A live multitrack recording from 2009 of the collaboration of Acid Mothers Temple SWR - Kawabata Makoto, Tsuyama Atushi, and Yoshida Tatsuya - with saxophonist Umezu Kazutoki.

Blast's 2nd release on the ReR label, compositional rock that incorporates complex compositions with improvisation sections in seamless and breathtaking ways.

Gong meets Cow meets Soft Machine in the revised version of Brainville (3), playing a mix of extended songs and instrumental numbers live in Berlin, London and Tel Aviv.

A teaser for the upcoming box set, this collects previously unreleased Cassiber live and studio recordings, fusing energetic experimental rock, punk, pop, fringe jazz, improvisation and more into a radical blend of cutting-edge music.

An absolutely essential extension to the late Lindsay Cooper's discography, 2 CDs collecting rare works from projects and groups including recordings with Alfred Harth, Phil Minton, Robert Wyatt, David Thomas, Connie Bauer, Fred Frith, Chris Cutler, &c. &c.

Cosa Brava is an experimental rock and improvisation quartet formed in March 2008 by multi-instrumentalist and composer Fred Frith, with members Carla Kihlstedt, Zeena Parkins, Shahzad Ismaily, William Winant, &c.

Violinist Del Fabbro (Fanfare Pourpour, Rouge Ciel) present 13 pieces for up to ten players with Jean Derome, Pierre Tanguay in a melting pot of avant-rock & compositional forms.

Faust's first 1971 release, remastered and repackaged, bringing this incredibly creative band's unexpected and unusual rock opus available again in all it's idiosyncratic glory.

The most important and influential of German RIO band Faust's first albums in a sturdy 5-CD box with a booklet including interviews with band members, a memoir by Peter Blegvad, and interviews with Uwe Nettlebeck and Kurt Graupner; CDs include 'So Far', 'The Faust Tapes' & '71 Minutes' plus a BBC Sessions + classic radio sessions and "substantial extra material".

The third volume of Fred Frith's film soundtrack music, a diverse and accomplished set including studio work from the past six years with some of the Bay Area's best musicians.

Fred Frith's 1982 live album of his solo concerts at various venues in Japan, 1981, performing on guitar, throat mike, violin and piano; long out of print and now remastered by Tom Dimuzio.

The soundtrack from the film of the same name by Nicolas Humbert & Werner Penzel for which Frith composed this album, this features an excellent cross-section of Frith's music, including compositional and band work; the title comes from the Skeleton Crews (Frith/Cora) piece of the same name.

Fred's '88 SST release, one of his finest instrumental releases, with Tenko, John Zorn, Christian Marclay in an intense mix of melodic, rhythmic and technological brilliance.

Taking Rock In Opposition into difficult territory, Peter Blegvad and John Greave's song cycle is a perplexing and rewarding album blending literature with rock and jazz forms, performed in an ensemble including Carla Bley and Michael Mantler; an intricate masterwork.

This Heat/Camberwell Now drummer Charles Hayward's latest solo album after a long wait, an incredible and unique journey through drums, electronics and song, personal, pointed and brilliant statements from one or rock's master voices.

Henry Cow captured in concert between their "In Praise of Learning of Learning" and "Western Culture" releases. in concerts that featured Robert Wyatt in his last public performances.

Instrumental and song work from Chris Cutler (Henry Cow, &c.) and Steve MacLean (Dr. Nerve) with Julie Thompson as vocalist, subtle non-linear songs created using unusual processes.

A specially priced double CD collecting two decades of composition and experimentation from Dr. Nerve alumnus guitarist Steve MacLean.

Maksymenko, founder of the Swedish Beefheart influenced band Kraljursastalten, in a solo release with that band, and with Henry Kaiser, Drumbo French, Sten Standell, &c.

Reissue of this long lost record joining Bill Golonis (The Work) with members of Ne Zhedali and Bing Selfish himself in a set of unusual and oddly literate songs.

Acnalbasac Noom was Slapp Happy's second LP, recorded in 1973, and engineered by Kurt Grauner in Faust's legendary Wumme Studio using Faust as the Slapphappy house band; it was originally rejected by Virgin Records, who made the group re-record the album with different musicians as Casablanca Moon, though through time Acnalbasac is still the definitive and preferred edition.

Originally released in 1982, this is a collection of specially commissioned and (at the time) newly recorded pieces by the most interesting groups and individuals then in the ReR catalogue.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

The long-awaited, missing 2nd side of "Technology of Tears" recorded at Noise NY by Kramer, this album was written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise-sculpting, for a dark and amazing album.

After performing at Jean-Herve Peron's 2010 Avant Garde Festival, Yumi Hara (keys, violin & voice), Geoff Leigh (winds & electronics), John Greaves (bass & piano) and Chris Cutler (drums & percussion) present their first studio album mixing open-minded composed and improvised music.

An incredibly informed instant-composing ensemble drawing on free jazz and post rock sensibilities with nods to Indian ragas, jazz-inflected minimalism, Zappa-esque bouts of sonic anarchy, and German rock music from the 1970s, captured live at Toronto, Guelph and Hamilton, Canada in 2012.