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John Russell-guitar
Stefan Keune-sopranino saxophone
Phil Minton-voice
Philipp Wachsmann-violin, electronics
Georg Wolf-doublebass
Paul Rutherford-trombone
Clive Bell-sipsi, shakuhachi, pi saw flute, mini-khene, Cretan pipes
Sylvia Hallett-viola, bicylce wheel, saw, jews harp, breath, digital delays
Chris Burn-piano, percussion
John Butcher-soprano saxophone, tenor saxophone
Clare Cooper-guzheng
Jim Denley-flute, bass flute, flax, alto saxophone, voice
Will Guthrie-amplified percussion
Matt Hutchinson-synthesizers, electronics
Sarah Gail Brand-trombone
Morgan Guberman-voice
Roger Smith-guitar
Louis Moholo-Moholo-drum set, musical doll
Click an artist name above to see in-stock items for that artist.
UPC: 5030243421527
Label: Emanem
Catalog ID: 4215
Squidco Product Code: 4590
Format: 2 CDs
Condition: New
Released: 2005
Country: Great Britain
Packaging: 2 CDs in a single Jewel tray, not sealed
Recorded at the freedom of the city festival in London's Conway Hall on May 2nd, 2004 by Sebastian Lexer.
"Various ensemble recordings, from May, 2004. Some of the groups and soloists presented by Emanem: Clive Bell (sipsi, shakuhachi, pi saw flute, mini-khene, Cretan pipes) & Sylvia Hallett (viola, bicycle wheel, saw, jews harp, breath, digital delays); Gail Brand (trombone) & Morgan Guberman (voice); Chris Burn (piano), John Butcher (soprano & tenor saxophones), Clare Cooper (guzheng), Jim Denley (flutes & alto saxophone), Will Guthrie (amplified percussion) & Matt Hutchinson (synthesizers); John Russell (guitar), Stefan Keune (sopranino saxophone), Phil Minton (voice), Philipp Wachsmann (violin), Georg Wolf (double bass); Paul Rutherford (trombone); Roger Smith (guitar) & Louis Moholo-Moholo (percussion)."-Emanem
Artist Biographies
• Show Bio for John Russell "John Russell got his first guitar in 1965 while living in Kent and began to play in and around London from 1971 onwards. An early involvement with the emerging free improvisation scene (from 1972) followed, seeing him play in such places as The Little Theatre Club, Ronnie Scott's, The Institute of Contemporary Arts, The Musicians' Co-Op and the London Musicians' Collective. From 1974 his work extended into teaching, broadcasts (radio and television) and touring in the United Kingdom and, ever extensively, in other countries around the world . He has played with many of the world's leading improvisers and his work can be heard on over 50 CDs and albums. In 1981, he founded QUAQUA, a large bank of improvisers put together in different combinations for specific projects and, in 1991, he started MOPOMOSO which has become the UK's longest running concert series featuring mainly improvised music." ^ Hide Bio for John Russell • Show Bio for Stefan Keune "Stefan Keune: Born in Oberhausen, Germany, 1965 From 1982, Stefan Keune studied privately with various teachers starting on the tenor saxophone. He was attracted to free improvised music from the beginning while using classical techniques from contemporary music as the basis of his playing. Keune began playing in local groups from 1985 (with Martin Blume amongst others) and since then he has intensively dedicated himself to the different kinds of improvised music. In 1990 he established contacts, first of all with Paul Lytton, then also with Dietmar Diesner, Matthias Bauer and others. In 1991, together with Lytton and bass player Hans Schneider he founded the "Stefan Keune Trio", and in 1992, the CD Loft was released. This was followed by an intense chamber-music-like phase of work, for example in a quartet with Paul Lovens, John Russell and Hans Schneider. He has played in close association with British free improvisors such as Roger Turner, Phil Durrant, John Butcher and others as well as with the other European improvisors such as Mats Gustafsson, Raymond Strid, Radu Malfatti and Peter Kowald. Recent groupings include a duo with John Russell, a duo with Paul Lovens, a trio with Dominic Lash and Steve Noble, a trio with Georg Wolf and Jörg Fischer, a quartet with Hans-Peter Hiby, Raoul van der Weide and Martin Blume and also one of the seminal groups within German free improvisation, XPACT (with Erhard Hirt, Hans Schneider and Paul Lytton)." ^ Hide Bio for Stefan Keune • Show Bio for Phil Minton "Phil Minton comes from Torquay. He played trumpet and sang with the Mike Westbrook Band in the early 60s- Then in dance and rock bands in Europe for the later of part of the decade. He returned to England in 1971, rejoining Westbrook and was involved in many of his projects until the mid 1980's. For most of the last forty years, Minton has been working as a improvising singer in lots of groups, orchestras, and situations, all over the place. Numerous composers have written music especially for his extended vocal techniques. He has a quartet with Veryan Weston, Roger Turner and John Butcher, and ongoing duos, trios and quartets with above and many other musicians. Since the eighties, His Feral Choir, where he voice-conducts workshops and concerts for anyone who wants to sing, has performed in over twenty countries." ^ Hide Bio for Phil Minton • Show Bio for Philipp Wachsmann "Philipp Wachsmann. Born Uganda, 1944; violin, viola and electronics. In the CD booklet to Gushwachs, John Corbett notes that Phillip Wachsmann came to free improvisation from a predominantly classical background, particularly via the contemporary experiments of "indeterminacy, graphic and prose-based scores, conceptualism and electroacoustics, listening to Webern, Partch, Ives, Berio and Varèse, reading 'Die Reihe' and interrogating the rhythmic, harmonic and melodic preoccupations of Western art music. Starting in 1969, Wachsmann was a member of Yggdrasil, an ensemble performing works by Cage, Cardew, Feldman, Ashley and others and in this group he used contact mikes on the violin and made his own electronic instruments, ring modulators and routing devices. Ironically, his studies with Nadia Boulanger in Paris (1969-1970) pushed him hard in the direction of free music. He recalls: 'Despite her neoclassical orientation, her insistence that composition is about the imagination of performance and its realisation, the live moment, and her stunning ability to make this happen was a powerful influence on me, steering towards 'performance' and therefore 'improvisation'.'" Wachsmann moved from Yggdrasil to Chamberpot - recorded on Bead 2 - and shortly thereafter appeared on Tony Oxley's influential February papers, forward looking in the virtual 'industrial' orientation of some of the tracks, years before this became an accepted genre; the two musicians have continued to work together, in various groupings but notably in the percussionist's Celebration Orchestra. Philipp Wachsmann has also performed and/or recorded with: Derek Bailey's Company, e.g. on the recording Epiphanies; Georg Graewe; Barry Guy; Iskra 1903; King Übü Orchestrü; London Jazz Composers' Orchestra; Evan Parker, particularly as part of the Evan Parker Electronic Project; Quintet Moderne; Fred Van Hove's ML DD 4; Rüdiger Carl's COWWS (now CPWWS) Quintet; and Lines, with Martin Blume, Jim Denley, Axel Dörner and Marcio Mattos. He also plays as a solo musician. Phillip Wachsmann also administers Bead Records." ^ Hide Bio for Philipp Wachsmann • Show Bio for Paul Rutherford "Paul William Rutherford (29 February 1940 - 5 August 2007) was an English free improvising trombonist. Born in Greenwich, South East London, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama. In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the 3-CD set Chapter One (Emanem, 2000). A film soundtrack was separately released as Buzz Soundtrack. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Russian word for "spark"; it was the title of the Iskra revolutionary newspaper edited by Lenin. The "1903" designation means "20th century music for trio"; occasionally Evan Parker played with the group (Iskra 1904) and Rutherford also at one point assembled a 12-piece ensemble called, inevitably, Iskra 1912. The group was later revived with Philipp Wachsmann replacing Bailey, a phase of the group's life that lasted from roughly 1977 to 1995; its earlier work is documented on Chapter Two (Emanem, 2006) and its final recordings were issued on Maya (Iskra 1903) and Emanem (Frankfurt 1991). Rutherford also played with Globe Unity Orchestra, London Jazz Composer's Orchestra, Centipede, the Mike Westbrook Orchestra, and the Orckestra, a merger of avant-rock group Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong. He also played a very small number of gigs with Soft Machine. He is perhaps most famous for solo trombone improvisations. His album The Gentle Harm of the Bourgeoisie is a landmark recording in solo trombone and his 1983 Trio album Gheim, recorded at the Bracknell Jazz Festival is another acclaimed work. Rutherford died of cirrhosis of the liver and a ruptured aorta on 5 August 2007, aged 67." ^ Hide Bio for Paul Rutherford • Show Bio for Sylvia Hallett "Sylvia Hallett studied music at Dartington, and then spent two years studying composition with Max Deutsch in Paris. She now works as both composer and improviser. She has played in many international festivals since the late 1970s, having worked with several well-known and respected musicians, including David Toop, Alasdair Roberts, Evan Parker, Anna Homler, the late Lol Coxhill, Maggie Nicols, Phil Minton. Groups include Accordions Go Crazy, LaXula, British Summer Time Ends, Arc,The London Improvisers Orchestra, The London Hardingfelelag and The Heliocentrics. She also performs solo, (eg. in Vigne Museum, Rosazzo, Italy 2015), and in duo with Clive Bell, with Mike Adcock, with Anna Homler and with Chris Dowding. Projects with various theatre and dance companies include collaborations with the dancer/choreographers h2dance (Hanna Gillgren and Heidi Rustgaard), Miranda Tufnell, Emilyn Claid, Jacky Lansley, Lost Dog, and Eva Karczag, the live art puppeteer Nenagh Watson, and Suffolk-based Wonderful Beast. She has performed and musically directed the music of Adrian Lee in world tours with the Young Vic's highly acclaimed "Grimm Tales", and The Royal Shakespeare Company's productions of "Comedy of Errors" , "Tales from Ovid" and "Canterbury Tales". Sylvia has released three solo CDs, two on the MASH label, which contain songs, improvisations, and tape collage pieces derived from her compositions for theatre and dance. Her 3rd solo release, White Fog on the EMANEM label features the bowed bicycle wheel. She has also recorded numerous albums with groups and duos. Commissions for 22 BBC Radio Drama include Tess of the D'Urbevilles, Kings, and Virginia Woolf's Kew Gardens." ^ Hide Bio for Sylvia Hallett • Show Bio for Chris Burn Chris Burn, piano: "Following on from a relatively formal music education and a few years of involvement in Jazz, the beginning of the 1980s saw Burn thoroughly embracing freely improvised music. His pianism was almost exclusively devoted to inside playing. In 1985 the large group 'Ensemble' was formed and have subsequently made five CDs and given concerts in the UK, mainland Europe and Canada; along with a number of radio broadcasts. Burn often performed as soloist; both improvising but also playing Henry Cowell and John Cage. In 1993 he made a CD of a selection of Cowell's piano pieces and made a programme for BBC R3. He has played numerous concerts and festivals in UK, Europe and Canada both as soloist, with Ensemble and with a host of improvisers from around the world. Since 2000 he has renewed his work in both composition and arranging; writing a number of pieces for solo piano and pieces for brass and percussion along with arrangements of improvisations by Derek Bailey and recordings of Alan Lamb. He continues to perform as both pianist and as trumpet player. In recent years he has performed twice at the Huddersfield Contemporary Music Festival with groups led by John Butcher and Simon Fell. In addition he is participating of the Reverse Collection exhibition at the Tate Modern, Summer 2016." ^ Hide Bio for Chris Burn • Show Bio for John Butcher "John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few. He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback. HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists. Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi." ^ Hide Bio for John Butcher • Show Bio for Jim Denley "Jim Denley was born in Bulli, Australia in January 1957. Wind instruments and electronics are core elements of his musical output. An emphasis on spontaneity, site-specific work and collaboration has been central to his work. He sees no clear distinctions between his roles as instrumentalist, improviser and composer. Collaborations, his radio feature for the Australian Broadcasting Corporation, won the Prix Italia in 1989. His interest in radio has continued with the ABC over 17 years. In May 2006 he recorded a program for the ABC in the Budawang Mountains, south-west of Sydney, which has now been made into a CD, Through Fire, Crevice and the Hidden Valley. This received an Honorary Mention in the Digital Musics category of the Prix Ars Electronica 2008. He has been to the Budawangs again to record a new program for the ABC, Co-existence. The ABC will enter the 2006 recordings in Prix Italia 2009. In 1990 he was a member of Derek Bailey's Company for a week of concerts in London. He co-founded the electroacoustic text/music group Machine for Making Sense. In 2006 and 2007 he received a Fellowship from the Australia Council for the Arts to research and develop his concept of Meta instrument. As part of this he formed the group Metalog - they toured Australia July 2008. He has played throughout Australia, Europe, Japan and the US with artists such as Chris Abrahams, Clare Cooper, Keith Rowe, Joel Stern, Robbie Avenaim, Jon Rose, John Butcher, Otomo Yoshide, Fred Frith, Phil Niblock, Trey Spruance, Clayton Thomas, Tess de Quincy, Axel Doerner, Adam Sussman, Ami Yoshida, Oren Ambarchi, Tony Buck, Ikue Mori, Satchiko M, Malcolm Goldstein and Annette Krebs." ^ Hide Bio for Jim Denley • Show Bio for Will Guthrie "Will Guthrie is an Australian drummer / percussionist living in France. He works in many different settings of music: live performance, improvisation and studio composition using various combinations of drums, percussion, objects, junk, amplification and electronics..He plays solo and in various projects such as THE AMES ROOM & THE SOMMES ENSEMBLE. His music has been released on labels such as Gaffer Records, Erstwhile, Clean Feed, 23five, Editions Mego, Ipecac, iDEAL and his own label Antboy Music. While studying jazz and improvised music(s) at the Victorian College of the Arts in Melbourne, alongside Ren Walters he started the weekly concert series 'Improvised Tuesdays', now known as the Make It Up Club and is Australia's longest running performance space dedicated to experimental and improvised musics. In Nantes, France he is part of the collective CABLE# which also organizes regular concerts and an annual festival. He also runs the experimental improvised CD label and mail-order service; ANTBOY MUSIC. He plays solo using different combinations of drums, percussion, amplification and electronics, in minimalist/maximalist free jazz trio THE AMES ROOM (with Jean-Luc Guionnet & Clayton Thomas), as well as the improvised/composed ensemble THE SOMMES ENSEMBLE (with Pierre-Antoine Badaroux, Julien Desperez & Maxime Petit). Regular collaborators past and present include Jérôme Noetinger, Oren Ambarchi, Anthony Pateras, Chulki Hong, Keith Rowe, David Maranha, Toma Gouband, Erell Latimier, Ava Mendoza, Adam Sussmann, Matt Earle, Ren Walters, Helmut Schafer, David Ades, Mark Simmonds, the film maker Hangjun Lee and choreographer/dancer Mette Ingvartsen." ^ Hide Bio for Will Guthrie • Show Bio for Matt Hutchinson "Started on clarinet after seeing the Benny Goodman Story, a year later aged 16 my 1st jazz gig on a float through Kingston(Surrey). where I had begun a 4 yr fine art diploma course. In 1960 bought a nice piano at auction for £3 having heard Errol Garner Red Garland and Dave Brubeck (pre Take 5). Played piano in a no of Jazz groups in the '60s including Gare/Prevost quintet - involvement shortlived after leaving piano parts on car roof (I like to think this spurred Eddie on to 'dot free' improvisation). Joined the R+B and Jazz group; the Sidewinders with Marc Charig which was chosen to back (little) Stevie Wonder's 2nd British tour. His MD didn't read music so the band's rehearsals involved learning the program by ear from 45's. We played venues such as the Cavern Club, the Marquee, Klooks Kleek (right next to Decca Studios my future employer!) Having played with Mike Osborne at home earlier in the decade, met him again at drummer Terry(Nillson)Love's Redhill Jazz club where Terry and I were in the house band. Mike guested there regularly he asked me to play some gigs as a quartet c1967/8 . Also joined another regular group there; the London based unruly Mingus influenced experimental 'Hotshot delivery Service' that often sported 2 bass players and drummers incl Dave Wickens . It was here that I did my first purely free improvisation in public as member of 'Free Root' trio in 1968. That year went to one of the first Barry Jazz course's and encountered pianist John Burch and his then famous 'Jazz blackboard' and Derek Bailey whose music room unfortunately lacked a piano! Other pupils on the course incl Keith Tippet, Nick Evans and Marc C. and here the seminal KT band was born I believe. The early 70's was mostly spent composing and playing for various Jazz groups in and around London that included Dick Pearce, John Williams, Maggie Nicolls, Harry Smith etc. In 1973 composed and organized a piece '(Underneath)The Archers' possibly as a belated revenge for that soap replacing 'Dick Barton Special agent' when I was a kid. A kind of an 'everyday story of rustic looking musos' these incl. Howard Riley, Henry Lowther, Ron Mathewson, Harry Smith, Alf Waite etc in a big group, plus tape loops, large bucket of cow dung with stirrer, Milkmaid and yoke, hay etc . Meeting Richard Beswick, a trainee producer at Decca' connected me to a another side of free impro in the forms of Tony Wren and Phil Wachsmann and Bead records. Had also got into to electronic treatments and synths and augmented their group 'Chamberpot'. Later in the early 80's met John Butcher in one of John Williams's larger jazz ensembles and many improvisers in other situations: Mick Beck, Will Evans, Sue Farrar. Paul Hession, Parney Wallace, and Hugh Metcalf to name but a few. Later, collaborations again with Phil Wachsmann as well as with Chris Burn dominated a lot of my musical activities in the '90s ; and presented opportunities to record, and to play in Europe and N.America ; and to work in bands such as King Ubu Orchestru that included Wolgang Fuchs and Dorothea Schurch, the Milo Fine group as well as the various permutations of Chris B's Ensemble that included Jim Denley, John Russell, Stevie Wishart. This group collaborated with the likes of Lol Coxhill, Derek B, Evan Parker, I also performed with the Mhu Mhu Orchester with Pauls Lytton and Rutherford and Johannes Bauer. Became a regular performer at the LMC and legendary Red Rose Club and also Hugh M's Klinker club. Other musical encounters variously included Simon Rose, Venessa Macness Occasional diversions into other musical situations included being the unenthusiastic half of a Jacques Brell tribute duo , Driving legendary Jazz pianist Joe Albany on tour around England, and receiving an ACGB grant to make an electronic exploration of the piano. Towards the end of the decade played in N16 IMPRO 21 with Peter Cusack ; 'Huchinsack' duo and was privileged to appear in the London Contemporary Piano Festival in 1998 alongside Stan Tracy, Michael Finnissey, Mervn Afrika, Rene Reznek. The new millennium saw me continue in Ensemble as well as work with smaller groups particularly Duos with Chris B and Phil W and subsequent albums with both. Played my debut solo piano set at Mopomoso at the Vortex recently where I've performed many times. This appeared to go down well, though generally I feel more inclined to musical collaborations, though a solo piano Cd with or without electronics could be in the pipeline. Other projects for the near future include a 4 hands 1 piano duo, a Piano /Violin/ Cello trio, and possibly recording improvisations to a piano roll." ^ Hide Bio for Matt Hutchinson • Show Bio for Sarah Gail Brand "Sarah Gail Brand: trombonist composer arranger tutor workshop leader. Born in London, 1971. Described by The Wire magazine as the most exciting trombone player for years, Sarah Gail Brand has recorded and performed on the international Jazz and Improvised Music since the early 1990s with Mark Sanders, John Edwards, Martin Hathaway, Billy Jenkins, Elton Dean, Evan Parker, Phil Minton, Lol Coxhill, Alexander Hawkins, Maggie Nicols, Rachel Musson, Wadada Leo Smith, Jason Yarde, Steve Beresford and countless others. She appears in Stewart Lee's Comedy Vehicle, series 1 & 2 (BBC TV) and with Stewart in the 2014 documentary film Taking the Dog for a Walk. Current ongoing performing projects include: Brand/Sanders duo with Mark Sanders (drums); Deep Trouble Trio with Paul Rogers (7 string double bass) and Mark Sanders (drums); Brand/Beresford/Edwards/Sanders (Steve Beresford- electronics, piano,John Edwards- double bass) This ensemble also works as a quartet with Mark Sanders (drums) SGB Sextet: SGB (trombone), Nicholas Malcolm (trumpet), Martin Hathaway (reeds), Liam Noble (piano), Dave Whitford (double bass) Mark Sanders (drums) Rosenblatt with Sam Eastmond: SGB (trombone), Hannah Marshall (cello), Mick Foster (bass clarinet), Moss Freed (guitar), Mark Lewandowski (double bass), Will Glaser (drums). Sarah's composing credits include an original score for the Charlie Chaplin classic Easy Street, premiered at the Barbican Cinema, London in 2013; incidental music for the 2014 short Low Down Alley Blues; We Should Consider The Possibility- Piece for Improvising Ensemble and Chamber Orchestra, premiered by the Guildhall Improvised Music Ensemble and the Southbank Sinfonia in 2014. Sarah was a guest presenter on Jazz on 3 (BBC Radio 3) 2009-2016, is a professor of Improvisation at the Guildhall School of Music and Drama, London, and a qualified Music Therapist. Sarah is currently studying for her PhD in Improvised Music at Canterbury Christ Church University, Kent." ^ Hide Bio for Sarah Gail Brand • Show Bio for Roger Smith Roger Smith is a British guitarist known for his work with London Musicians' Collective, his duo with Neil Metcalfe, plus duos with Adam Bohman, Louis Moholo-Moholo, Pascal Marzan, etc. ^ Hide Bio for Roger Smith • Show Bio for Louis Moholo-Moholo "Louis Tebogo Moholo (born 10 March 1940), is a South African jazz drummer. Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and is the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, Spirits Rejoice on Ogun Records, is considered a classic example of the combination of British and South African players. In the early 1970s, Moholo was also a member of the afro-rock band Assagai. He has played with many musicians, including Derek Bailey, Steve Lacy, Evan Parker, Enrico Rava, Roswell Rudd, Irène Schweizer, Cecil Taylor, John Tchicai, Archie Shepp, Peter Brötzmann, Mike Osborne, Keith Tippett, Elton Dean and Harry Miller. Moholo returned to South Africa in September 2005, performing with George Lewis at the UNYAZI Festival of Electronic Music in Johannesburg. He now goes under the name Louis Moholo-Moholo because the name is more ethnically authentic. South African promoter Slow Life in March 2017 at the Olympia Bakery in Kalk Bay, Cape Town produced a show where Louis performed along with Mark Fransman, Reza Khota, Keenan Ahrends and Brydon Bolton." ^ Hide Bio for Louis Moholo-Moholo
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Track Listing:
CD 1
1. Whithersoever 22:34
2. Titled Improvisation Part One 9:24
3. Titled Improvisation Part Two 7:56
4. Titled Improvisation Part Three 5:10
5. A Skein 12:16
6. A Lock 6:52
7. A Gaggle 7:07
8. A Purl 4:50
CD 2
1. Tension Sort 7:52
2. Geiger Release 10:33
3. Heart Sliced Open 10:27
4. Pop Goes The Drunkard 12:10
5. The Very First Time 30:29
6. The End Of The Very First Time 5:29
EMANEM & psi
Improvised Music
European Improv, Free Jazz & Related
Before April-2006
Instant Rewards
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