of music.This is quite far removed from the traditional world of improvised music, with hardly any 'normal' instruments and some excellent interaction between the three players, each the master of their domain, knowing what they are doing and reacting accordingly. Excellent music!"-Frans de Waard, Vital Weekly



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Get additional information at Vital Weekly

Artist Biographies

"Raised in Toronto and based in Vancouver, Joda Clément has been performing and composing experimental music for over 15 years. His work utilizes analog and acoustic instruments, field recordings and feedback to carefully construct listening environments that transcend a distinction between sound, site, and source.

Joda has performed or exhibited in Canada and abroad, including appearances at The Music Gallery, MOCCA, Issue Project Room (NY), Reheat (Austria), Suoni Per Il Popolo, Extermination Music Night, Life Changing Ministry (CA), Electric Eclectics Festival, VIVO Media Arts Centre, MUTEK, Oboro New Media lab and the West Hollywood Library (CA).

His music has been released internationally on labels such as Alluvial Recordings (US), Glistening Examples (US), Mystery Sea (BE), Unfathomless (BE), caduc (CA) and Notice Recordings (US).

Collaborators past and present include Magali Babin, Michael Northam, Hitoshi Kojo, Olivia Block, Bhob Rainey, Bonnie Jones, Kai Fagaschinski, Chris Cogburn, Tomasz Krakowiak, Mathieu Ruhlmann and Lance Austin Olsen, for example."

-Joda Clement Website (https://jodaclement.wordpress.com/about/)
3/31/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"The music of Tim Olive arises from collaboration with fellow musicians/sound artists, collaboration with physical and temporal setting, and collaboration with those involved in the act of listening. Using simple materials (magnetic pickups, steel strings, tuning forks, metal strips, hand-wound motor mechanisms, magnetic tape, dental floss and analog electronics), Olive's work examines presence and the present, the interplay of the human with material/time/space, and the uniqueness, intensity and unrepeatability that lives in each performing and/or recording situation.

He is interested in music as a social activity, as a way of creating community, a way of countering the forces which lead to an increasing atomization of contemporary life; music as a felt experience rather than as a concept or a theory.

A Canadian residing in Kobe, Japan, Olive has released music on Japanese, European and North American labels, with Jeff Allport, Cristian Alvear, Pascal Battus, Alfredo Costa Monteiro, Samuel Dunscombe, Nick Hoffman, Anne-F Jacques, Jin Sangtae, Jason Kahn, Takahiro Kawaguchi, Francisco Meirino, Katsura Mouri, Takuji Naka, Makoto Oshiro and Ben Owen.

Olive has performed/recorded in Asia, Australia, North America and Europe, with the recording collaborators listed above, as well as with Akiyama Tetuzi, Maria Chavez, Che Chen, Kelly Churko, crys cole, Joe Foster, Haco, Hong Chulki, Bonnie Jones, Richard Kamerman, Kostis Kilymis, Siew-Wai Kok, Madoka Kouno, Tomasz Krakowiak, Fangyi Liu, James Rushford, Carl Stone, Fritz Welch, Nate Wooley, Jared Xu and Yan Jun.

In addition to organizing events in Japan, Olive runs the label 845 Audio."

-Tim Olive 3/31/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"The music of Tim Olive arises from collaboration with fellow musicians/sound artists, collaboration with physical and temporal setting, and collaboration with those involved in the act of listening. Using simple materials (magnetic pickups, steel strings, tuning forks, metal strips, hand-wound motor mechanisms, magnetic tape, dental floss and analog electronics), Olive's work examines presence and the present, the interplay of the human with material/time/space, and the uniqueness, intensity and unrepeatability that lives in each performing and/or recording situation.

He is interested in music as a social activity, as a way of creating community, a way of countering the forces which lead to an increasing atomization of contemporary life; music as a felt experience rather than as a concept or a theory.

