Pianist Matthew Shipp's trio with Whit Dickey on drums and Michael Bisio on bass, take on Duke's Ellington's classic compositions, adding free elements and unexpected angles without losing the melodic charm of these classic jazz standards; recommended.
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Shipping Weight: 4.00 units
Sample The Album:
Matthew Shipp-piano
Michael Bisio-doublebass
Whit Dickey-drums
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UPC: 3760131270600
Label: RogueArt
Catalog ID: ROG-0060
Squidco Product Code: 20237
Format: CD
Condition: New
Released: 2015
Country: France
Packaging: Digipack - 3 panel
Recorded at Lowfish Studio, New York, NY on June 10th, 2014 by M.P. Kuo.
"Shipp plays in his own inimitably personal style some of the most beloved of Duke's compositions, "rewriting" the book and making this excursion uniquely his own. Many greats have tackled Ellington. The one who immediately comes to mind is Monk with his now legendary trio date for Riverside records Thelonious Monk plays the Music of Duke Ellington. The result is fascinating. But unlike Monk doing it his way, though somewhat restrained, we have Shipp going all out. Not simply personalizing Duke but messing up the time signatures and "corrupting" the melodies whenever and wherever possible.
To just play free without the cumbersome restrictions of composition and cliché is, to my mind, one of the highest forms of art if done to it's maximum beauty and capacity, but equally high is the ability to take the melody, tear it to pieces, yet keep its integrity intact. Few artists can do this. Lee Konitz, using a completely different attack, the first who comes to mind. Shipp definitely walks in that tradition, creating, what I like to think of as cubing (ala cubism) the head > abstracting / distending and respecting it while at the same time allowing it to flourish and morph."-Steve Dalachinsky
Artist Biographies
• Show Bio for Michael Bisio "Michael Bisio, bassist/composer, has eighty five recordings in his discography, twenty four of these are split evenly between leader/co-leader, ten of them document his extraordinary association with modern piano icon Matthew Shipp. Michael has been called a poet, a wonder and one of the most virtuosic and imaginative performers on the double bass. Nate Chinen in the New York Times writes : "The physicality of Mr. Bisio's bass playing puts him in touch with numerous predecessors in the avant-garde, but his expressive touch is distinctive;..." As a composer Michael has been awarded nine grants and an Artist Trust Fellowship Collaborators include Matthew Shipp, Joe McPhee, Charles Gayle, Connie Crothers, Whit Dickey, Ivo Perelman, Barbara Donald, Newman Taylor Baker, Rob Brown, Sonny Simmons and Sabir Mateen." ^ Hide Bio for Michael Bisio • Show Bio for Whit Dickey "Whit Dickey (born May 28, 1954, New York City) is a free jazz drummer. He has recorded albums as a bandleader, with David S. Ware, Matthew Shipp and others. Free jazz drummer Whit Dickey first stepped into the spotlight as a leader with the release of his Transonic album from Aum Fidelity in 1998. Two years later, Wobbly Rail issued his Big Top release. Previously, he was best known for his solid work with Matthew Shipp and David S. Ware, with whom Dickey split in 1996. Early the following year, the drummer began composing the works that would be included on Transonic. Dickey penned all but two songs, "Kinesis" and "Second Skin," on the collection, and he even had a hand in those with the help of his fellow musicians on the album. The original compositions give a nod to the influence of "Criss Cross" and "Off Minor" from the legendary Thelonious Monk. Dickey recorded the album with the aid of Rob Brown on flute and alto saxophone, and Chris Lightcap on bass. In 2001, Dickey recorded half a dozen of his compositions with Mat Maneri, Shipp, and Brown under the name Nommonsemble, and put out Life Cycle through Aum Fidelity. Whit Dickey made a name for himself as the former drummer of David S. Ware's famous quartet. Since then Dickey's musical contributions have gone well beyond his work as Ware's drummer. He is capable of tremendous power and yet has the ability for subtle gesture. Dickey is a composer as well as a drummer and his music has reached new heights in his recent small group work, with a coterie of great musicians including alto saxophonist Rob Brown. He has been performing with Matthew Shipp since 1991 and continues to play and record with Roy Campbell Jr., Mat Maneri, Chris Lightcap and many others. Since 2007 Dickey has been focussing on developing an integrative improvisational style while working with Shipp's Trio. Daniel Carter and Dickey recorded an album pianist Eri Yamamoto in 2008. The album Art of the Improvisor from The Matthew Shipp Trio received much critical acclaim and was listed as one of the year's best of 2011. Dickey has started a cooperative unit with Sabir Mateen & Michael Bisio, which is another example of post- Coltrane integral unity, and is call Blood Trio. Shipp, Bisio and Dickey have also been working with Ivo Perelman in various configurations." ^ Hide Bio for Whit Dickey
10/30/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
10/30/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Prelude To Duke 0:43
2. In A Sentimental Mood 6:18
3. Satin Doll 8:48
4. I Got It Bad And That Ain't Good 5:02
5. Take The A Train 9:03
6. Mood Indigo 5:47
7. Dickey Duke 4:43
8. Tone Poem For Duke 5:02
9. Prelude To A Kiss 3:53
10. Sparks 3:25
11. Solitude 3:21
Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
Melodic and Lyrical Jazz
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