Originally compiled for Steven Stapleton's United Dairies label and now remastered, this snapshot of late 20th-century experimental/industrial music brings together the surreal collage of Nurse With Wound's Stapleton, the brooding piano of Robert Haigh (Sema), the chamber-styled acoustics of Hélène Sage, and the sonic provocations of Un Drame Musical Instantané.

Working from recordings made at maritime ports between 2017 and 2023, sound artist Éric La Casa constructs a compelling suite of documentary compositions shaped by the industrial rhythms, constraints, and spatial tensions of global harbours, blending field recording and sonic observation into a tactile, immersive portrait of male-dominated coastal labor environments.

Composer Francisco del Pino and vocalist Charlotte Mundy create a deeply nuanced and emotionally rich exchange, as Mundy's radiant voice navigates del Pino's intricate, polyphony-tinged compositions, layering syllabic repetition, resonant phrasing, and textural detail into a multitrack performance that evokes mantra, lament, and ecstatic meditation in equal measure.

The duo of Chantal Michelle and Grace Villamil transform the monumental land sculpture of Opus 40 into a resonant instrument, layering voice and electronics with field recordings and audience interactions to create an immersive, spatially dynamic performance of ambient tension and sonic obliteration, masterfully teetering between composed sound, environmental resonance, and blooming noise.

A cross-cultural instrumental suite uniting British and Australian musicians, featuring the resonant didgeridoo and rhythmic sticks of Paul Rider-Boon, the rich woodwinds of Susie Hodder-Williams and Chris Caldwell, atmospheric electronics and guitar from Sam Hodder, and the expressive voice of Clifton Bieundurry, spiritually merging indigenous sound with contemporary improv and electronica.

Taking ironic inspiration from StockhausenÕs conceptual extremes, cellist Tyler J. Borden and guitarist Steve Flato fuse cello, microtonal guitar, modular synth, Gizmotron, and electronics in an absurdist yet introspective performance score, immersively weaving subtle textures and just-intonation harmonies shaped by physical and psychological excesses around food and discomfort.

Experimental composer Caleb Chase presents 15 succinct electroacoustic pieces that delve into intricate sound spatialization and panning techniques, crafting immersive auditory environments where layered textures and dynamic movements reveal hidden sonic details, rewarding attentive listening through headphones or stereo speakers.

A posthumous realization of Phill Niblock's 2022 composition, this dense, resonant work of drone and sonic intensity, written for Italian vocalist Anna Clementi and shaped and developed with guitarist and bassist Thomas Stern of Einstürzende Neubauten and Crime & the City Solution, is presented in two monumental, haunting longform versions.

For the first time on record, Yoko Ono's seminal 1964 conceptual text Grapefruit is sonically realized in a full album, as Stockholm's Great Learning Orchestra interprets 20 of Ono's event scores through ensemble performances, environmental recordings, and experimental sound actions, bringing her visionary work into vivid and imaginative musical form.

Experimental composer and feedback artist David Lee Myers (Arcane Device) ventures into literary territory with a limited-edition book of fifty "Plunder-Lit" poetic pieces, complemented by fifteen spoken-word audio readings set to experimental soundscapes, evoking Tristan Tzara's work, William S. Burroughs' cutups, and the sensibilities of Captain Beefheart.

The debut full-length from Lawry Romani's noise/drone project Zilmrah blends manipulated samples, modular synths, and handcrafted electroacoustic instruments into intriguingly distorted yet spacious soundscapes, balancing hypnotic rhythms with dadaist absurdity and dense sonic experimentation in a captivating journey of cut-up electronics and immersive drones.

Born from remote exchanges between Jessica Ackerley (guitar, voice, synth), Nick Turner (guitar, mellotron, synth), and Chaz Prymek (guitar, lap steel), this debut album emerges as an evocative imaginary soundtrack, blending improvisational noise with Americana-inflected ambience in an expansive meditation on post-apocalyptic contemplation.

Exploring the depths and boundaries of the psyche through seven compelling electroacoustic compositions, Greek composer Thanos Chrysakis delivers a deeply psychedelic, mysterious, and immersive sonic journey, masterfully blending electronic textures and acousmatic elements that resonate within the listener's consciousness, psyche, and imagination — a vivid reflection on complex inner landscapes.

Brazilian noise artist Jhones Silva, aka God Pussy, delivers a brutal, uncompromising conglomerate of harsh electronic textures, abstract noise, and aggressive sonic distortion, employing pedals, synths, radios & noise generators in an intense DIY exploration of social chaos, urban corruption, and humanity's unfulfilled desire for freedom through confrontational electroacoustic compositions.

A relentless and immersive sonic experience from Estonian experimental guitarist Threes And Will and noise artist Huerequeque, through two unrelenting compositions of heavy, pulsating guitar noise, evoking a throbbing, menacing atmosphere with an almost meditative intensity, channeling the South African Boer War into a raw and uncompromising exploration of texture, density, and sound.

Canada's premiere music magazine dedicated to experimental music, improvisation, and sound art, featuring interviews with Maylee Todd, Joshua Van Tassel, Kaïa Kater, and Alexis Baro, alongside coverage of Chuck Copenace, Kalaisan Kalaichelvan, and The Burning Hell, with an accompanying CD of tracks from the issue's featured musicians, offering great inside into the contemporary creative music scene.

A large-scale and meticulously deconstructed sonic exploration from Howard Stelzer, weaving layers of manipulated cassette tapes, tape players, and speakers with extensive processing from sonic luminaries Ralf Wehowsky, Brendan Murray, Linda Aubry Bullock, Bruno Duplant, Fani Konstantidou, and Andrew Zukerman — for a dense and unpredictable landscape where textures dissolve and reform in shifting abstractions.

Recorded in March 2024 using an 8-track borrowed from Peter Duimelinks, Frans de Waard's Modelbau project presents a dark drone piece that envelops listeners in rich, immersive textures, exemplifying his adept manipulation of lo-fi equipment to create profound ambient soundscapes.

Recorded at Monhegan Community Church on a remote Maine island, this environmental work by Evan Lindorff-Ellery captures the interplay between improvised percussive textures and the resonant acoustics of the space, using frame drum, piano, acoustic guitar, bells, and found objects to leverage the church's natural reverb, while ambient sounds filter through its windows.

Blending spoken word, modern classical strings, and harsh modular synths, Belgian/Dutch ensemble Sopa Boba crafts a striking electronic-orchestral oratorio based on Moldavian writer Nicoleta Esinencu's That Moment, unraveling a dark, satirical narrative of capitalist excess through seven gripping movements that merge caustic irony with haunting sonic textures.

Blending acoustic and electronic elements with an expansive lineup of musicians, the final album from Un Drame Musical Instantané, recorded across multiple French studios, brings together Jean-Jacques Birgé, Bernard Vitet, Steve Arguelles, Benoît Delbecq, Yves Robert, DJ Nem, and guest vocalists like Archie Shepp and Otomo Yoshihide in a genre-defying mix of jazz, contemporary, improvised, and experimental approaches.

Consisting of 28 short works, Hélène Sage collaborates with composer and performer Benoît Lavoisier, computer artist Marc Demereau, percussionist Pascal Portejoie, sampler Alex Piques, and vocalist and writer Nathalie Desmarest to craft an avant album blending Dadaist humor with experimental soundscapes, intertwining musical and literary elements to create a distinctive auditory experience.

Blending vintage analogue synthesizers with resonant percussion, Chicago-based Rick Reger (The Margots) constructs an immersive electroacoustic soundscape that balances harmonic depth and atmospheric tension, sculpting evolving tonalities through Moog, Mellotron, Arp & VCS3 alongside gongs and singing bowls in a meditative and richly textured sonic exploration.

Exploring the intersection of harsh noise, spoken word, and conceptual composition, Peter J. Woods constructs a sonic meditation on Samuel Beckett's Molloy, weaving fragmented text, tense ambience, and intense sonic ruptures into a dynamic and gripping experience, where shifting textures and calculated silences evoke both philosophical depth and visceral tension.

Weston Olencki deconstructs and reimagines the banjo across two longform compositions, transforming it into a percussive, polyrhythmic engine and a harmonic resonator, navigating glitch-driven algorithmic textures and richly detuned sonorities, juxtaposing the kinetic, minimalist grooves of "The Rocks Are Different, Here" with the spectral, ring-modulated drones of "Brothers".

A double CD of rich ambient work from New York City-based sound artist David Lee Myers, presenting four expansive compositions that blend electronics, lamellophone, feedback matrices, and hardware and software processing, evoking the ocular opening of the eye and architectural forms through immersive soundscapes that explore the interplay between organic and electronic elements.

Under his Arcane Device moniker, David Lee Myers revisits an unrealized collaboration with Tod Dockstader, deconstructing well-known classical works — primarily those of Bach — through sampling, stretching, looping, and computer-based processing, transforming familiar motifs into playful, shimmering, and immersive soundscapes inspired by Lucas Foss's Baroque Variations.

A distinctive collaboration uniting writer Michel Houellebecq and composer Jean-Jacques Birgé, with Bernard Vitet providing orchestral compositions, recorded primarily in 1996 at Studio GRRR, this album merges Houellebecq's poetic prose, spoken in French, with Birgé's electronic textures, offering an immersive exploration of narrative and sound.

An immersive and atmospheric soundtrack from composer Rutger Zuydervelt, known for his work as Machinefabriek, scoring the video game Microtopia with intricate electronic textures and evocative soundscapes that enhance the game's robotic ant colony simulation, blending ambient, rhythmic, and experimental elements to create a rich sonic environment praised for its depth and integration with gameplay.

Inspired by a live performance with serpent player Berlinde Deman, Rutger Zuydervelt (Machinefabriek) recreated his live setup from that show to record this intricate sonic collage, blending hardware improvisations, field recordings, and an array of electronic and acoustic sources into an organic, layered work that merges performative immediacy with studio precision.

An imaginative and genre-defying return from Hélène Sage in an eclectic blend of songs, jazz-inflected fanfares, and humorous yet critical texts performed in multiple languages, featuring a striking ensemble of avant-garde musicians whose voices, instruments, and unconventional approaches craft a surreal and adventurous sonic world; of interest to RIO fans.

A mesmerizing sonic counterpart to the acrobatic and dance performance Meander, Rutger Zuydervelt (Machinefabriek) crafts an immersive score that mirrors the movement of Marta & Kim, Knot on Hands, and Felix Zech, blending ambient textures and dynamic shifts to evoke fluidity, weight, and momentum, shaping an auditory journey that unfolds with the same grace and unpredictability as the performance itself.

Expanding beyond their post-industrial rock roots, guitarist Mike Graff and drummer Michael Jerome join forces with producer/keyboardist Van Eric Martin, bassist Mike Daane, and vocalist Blythe Gaissert for an ambient and cinematic work inspired by Metropolis, blending ethereal soundscapes and hypnotic rhythms into an immersive instrumental journey.

Merging electronic experimentation with improvisational spontaneity, Jean-Jacques Birgé's synthesizers and Bernard Vitet's trumpet weave alongside Michèle Buirette's vocals and Hervé Legeay's guitar, constructing a dynamic and unpredictable sonic landscape that blurs the line between composition and free expression, expanding the possibilities of form and texture.

A retrospective spanning ten decades (1958-2018) celebrating Jean-Jacques Birgé's multifaceted career through compositions reflecting each era, blending archival recordings with new works through a remarkable ensemble of longtime collaborators, from brass and strings to electronics and voice; a sonic journey bridging past, present, and imagined futures with impressive orchestration and narrative.

The avant-rock and experimental ensemble founded in 1976 by Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé in their first song-based release from 1991, introducing pioneering compositions that intertwine avant-garde instrumentation and emotive vocals across nine tracks, marking the start of a remarkable series of albums exploring new dimensions of their creative vision.

A meditative and immersive work of sonic abstraction, Alexander Cooper's first solo release in eight years unfolds as a lattice of minimalism-inspired harmonic diffusion, where shifting textures and fluid structures dissolve into ethereal, non-representational spaces, blurring the boundaries between form and perception in a dynamic interplay of sound and air.

Allan Zane and Carl Kruger craft an album of "wet ambient music" inspired by Roland Kayn, featuring fluid textures and evolving soundscapes that pay homage to the German composer and electronic music pioneer innovative approach to ambient composition, here in an immersive auditory experience of deep-water, subtle transitory and aqueous sound.

Jean-Jacques Birgé invited 28 improvising musicians to the studio to perform in duos and trios, the theme for each of the 22 recordings chosen just before each recording, with noted performers including Birgé himself, Sophie Bernado, Pascal Contet, Julien Desprez, Jean-Brice Godet, Alexandra Grimal, Sylvain Kassap, Edward Perraud, Eve Risser, &c.

Recorded across studios in France and Denmark and at the Festival Les Enchanteuses, the charming and experimental trio of Birgitte Lyregaard (vocals), Sacha Gattino (sampler, percussion, zither, &c.), and Jean-Jacques Birge (Theremin, keyboards, reeds, &c.) blend experimental, jazz, rock, and folk influences, in a genre-defying amalgam of songs, free improv, rare instruments, and cutting-edge technology.

Blending the autonomous compositions of Nabaz'mob, his opera for 100 smart rabbits, with the vibrant naturalism of "Dawn at Shimiyacu", a field recording from Peru's Amazon rainforest, Jean-Jacques Birgé along with Antoine Schmitt juxtaposes minimalist robotic orchestrations with raw environmental soundscapes, creating a genre-defying exploration within his signature sonic universe.

Recorded in Berlin during the summer of 2022, this first collaboration between clarinetist Kai Fagaschinski and Beijing-based sound artist Yan Jun, blends clarinet, voice, and field recordings with objects and inventive sound sources in four pieces that dissolve boundaries between improvisation, composition, and experimental sound design, creating a dizzying, multilayered auditory experience.

Uniting Ukrainian artist Sergiy Senchuk (aka Tungu), Austrian violinist Mia Zabelka, and German musician Stefan Strasser, this debut project blends field recordings, improvisation, electronics, and live instrumentation, embodying defiance and resilience amidst adversity through bold, dynamic, and genre-defying soundscapes shaped by their collective strength.

Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

A "solo" guitar album of unparalleled creativity and technical prowess, blending virtuosic banjo and guitar performances with inventive compositions and experimental use of effects and overdubs through multiple instruments and cassette additions, a genre-defying exploration of layered soundscapes, intricate fingerpicking, and bold sonic textures that is absolutely fascinating.

Polish wind player Dominik Strycharski combines traditional blockflutes (recorders), saxophones spanning sopranino to tenor, and electronic synthesizers to create nine original compositions of distinctive improvisation and captivating soundscapes, recorded at ZPSM im. S. Moniuszki in Bielsko-Biała, a music school named after the celebrated Polish composer Stanisław Moniuszko.

Recorded live in Virginia's Crozet Tunnel, Magic Tuber Stringband (Evan Morgan and Courtney Werner) and Weirs (Justin Morris and Oliver Child-Lanning) present a captivating collaboration blending Appalachian traditions with contemporary drone and song forms, exploring vocal harmonies, resonant acoustics, and the profound interplay between music and place.

Marc Myers, recording in Lincoln, Nebraska, is the creative force behind Abcess Grenk, merging analog electronics and experimental guitar in Erguss Von Licht, as a blend of synthesizers, modular synths, a Fender guitar, and a '69 Fender Deluxe Reverb amp, for richly layered and textured improvisations steeped in a DIY aesthetic that reflects Myers' decades-long evolution in sound exploration.

Ukrainian composer Taras Opanasiuk explores spontaneous soundscapes, blending free improvisation with a meticulous compositional process as he transforms modular synthesizer sessions into five compelling sound collages that balance atmospheric electronics, musique concrète, and studio layering, in an imaginative and introspective journey through Opanasiuk's unique sonic palette.

Working in his new Seven Fountains studio in Vienna, guitarist and sound artist Fennesz developed these six works as a "mosaic" of elements derived from improvisation, composition and experimentation using unexpected influences and time signatures, each piece a richly immersive environment of bright harmonics with turns into intricately shadowed space.

Carsten Nicolai concludes his Xerrox series with Vol. 5, an emotional work blending conceptual image-to-sound themes and sweeping melodic compositions influenced by classical instrumentation, creating a richly layered and introspective sonic experience that encapsulates his evolution from minimalist glitch aesthetics to ambient neo-classical grandeur.

Carsten Nicolai concludes his Xerrox series with Vol. 5, an emotional work blending conceptual image-to-sound themes and sweeping melodic compositions influenced by classical instrumentation, creating a richly layered and introspective sonic experience that encapsulates his evolution from minimalist glitch aesthetics to ambient neo-classical grandeur.

Re-modeling Modelbau, the long-running project of Frans de Waard (also of Kapotte Muziek, Beequeen, Goem, Zebra, Freiband, Shifts, &c), in a dark and atmospheric hour-long work of multi-tracked sound, evolving organically through 14 seamlessly connected sections that layer rich tonal and textural compositional elements, with a brooding and introspective urgency.

The collaboration between sound artists Lee Noyes and Rasmus initiated during their 2021 residency at Elementstudion in Goteborg, blending feedback electronics to explore balance, restraint, and precision; navigating the unpredictability of their instruments, they use improvisation, negative space and perceptual phenomena to develop these fascinating compositions.

Collecting work from Philip Jeck's life and collaborations, including projects with Fennesz, Jah Wobble, Faith Coloccia, Gavin Bryars and Chris Watson, including Oxmardyke completed from Watson's recordings, Jana Winderen's pilot whale track, and reflections on Jeck's groundbreaking audiovisual work Vinyl Requiem (1993), showcasing his legacy of innovation in sound and performance.

Matt Weston pushes the boundaries of percussion and improvisation, creating compositions that blend site-specific drum recordings, environmental soundscapes, and musique concrète techniques, exploring cavernous spaces, machine-like drones, and rapid editing as he crafts dynamic pieces in an innovative and captivating sonic experience.

Unfolding as a sonic drift through varied sound atmospheres, Alfredo Costa Monteiro's large sonic canvas creates a narrative akin to a psychogeographical wander that evokes emotional states of disorientation; inspired by found footage techniques in cinema, it serves as a "cinema for the ear," where found sounds stripped of context form an immersive, unpredictable auditory journey.

Debuting at the Molten Plains Festival 2023, Colin Andrew Sheffield's work blends manipulated samples from vintage soundtrack LPs into an abstract plunderphonic symphony; using layered loops, ambient drones, and vinyl surface noise, creating a haunting sonic collage of deconstructed melodies and textures, fusing past and present in a dream-like exploration of hidden secrets and lost moments.

Unfolding as a deep listening experience with slowly oscillating sine waves created through SuperCollider, Jonathan Deasy's hour-long drone composition blends digital artistry with warmth, evoking orchestral textures reminiscent of processed cello or trombone with ascending and descending notes, creating a dramatic yet slow-moving, dark and spacious soundscape.

A posthumous realization of Phill Niblock's 2022 composition, this dense, resonant work of drone and sonic intensity, written for Italian vocalist Anna Clementi and shaped and developed with guitarist and bassist Thomas Stern of Einstürzende Neubauten and Crime & the City Solution, is presented in two monumental, haunting longform versions.

The Fall 2024 issue of Canada's premiere music magazine: On The Cover Brendan Grey and the Evolving Ethos of Super Duty Tough Work; avant-garde sound murals of Filipino composer José Maceda; Montreal-based composer and improviser Allison Burik; Kurt Gottschalk interviews Rita Ueda; Windsor-based post-classical guitarist Bilal Nasser; plus reviews and a CD of artists covered in this issue.

Each volume of Nandor Nevai's musikbook series merges four CDs of genre-focused music — folk, industrial, jazz, or hard rock — with autobiographical text and vibrant images, creating a multi-sensory journey through evolving sub-genres, as Nevai's narration and Alex Theoret's mastering bring pristine studio works and raw recordings into a cohesive, powerful experience.

Each volume of Nandor Nevai's musikbook series merges four CDs of genre-focused music — folk, industrial, jazz, or hard rock — with autobiographical text and vibrant images, creating a multi-sensory journey through evolving sub-genres, as Nevai's narration and Alex Theoret's mastering bring pristine studio works and raw recordings into a cohesive, powerful experience.

Each volume of Nandor Nevai's musikbook series merges four CDs of genre-focused music — folk, industrial, jazz, or hard rock — with autobiographical text and vibrant images, creating a multi-sensory journey through evolving sub-genres, as Nevai's narration and Alex Theoret's mastering bring pristine studio works and raw recordings into a cohesive, powerful experience.

Each volume of Nandor Nevai's musikbook series merges four CDs of genre-focused music — folk, industrial, jazz, or hard rock — with autobiographical text and vibrant images, creating a multi-sensory journey through evolving sub-genres, as Nevai's narration and Alex Theoret's mastering bring pristine studio works and raw recordings into a cohesive, powerful experience.

Developed as part of the 2024 artist-in-residence program at Azkuna Zentroa in Bilbao, this series of nine electroacoustic compositions by Miguel A. García and Fernando Carvalho blends rhythms, synthesizers, and Carvalho's field recordings, all manipulated and transformed by García into distinct sonic worlds, each unveiling or making curious mysteriously fascinating sources.

Bay Area instrument inventor David Samas leads Pet The Tiger, a collective ensemble primarily of instrument inventors, augmented with original ceramic flutes and occasionally Samas' voice, the unique quality of their sound recalling Harry Partch or Harry Bertoia, here in four major works of multiple parts performed in a mixture of composed and improvised approaches; fascinating.

Two acoustic improvisations from percussionist Kevin Corcoran and Andrew Weathers on soprano saxophone, recorded in an abandoned garage and using the structure's resonance to shape their playing, with the third and title track being an electroacoustic composition by Corcoran, incorporating field recordings from Mare Island, where they were working.

A series of 19 wide-ranging duets between Sergey Senchuk, aka Tungu, who performs on voice, acoustic bass, field recording & sampling, and an impressive set of international improvisers, including Fred Lonberg-Holm (cello), Jaap Blonk (voice), Gunda Gottschalk (violin), Susan Alcorn (pedal steel guitar), Sainkho Namtchylak (voice), Xavier Charles (clarinet & processing), &c.

UK improviser and keyboard artist Pat Thomas makes his 577 debut with a solo album of abstract and active electronic experimentation with an urban edge, blending texture, depth, and 'mental stimulation' in unexpected, densely packed ways, with Thomas describing the album as the product of an alternative universe where JDilla and Morton Feldman collaborate.

Live improvisations from the North Carolina duo of Alexander Cooper and Joseph Schlam, a double album of eight extended journeys through textural sound, drone and veiled reference, influenced by Costin Miereanu, Jaap Vink, Lionel Marchetti, Luc Ferrari, and Dagar Vani, as the duo work in stereo using two amps for drums, voice, live electronics, and field recordings.

A live performance of acoustic improvisation augmented by electronics between Stephen Flinn and Bryan Eubanks, Flinn bringing percussion and gongs to the stage while Eubanks performs on saxophone and electronics, over a 30 minute dialog they coax out unusual cries, squeals and utterance of confident sonic force evolved through improvisational restraint; compelling and mysterious.

Buenos Aires sound artist & saxophonist Sergio Merce presents his third album on the Hitorri label, in two pieces recorded between 2023-24: "Segundo Paisaje", an organized composition using wind synthesizer, virtual instruments & field recordings; and "Glissotar" using a new wind instrument designed for extreme glissando effects, joined with wind synth & electronics.

Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

Created as part of an artist-in-residence programme of Azkuna Zentroa, Bilbao in 2024, Miguel A. Garc’a creates seven intricate compositions using the raw sound and rhythmic material provide by Ruben Gil, with additional material on one track from Fernando Carvalho, in a well-paced album of awe-inspiring moments of beauty and propulsive motion.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscapes, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.

After Dinner vocalist, multi-instrumentalist and sound artist Haco undertook her first North American tour in 2002, bringing with her an irregularly tuned electric mandolin, two samplers, a mini-drum synth and her "Howling [tea]Pot" feedback instrument, here in seven uniquely Haco performances of sonic instrumentals and song, performed at Mama Gaia's in Cambridge.

The Ironing project of Gainesville, Florida turntable and electronic artist joins with the Oregon-based Juice Machine duo of Roger Smith and late experimental musician Heather Chessman, both on electronics, tapes & sampler, for six unusual constructions of strange grooves over which concrete and obscure sounds swim about with a sense of wonder and humor.

Sculpted sonics through prepared guitars, electronics, synthetics, drums, gongs, metal and percussion, the Chicago duo Gleaming Shards of guitarist Da Wei Wang and drummer Jerome Bryerton, both veterans of improvisation, experimental and avant rock groups, evoke the album title and group name through shimmering and subtly shifting expanses of sound and punctuated movement.

The French/Danish band Sparkling Sessions merge free improvisation and experimental music styles, borrowing from outsider jazz and electronic music, with collaborations from well-known musicians including trumpeter Jac Berrocal or synth player Vincent Epplay, here in a collection of performances at the Sparkling Sound Festival in Copenhagen in 2022.

20th anniversary reissue of Fennesz's 2004 release Venice, as a deluxe version remastered by Denis Blackham, with new and extra tracks not on the previous CD or vinyl versions, in a DVD-format with a booklet of texts by Fennesz, Denis Blackham, and Jon Wozencroft, photographs from the 2004 sessions, and David Sylvian's original handwritten lyrics for "Transit."

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscapes, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.

The second installment of Alva Noto's HYbr:ID series initiated in 2021 in a mysteriously dark and beautiful album of electronics, submerged sound, glitch and alien percussive elements, these 10 pieces from a commission to score Richard Siegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor.

The second installment of Alva Noto's HYbr:ID series initiated in 2021 in a mysteriously dark and beautiful album of electronics, submerged sound, glitch and alien percussive elements, these 10 pieces from a commission to score Richard Siegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor.

A 2-part work leveraging binaural recordings made in daily walks in Asheville, NC to different points of the French Broad River: Part 1 "Interior" is collaged as a room resonance study using hydrophone recordings of the French Broad, microtonal instruments by Ben Hjertmann plus piano & synth recordings; Part 2 "Exterior" is a layered alignment of the recordings from his walks.