A Canadian residing in Kobe, Japan, Olive has released music on Japanese, European and North American labels, with Jeff Allport, Cristian Alvear, Pascal Battus, Alfredo Costa Monteiro, Samuel Dunscombe, Nick Hoffman, Anne-F Jacques, Jin Sangtae, Jason Kahn, Takahiro Kawaguchi, Francisco Meirino, Katsura Mouri, Takuji Naka, Makoto Oshiro and Ben Owen.

Olive has performed/recorded in Asia, Australia, North America and Europe, with the recording collaborators listed above, as well as with Akiyama Tetuzi, Maria Chavez, Che Chen, Kelly Churko, crys cole, Joe Foster, Haco, Hong Chulki, Bonnie Jones, Richard Kamerman, Kostis Kilymis, Siew-Wai Kok, Madoka Kouno, Tomasz Krakowiak, Fangyi Liu, James Rushford, Carl Stone, Fritz Welch, Nate Wooley, Jared Xu and Yan Jun.

In addition to organizing events in Japan, Olive runs the label 845 Audio."

-Tim Olive 3/31/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Eidolon 1 11:13

2. Eidolon 2 10:44

3. Eidolon 3 06:27

4. Eidolon 4 14:11

Related Categories of Interest:


Electro-Acoustic
Electro-Acoustic Improv
Improvised Music
Trio Recordings
Piano & Keyboards
Electronic Forms
Percussion & Drums
Field Recordings
Objects and Home-made Instruments
New in Experimental & Electronic Music
Vancouver and Western Canada

Search for other titles on the label:
845 Audio.


Recommended & Related Releases:
Olive, Tim / Kayu Nakada
Kanpu
(845 Audio)
The 2nd album from the duo of Japanese circuit bender Kayu Nakada, using circuit boards from electronic instruments short circuited for new effects, and Japan-based Canadian electronic instrument maker Tim Olive (845 Audio) on shortwave radio, magnetic pickups & undokai, recorded together in Kobe, Japan and then edited and composed into these two intriguing works.
Olive, Tim
Spot of the Foul (total mass retain)
(845 Audio)
The second-ever solo release from Tim Olive and his first since 2008, in a distinctive set of compositions that layer and superimpose multiple, darkly intense recordings of improvisations made with magnetic pickups, metal plates, springs, wire, tuning forks, electromagnets, bow, breath, dental floss, envelope generator, fuzz, spring reverb, and preamplifier.
Sangtae, Jin / Tim Olive
naar/voor
(845 Audio)
Recording in Kobe, Japan in 2014, the duo of Jin Sangtae, organizer of Seoul's long-running dotolim concert series and who gainfully employs cast-off computer hard drives as sound sources, and Tim Olive, who uses electro-magnetic pickups to give voice to consumer/post-consumer objects, for three tracks of recycled and unorthodox sound.
Kahn, Jason / Tim Olive
Two Sunrise
(845 Audio)
The first meetings of Jason Kahn (analog electronic) and Tim Olive (one-string magnetic pickup device) recording in a studio session in Kyoto, 2012 for four eventful and intricately structured works with a distinct developmental momentum.
Other Recommended Releases:
Olive, Tim
Ribbon [CASSETTE + DOWNLOAD]
(Notice Recordings)
