The Squid's Ear Magazine


Mezei, Szilard / Zoltan Csanyi / Vasco Trilla: Look Into My Eyes, I'm Watching You [2 CDs] (Listen! Foundation (Fundacja Sluchaj!))

Four recordings of chamber-oriented improvisation by Serbian violinist Szilárd Mezei in a trio with bassist Zoltán Csányi, a frequent collaborator of Mezei, and Catalonian percussionist Vasco Trilla, performing in 2021 at KC Lab in Novi Sad, at RCA Magyarkanizsa in Serbia, at Samo Pivo in Subotica, Serbia and at Korzó Zeneház in Szeged, Hungary.
 

Price: $19.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Szilard Mezei-viola, piano

Zoltan Csanyi-double bass

Vasco Trilla-percussions


Click an artist name above to see in-stock items for that artist.




UPC: 5904441617276

Label: Listen! Foundation (Fundacja Sluchaj!)
Catalog ID: 02/2023
Squidco Product Code: 33013

Format: 2 CDs
Condition: New
Released: 2023
Country: Poland
Packaging: Cardboard Gatefold
CD1 tracks 1, 2 and 3 recorded on October 5th, 2021, at KC Lab, in Novi Sad, Serbia.

CD1 tracks 4 and 5 recorded on October 7th, 2021, at RCA Magyarkanizsa, in Serbia.

CD2 tracka 1 and 2 recorded on October 8th, 2021, at Samo Pivo, in Subotica, Serbia.

CD2 track 3 recorded on October 9th, 2021, at Korzo Zenehaz, in Szeged, Hungary.

Descriptions, Reviews, &c.

"Outstanding violinist and improviser from Serbia Szilard Mezei in his latest studio recording! Alongside him on double bass are Zoltan Zoltan Csanyi and percussion painter from Catalonia Vasco Trilla.""-Fundacja Sluchaj



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Szilárd Mezei, born February 12th, 1974 in Senta, Serbia (then Yugoslavia) as a member of the Hungarian minority in the multiethnic region of Vojvodina. Completed his violin studies in Senta and Subotica and studied composition for four years at the University of Arts in Beograd under prof. Zoran Eric. As violinist, violist, double bass player and composer and in various formations (from duo to nonett) held many concerts: Senta, Kanizsa (the "Jazz, Improvisative Music..." Festival 1995, 1997, 1998, 2000, 2002), Subotica, Novi Sad (all Serbia, then Yugoslavia), Maribor (Slovenija), Szeged (Hungary, 'MASZK' Festival 1994, 1997), Budapest (Hungary, 'FONÓ' 1997), Gyor (Hungary, 'Mediawave' Festivals 1992, 1994, 1995, 2003, 2006, also 'Gyorfree Impro Workshops' 2003, 2004, 2006), Gyergyószentmiklós (Romania), Leverkusen (Germany, 'Leverkusener Jazz Tage' 1991), Düsseldorff (Germany, 'Düsseldorffer Altsadt Herbst' 1996 - special prize for improvisation), Copenhagen and Aarhus (Denmark, 'Magic Music Festival' 1999), Kluj-Napoca (Romania, 'Charta Minimumia Festival' 2000), Odorhei Secuiesc (Romania), Beograd (Serbia, 'Ring Ring Festival' 2002, 2005), Pécs (Hungary, 'Gassztro Fest' 2002, 'POSZT' 2006), Kishegyes ('Dombos Fest' 2003), Copenhagen, Aero, Aalborg, Aarhus (Denmark, 2003 - tour with the Creative Workshop Ensemble), Debrecen ('Debrecen Jazz Days' 2003), Klagenfurt ('CIK', Austria, 2004), London ('Klinker Nunhead', 2005), 'Cerkno Jazz Fest' (Slovenia, 2006, 2007), Avignon 2006, Zagreb, Graz , Warszawa (Music Academy), Budapest (Music Academy), Gyor, Subotica, Novi Sad, Debrecen , Vác 2007, Dunajska Streda (Are You Free? Festival), Beograd (Ring Ring Festival 2008, Lasciar Vibrare festival), Budapest (Újbuda Jazz festival 2008), Ljubljana, Krakow (Krakow Jazz Fall 2008, Graz (Stockwerk).

His orchestra plays contemporary improvised music, mostly performing his own compositions. As a composer, Mezei is interested in exploring the relationship between improvisation and composition (similarly to Witold Lutoslawski's aleatoric and Anthony Braxton's creative music methods), incorporating elements of jazz and authentic folk music as well. As a young musician he followed the path of B.Bartók and Gy.Szabados. Mezei is also very actively involved in composing scenic music and plays authentic Hungarian folk music on genuine folk instruments (koboz and oud).

Since 2001, Mezei is closely collaborating with choreographer Josef Nadj, director of the 'Centre Chorégraphique National d'Orléans' in Orléans, France. Their mutual project 'Les Philosophes' was selected theatre-piece of the year 2001 in France. The play was performed with great success at the 'Festival of Dance' in Cannes, France 2001, in Avignon 2002, in Brugge (Belgium - the capital of European Culture for the year 2002), in Orléans in October 2002, in Paris in May 2003, in Reggio Emilia (Italy), in Le Havre, in Nantes (France) 2004, and in London 2005. In 2006 they collaborated on a new project 'Asobu' (together with co-composer Akosh S.). This play was premiered at the Festival d'Avignon in 2006, then successfuly toured Europe and Japan.

In 2003 Mezei was invited by the Creative Workshop Ensemble of Denmark to tour in that country, performing some of his compositions.

In 2007 He was invited to play with The Fonda / Stevens Group. They held concerts in Magyarkanizsa, Zagreb, Graz, Oberwart, Cerkno, performing compositions by Michael Jefry Stevens, Joe Fonda and Mezei.

His 'String Trio' was performed at the Festival of Contemporary Music 'Ondine '98' in Rovereto, Italy . The composition 'Trio for Flute, Piano and Percussion' won the 3rd prize at the 7th International Review of Composers in Beograd 1998 in the category of student-composers. He got the 'Sterija Prize' for the music of the theatre-piece 'Szelídítések' (Tamings). In 2004 Mezei won also the prize for music at the 54th 'Festival of Professional Theatres' in Vojvodina (for the theatre-piece 'Via Italia'). In 2009 He won the prize for composition in Theater Festival "Joakim Vujic, Sabac, Serbia for the music in theater-piece "Tempest". As a performer Mezei participated in many workshops of improvised and intuitive music (with Tim Hodgkinson in Budapest, William Parker in Gy?r, among others). Played so far with musicians/improvisors like Matthias Schubert, Tamás Geröly, Róbert Benk?, György Szabados, Mihály Dresch, Michael Hornstein, Tim Hodgkinson, Albert Márkos, Peter Ole Jörgensen, Jens Balder, Joe Fonda, Michael Jefry Stevens, Joelle Leandre, Hamid Drake, Herb Robertson, Frank Gratkowski, Charles Gayle. His writings on music were published in many periodicals in Former-Yugoslavia and Hungary.

Mezei is a member of the Composers Association of Serbia and the Hungarian 'Gyorfree' Jazz, Improvisative, Contemporary and Folk Music Workshop Comitee.

He lead the Szilárd Mezei Trio, Szilárd Mezei Quintet (/ Sextet / Septet / Octet / Ensemble), and plays in many formations (duo, trio, etc.) for improvising music (among others, in duet with György Szabados, and with His orchestra MAKUZ, The Fonda/Stevens Group, Burány Quartet, duet with Albert Márkos)."

-Jazz CDs UK (http://www.jazzcds.co.uk/artist_id_1273/biography_id_1273)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Zoltán Csanyi is a Serbian double bassist, known for the groups Szilárd Mezei Ensemble, Szilárd Mezei International Ensemble, Szilárd Mezei Tubass Quintet.

-Squidco 11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born in Barcelona, Vasco Trilla started playing drums at the age of nineteen. His first influences were progressive rock and metal, but gradually he developed an interest in a variety of different genres such as jazz, Indian music, African music, klezmer, free improvisation, etc.

Since then he has collaborated, toured and recorded with many different bands and projects such as Boi Akih (an ethno-jazz band from the Netherlands), Planeta Imaginario (progressive jazz-rock) October Equus (avant-rock), The Oddvisers (pop-avant), Fine! (indie pop-rock), Mundo Flotante (ethno-jazz-rock), Kaulakau/Cobla Sant Jordi (an ethno-jazz Catalan orchestra), Filthy Habits Ensemble (a jazz octet playing Zappa's and Stravinsky's repertoire), Cows On Trees (a jazz-improv quartet with Susana Santos Silva and Kaja Draksler), Balimonster (an impro-ethno duo with Angel Ontalva), Yedo Gibson-Vasco Trilla duo (an improv sax & drums duo), Outerzone (jazz-core), Reptilian Mambo (mambo free rock), Liba's Traum, etc.

In the last years he has been playing and experimenting on the free-improv scene, applying extended techniques to the kit and treating it as a textural-melodic instrument. Blowing, bowing, scratching, playing with hands and all kinds of objects, all is valid to expand the vocabulary of this innovative percussionist. He played with improvisers, such as: Lotte Anker, Marshall Allen, Yedo Gibson, Susana Santos Silva, Kaja Draksler, Jasper Stadhouders, Mikloaj Trzaska, Martin Kuchen, Richard Barrett, Jorma Tapio, Christher Bothen, Marc Stucki, Luc Ex. etc...

He has released around 30 CDs in labels such as Cuneiform Records (USA), Altrock Records (Italy), Leo Records (UK) Discordian Records (Barcelona, Spain), Audition Records (Mexico), El Negocito Records (Belgium), Jacc Records (Portugal), Fmr Records (UK)."

-Vasco Trilla Website (http://vascotrilla.com/)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD1



1. We Are 28:52

2. Are In 06:11

3. Do Not Look 06:21

4. Watching 26:44

5. Are To 04:29

CD2



1. Look In 24:09

2. In Eyes 11:52

3. Our 33:49

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Chamber Jazz
European Improvisation, Composition and Experimental Forms
Trio Recordings
New in Improvised Music

Search for other titles on the label:
Listen! Foundation (Fundacja Sluchaj!).


Recommended & Related Releases:
Villavecchia, Liba Trio (Reviriego / Trilla) + Luis Vicente
Muracik
(Clean Feed)
Trumpeter Luís Vicente joins the Spanish saxophonist Liba Villavechia's Trio with double bassist Alex Reveriego and drummer Vasco Trilla for a studio album of four Villavecchia compositions, and one each from Reviriego and Vicente, propelling the band into hard swinging free improv balanced with introspective abstraction and sonic extensions; masterful.
Garcia, Miguel A. / Garazi Navas / Alex Reviriego / Vasco Trilla
Les Capelles
(Tripticks Tapes)
The first meeting of the quartet of electronic artist Miguel A. Garcia, accordionist Garazi Navas, double bassist Alex Reviriego and percussionist Vasco Trilla is this live performance at Convent de Sant Agusti, in Barcelona, using the natural resonance of the chapel to influence their introspective interactions of deep bass, evolving tones and mysterious percussive punctuations.
Villavecchia, Liba Trio
Zaidin
(Clean Feed)
Referencing Thomas Chapin, Ornette Coleman, Roscoe Mitchell & Evan Parker, Spanish saxophonist Liba Villavechia's trio with drummer/percussionsit Vasco Trilla and double bassist Alex Reviriego explore the "tentacles that stem from the great Jazz octopus" through five Villavecchia compositions, one collective improv, and Thomas Chapin's "Bypass".
Trevor-Briscoe, Tim / Szilard Mezei / Nicola Guazzaloca
Before Then [4 CDs]
(Not Two)
A collection of four concerts, each presented on a single CD, from the chamber-oriented and technically superb trio of Tim Trevor-Briscoe on alto saxophone & clarinet, Szilard Mezei on viola and Nicola Guazzaloca on piano, captured at at Korzo Zenehaz in Hungary; Cultural Centre of Vojvodina in Novi Sad Serbi; Regional Creative Atelier in Serbia; and Harom Hollo in Budapest.
Fish Wool (feat. Susana Santos Silva / Yedo Gibons / Vasco Trilla)
Live in Cerkno
(Listen! Foundation (Fundacja Sluchaj!))
The collaboration of saxophonist Yedo Gibson and Vasco Trilla, heard as a duo on Multikulti Project and together in projects released on Emanem, NoBusiness and Creative Sources, are heard in this second Fish Wool trio album with trumpeter Susana Santos Silva, a uniquely voiced band of two horns and versatile percussion, captured live at the 24th Jazz Cerkno in 2018.
Gardin, Per / Vasco Trilla
Singularity
(Creative Sources)
Swedish saxophonist Per Gärdin on alto and soprano, and Spanish percussionist Vasco Trilla performing primarily on timpani & gongs, along with clock chimes, metronomes and a drum set, recording in the studio between 2020 & 2021 in both Stockholm and Barcelona, the two favoring spacious environments for their improvisations as they expand and dissipate energy in perceptive ways.
Machinefabriek
With Drums [VINYL + DOWNLOAD]
(esc.rec.)
Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.
Muller, Matthias / Ricardo Tejero / Vasco Trilla
Implositions
(Orbit577)
The first release from the Barcelona-based trio of Matthias Muller (trombone), Ricardo Tejero (saxophone), and Vasco Trilla (percussion), the band examining "physics, metaphysics, and the root causes of tension that hold our world together" through fully improvised improvisation using unusual voicing, textures, modes of expression and techniques.
Machinefabriek
With Drums
(Machinefabriek)
Rutger Zuydervelt (aka Machinefabriek) invited 41 drummer/percussionists including Tony Buck, Vasco Trilla, Tim Barnes, Greg Stuart, Cyril Bondi, &c. to take part in a project by recording a few short fills or phrases, which Zuydervelt used as "Lego Bricks" to build a series of short rhythmical collages, the results being 24 diverse and fascinating compositions.
Vicente, Luis / Vasco Trilla
A Brighter Side Of Darkness
(Clean Feed)
Starting from silence, the improvisations on this collective and fully spontaneous album from trumpeter Luis Vicente and percussionist Vasco Trilla never reaches cathartic crescendo, but as only skilled innovators such as they can do, they captivate the listener in other-worldly environments of advanced technique and profound intention; engrossing and ineffable.
Mezei, Szilard Septet
Veres Pancel
(FMR)
Vojvodinian composer and violist Szilard Mezei formed this septet in 2005, his 3rd chamber group with a distinctly free jazz voice, citing influences Gyorgy Szabados, Anthony Braxton, Bela Bartok, Witold Lutoslawsky, Gyoryg Ligeti, Jimmy Giuffre, Steve Lacy, Mal Waldron, to which we would add Eric Dolphy, here in their second FMR album capturing a live concert in Serbia, 2018.
Kimmig, Harald / Ernesto Rodrigues / Miguel Mira / Guilherme Rodrigues / Alvaro Rosso / Vasco Trilla
Zweige
(Creative Sources)
The Creative Sources core string improvisers of violist Ernesto Rodrigues, cellist Guilherme Rodrigues, cellist Miguel Mira, and double bassist Alvaro Rosso, with frequent collaborator percussionist Vasco Trilla, are joined by German violinist Harald Kimmig (Trio Kimmig) for a dynamic album that fluctuates from acoustic lowercase to rapid pointillistic improv.
Variable Geometry Orchestra
Ma'adim Vallis [2 CDS]
(Creative Sources)
Two mesmerizing, diverse, and incredibly sophisticated large scale conductions led by Ernesto Rodrigues and an ensemble of more than 30 performers on reeds, guitars, strings, electronics, pianos, voice, megaphone, brass, drums and percussion, rich yet restrained with moments of mystery and excitement, in two complete concerts from Lisbon in 2017 & 2018.
Mezei, Szilard / Tim Trevor-Briscoe / Nicola Guazzaloca
Exuvia
(FMR)
An amazing example of extremely detailed collective free improvisation from the trio of Szilard Mezei on viola, Tim Trevor-Briscoe on alto & tenor saxophone, soprano clarinet, and bass clarinet, and Nicola Guazzaloca on piano, Mezei's strings adding a rapid-scatter of expressive playing, as the trio pitches forward and lays back for lyrical moments; astonishing!
Szilard
Spokes
(Palaver Press)
Jeremy Young, aka Szilard, in his debut full-length release as a solo performer on guitar and sine waves, with texts from Charles Baudelaire's "Les Fleurs Du Mal" (1857) read by Aki Onda, Ella Joyce Buckley, Liam Singer and Catherine Metayer.
Mezei, Szilard Vocal Ensemble
Fujj Szel, Zenta, Visshangozz Szel
(Not Two)
Avant improvisation from violist Szilard Mezei's vocal ensemble, a 10 piece orchestra with two vocalists, performing live at CNESA, Serbia; complex and fascinating music with a mix of unusual and traditional orchestration.
Mezei Solo, Szilard
When Spring
(Not Two)
Solo viola and double bass compositions from Voivodina Hungarian composer, violinist, viola player, and double bass player Szilárd Mezei.
Other Recommended Releases:
Mezei, Szilard
Old Book For Quartet
(FMR)
Rich in melody that's tinged with European folk music, beautifully orchestrated with viola, vibraphone, double bass, drums & percussion, Serbian violist Szilárd Mezei's compositions take listeners on a journey from melodic optimism to poignant moments of timeless history, indeed a narrative as from a timeless novel read with passion and sincerity; exquisite.
Mezei, Szilard Quartet
Jaguar - Flower
(FMR)
Revisiting previous works in new arrangements, particularly the title track "Jaguar" originally recorded as a septet in 2005 and here with violin Szilárd Mezei's current quartet orchestrated for violin, vibes, double bass and drums; or the large work "Hep 35", part of a decades-long series of compositions employing unison melodies that open facilitate extended improvisation.
Villavecchia, Liba Trio (Reviriego / Trilla) + Luis Vicente
Muracik
(Clean Feed)
Trumpeter Luís Vicente joins the Spanish saxophonist Liba Villavechia's Trio with double bassist Alex Reveriego and drummer Vasco Trilla for a studio album of four Villavecchia compositions, and one each from Reviriego and Vicente, propelling the band into hard swinging free improv balanced with introspective abstraction and sonic extensions; masterful.
Mezei, Szilard
Always The Same
(Not Two)
In September of 2002, Szilard Mezei performed a series of 5 consecutive, unaccompanied solo concerts in Hungary improvising on viola, this album presenting two of these captivating and magnificent performances, balancing impressive technique with his ability to captivate through stunning passages of exquisite lyricism and thematic development, an incredible achievement.
Mezei, Szilard Flute & Strings Trio
To Whom It May Concern
(FMR)
Joining again after their 2016 Szilard Mezei Flute & String Trio album White Flower with the collaborative duo of Serbian guitarist Maja Radovanlija and flautist Svetlana Novakovic, violist Mezei brings an enchanting set of compositions with sophisticated arrangements, flowing melodic passages and tonal colors, particularly the title track in memory of his father.
Glennie, Evelyn / Szilard Mezei POLAR QUARTET
Capt's Look
(Listen! Foundation (Fundacja Sluchaj!))
Originally working together in avant percussionist Evelyn Glennie's improvisation Core-tet Project, Serbian violist and composer Szilard Mezei comes together again with his quartet of Bogdan Rankovic on reeds, Ervin Malia on double bass and Ivan Burka on vibraphone to present this 2022 meticulous chamber improvisation concert at Gradska Koncertna Dvorana / City Concert Hall.
Parrini / Salamon / Trilla
Eating Poetry
(Clean Feed)
Spontaneous compositions with an emphasis on strings and exploratory, unusual approaches to group dynamic, from the trio of Slovenian guitarist Samo Salamon on 6- and 12-string guitars, Italian violinist Emanuele Parrini and Spanish percussionist & drummer Vasco Trilla, in seven conversations of consummate skill, balancing intense concentration with vigorous and inspired exchanges.
Villavecchia, Liba Trio
Birchwood
(Clean Feed)
The second Clean Feed release from Spanish saxophonist Liba Villavechia's trio with drummer/percussionist Vasco Trilla and double bassist Alex Reviriego, a lively working ensemble heard in three new Villavechia compositions, plus two collective improvisations, and a work from New York composer, improviser and influence on the leader, Thomas Chapin's "Anima".
Trilla, Vasco
A Constellation of Anomaly
(thanatosis produktion)
Continuing his imaginative approach to percussion, Barcelona improviser Vasco Trilla's sixth solo album sees him expanding his rhythmic and tonal range through a fascinating collection of instruments, including bowed Russian flat bells, electrified music boxes, a zither processed through snare drums as resonators, Iranian round bells mixed with gamelan strips, &c.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC