The Squid's Ear Magazine


Chrysakis, Thanos: Manifold Vista (Auf Abwegen)

Aural Terrains label-leader, composer and sound artist Thanos Chrysakis presents six new pieces merging electronic composition with field recordings and other electro-acoustic sources, in five rich and beautifully paced works of a diverse nature, evolving a consistent sound world where each piece draws the listener into the composer's detailed and engaging concepts.
 

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Personnel:



Thanos Chrysakis-composer, performer


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Label: Auf Abwegen
Catalog ID: aatp89
Squidco Product Code: 32989

Format: CD
Condition: New
Released: 2023
Country: Germany
Packaging: Digipack
Recorded at Meridian Studio, in November and December, 2021.

Descriptions, Reviews, &c.

"Manifold Vista is the new album by composer/producer Thanos Chrysakis. Rarely can something so meticulously assembled together sound so fluid. A distinct, disciplined sense for composition emerges from each of these works, displaying formal integrity while at the same time, they are also effervescent, forceful, fiercely idiosyncratic and beautifully shaped and transformed. The album discloses an expanded and detailed vista of sound's interiority forming a strangely pleasurable, not to mention engaging, experience.



Thanos Chrysakis is a Greek composer, musician, producer and sound-artist. He is best known for his work in electronic and contemporary music, free improvisation, and electro-acoustic music.

With several albums to his name his work has appeared in festivals and events in numerous countries, including CYNETart Festival, Festspielhaus Hellerau - Dresden, Artus Contemporary Arts Studio - Budapest, CRUCE Gallery - Madrid, Fylkingen - Stockholm, Relative (Cross) Hearings festival - Budapest, Festival Futura - Crest - Drôme, FACT Centre - Liverpool, Association Ryoanji - Ahun - Creuse, The Center for Advanced Musical Studies at Chosen Vale - Hanover - New Hampshire, Areté Gallery - Brooklyn - New York, UC San Diego - California - San Diego, Berner Münster - Bern, Fabbrica del Vapore - Milan, Grünewaldsalen - Svensk Musikvår - Stockholm, Splendor - Amsterdam, Logos Foundation - Ghent, Palacio de Bellas Artes - Mexico City, Műcsarnok Kunsthalle - Budapest, Spektrum - Berlin, Susikirtimai X - Vilnius, Festival del Bosque GERMINAL - Mexico City, ДОМ - Moscow, Oosterkerk - Amsterdam, KLANG ! - Montpellier, Nádor Terem - Budapest, Utzon Centre - Aalborg, Center for New Music - San Francisco, Västerås Konstmuseum - Västerås, Störung festival - Barcelona, BMIC Cutting Edge concert series at The Warehouse - London.

His music was among the selected works at the International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category oeuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Competition Musica Viva in Lisbon (the jury was constituted by Morton Subotnick (USA), François Bayle (France), and Miguel Azguime (Portugal).

He operates the Aural Terrains record label since 2007 where he has released part of his work until now, alongside releases by Kim Cascone, Franscisco López, Tomas Phillips, Dan Warburton, Szilárd Mezei, Michael Edwards, Wade Matthews, Dganit Elyakim, Edith Alonso, Luis Tabuenca, Jeff Gburek, Philippe Petit, Steve Noble, Milo Fine and David Ryan among others.

He has written music for musicians of the Hyperion Ensemble, the Stockholm Saxophone Quartet, the Hermes Ensemble, Nemø Ensemble, the Konus Saxophone Quartett, and the Shadanga Duo among others. Close collaborations with Tim Hodgkinson, Vincent Royer, Chris Cundy, Yoni Silver, Lori Freedman, Jason Alder, Julie Kjaer, Henriette Jensen, William Lang, Wilfrido Terrazas, Philippe Brunet, Wade Matthews, Ernesto Rodrigues, Abdul Moimême, Ove Volquartz to name but a few."-Auf Abwegen



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Thanos Chrysakis' output consists of composition, performance, and installation. He was born in Athens in 1971. After residing in the UK between 1998-2014 he moved in 2015 to Belarus. With several albums to his name his work has appeared in festivals and events in several countries, including CYNETart Festival, Festspielhaus Hellerau - Dresden, Academy of Arts / M:AI (Museum für Architektur und Ingenieurkunst NRW)- Berlin, TU - Berlin, Diapason Gallery - New York, ohrenhoch - der Geräuschladen Gallery - Berlin Neukölln, Spazioersetti Gallery - Udine, XXII "Sound Ways" International New Music Festival - St. Petersburg, Artus Contemporary Arts Studio - Budapest, CRUCE Gallery - Madrid, Fylkingen - Stockholm, Relative (Cross) Hearings festival - Budapest, ZEPPELIN festival - Barcelona, IVM (Institut Valencià de la Música) - Valencia, Motus/Festival Futura 2013 / 21 édition - Crest-Vallée de la Drôme-Diois, Xposed Club - Cheltenham, Festival de Música Contemporanea "Ramiro Guerra" - Monterrey, FACT Centre - Liverpool, Association Ryoanji - Salle Des Fêtes - Ahun, The Center for Advanced Musical Studies at Chosen Vale/International Chosen Vale Trumpet Seminar 2014 - Hanover-New Hampshire, Frost School of Music - Clarke Recital Hall - Coral Gables/Florida, XIII Festival Internacional de Música Nueva - Monterrey, Splendor - Amsterdam, VI European Clarinet Festival - Camerino - Italy, Logos Foundation - Ghent, Palacio de Bellas Artes - Mexico City, "On the Edge of Perceptibility - Sound Art" Műcsarnok Kunsthalle - Budapest, Festival del Bosque GERMINAL - Mexico City, Noise & Fury Festival - Moscow, Oosterkerk - Amsterdam, Center for New Music - San Francisco, Västerås Konstmuseum - Västerås, Störung festival - Barcelona, BMIC Cutting Edge concert series - The Warehouse - London.

His music has been frequently aired by RAI Radio 3, BBC Radio 3, Radio Portugal Antenna 2, Radio Nacional de España Radio 3, Ireland's RTÉ Lyric FM, Polskie Radio (Warsaw), RTS - Radio Belgrade 3 (Serbia), FM Brussel, Elektramusic (Strasbourg), CKCU FM - (Ottawa), Undae! Radio and Onda Sonora - Radio Circulo de Bellas Artes (CBA) (Madrid), Radio Horizon (Johannesburg), Motus/Radio Saint Ferréol -Les Territoires Du Son (la radio du Val de Drôme), Radio Nova (Oslo) among others. In addition, his texts have been also appeared in the Leonardo Music Journal (MIT Press), the Vague Terrain Journal, and in the volumes The Book of Guilty Pleasures and The Idea of the Avant Garde - And What It Means Today (Manchester University Press) edited by Marc James Léger. He composes for electronic and acoustic instruments, as well environmental sounds, focusing on the structural, aesthetic and transfigured capacity of sonic matter.

His formal training encompasses percussion (Dimitris Tzafestas), Sonic Arts (Hugh Davies) at the Lansdown Centre for Electronic Arts and a PhD in composition from Goldsmiths, University of London (EMS/Michael Young) as well as private studies in orchestration with Dmitri Smirnov. However it is the yearning of the creative praxis itself that transmitted the crucial aspect of artistic practice: that something has to be staked, that something must be ventured.

His work was amongst the selected works at the 32nd International Competition de Musique et d'Art Sonore Electroacoustiques de Bourges 2005, in the category œuvre d'art sonore électroacoustique, while received an honorary mention in 2006 at the 7th International Electroacoustic Composition Competition Musica Viva in Lisbon (the jury was constituted by Morton Subotnick (USA), François Bayle (France), and Miguel Azguime (Portugal).

He has written music for distinguished musicians such as Philippe Brunet (flugelhorn, trumpet), Wilfrido Terrazas (flutes), Chris Cundy (baritone saxophone, bass clarinet), the Stockholm Saxophone Quartet, Jason Alder (bass clarinet), Alexander Bruck (viola), Yoni Silver (bass clarinet), Natalia Pérez Turner (cello), Nadia Ratsimandresy (Onde), Mikael Rudolfsson (alto trombone), Matias Karlsen Bjornstad (soprano saxophone), Liam Hockley (clarinets), Michael Pelzel (church organ), Kate Ryder (piano, prepared piano), Tzenka Dianova (piano), Claire Chase (bass flute), Peter Evans (trumpet), Julie Kjaer (alto saxophone/alto, Luis Tabuenca (percussion), Philip Chase Hawkins (trumpet).

Recent compositions amongst others, include: Above the Hidden Track an Endless Blaze (Aural Terrains 2015), Terra Firma (for Mikael Rudolfsson [alto trombone] 2015), Astraea (for the Stockholm Saxophone Quartet, 2013), Undercurrent (for Liam Hockley [clarinet in A] 2014), Arché (for Chris Cundy [baritone saxophone] 2014), Nocturnal Flight (for Nadia Ratsimandresy [onde] 2014), Ingress (for Yoni Silver [bass clarinet] 2015), Canto Intrare (for Philippe Brunet & Philip Chase Hawkins [duo trumpets] 2015), Μήτε το Κύμα / Νé da'll onde (for Wilfrido Terrazas & Natalia Pérez Turner [bass flute / cello] 2014].

He has recorded/performed with a number of improvisers including among others Wade Matthews, Dario Bernal-Villegas, Jerry Wigens, James O'Sullivan, Philip Somervell, Jamie Coleman, Chris Cundy, Zsolt Sőrés, Sebastian Lexer, Javier Pedreira, Julie Kjaer, Artur Vidal, Christian Kobi, Christian Skjødt, Yoni Silver, Nuno Torres, Kurt Liedwart, Ernesto Rodrigues, Abdul Moimême. Furthermore, he has also closely collaborated with the visual artists Pascal Dombis, and Villő Turcsány. Since 2007 he operates the record-label 'Aural Terrains' focusing in electroacoustics, composed and improvised music.

He has held residencies at the Visby Centre for Composers (twice) and at the Artus Contemporary Arts Studio in Budapest. His work has been supported by PRS for Music Foundation and the Swedish Art Council.

Current and upcoming projects for 2016-17 include a residency at the Porticello Artist Residency in Calabria/Italy, a series of compositions for the Hyperion Ensemble, Tim Hodgkinson (bass clarinet), Yoni Silver (bass clarinet), Tibi Cenuser (trombone), for the Stockholm Saxophone Quartet, for Konus Quartett, for Liam Hockley (clarinets in A and E♭), Laura Faoro (bass flute), Philippe Brunet (trumpet), Elena Kakaliagou (french horn), Stephan Vermeersch (bass clarinet), Alexander Bruck (viola), Natalia Pérez Turner (cello), Chris Cundy (bass clarinets), Markus Wenninger (clarinet E♭), Serge Bertocchi (Tubax E♭), Shadanga Duo (alto flute/alto clarinet), Katalin Szanyi (alto flute), Jason Alder (contra bass clarinet), Alejandro Tello (oboe), Wilfrido Terrazas (flutes), Dana Jessen (bassoon) as well a new electronic music CD entitled 'Equinox'."

-Aural Terrains (http://www.auralterrains.com/chrysakis/en/bio/)
3/31/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Abyss Filled With Light 12:17

2. Afterglow 11:06

3. Alluvium 6:28

4. Manifold Vista 16:44

5. Perennial Cartography 7:27

Related Categories of Interest:


Electro-Acoustic
Compositional Forms
Electroacoustic Composition
Field Recordings
Electronic Forms
Organized Sound and Sample Based Music
Solo Artist Recordings
European Improvisation, Composition and Experimental Forms
Staff Picks & Recommended Items
New in Experimental & Electronic Music

Search for other titles on the label:
Auf Abwegen.


Recommended & Related Releases:
Alder, Jason / Thanos Chrysakis / Charlotte Keeffe / James O' Sullivan
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Embracing acoustic and electronic improvisation, this London-recorded session features Jason Alder's contrabass clarinet & sopranino sax, Charlotte Keeffe's trumpet & flugelhorn, James O'Sullivan's exploratory electric guitar and Thanos Chrysakis' laptop and synthesizers, collectively shaping a shifting, atmospheric soundscape of drone, spectral timbres, and dynamic textures.
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In configurations of solo to an 11-piece ensemble, Aural Terrain assembles great players including Tim Hodgkinson, Jason Alder, Yoni Silver, Chris Cundy, &c to perform works by composers John Cage, Gerard Grisley, Giacinto Scelsi, Thanos Chrysakis, Jule Kjaer and Tim Hodgkinson; seven acoustic compositions written between 1978 and 2022 that prominently feature horns as trumpets, clarinets and saxophones.
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In configurations of solo to an 11-piece ensemble, Aural Terrain assembles great players including Tim Hodgkinson, Jason Alder, Yoni Silver, Chris Cundy, &c to perform works by composers John Cage, Gerard Grisley, Giacinto Scelsi, Thanos Chrysakis, Jule Kjaer and Tim Hodgkinson; seven acoustic compositions written between 1978 and 2022 that prominently feature horns as trumpets, clarinets and saxophones.
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Canadian clarinetist Liam Hockley, a dedicated advocate for new and experimental music, performs compositions on a relatively obscure member of the clarinet family, the basset horn, alone and in layers of up to seven horns, in pieces from Romanian spectral composers Ana Maria Avram, Iancu Dumitrescu, and Horatiu Radulescu, along with a contemporary work by Thanos Chrysakis.
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The follow-up to Music for Two Organs and Two Bass Clarinets, combining the collective work of clarinetists Chris Cundy, (bass clarinets, soprano ocarina) & Ove Volquartz (bass clarinets), Thanos Chrysakis (chamber organ & voice) and Peer Schlechta (pipe organ), recorded in the natural resonance of the Neustadter Kirche church in Hofgeismar, Germany.
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Intricate and beautifully paced electroacoustic improv from the quartet of Thanos Chrysakis (laptop, synth & radio), Ken Slaven (berimbu, autoharp, violin), James O'Sullivan (guitar) and Jerry Wigens (clarinet & mandolin).
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