Sonic exploration and studio composition from Kobe, Japan-based, Canadian sound artist Tim Olive, using amplified objects, cast-off electronics and home made instruments including metal teeth, tuning forks, clockwork motors, electromagnets, cassette playback heads and magnetic pickups, recording each and layering them in the studio to create corrosively captivating aural journeys.
Olive, Tim / Kayu Nakada
Entenka [CASSETTE w/ DOWNLOAD]
(Tsss Tapes)
Applying techniques similar to those of the prepared piano, Japanese experimental artist Kayu Nakada uses circuit bending--circuit boards from electronic instruments short circuited for new effects--joining forces with Japan-based Canadian electronic instrument maker Tim Olive (845 Audio) for four works of intriguingly interactive glitch, hum, static and sonic inexplicables.
Jacques, Anne-Francoise / Tim Olive
Bistre [CASSETTE w/ DOWNLOAD]
(Tsss Tapes)
The fourth release from the long-standing sonic research duo of Montreal sound artist Anne-F Jacques, who uses "rotating devices" based around small amplified motors, and Montreal ex-patriot living in Kobe, Japan Tim Olive (845 Audio), using magnetic pickups on objects and self-built instruments, here in six richly detailed and sometimes curiously menacing recordings.
Kostyrko, Sergey / Tim Olive
Rasputitsa
(845 Audio)
Selected from several hours of real-time interaction and presented as recorded with minimal editing, this album presents the first-time meeting of Kobe, Japan sound artist Tim Olive with St. Petersburg, Russian synthesist and electronic musician Sergey Kostyrko, recording in the studio together, the title aptly referencing the season of spring when roads are laid bare.
Dadge, Chris / Tim Olive
Nice You!
(845 Audio)
After a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter and Bug Incision lAfter a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter & Bug Incision label leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.abel leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.
Maguire, Phil / Tim Olive
Invoer
(845 Audio)
Stymied by Covid-19, the planned May 2020 tour of sound artists Tim Olive and Phil Maguire was cancelled, motivating each to create four 10-minute solo pieces which were then overlayed to create four "distant duo" pieces, merging Olive's textured home-made electronics and Maguire's reductive approach to audio simplicity and spare sonic environments.
Olive, Tim / Martin Tetreault
Faune
(845 Audio)
Fellow Canadians, Montreal's Ambiances Magnetiques collective member, turntablist and electronics artist Martin Tetrault meets Japan-based electronic explorer Tim Olive performing on magnetic pickups, in their first album despite having performed sporadically across three decades: 4 rich improvisations minimally edited, shaping sound in compelling ways.
Girard, Doreen / Tim Olive
Boro
(845 Audio)
Recording in Saskatoon in the Canadian province of Saskatchewan the day before their performance at the Sounds Like Festival, audio explorer Tim Olive brings his magnetic pickups in a first meeting with Doreen Girard performing on a prepared tsymbaly, a Ukranian hammer dulcimer, for a single, unusually evolving, and wonderfully rich improvisation.



Customers Who Bought This Item Also Bought:
Dorner, Axel / Allemano, Lina
Aphelia
(Relative Pitch)
Bringing together two exceptional trumpeters approaching their instruments in innovative ways--Berlin trumpeter Axel Dorner and Toronto trumpeter Lina Alleman--in duos and virtual ensembles, each of the eight improvisations titled for lesser-known, smaller celestial bodies, the album title referring to the furthest distance an object achieves while orbiting the sun.
Dunkelman, Nava / Gabby Fluke-Mogul
Likht
(Relative Pitch)
Two New York improvisers — percussionist Nava Dunkelman and violinst Gabby Fluke-Mogul — sharing a background from Mills College and work with luminaries including Fred Frith, present their extroverted approaches to free improvisation in these eleven assertive dialogs recorded in the studio, their compatibility and love of unusual techniques evident.
Shiraishi, Tamio
Moon
(Relative Pitch)
Known for his resonant solo alto saxophone work, often recording with the New York City subways, this album presents ten unusual duos between Tamio Shiraishi and improvisers on piano, voice, cello, electronics, bass, guitar and sax, with Tim Dahl, Steve Baczkowski, Mico, Mike Sidnam, Austin Sley Julian, Nina Dante, Tara Fenamore, Leila Bordreuil, Chris Libutti, and Ami Yamasaki.
Lipscomb, Jon
Conscious Without Function
(Relative Pitch)
Swedish guitar improviser Jon Lipscomb (LOPLOP, Swedish Fix) takes his listeners on a rugged trip across the strings, using distortion, tremolo and rapid-fire technique as he mines territories between free improv, noise and rock, his nimble mind stopping to explore areas of interest then cascading into new, turbulent environments; frightfully powerful.
Millar, E / Christof Kurzmann
Rare Entertainment
(Mystery & Wonder)
The first meeting of Austrian improviser Christof Kurzmann (The Magic I.D., Schee) and Montreal sound artist Elizabeth Millar (Sound of the Mountain, Ensemble Supermusique) in two tremendous multi-part performances live at the 2019 Suoni Per il Popolo Festival in Montreal, works of mysteriously vibratory backdrop, insinuating narrative voice and unsettling sonic interaction.
Clotet, Amidea
Trasluz
(Relative Pitch)
Sorollets i catxarros—noises and rattles—from Barcelona electric guitarist and free improviser Amidea Clotet, who explores unusual possibilites from the instrument through textural approaches and amplification, evoking unusual soundscapes of inexplicable sound from the body, hardware and strings of the guitar, in seven unusual and fascinating expositions.
Matthews, Wade / Carmen Morales
Fall Five Improvisations
(Aural Terrains)
Inspired by and recorded at the basilica of a former monastery overlooking a valley in southern Spain, the duo of Wade MatthInspired by and recorded at the basilica of a former monastery overlooking a valley in southern Spain, the duo of Wade Matthews on digital synthesis & field recordings and Carmen Morales on prepared piano, present improvisations with a unique palette of timbres, contrasting spacious moments against rapid interaction as they "Plunge and Tumble" through five captivating dialogs.ews on digital synthesis & field recordings and Carmen Morales on prepared piano, present improvisations with a unique palette of timbres, contrasting spacious moments with rapid interaction as they "Plunge and Tumble" through five captivating dialogs.
McPhee / Edwards / Kugel
Existential Moments
(Not Two)
The 3rd album from the touring trio of Joe McPhee on trumpet & tenor sax, John Edwards on double bass and Klaus Kugel on drums, following their previous NotTwo releases A Night In Alchemia and Journey To Parazzar, here captured live at FreeJazzSaar 2019, in Saarbrucken, Germany for a boisterously exciting set of three collective improvisations, including a tip of the hat to Charles Gayle.
Physique (Sam Scranton / Neil Quigley)
Curve Tote
(Amalgam)
Creating soundscapes from homemade instruments, Text-To-Speech, AI voices, lap steel guitar, found objects, field recording, &c., the duo of sound artists Sam Scranton from Chicago and Neil Quigley from Kilkenny, Ireland, present six unusually unfolding compositions of deceptively relaxed environments layered with mysterious elements and a sly sense of humor.
Burnett, Aaron
Correspondence
(Relative Pitch)
Known for his ensemble The Big Machine with Peter Evans, Carlos Homs, &c., NYC saxophonist Aaron Burnett steps out for a solo album of intense improvisatory exploration, demonstrating his background in classical saxophone studies that fuels an ardent intensity in personal expression, a tremendous balance between technique and passion.
Mirror Unit (Georg Wissel / Tim O'Dwyer)
Sonic Rivers
(FMR)
Following their Creative Sources album Wind Makes Weather, alto saxophonists Tim O'Dwyer and Georg Wissel, both employing preparations on their instruments, improvise a confluence of sonic rivers evoking, exploring and reflecting waterways from around the world, captured in concert at the cinema hall of the cultural center Alte Feuerwache, in Cologne.
Allbee, Liz
Rille
(Relative Pitch)
Berlin trumpeter Liz Allbee's solo work focuses on the interaction of voice, extended approaches to her instruments, which includes her self-designed quadrophonic trumpet, electronics and acoustic homemade instruments, on Rille presenting four enigmatic works of dramatic pacing--environmental and rhythmic--guided by impressionistic spoken words and moments of tonal clarity.
Fielder, Alvin / David Dove / Jason Jackson / Damon Smith
The Very Cup of Trembling
(Astral Spirits)
Five inventive, lively and informed collective improvisations plus one brief interlude from the quartet of Alvin Fielder on drums, David Dove on trombone, Jason Jackson on tenor & baritone saxophones and Damon Smith on double bass, recording in Texas three years after their excellent From-To-From, with titles provided courtesy of poet and scholar Fred Moten.
Arcane Device
Circuit Dreams
(pulsewidth)
Using a combination of controlled feedback, samples, computer processing and Eurorack electronics, Arcane Device aka David Lee Myers continues his long exploration of electronic music, focusing here on evolving and complex patterns complemented by beautiful tones and occasional rhythmic foundations, a great collection of elegant electronics.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC