VRIL's 2nd incredible album of tongue-in-cheek lyrical guitar instrumentals, led by Lukas Simonis with Bob Drake and now 3rd guitarist Omer, with Chris Cutler on drums.

New York saxophonist Bonnie Kane/W.O.O. (Whole Other Orbit) in a quartet with Blaise Siwula, Ray Sage and Will Redmond.

An excellent quartet of UK and European improvisers recording at Gateway Studio, London in 1997, a set of 8 intriguing recordings emphasizing the acoustics end of free improvisation with accented electronic interventions.

Starting from John Cage's Zen quote--"Every day is a good day"--the trio of Rachael Wadham on piano, Philippe Lenglet on acoustic guitar and cithar (a type of harp), and contrabass, recorded these improvisations approaching their instruments not for melodies but as tools for experimentation, from which this trio finds a wealth of inventive sound.

Japanese steelpan player Yoshio Machida leads this pan-national pop band in their second album, blending electronics and popular forms of music referencing and using electronic and acoustic rock, funk, synthpop, and spoken word, with the majority of the band Serbian artists, and guest musicians including Tatsuhisa Yamamoto (Jim O'Rourke), Paranel, and Misha.

Steelpan and electronics player and Amorfon label leader Yoshio Machida met the Serbian CINC band for these sophisticated and lovely post-rock pieces recorded in Belgrade, 2006.

Unique release of a 4-CD box including rare recordings of Swedish pioneers of free jazz and improvised music, as well as a 28-page booklet with extensive writings and photos, letters and drawings by the artists.

An hour of improvised duo music by Per Henrik Wallin (piano) and Sven-Ake Johansson (drums) on one CD, and another hour of exceptional playing by the trio of Wallin, Peter Janson (double bass) and Leif Wennerstrom (drums) on the second CD.

Priska Walss and Gabriela Friedli's first duo release after 10 years of working together, trombone, alphorn, piano and organ in an unusual and striking dialog.

Two improvising duos that share one person and joined as a trio -- Berlin musician Miako Klein on recorders -- Warble being Klein and NY/Berlin trumpeter Brad Henkel, the two exploring their instruments through close amplification; Mduo is Klein & NY/Berlin percussionist Michael Weilacher using extended techniques and strange actions.

Warburton's latest in his Walk Series, using field recordings from Morocco to study the fragile barriers between composition, improvisation, natural, and man-made sound.

Alex Ward developed this band to confront the issue of combining composition with improvisation, using free jazz as a touchstone for pieces allowing stylistically unbounded playing, here with an incredible set of players.

A tremendous one-night engagement by late saxophone colossus David S. Ware and his latter day Trio with William Parker on bass and Warren Smith on drums, in an intimate club setting at Blue Note in New York City on October 4, 2010, the last time this trio came together, the previous an electrifying set at Vision Festival in June of 2015.

The second volume in a planned series of David S. Ware solo recordings, presenting two entire concert performances on sopranino and tenor sax at Park Slope and at Unmbrella Music Festival in Chicago.

Tenor saxophonist Ware's first studio release in 6 years is in a great quartet with Joe Morris, William Parker and Warren Smith playing a set of original compostions.

1984 recordings from NYC of the Freestyle Band (Henry P. Warner on clarinet, Earl Freeman on bass guitar & piano, Philip Spigner on hand drums), an underground free jazz classic properly brought to light.

Focusing on the flute, Geoff Warren's quarter with Raffaele Pallozzi (piano), Marco Di Marzio (bass) and Walter Caratelli (drums) present an impressive melodic and informed album of contemporary jazz quoting Roland Kirk, Soft Machine, folk music and much more.

The long-standing duo of trumpeter Birgit Uhler, also on radio, speaker & objects, and free improvising vocalist Ute Wasserman, in an album of 8 unbelievable improvisations of a unique and sometimes bizarre character, holding one's attention from its outlandish nature--superb!

As close to straight-ahead improvisation as you'll hear from audio explorer Mark Wastell, in an authoritative quartet of free improvisers, with both Olie Brice and Dominic Lash on double bass, Alan Wilkinson on alto sax, and Wastell himself on violoncello.

This long overdue re-issue celebrates the unique encounter of eleven like-minded musicians from Japan, England, Wales, Germany, Basque Country & Norway, brought together in the studio for one day only for this daytime recording session followed by an evening concert.

Electronics artist Watkins wrote this piece for resonant spaces, interactive electronics, audience participation & string quartet, here in a special version tuning each string to an odd partial of 60Hz.

A meditative double CD with subtle flavours of flute and gamelan accompanying a reading by Ian Watson, the author of "The Tao of Homeopathy" exploring the philosophies and practices of homeopathy and Taoism."-Susie Hodder-Williams

Active and interactive percussion using extended techniques from the London trio of trumpeter Ian Smith, percussionist Stephen Flinn, and cellist Hannah Marshall.

Mark French filmed two concerts in Lewes and at the Hasting Jazz Club of the quartet of saxophonist Trevor Watts, pianist Veryan Weston, drummer Mark Sanders, and bassist John Edwards, plust Trevor Watts' Moire Music Drum Orchestra.

A strong and enthralling set of dialogs captured live from the working duo of pianist Stephen Grew and saxophonist Trevor Watts on alto & soprano, intricate exchanges of great energy but also great compassion and introspection, a well-rounded set of adventurous exchanges that highlight the incredible skills of both players.

Saxophonist Trevor Watts and pianist Stephen Grew improvised these pieces at a distance, Grew sending recordings of two separate solo concerts from Newcastle, which Watts improvised over resulting in these intricate and exuberant "Improvised Compositions".

London saxophonist Trevor Watts teams up with pianist Veryan Weston for "5 More Dialogs" of labyrinthine and exultant improvisation, as only two masters of the form can create!

2004 recordings of saxophonist Trevor Watts' Celebration Band live in Skopje Macedonia: 4 saxophones, drums, percussion and bass, with musicians from the Macedonia community joining in.

Live recordings of the Trevor Watts Drum Orchestra from 1983, a turning point in his career towards evolving a complex, polyrhythmically-driven approach to improvised structures.

Four recordings from the 1990 Latin America Tour of saxophonist Trevor Watts' Moire Music Drum Orchestra, with concerts from Venezuela and Mexico in a band with Nana Tsiboe, Nee-Daku Patato, Nana Appiah, Jojo Yates, Liam Genockey, and Colin Gibson.

Watt's supergroup with Lol Coxhill, Simon Picard, Veryaon Weston, &c., amazing rhythmic music recorded live in 1985 for the Arts Council, Contemporary Music Network Tour.

Pure Trevor Watts performing solo on the alto saxophone, showing his lyrical and technical skills in full force through 13 studio recordings, from succinct tracks of a minute in length to longer displays of powerful playing with great skill and ingenuity.

The UK and Vancouver meet for a second release under the Way Out Northwest name - British saxophone master John Butcher with bassist Torsten Muller and drummer Dylan van der Schyff - recording for Sonarchy Radio.

Experimental improvising in the 3rd studio release from Andrew Weathers and his Ensemble paying homage to America's myriad cultural traditions in sound tapestry and song, completing a trilogy that began in 2011 with "We're Not Cautious".

Blending a sense of chamber music into free improvisation that references jazz, the trio of pianist Katharnia Weber, guitarist Fred Frith and drummer Fredy Studer merge the most outrageous of techniques into a comprehensible whole, engaging the listener in surprising twists and turns that are sophisticated, extraordinary, and wonderfully unpredictable.

In a trio with bassist Barry Guy and percussionist Balts Nils, pianist Katharina Weber interprets 11 short piano pieces by Gyorgy Kurtag's collection "Jatekok", beautiful gems of trio improvisation.

Music inspired and fascinated by Italian cultural history, art, poetry, &c., from the collective quartet of John Butcher, John Edwards, Fabrizio Spera and Alberto Braida.

Bringing together European improvising guitarist Olaf Rupp, Canadian ex-pat bassist Joe Williamson, and Australian drummer Tony Buck from The Necks for an album of busy, fiery, skillful improvisation.

The follow-up to drummer/composer Dan Weiss's release "Fourteen" presents a larger ensemble taking on jazz, world music, prog rock, contemporary classical music and more in compositions named for drummers, with a diverse orchestration of acoustic and unconventional instruments.

Fourteen musicians perform drummer Dan Weiss' ambitious compositional project, a through-composed work featuring an ensemble with guitar, horns, voices, harp, piano, organ, bass and percussion, with players including Weiss, Matt Mitchell, Judith Berkson, David Binney, &c. &c.

Pushing the envelope on minimalism, Manfred Werder's 3 scores for "2003" present just 6 tones, the instructions telling 3, 2 or 1 performers to play a pitch or sound for 3-7 seconds twice during the performance; realized by Erik Carlson, Stephanie Richards, and D. Edward Davis.

After several years together the trio of Veryan Weston (piano), Hannah Marshall (cello), and Ingrid Laubrock (saxophone), illustrate their empathetic and authoritative style in 3 recordings live from Barcelona at the 2011 Festival Internacional de Improvisacion.

Veryan Weston uses the piano and Caroline Kraabel uses alto saxophone and her voice in these improvising duets recorded on an England concert tour between 1999 and 2000.

Live recordings in 2015 from Bim Huis, and in Quintavant/Audio Rebel in Rio de Janeiro, the first a tribute to the late saxophonist Ornette Coleman in a 3 part suite of fast-paced and insightful improv; the 2nd "Quantum Illusion", an introspective and rich 2-part work.

Digital concert recording made in Bordeaux, France from pianist Veryan Weston performing solo, the last part of a cycle of concerts organized by Musique Ouverte.

Legendary pianist Veryan Weston set out across England in 2014 in search of tracker-action organs, which he tested for suitability for a planned trio album, where possible recording himself on the instrument, as heard in these seven recordings of unusual and impressive improvisations.

Recorded during their 2014 tour, Jorrit Dijkstra (sax), Pandelis Karayorgis (piano), Jeb Bishop (trombone), Mary Oliver (violin), Jason Roebke (bass) and Han Bennink (drums) recorded this new set of inspired Steve Lacy & Monks tunes primarily in Padova, Italy.

The flugelhornist in 1995-2003 recordings from solo to sextet distilled from an epic series of visits to Gateway Studio over a period of seven years.

Percussionist Gerry Hemingway's Who Trio with Michel Wintsch on piano and synth, and Banz Oester on double bass and lamp, in an outstanding 2 CD release contrasting their work in acoustic improvisation with "electric" improv, albeit an unusual take on the latter.

WHO is Gerry Hemingway, Michel Wintsch & Banz Oester, a trio who have toured for many years, creating music of diverse compositional sensibilities & uncommon sensitivity.

New York improvising artists trumpeter Jacob Wick and percussionist Andrew Greenwald in 4 tracks of minimally dense and persuasively smeary compositions.

Zuerich composer and soprano player Juerg Wickihalder (Irene Schweizer, Omri Ziegel, &c.) in duo with pianist Wiesendanger playing Wickihalder's compositions.

Swiss saxophonist and composer Jurg Wickihalder in a quartet with bassist Mark Zubek, reed player Achille Succi, bassist Mark Zubek and drummer Kevin Zubek.

The third Intakt release for saxophonist Jurg Wickihalder sees him in a quartet with pianist Irene Schweizer, bassist Fabian Gisler and drummer Michael Griener performing the leader's excellent Lacy/Monk-ish compositions.

Chicago trumpeter Wilkes, who plays in El'Zabar's Ethnic Heritage Ensemble and Exploding Star Orchestra, in his own Abstrakt Pulse sextet, a modern take on mid-60s jazz.

Far-ranging improvisation using open and creative techniques from the trio of guitarist Andreas Willers on acoustic and electric, bassist Meinrad Kneer (who runs the Evil Rabbit label) and drummer Christian Marien.

Calgary's saxophonist Darren Williams, who has worked with Mats Gustafsson, Cody Oliver, Eugene Chadbourne, and Han Bennink, in a solo album of remarkable power using extended techniques in composed and improvised pieces that push Williams into astounding territory.

Fluxus originator & member of the "Darmstadt Circle" of concrete poetry, Emmett Williams in a beatiful picture disc of poems written from 1950-2003 and recorded from 2000-2003.

Powerful debut from Vancouver guitarist Wilson's 6Tet after 4 years of musical investigations into collective improvisation, melody & noise, meter shifts, African Rhythms, &c.

Recordings from the late 70s from the duo of Art Ensemble of Chicago drummer Phillip Wilson and trumpeter Olu Dara, an intimate and intelligently reserved session that includes a 3 part tribute to Lester Bowie, originally released on Hat Hut records.

Vancouver veterans Wilson, Lee & Bentley in a percussion-less improvisational trio that balances introspective beauty with adventurous technical ability.

The first recording of Tony Wilson's music inspired by the plight and lives of the homeless and drug addictied in Vancouver's Downtown Eastside, in a band with P Carter on trumpet, Jesse Zubot on violin, Peggy Lee on cello, Russell Sholberg on bass and Skye Brooks on drums.

Tony Wilson Sextet's was formed almost 20 years ago to perform his original compositions and arrangements, here performing Benjamin Britten's Lachrymae and 4 original works.

The improvisational and untraditional piano trio of Michel Wintsch (piano, synthesizers), Christian Weber (bass), and Christian Wolfart (drums) in a fantastic, live performance from Willisau.

Keyboardist Michel Wintsch uses piano, prepared piano, synthesizer, and a variety of foot devices to create unique solo compositions, informed by his years working with artists like Franz Koglmann and Gerry Hemingway.

Swiss voice artist Isa Wiss with Marc Unternahrer on tuba in a surreal set of alphabetized improvisations in a Minton-esque mode with Unternahrer taking the tuba into untold territory.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

"The pianist Christine Wodrascka and the percussionist Jerome Lacoste, in forty-eight minutes and thirteen pieces of remarkably well-constructed works, offer a whole panorama of sounds, articulations, vibrations, timbres, crazy pulsatio...

A live recording from Le Carre Bleu, France, of the superb improvising trio of Christine Wodrascka (piano), Jean Luc Cappozzo (trumpet), and Gerry Hemingway (percussion).

Antoine Beuger, Burkhard Schlothauer, Chico Mello, Jurg Frey, Kunsu Shim, Michael Pisaro-Liu, and Thomas Stiegler participate in this realization of Christian Wolff's compositions to make sounds or draw sounds out of stones, alone or with other surfaces, acoustically or amplified.

Two concerts of experimental improvisation from two giants of conceptual improvisation and composition, recorded at IKLECTIK in London in 2015 and at Dartmouth College, in Hanover, New Hampshire in 2016; with superb pacing and brilliant execution, these dialogs between keyboard and percussive instruments explore unique sound worlds with depth, inquisitiveness, and a sense of wonder.

New York School stalwart and John Cage collaborator Christian Wolff met AMM and EA-improvising guitarist Keith Rowe to perform this extended work at erstwhile's AMPLIFY 2011 show in NYC's The Stone.

A fascinating collaboration from two minimalist/Wandelweiser figures: Christian Wolff on prepared piano, whistles, and stones, and Michael Pisaro-Liu on guitar, harmonica and stones, recording together in Caimbridge, MA for two extended works, "Looking East" and "Looking West".

Carl Ludwig Hubsch (tuba); Ole Schmidt (bass clarinet); Chris Weinheimer (bass flute); Robert Schleisiek (piano); and Tom Lorenz (vibraphone) interpret Christian Wolff's composition based on "Union Maid", a song from the 1920's, transforming the work through temporal expansion.