The Squid's Ear Magazine


Shipp, Matthew : Magnetism(s) [2 CDs] (RogueArt)

The creative NY jazz trio led by pianist Matthew Shipp with Rob Brown on alto sax and flute and William Parker on bass re-release and re-master their 1999 Bleu Regards album "Magnetism", a 20-part suite of concise and informed dialogs; and add a live CD of the trio recording three larger "Magnetism" improvisations captured at the Stone, 2016.
 

Price: $16.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Matthew Shipp-piano

William Parker-bass

Rob Brown-alto saxophone, flute


Click an artist name above to see in-stock items for that artist.




UPC: 3760131270761

Label: RogueArt
Catalog ID: ROG-0076
Squidco Product Code: 24472

Format: 2 CDs
Condition: New
Released: 2017
Country: France
Packaging: Digipack - 3 panel
CD-1 recorded at Carl Seltzer Sound, in New York, New York, on January 26th 1999. CD 1 was previously released in 1999 on the Bleu Regards Label under the title Magnetism with catalog code CT-1957; this is a new master

CD-2 recorded live at The Stone, in New York, New York, on July 13th, 2016.

Descriptions, Reviews, &c.

"The music takes on short, fleeting forms: fading here, held and moody there, as though the improvisation encouraged skepticism of firm certitudes. The tightness of the discourse, however, demands enlightening energy and lucid tautness."-Jean-Francois Abert, from the original 1999 liner notes

"We have already seen that in the history of the universe, such a spiral nucleus of sounds that subsides on itself and grows dense, that softens and dilates, that provides its exceptional energy of cohesion even when it's deflagrating. Cosmic Spiritual Revolutionary Music. That, flamboyant imagination, and universal harmony, it's all one."-Alexandre Pierrepont, excerpt from the 2017 liner notes


Artist Biographies

"Matthew Shipp was born December 7, 1960 in Wilmington, Delaware. He started piano at 5 years old with the regular piano lessons most kids have experienced. He fell in love with jazz at 12 years old. After moving to New York in 1984 he quickly became one of the leading lights in the New York jazz scene. He was a sideman in the David S. Ware quartet and also for Roscoe Mitchell's Note Factory before making the decision to concentrate on his own music.

Mr Shipp has reached the holy grail of jazz in that he possesses a unique style on his instrument that is all of his own- and he's one of the few in jazz that can say so. Mr. Shipp has recorded a lot of albums with many labels but his 2 most enduring relationships have been with two labels. In the 1990s he recorded a number of chamber jazz cds with Hatology, a group of cds that charted a new course for jazz that, to this day, the jazz world has not realized. In the 2000s Mr Shipp has been curator and director of the label Thirsty Ear's "Blue Series" and has also recorded for them. In this collection of recordings he has generated a whole body of work that is visionary, far reaching and many faceted."

-Matthew Shipp Website (http://www.matthewshipp.com/bio.html)
10/30/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."

-William Parker Website (http://www.williamparker.net/)
10/30/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Rob Brown (born February 27, 1962) is an American free jazz saxophonist and composer.

Rob was born in Hampton, VA. He started playing saxophone at the age of 12 or 13. His first gigs were with a local Virginia and swing band. He eventually studied at Berklee College for two years and worked privately with both Joe Viola and John LaPorta. After a year on the west coast, Brown bounced back to Boston, where he met pianist Matthew Shipp. He moved to NY in 1984 where he enrolled at New York University, earned a music degree, and studied with saxophone masters such as Lee Konitz, but the teacher who had more influence on Rob conceptually was Philadelphian Dennis Sandole. Rob took the train to Philly once a week to study with him for a year and a half.

His first issued recording was the duet with Shipp Sonic Explorations and since then has been actively leading groups or working as a sideman with Shipp, William Parker, Whit Dickey, Joe Morris and Steve Swell.

He is a 2001 CalArts/Alpert/Ucross Residency Prize winner and has received many Meet The Composer Fund grants. In 2006 Rob was awarded a Chamber Music America New Works grant."

