


Their third album in collaboration, pianist Sylvie Courvoisier and guitarist Mary Halvorson deepen their intuitive musical dialogue in a set of alternately composed pieces — melding percussive piano, swirling guitar effects, and poetic abstraction into a haunting, fluid, and visceral soundworld shaped by mutual experience, instinct, and a sense of sonic adventure.
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Sylvie Courvoisier-piano
Mary Halvorson-guitar
Click an artist name above to see in-stock items for that artist.
UPC: 198846719344
Label: Pyroclastic Records
Catalog ID: PR 40
Squidco Product Code: 35716
Format: CD
Condition: New
Released: 2025
Country: USA
Packaging: Cardboard Gatefold 3 Panels
Recorded at Oktaven Audio, in Mount Vernon, New York, on May 7th, 2024, by Ryan Streber.
"Individually, both pianist Sylvie Courvoisier and guitarist Mary Halvorson are revered among the most distinctive and innovative voices in modern creative music. Adeptly shifting between the realms of contemporary chamber music and avant-garde jazz, Courvoisier has been hailed as "a pianist of equal parts audacity and poise" by The New York Times. With her transformative approach to jazz guitar, Halvorson has been called "the most future-seeking guitarist working right now" by NPR.
Over the course of a collaboration that has become vital in less than a decade's time, Courvoisier and Halvorson have merged those two remarkably singular voices into a single, dauntless vision. With Bone Bells, their third album as a duo and second release for Pyroclastic Records, the pair affirms their place as one of the most thrilling and venturesome piano/guitar tandems in that pairing's relatively small pantheon.
"I feel a real musical kinship with Sylvie," Halvorson says. "We're coming from very different places musically, but there's a lot of overlap musically and in where our interests lie. It's been fascinating to explore those intersections and tensions."
"I've really gotten to know and love Mary's language more and more," adds Courvoisier. "I can hear where she's going and our sound has really evolved. I can now write tunes not just for guitar and piano but specifically for Mary and me."
Out March 14, 2025, Bone Bells splits its compositions evenly between the two artists, alternating their contributions from one track to the next. Both insist that the credits shouldn't be considered so strictly defined, however, as each piece has been shaped by the collaborative process during rehearsals and performances. That's been the case since their 2017 debut, Crop Circles, through their acclaimed 2021 follow-up, Searching for the Disappeared Hour.
On Bone Bells, Halvorson's eerily mournful title track is followed by Courvoisier's tempestuous "Esmeralda," named after a sculpture by the Dutch artist Cornelis Zitman, which veers from elegant to eruptive. The guitarist's "Folded Secret" is built on a labyrinthine, cyclical vamp puctuated by Courvoisier's percussive prepared piano, while the pianist's "Nags Head Valse" is a delirious danse macabre that shares its name with a British pub the two encountered while on tour.
Halvorson's mesmerizing "Beclouded" is redolent of both soaring flight and hazy consciousness; Courvoisier's madcap "Silly Walk" draws its fractured-mirror sensibility from both the famous Monty Python sketch and a series of grid-like sculptures of the same name by the Swiss artist Sophie Bouvier Auslander. Dizzying unison lines unravel into probing improvisations in Halvorson's "Float Queens," while Courvoisier lifted the dynamic "Cristellino e Lontano" from one score and applied it to the starkly entrancing piece that concludes the album.
Bone Bells takes its name from a passage in Trust, the Pulitzer Prize-winning 2022 novel by Argentine-American author Hernan Diaz. Like so many decisions made by the pair - from their in-the-moment sonic interactions to the seamless integration of piano preparations and guitar pedals - the choice of the succinct yet evocative phrase was made largely by instinct. Its borrowing has less to do with the words' original meaning or intention than with the implications they take on when divorced from that context and appended to the mysterious, discordant title track.
"The book is really interesting in the way that it deals with the disparate perceptions that people can have of the same story," Halvorson explains. "But I just really liked this phrase for its poetic quality."
It's an alluring title for its suggestion regarding the sonic qualities of the skeletal system, carrying a haunting suggestion of an innate, organic soundworld summoned from deep within the body - a notion more than echoed by the duo's stunning and profoundly emotive music."-Pyroclastic Records

Artist Biographies
• Show Bio for Sylvie Courvoisier "Sylvie Courvoisier is a pianist, composer and improviser. Born in Lausanne, Switzerland, Courvoisier moved to New York in 1998 and has lived in Brooklyn since that time. Courvoisier has led several groups over the years and has recorded over 25 records as a leader or co-leader for different labels, notably ECM , Tzadik and Intakt Records and 30 cds as a sideperson. She has performed and recorded with John Zorn, Mark Feldman, Yusef Lateef, Ikue Mori, Tony Oxley, Tim Berne, Joey Baron, Joëlle Léandre, Herb Robertson, Butch Morris, Evan Parker, Mark Dresser, Ellery Eskelin, Lotte Anker, Fred Frith, Michel Godard, Tomazs Stanko among others. She has been commissioned to write music for concerts, radio, dance and theater. Since 1996, she has been touring widely with her own groups and as a side person in USA, Canada, Japan, Australia and Europe. Currently, Courvoisier is the leader of her TRIO with Kenny Wollesen and Drew Gress. She performs regularly Solo and since 1997, in Duo with violinist Mark Feldman. She co-leads the Sylvie Courvoisier/Mark Feldman Quartet with Scott Colley and Billy Mintz. Since 2000, she has been a member of Mephista, an improvising collective trio with Ikue Mori and Susie Ibarra. She is currently playing and touring in different projects of John Zorn including Cobra and Masada Marathon. She is also playing in Erik Friedlander's Trio, Herb Robertson's Quintet and Nate Wooley's Quartet. Since 2010, she has been working as a pianist and composer for flamenco dancer Israel Galvan's project "la Curva" with more than 150 performances around the world. Awards include Switzerland's 1996 Prix des jeunes créateurs; Zonta Club's 2000 Prix de la Création; Switzerland's 2010 Grand Prix de la Fondation Vaudoise de la Culture; 2013's NYFA (NewYork Foundation For the Art) Music/Sound Fellowship." ^ Hide Bio for Sylvie Courvoisier • Show Bio for Mary Halvorson "One of improvised music's most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz-or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). The Philadelphia City Paper's Shaun Brady adds, "Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style." After three years of study with visionary composer and saxophonist Anthony Braxton, Ms. Halvorson became an active member of several of his bands, including his trio, septet and 12+1tet. To date, she appears on six of Mr. Braxton's recordings. Ms. Halvorson has also performed alongside iconic guitarist Marc Ribot, in his bands Sun Ship and The Young Philadelphians, and with the bassist Trevor Dunn in his Trio-Convulsant. Over the past decade she has worked with such diverse bandleaders as Tim Berne, Taylor Ho Bynum, Tomas Fujiwara, Ingrid Laubrock, Myra Melford, Jason Moran, Joe Morris, Tom Rainey and Mike Reed. As a bandleader and composer, one of Ms. Halvorson's primary outlets is her longstanding trio, featuring bassist John Hébert and drummer Ches Smith. Since their 2008 debut album, Dragon's Head, the band has been recognized as a rising star jazz band by Downbeat Magazine for five consecutive years. Ms. Halvorson's quintet, which adds trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon to the trio, has released two critically acclaimed albums on the Firehouse 12 label: Saturn Sings and Bending Bridges. Most recently she has added two additional band members-tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik-to form a septet, featured on her 2013 release Illusionary Sea. Ms. Halvorson also co-leads a longstanding chamber-jazz duo with violist Jessica Pavone, the avant-rock band People and the collective ensembles Thumbscrew and Secret Keeper." ^ Hide Bio for Mary Halvorson
4/23/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
4/23/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.

Track Listing:
1. Bone Bells 06:31
2. Esmeralda 05:41
3. Folded Secret 05:08
4. Nags Head Valse 03:40
5. Beclouded 06:16
6. Silly Walk 04:58
7. Float Queens 05:35
8. Cristellina e Lontano 04:44

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