Subtle exploration of the jazz trio from this Montreal based group whose music is driven by Middle Eastern influences melodies and the exotic percussive work of Ziya Tabassian.

Tin Hat Trio founder Burger in an eclectic and wonderfully informed set of film cues, with help from Marc Ribot, Eyvind Kang, Carla Kihlstedt, Kenny Wollesen, &c.

An aural map of extended pianist Charity Chan's techniques, in unusual non-invasive, object interactive and excursive approaches to the acoustic piano.

The Normand Guilbeault Ensemble with Jean Derome, Matthieu Belanger, &c. continue to create incredible interpretations of the music of Charles Mingus.

Toronto percussionist Debashis Sinha's first release as the Ima Ensemble features the vocals of Toronto world music singers Jayne Brown and Sophia Grigoriadis.

"Ugly Beauties" explores the alien terrains between jazz, compositional and improvised music, with pianist Marilyn Lerner, cellist Matt Brubeck and drummer Nick Fraser.

Surreal sound experiments using poetry, noise and ambient music and an eclectic set of instruments to make bewildering and enjoyable compositions, recommended!

Since 1998 the SIO have performed their witty and fun-loving style that tickles and dares its audience with subtle surprises, giving improvised music a new name.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

2 CDs of Canadian history put together by Normand Guilbeault that covers original compositions, native chants, gigues, reels, songs of the period, military marches and improvisation.

Continuing where La vie qui bat: Chevre left off, this is the second installment of the project from the duo of Pierre Tanguay and Rene Lussier where they take a journey though human nature.

The Bozzini string quartet working with the melodic and unique universe of Toronto-based composer and performer Martin Arnold, whose roots are in the music of avant and improvisational work.

Hypnotic lo-fi space pop from Azalia Snail, whose 20 year career of 4-track era work is heard in this musical journey paying tribute to the power of the sun & the hope it can bring to us all.

Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.

One of NYC's oddest rock bands, Talibam! augment and mutilate rock forms with a weird mix, helped along by Jon Irabagon, Peter Evans, Chris Forsyth, &c., great and bizarre!

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Michel Gonneville's dreamlike, shamanistic journey, "Hozhro", in a brilliantly executed reading by Montreal's Quatuori Bozzini with vocalist Marianne Lamber & saxophonist Mathieu Gualin.

The meeting of AMM guitarist Keith Rowe with Burkhard Beins on percussion, two studio sessions and one live recording, sparse and subtle improv of the highest standard.

Jean Derome's extended Dangereux Zhomes opened the 25th Victo Festival in 2008, adding Joane Hetu, Lori Freedman, Bernard Falaise, &c. for an incredible and expressive orchestra.

Morsanek (aka Mark Morse) in a edited piece, 181 "tracks" of varied instrumentation; and the mysterious Vinekeeper in a complex organized sound work.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.