-Wikipedia (https://en.wikipedia.org/wiki/Rob_Brown_(saxophonist))
10/30/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD1



1. Magnetism I 1:01

2. Magnetism II 3:24

3. Magnetism III 3:54

4. Magnetism IV 2:33

5. Magnetism V 3:36

6. Magnetism VI 1:14

7. Magnetism VII 3:12

8. Magnetism VIII 4:16

9. Magnetism IX 0:34

10. Magnetism X 3:29

11. Magnetism XI 3:43

12. Magnetism XII 0:48

13. Magnetism Xiii 4:11

14. Magnetism XIV 2:25

15. Magnetism XV 4:59

16. Magnetism XVI 0:59

17. Magnetism XVIi 3:09

18. Magnetism XVIII 3:47

19. Magnetism XIX 1:45

20. Magnetism XX 5:38

CD2



1. Vibration And Magnetism 30:46

2. Resonance Magnetism 13:16

3. Impact And Magnetism 6:12

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
NY Downtown & Jazz/Improv
Trio Recordings
Parker, William
Staff Picks & Recommended Items

Search for other titles on the label:
RogueArt.


Recommended & Related Releases:
Other Recommended Releases:
Carter, Daniel / William Parker / Federico Ughi
The Dream [VINYL + DOWNLOAD]
(577 Records)
This album was developed to present Daniel Carter, typically a wind/reed/trumpeter player, on an album that included his piano playing, which then advanced by adding the goal of both Carter and long-time collaborator, drummer Federico Ughi, to record with bassist William Parker, who rounds out this excellent trio on bass, tuba and shakuhachi.
Parker, William
Conversations II Dialogues & Monologues [CD & BOOK]
(RogueArt)
The 2nd volume in New York free improvising basist William Parker's "Conversations" series, more than 500 pages with 32 interview between William Parker and artists including Marshall Allen, Tim Berne, Wadada Leo Smith, Mark Dresser, Henry Grimes, &c &c, plus a CD excerpting those interviews and punctuated with duos between Parker and saxophonist Kidd Jordan.
Steve Swell Quintet (Swell / Moondoc / Burrell / W. Parker / Cleaver)
Soul Travelers [VINYL + DOWNLOAD]
(RogueArt)
A great set of Downtown NY players led by trombonist Steve Swell, with Jemeel Moondoc on alto sax, Dave Burrell on piano, William Parker on double bass and Gerald Cleaver on drums, a heartfelt and masterfully soulful album of excellent modern jazz in a limited LP.
Shipp, Matthew Quartet Declared Enemy
Our Lady Of The Flowers
(RogueArt)
Named after Jean Genet's infamous novel, New York pianist Matthew Shipp's quartet Declared Enemy with Sabir Mateen on tenor sax & clarinet, William Parker on double bass, and Gerald Cleaver on drums, return for a second outstanding album of dynamic and masterful jazz.
Shipp, Matthew Chamber Ensemble
The Gospel According to Matthew & Michael
(Relative Pitch)
Frequent collaborators, Matthew Shipp (piano) and Michael Bisio (bass) are joined by fellow Downtown New Yorker Mat Maneri on viola create what they refer to as a chamber ensemble, performing the 15 improvised and inspired chapters of Shipp & Bisio's "Gospel".
Swell, Steve presents
Planet Dream
(Clean Feed)
The trio of Steve Swell, Daniel Levin and Rob Brown in music of a "social contract" enabling highly creative music, with no rigid boundaries, collective and empathic.
Shipp, Matthew Quartet
Points
(Silkheart)



Customers Who Bought This Item Also Bought:
Krakow Improvisers Orchestra
KIO at Cricoteka
(Not Two)
The 13-piece Krakow Improvisers Orchestra approaches their music through conduction and improvisation, founder Paulina Owczarek leading the ensemble in an impressive 3-part work recorded in the studio, an exciting and quirky set using mostly acoustic instrumentation through reeds, brass and two drummer/percussionist, 2 bass players, free vocal improv, synth & guitar.
Coleman's, Steve Natal Eclipse
Morphogenesis
(Pi Recordings)
Steve Coleman's Natal Eclipse brings together 9 musicians in a chamber jazz setting without a drum set--Jonathan Finlayson (trumpet), Jen Shyu (vocals), Matt Mitchell (piano), Mara Grand (tenor sax), Rane Moore (clarinet), Kristin Lee (violin), Greg Chudzik (bass), and Neeraj Mehta (percussion)--performing 9 of Coleman's sophisticated original compositions.
Coleman, Steve and Five Elements
Live at the Village Vanguard, Vol. I (The Embedded Sets) [2 CDs]
(Pi Recordings)
With his earliest and most current performance history tied to the enduring Manhattan jazz club The Village Vanguard, alto saxophonist Steve Coleman records his Five Elements in a 2017 live show with Jonathan Finlayson on trumpet, Miles Okazaki on guitar, Anthony Tidd on bass, and Sean Rickman on drums for a fiery, exuberant and masterful concert of modern jazz.
Lacy, Steve
Stamps [2 CDs]
(Corbett vs. Dempsey)
Originally released on the Hat Hut label in 1979, this 2-CD set of saxophonist Steve Lacy's quintet with Steve Potts on saxophone, Irene Aebi on cello, voice & violin, Kent Carter on bass, and Oliver Johnson on drums, are heard live in two tour-de-force concerts, first at the 1977 Jazz Festival, in Willisau, Switzerland, then in 1978 at Jazz Au Totem in Paris, France.
Berne, Tim / Matt Mitchell Duo
Angel Dusk
(Screwgun)
Following on New York pianist Matt Mitchell's solo album of Tim Berne compositions, the two join in the studio to record these 8 compositions in a dynamic album of dialogs that includes energetic interaction, explorative playing, and beautiful lyrical work, a profoundly intimate and connected release borne from their long history of collaboration.
Mahall, Rudi / Alexander von Schlippenbach
So Far
(Relative Pitch)
Pianist Alexander von Schlippenbach and clarinetist Rudi Mahall have been exploring the music of jazz and free improvisation for decades in their own bands or together in Globe Unity Orchestra; here they are heard in their essential element as a duo, pushing their music in rapid runs and elegant and emotional moments with imposing technique and authoritative confidence.
Spectral (Dave Rempis / Darren Johnston / Larry Ochs)
Empty Castles
(Aerophonic)
Spectral, since 2012 the working horn trio of Dave Rempis on alto & baritone sax, Darren Johnston on trumpet, and Larry Ochs on sopranino & tenor sax, split their time between San Francisco and Chicago, in their 3rd album of spontaneous, complex free improv, here using the setting of Bunker A-168 in Mare Island Shoreline Heritage Preserve, CA, to influence their performance.
Rempis, Dave
Lattice
(Aerophonic)
Chicago saxophonist Dave Rempis approached the idea of his first solo album under the shadow of the greats before him, in 2017 choosing to journey across the country on a solo tour, performing 31 concerts of which these 6 recordings represent the best reflection of his unique solo vocabulary on the instrument and his enthusiasm for a wealth of musical styles.
Rempis Percussion Quartet, The (w/ Haker Flaten / Daisy / Rosaly)
Cochonnerie
(Aerophonic)
13 years playing together and releasing this, their 8th album, the Chicago quartet of Dave Rempis on sax, Ingebrigt Haker-Flaten on electric bass, Frank Rosaly on drums, and Tim Daisy on drums, are captured live at Elastic Arts, in Chicago for three awe-inspiring collective improvisations of great energy, resolution, and focus.
Wooley, Nate
Battle Pieces 2
(Relative Pitch)
Commissioned by Anthony Braxton's Tri-Centric Foundation, trumpeter Nate Wooley developed a modular compositional structure of small melodic, rhythmic, harmonic, conceptual, textural, and timbral fragments, allowing Ingrid Laubrock (sax), Sylvie Courvoisier (piano), and Matt Moran (Vibes) exceptional freedom in improvisation, here in their 2nd recording live at Koeln's Loft.
Wolff, Christian / Eddie Prevost
Uncertain Outcomes [2 CDs]
(Matchless)
Two concerts of experimental improvisation from two giants of conceptual improvisation and composition, recorded at IKLECTIK in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder.
Metal Chaos Ensemble
Intermetallic Compounds
(Evil Clown)
A massive and metallic improvisation from the Boston area trio of David Peck, Andria Nicodemou, and Yuri Zbitnoff, using metal, drums, bells, aquasonic, daxophone, guzheng, vibes, bells, sax, clarinet and reeds in an intense journey that absorbs the listener and then draws them into a turbulent world of active sound, receding again at journey's end; amazing.
Wolfarth, Christian / Jason Kahn
Percussion / Voice
(Confront)
An absorbing album of percussion and voice from the working duo of Christian Wolfarth on drums and percussion, and Jason Kahn on voice, for two extended improvisations of cathartic vocal expression and assertive rhythmic and reflective percussive accompaniment, balancing eccentric and mesmerizing sound in gripping and compelling ways.
Van Hove, Fred / Roger Turner
The Corner
(Relative Pitch)
Pioneering improvising pianist Fred Van Hove at UK's Cafe OTO for the first time, captured in a duo with UK drummer/percussionist Roger Turner, their first recording together, for a night of exceptional improvised interplay, sophisticated and complex playing that is constantly buoyant and charming, an enthralling conversation between two veteran players.
Lencastre, Jose Nau Quartet (Lencastre / Pinheiro / Faustino / Lencastre)
Fragments of Always
(FMR)
Portuguese alto saxophonist Jose Lencastre's Nau [ship] Quartet with Joao Lencastre on drums and two thirds of Red Trio -- Rodrigo Pinheiro on piano and Hernani Faustino on bass -- in a lyrical album of collective free improvisation informed by masterful playing that's energetic but never bombastic, a thoroughly enjoyable and thought-provoking album.
Dunmall / Shipp / Edwards / Sanders
Live in London
(FMR)
Two extended examples of free improvisation from UK stalwarts, tenor saxophonist Paul Dunmall, bassist John Edwards, and drummer Mark Sanders, joined by New York pianist Matthew Shipp, all captured live at Cafe Oto in 2010; set one is an unflagging example of energetic collective improv, set two more introspective yet vital and demanding; a superb concert!
Grimal, Alexandra / Benjamin Duboc / Valentin Ceccaldi
Bambu
(Ayler)
An unusual and captivating work from the trio of saxophonist Alexandra Grimal, double bassist Benjaim Duboc, and cellist Valentin Ceccaldi, leading their album with tracks from "Respirer l'ombre" by Giuseppe Penone "spontaneously used without permission but with great admiration," leading to powerful and unpredictable directions in free improvisation; excellent.
Lazro, Daunik / Jean-Luc Cappozzo / Didier Lasserre
Garden(s)
(Ayler Records)
The trio of Daunik Lazro on baritone and tenor saxophone, Jean-Luc Cappozzo on trumpet & flugelhorn and Didier Lasserre on drums, alternate jazz standards from Duke Ellington (Sophisticated Lady; Hop Head), John Coltrane (Lonnie's Lament), Albert Ayler (Angels), with original compositions and the 3-part "Garden", all in the varied traditions of jazz.
Mayas, Magda / Jim Denley
Tempe Jetz
(Relative Pitch)
A pairing of two innovative players, Berlin-based pianist Magda Mayas and Australian sound and wind artist Jim Denley, Mayas playing inside and out of the piano and Denley on alto sax and bass flute, both providing field recordings adding unexpected elements in a set of extremely balanced recordings that entrance the listener with unlikely and captivating settings.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC