Originally part of the Bagatelles 4-CD box set, this standalone release presents John Zorn's tightly constructed compositions interpreted by the Mary Halvorson Quartet, where Halvorson's microtonal guitar meets Miles Okazaki's rhythmic fluidity, propelled by bassist Drew Gress and drummer Tomas Fujiwara in an explosive and intricately woven set of high-energy, avant-garde jazz explorations.

An intimate exploration of John Zorn's Bagatelles, featuring the seemingly telepathic cello duo of Erik Friedlander and Michael Nicolas in deeply expressive and intricately woven performances that reveal the emotional depth, sensitivity, and Zorn's adventurous compositional spirit, bridging composed forms with spontaneous improvisation for a nuanced and exciting chamber setting.

A powerhouse trio of free jazz titans — Peter Brötzmann on saxophone and clarinet, Steve Swell on trombone, and Paal Nilssen-Love on drums — captured live at Krakow's Alchemia Club in 2015, delivering a high-energy set of unrelenting interplay, shifting dynamics, and deep improvisational synergy, from explosive full-throttle exchanges to nuanced explorations of timbre and structure.

Captured live at Copenhagen's Jazzhouse in 2016, the explosive trio of Peter Brötzmann on saxophone & clarinet, Steve Swell on trombone, and Paal Nilssen-Love on drums & percussion delivers a high-intensity set, opening with the fiery 30-minute "Copenhagen Maneuvers" and continuing through shorter pieces that demonstrate their raw power, deep improvisational synergy, and relentless momentum.

Inspired by a live performance with serpent player Berlinde Deman, Rutger Zuydervelt (Machinefabriek) recreated his live setup from that show to record this intricate sonic collage, blending hardware improvisations, field recordings, and an array of electronic and acoustic sources into an organic, layered work that merges performative immediacy with studio precision.

An engaging meeting recorded in the studio in New York in 1991, bringing together vocalist Ellen Christi, saxophonist & bass clarinetist Carlo Actis Dato, trombonist Masahiko Kono, bassist Enrico Fazio, drummer Fiorenzo Sordini, and text artist Michael Vecchio, blending adventurous contemporary jazz, spontaneous composition, and spoken word in a strikingly dynamic and generally lyrical session.

A compelling collaboration featuring improvising vocalist Ellen Christi alongside pianist Yuko Fujiyama, trombonist Masahiko Kono, and drummer Mauro Orselli, recorded in the studio in 1993 and live at Roulette in 1996, weaving dynamic free improvisation and exploratory soundscapes that showcase ChristiÕs innovative vocal techniques and deep engagement with spontaneous composition.

The groundbreaking 1977 debut of Un Drame Musical Instantané is a fully improvised yet strikingly structured work blending synthesizer, trumpet, guitar, film dialogue, and radio broadcasts into a dynamic sonic collage, here reissued in 2004 with a new master and the bonus track "Sancta Papaverina", the album captures the trio's bold fusion of avant-garde improvisation and experimental composition.

An imaginative and genre-defying return from Hélène Sage in an eclectic blend of songs, jazz-inflected fanfares, and humorous yet critical texts performed in multiple languages, featuring a striking ensemble of avant-garde musicians whose voices, instruments, and unconventional approaches craft a surreal and adventurous sonic world; of interest to RIO fans.

The JACK Quartet presents definitive interpretations of John Zorn's eight string quartets, composed between 1988-2017, in a two-disc album presenting Zorn's evolution through avant-garde techniques and deep musical traditions, with virtuosic performances of intricate works like "Cat O'Nine Tails", "Memento Mori", or "Necronomicon"; includes a 36-page booklet of notes, scores, and insights.

Uniting members of the Shaking Ray Levis with luminaries including Bob Stagner (Palmer's SRL cohort), Jessica Lurie, Frank Pahl, and Col. Bruce Hampton, this final album from Dennis Palmer captures his fearless spirit in an eclectic fusion of free improvisation, surreal storytelling, and genre-bending instrumentation, traversing rock, jazz, sound collage, and absurdist experimentation.

Recorded live at BOTA in Lisbon, the trio of pioneering violinist Carlos 'Zíngaro', bassist João Madeira, and drummer/percussionist Sofia Borges engage in a dynamic and expressive real-time composition, balancing intensity and restraint through intricate musical dialogues, evoking the raw energy of free jazz while embracing contemporary improvisational textures.

Exploring the fluid boundaries between singing, recitation, and speech, bassist João Madeira and vocalist Margarida Mestre present an intricate dialogue of sound and expression, recorded in Lisbon, with Mestre's voice shifting between phonetic poetry, storytelling, and abstract improvisation, while Madeira's double bass, guitar, and field recordings weave around and underpin her vocalizations.

A mesmerizing sonic counterpart to the acrobatic and dance performance Meander, Rutger Zuydervelt (Machinefabriek) crafts an immersive score that mirrors the movement of Marta & Kim, Knot on Hands, and Felix Zech, blending ambient textures and dynamic shifts to evoke fluidity, weight, and momentum, shaping an auditory journey that unfolds with the same grace and unpredictability as the performance itself.

Expanding the boundaries of real-time signal processing as an active improvisational voice, the trio of David Peck (PEK), Albey onBass, and engineer Joel Simches are heard in a dynamic session where Simches manipulates and transforms instrumental expressions into intricate sonic layers, merging winds, percussion, electronics, and bass with live perturbations.

This edition of Leap of Faith brings core members David Peck and Glynis Lomon together with both longtime collaborators and first-time guests, including Vance Provey, Tor Snyder, Albey onBass, and Marc Edwards, for two improvisations that blend musical histories with fresh interactions in an exploratory journey of winds, strings, electronics, and an arsenal of percussive & resonant instruments.

Expanding beyond their post-industrial rock roots, guitarist Mike Graff and drummer Michael Jerome join forces with producer/keyboardist Van Eric Martin, bassist Mike Daane, and vocalist Blythe Gaissert for an ambient and cinematic work inspired by Metropolis, blending ethereal soundscapes and hypnotic rhythms into an immersive instrumental journey.

Merging electronic experimentation with improvisational spontaneity, Jean-Jacques Birgé's synthesizers and Bernard Vitet's trumpet weave alongside Michèle Buirette's vocals and Hervé Legeay's guitar, constructing a dynamic and unpredictable sonic landscape that blurs the line between composition and free expression, expanding the possibilities of form and texture.

A unique entry in Paul Dunmall's discography, this album presents a 9-piece Birmingham-based ensemble with dual keyboards and electronics, evoking Dunmall's compositions and orchestrations into vibrant, groove-driven improvisation that shifts between cinematic atmospheres, fiery free jazz, and unexpected nods to rock, balancing tightly composed sections with exhilarating exploration.

Guy Segers (Univers Zero) in his 5th expansive EMBand project, assembling an ensemble of progressive and avant-garde musicians in ever-shifting configurations, for an album that evolves from introspective and textural atmospheres to dynamic and complex sonic landscapes, incorporating voices, poetry, and intricate instrumental interplay; a compelling example of Europe's progressive music scene.

A retrospective spanning ten decades (1958-2018) celebrating Jean-Jacques Birgé's multifaceted career through compositions reflecting each era, blending archival recordings with new works through a remarkable ensemble of longtime collaborators, from brass and strings to electronics and voice; a sonic journey bridging past, present, and imagined futures with impressive orchestration and narrative.

The avant-rock and experimental ensemble founded in 1976 by Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé in their first song-based release from 1991, introducing pioneering compositions that intertwine avant-garde instrumentation and emotive vocals across nine tracks, marking the start of a remarkable series of albums exploring new dimensions of their creative vision.

Recorded live at the 2024 New York Forward Festival in NYC by guitarist Killick Hinds, Finnish guitarist Heikki Ruokangas presents an expressive solo acoustic performance that shifts fluidly between melody and noise, balancing introspective sensitivity with intense avant-garde bursts, weaving elements of contemporary jazz, Finnish musical heritage, and free improvisation into a raw and immediate sonic exploration.

Two extended performances from Los Angeles and Colorado Springs by the West Coast ensemble of Andrew Weathers (tenor saxophone, mixer), Angel Lin (percussion), Ethan Marks (trumpet), and Mar Perez (trombone), freely improvising with resonance and experimental techniques to craft immersive soundscapes that blur the line between instrumental performance and environmental noise.

Subtle textures, hushed resonance, and environmental influences converge in a delicate yet immersive sonic space in this collaboration recorded at Wind Tide in Littlefield, Texas, bringing together Justin Houser, Anne-Françoise Jacques, Ernesto Montiel, Veronica Anne Salinas, and Andrew Weathers for an intimate exploration of electroacoustic improvisation.

The long-running duo between Czech trumpeter and electronics artist Petr Vrba and French drummer Peter Orins, blends ritualistic reductionism with psychedelic grooves, extended trumpet techniques, analog synthesis, and prepared percussion to create a hypnotic and unpredictable soundscape, full of frenetic energy, atmospheric tension, and sudden dynamic shifts.

The first live recording from French trio TOC, for this live 2023 recording TOC joins Polish saxophonist Paulina Owczarek to improvise desynchronized layers of raw energy, blending free improv with elements of pop punk, post-rock, and jazz-core, resulting in a complex and mesmerizing performance where suggested rhythms and autonomous temporalities converge into an unpredictable kraut maelstrom.

Blending Swiss and Argentine heritage, violinist Sophie Lüssi, along with Sandra Weiss (sax & bassoon), Fridolin Blumer (double bass), and Andreas Wettstein (drums), crafts an improvisational sound rooted in jazz, tango, and folk traditions, shaped by her studies in Zurich and two decades in Buenos Aires, resulting in a music that is both technically brilliant and deeply expressive.

Recorded live in Lugano in 1984, Steve Lacy's trio with guitarist Barry Wedgle and bassist Jean-Jacques Avenel reimagines his compositions in an intimate and transparent setting, where Lacy's masterful soprano saxophone carves precise yet expressive lines, drawing on influences from poetry, Monk, and visual art to create a striking balance between structure and improvisation.

Revisiting and remastering two albums from Paul Bley's formative trio years with Steve Swallow on double bass and Pete LaRoca Sims on drums, recorded in Newark, NJ, from 1962-63 but unreleased until the 1980s on Savoy Jazz, as Bley explores Carla Bley's compositions alongside his own, reshaping the piano trio dynamic with a balance of free and lyrical approaches to jazz.

Bridging past and future, this 17th album from The Flying Luttenbachers is a punishing collection of modernist brutality, largely developed by Weasel Walter alone, yet culminating in a ferocious trio performance with Luke Polipnick and Charlie Werber captured in Chicago and NY; dense with asymmetrical riffs, death metal complexity, and avant-garde adaptations; savage!

Documenting The Flying Luttenbachers' transition from a New York-based lineup to a Chicago trio, this blistering live-in-the-studio session captures Weasel Walter (guitar), Luke Polipnick (bass), and Charlie Werber (drums) unleashing complex, high-energy compositions with no overdubs, solidifying their raw and relentless approach to genre-blurring improv, as the band continues its evolution.

A striking exploration of avant-garde jazz and free improvisation, this 1992 session unites vocalist and pianist Ellen Christi with Steve Buchanan (electric guitar), Tomas Ulrich (cello), William Parker (bass), and Lefferts Brown (loops), weaving dynamic vocal phrasing, bold instrumental textures, and evolving electronic layers into an immersive and unpredictable sonic landscape.

A refined and nuanced collaboration between vocalist Ellen Christi and guitarist Claudio Lodati, recorded in Ivrea, Italy in 1990, blending lyrical vocal improvisations with fluid electric and acoustic guitar work in an intimate, expressive dialogue — relaxed and unforced, yet deeply engaging, avoiding both histrionics and weightless ambience to create a grounded yet exploratory listening experience.

A dynamic collective session from a quintet — led by multi-instrumentalist David Peck with Bonnie Kane (sax, flute, electronics), John Fugarino (brass, percussion), Albey onBass (bass, drums), and Jared Seabrook (drums, gongs) — featuring a richly textured three-horn interplay over an expansive rhythmic foundation, balancing harmonic shifts and spontaneous energy with a strong sense of structure.

A meditative and immersive work of sonic abstraction, Alexander Cooper's first solo release in eight years unfolds as a lattice of minimalism-inspired harmonic diffusion, where shifting textures and fluid structures dissolve into ethereal, non-representational spaces, blurring the boundaries between form and perception in a dynamic interplay of sound and air.

Celebrating her 65th birthday with her first compositions for strings, pianist-composer Satoko Fujii writes for the specific musicians of GEN, a sextet of violin, viola, bass, piano, electronics, and drums, in a suite inspired by Nagano's mountain views, leveraging microtonal string techniques for an expressive and texturally rich sonic landscape.

An electrifying 1st-time meeting between guitarist Keiji Haino and trumpeter Natsuki Tamura, captured live at Tokyo's Shinjuku Pit Inn, where the duo shape an unpredictable set that veers from reflective stillness to wildly passionate outbursts, their extended techniques and visceral vocals — sometimes urgent, sometimes outrageous — fueling an exhilarating and uncompromising sonic adventure.

Emerging from an improv session during the pandemic, Natsuki Tamura (trumpet), Satoko Fujii (piano), and Tatsuya Yoshida (drums) formed Amanojaku, named after the contrarian demon of Japanese folklore, embracing a balance of composition, improv and mischievous interplay with a uniquely Japanese sensibility through virtuosic spontaneity and irreverent humor, captured live at Koen-dori Classics.

Norwegian guitarist Stian Larsen joins UK musicians Colin Webster on alto sax, Ruth Goller on bass, and Andrew Lisle on drums in a high-energy fusion of free jazz, post-rock, and noise, weaving dynamic improvisation that moves from sparse textures to explosive climaxes, embracing ecstatic intensity, cathartic interplay, and expansive creative exploration.

Allan Zane and Carl Kruger craft an album of "wet ambient music" inspired by Roland Kayn, featuring fluid textures and evolving soundscapes that pay homage to the German composer and electronic music pioneer innovative approach to ambient composition, here in an immersive auditory experience of deep-water, subtle transitory and aqueous sound.

An album of brutal improvisation in the Borbetomagus mold as the longstanding Maranata duo of Dag Stiberg on alto and baritone saxophones and Jon Wesseltoft on electronics join forces with Mexican saxophonist Martín Escalante, creating an unrelenting sonic assault of frenzied saxophone interplay and harsh electronics, fueled by a visceral intensity and high-pressure chaotic energy.

A curated collection of 14 short improvisations from Evil Clown's modular ensembles, this fourth Shorties Volume distills the essence of expansive, long-form performances into concise yet potent expressions, featuring 31 musicians across 7 ensembles, these spontaneous works, recorded during warmups and soundchecks, offer a dynamic snapshot of the label's ever-evolving sonic landscape.

A strikingly inventive work from Un Drame Musical Instantané, as Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé blend synthesizers, trumpet, guitar, voice, and unconventional instrumentation in a satire of television and religion, merging free improvisation, jazz, electronics, and contemporary composition into a provocative and unclassifiable sonic experience.

A profound 1994 GRRR label release, Sarajevo Suite is a conceptual collaboration produced by Jean-Jacques Birgé and Corinne Léonet, featuring a global assembly of jazz and experimental artists-including Lindsay Cooper, Henri Texier, Dee Dee Bridgewater, and the Balanescu Quartet-crafted to support Bosnian war victims.

Extraordinary and masterful performers Sophie Agnel (piano) and John Butcher (soprano & tenor saxophones) present a live recording from the 40th International Festival of Current Music in Victoriaville, Canada, featuring five improvised pieces that highlight their exceptional interplay and collective discovery of new musical forms while exploring the boundaries of free improvisation.

A stunning live performance from wild to instrospective from the 2019 Copenhagen Jazz Festival, where saxophonist Lotte Anker and two pianists — Jacob Anderskov and Kamil Piotrowicz — create a rare and extraordinary interplay of alto saxophone and dual grand pianos, blending frenetic intensity and dreamlike calm in an inspired and organically evolving dialogue of composed and improvised soundscapes.

A riveting live performance from the 2023 Copenhagen Jazz Festival by Joëlle Léandre, Lotte Anker, and Kresten Osgood, whose trio of bass, saxophones, and drums delivers an enthralling journey through three improvisational worlds, blending spontaneity, profound interplay, and virtuosic intensity in a masterful exploration of sound and emotion.

A confluence of contrasting strings recorded in the studio in NYC, bringing bassist Brandon Lopez and gayageum master DoYeon Kim together in an acoustic dialogue of free improvisation, blending Lopez's explosive intuition with Kim's dynamic reinterpretation of tradition, resulting in a fascinating sonic journey that bridges ancient melodies and avant-garde exploration.

Five duets inspired by the Japanese concept of borrowed scenery (Shakkei (借景)) — integrating background landscapes into the design of a garden — are exquisitely realized in these spiritual and introspective performances, from the 20-year collaboration between French saxophonist Alexandra Grimal (tenor and soprano) and Italian pianist-organist Giovanni Di Domenico.

A historic reunion captured live at Le Triton in Les Lilas, France, in 2007, bringing together pianist François Tusques and drummer Sunny Murray for the first time in decades to renew their blues-infused, avant-garde dialogue, blending percussive exploration, evocative dedications, and rich improvisation that honors their shared history while forging new sonic landscapes.

Captured live at the Werkstatt für Improvisierte Musik in Zurich, Switzerland, this debut release from Jason Kahn (electronics) and Magda Mayas (piano, objects) presents three improvised pieces that blend their complementary palettes into a poetic and intricately detailed electroacoustic dialogue, reflecting their 13-year collaboration with a mix of introspection, spontaneity, and mutual respect.

Jean-Jacques Birgé invited 28 improvising musicians to the studio to perform in duos and trios, the theme for each of the 22 recordings chosen just before each recording, with noted performers including Birgé himself, Sophie Bernado, Pascal Contet, Julien Desprez, Jean-Brice Godet, Alexandra Grimal, Sylvain Kassap, Edward Perraud, Eve Risser, &c.

Exploring chaotic rhythms on metallic instruments, Metal Chaos Ensemble is one of the most prolific Evil Clown ensembles, producing over 50 albums with a signature sound of gongs, chimes, and horns, recently recurring as a sextet blending rock elements; here configured as a quintet without a bass performer, in a distinctive work that begins with a PEK narrative.

Saxophonist John Dikeman composed this diverse and expressively lyrical song cycle reflecting on colonization, and the double edged sword of religion which can lead to transcendence or tyranny, recorded in Amsterdam in a quartet with Marta Warelis on piano, Aaron Lumley on bass and Sun on Mi Hong on drums, presented in two extended improvisations.

Two 2024 sessions from the free improvising trio of John Butcher (tenor and soprano saxophones), Phil Durrant (electric mandolin and electronics), and Mark Wastell (drums and percussion): the two-part dialog "Around", recorded live at London's Vortex Jazz Club, and the four-part collective improvisation "Above", captured at The Rose Hill in Brighton, UK.

The 2nd volume following Chicken Shit Bingo from a two-day 2015 studio session in Antwerp, capturing the deep rapport and evolving artistry of multi-reedist Peter Brötzmann and drummer/percussionist Paal Nilssen-Love through eight powerful and explorative improvisations, reflecting their nearly two-decade collaboration as they experiment with new instruments and demonstrate profound musical expression.

The 2nd volume following Chicken Shit Bingo from a two-day 2015 studio session in Antwerp, capturing the deep rapport and evolving artistry of multi-reedist Peter Brötzmann and drummer/percussionist Paal Nilssen-Love through eight powerful and explorative improvisations, reflecting their nearly two-decade collaboration as they experiment with new instruments and demonstrate profound musical expression.

Marking their decade-long collaboration, pianist Alexander von Schlippenbach and drummer Dag Magnus Narvesen present a dynamic dialogue of free jazz and structured improvisation, blending generational and cultural perspectives into deeply focused and evolving musical narratives, where melodies and rhythmic patterns unfold organically through collective discipline and creativity.

Performing the lyrical compositions from the band's leader, this quartet — featuring Joe Fonda (bass), Michael Rabinowitz (bassoon), Jeff Lederer (clarinets & flutes), and Harvey Sorgen (drums) — explores a uniquely chamber-like soundscape, blending jazz and classical influences through intricately arranged compositions and inspired improvisations with a distinctively rich and unexpected ensemble voice.

Recorded at Experimental Sound Studios following a powerful and inspired concert at Elastic Arts, this trio captures the distinct musical voices of Edith Steyer (alto saxophone & clarinet), Mabel Kwan (piano), and Michael Zerang (drums & percussion), weaving sound-oriented improvisations and diverse transatlantic influences from Berlin and Chicago.

Recorded across studios in France and Denmark and at the Festival Les Enchanteuses, the charming and experimental trio of Birgitte Lyregaard (vocals), Sacha Gattino (sampler, percussion, zither, &c.), and Jean-Jacques Birge (Theremin, keyboards, reeds, &c.) blend experimental, jazz, rock, and folk influences, in a genre-defying amalgam of songs, free improv, rare instruments, and cutting-edge technology.

Expanding on a decade of exploratory improvisation, this session unites a diverse septet of seasoned and new Evil Clown musicians in a dynamic live performance recorded at Evil Clown Headquarters, blending horns, percussion, electronics, and an extensive array of unique instruments to create concert-length transformations of groove, chaos, and textured sonorities in the ensemble's signature avant-garde aesthetic.

Recorded at the Rimouski Music Conservatory in Quebec, the latest from Brulez les meubles of guitarist Louis Beaudoin-de la Sablonnière and bassist Eric Normand expands with saxophonist Ingrid Laubrock, pianist Marianne Trudel, and vibraphonist Jonathan Huard in a drum-less exploration of jazz and chamber music, blending harmonic textures and patient interplay in a sophisticated and evocative musical conversation.

French classically trained pianist Sophie Agnel and percussionist Michael Zerang explore unconventional techniques in nine captivating improvisations recorded at Chicago's Experimental Sound Studio, blending Agnel's prepared and extended piano methods with Zerang's nuanced percussion to create a strikingly compatible and dynamic sonic dialogue.

Honoring Agustí Fernández's 70th birthday, this 7-CD box set captures his innovative artistry through live and studio collaborations with performers including Barry Guy, John Butcher, Lucía Martínez, &c., recorded across global venues, showcasing his mastery of the piano, free improvisation, and profound creative dialogue with fellow improvisers.

Marking drummer/percussionist Zlatko Kaučič's 70th birthday, this 4-CD set presents his collaborations with luminaries including Torben Snekkestad, Axel Dörner, Rodrigo Amado, Barry Guy, and Agustí Fernández, blending intimate and transformative improvisations recorded across Slovenian festivals, showcasing Kaučič's mastery and the profound synergy of these exceptional ensembles.

Celebrating 50 years of Andrea Centazzo's career and 45 years of ICTUS Records, this 4-CD set documents concerts over four nights at Milan's Teatro Out Off, vibrant sets of improvisation uniting global luminaries like Elliott Sharp, Ellen Burr, and Steve Swell in a boundary-pushing exploration of ICTUS's legacy and Centazzo's innovative artistry.

Originally formed in 1991, the legendary PainKiller trio, known for merging jazz, metal, grindcore, ambient, and dub, returns after more than 25 years to explore an intense new direction, as electronic artist Mick Harris crafts a rich tapestry of beats and sounds, drawing inspired performances from bassist Bill Laswell and alto saxophonist John Zorn.

Taking six years to compose through collaborative retreats, this five-part opus blends precision composition and improvisation, with saxophonists Nathaniel Morgan and Travis Laplante, guitarist Andrew Smiley, and drummer Jason Nazary crafting intense, cerebral jazz-rock influenced by art-rock, free jazz, and European experimentalism, resulting in a bold and immersive debut.

Building on their collaborations in the Noah Kaplan Quartet albums on Hat Hut/ezz-thetics — Descendants, Cluster Swerve, and Out of the Hole — bass guitarist Giacomo Merega (also of Dollshot) and guitarist Joe Morris (with pedals) explore intricate and dichotomous interplay, weaving parallel and divergent lines into richly complex interactions, suffused with a deep and resonant sonic richness.

Strut's deluxe 25th-anniversary edition of Sun Ra's Lanquidity, a highlight in the Arkestra's discography, features a tip-on sleeve with OBI strip, an A2 poster with a rare Veryl Oakland photograph of Sun Ra, and liner notes by Tom Buchler, Michael Ray, Danny Ray Thompson, and Bob Blank, celebrating this classic with a richly detailed and collectible repress.

Recorded live at Kunstraum Walcheturm in Zurich, Jason Kahn's voice presents four improvised pieces blending voice, modular synths, and electronics, creating immersive soundscapes that explore sound's spatial and psychological dimensions, released in a limited edition of 100 hand-painted CDs by Editions.

Highlighting the profound skill and musical connection of alto saxophonist Tim Berne, drummer Tom Rainey, and guitarist Gregg Belisle-Chi, in a captivating journey through meticulously composed pieces, dynamic improvisation, and structured arrangements of spontaneous creativity in a studio recording that emphasize their exploratory artistry and evolution within creative jazz.

Highlighting the profound skill and musical connection of alto saxophonist Tim Berne, drummer Tom Rainey, and guitarist Gregg Belisle-Chi, in a captivating journey through meticulously composed pieces, dynamic improvisation, and structured arrangements of spontaneous creativity, across 2 CDs contrasting live and studio recordings that emphasize their exploratory artistry and evolution within creative jazz.

Bringing together trumpeter Michael Sarian, keyboardist Matthew Putman, drummer Federico Ughi, and Cuban bassist-vocalist Ledian Mola to pay heartfelt tribute to Sun Ra's cosmic Afrofuturism, blending improvisational brilliance with Mola's folklore-inspired vocals and Putman's Rocksichord - the same keyboard model Sun Ra played - in a first-time collaboration and celebration of innovation.

Returning to the duo format that launched their series, Evan Parker on soprano saxophone and Matthew Wright on turntables with live processing and sound design deliver two studio improvisations from Ramsgate, UK, with Wright transforming Parker's virtuosity through layers of electronic interaction, crafting a dynamic and intricate virtual symphony of technique and intent.

Recorded live in Munich, Germany, Udo Schindler and Paul Rogers unite in a masterful duo performance blending Schindler's clarinet, double bass clarinet, tenor saxophone, and cornet with Rogers' work on the 7-string double bass, crafting an intricate, dynamic improvisation that explores space, texture, and resonance in a profound and sometimes exultant exploration of Recorded live in Munich, Germany, Udo Schindler and Paul Rogers unite in a masterful duo performance blending Schindler's clarinet, double bass clarinet, tenor saxophone, and cornet with Rogers' work on the 7-string double bass, crafting an intricate, dynamic improvisation using space, texture, and resonance in a profound and sometimes exultant exploration of low tones. tones.

Bringing together trumpeter Michael Sarian, keyboardist Matthew Putman, drummer Federico Ughi, and Cuban bassist-vocalist Ledian Mola to pay heartfelt tribute to Sun Ra's cosmic Afrofuturism, blending improvisational brilliance with Mola's folklore-inspired vocals and Putman's Rocksichord - the same keyboard model Sun Ra played - in a first-time collaboration and celebration of innovation.

Displaying remarkable technique on a 6-string electric guitar, New York improviser and composer Chuck Roth, also known as watergh0st, explores a vast palette of sounds and textures, bending and twisting the guitar's raw tones without effects or pedals, across 11 succinct improvisations, Roth delivers an engaging spectrum of styles and moods, showcasing his emotional depth and inventive approach.

Blending the autonomous compositions of Nabaz'mob, his opera for 100 smart rabbits, with the vibrant naturalism of "Dawn at Shimiyacu", a field recording from Peru's Amazon rainforest, Jean-Jacques Birgé along with Antoine Schmitt juxtaposes minimalist robotic orchestrations with raw environmental soundscapes, creating a genre-defying exploration within his signature sonic universe.

Drawn from 13 albums across eight ensembles and featuring 29 musicians, this third volume offers an excellent introduction to the concise improvisations recorded as soundchecks before long-form works, providing distinct snapshots of Evil Clown's dynamic creativity and showcasing the evolving sonorities and modular ensemble interplay that define their unique sonic universe.

Blending the improvisational richness of the Evil Clown aesthetic with the playful chaos of wacky banter, Neurodivergent — featuring Count Robot, DNA Girl, Tim Mungenast, and Evil Clown regulars — delivers a dynamic, genre-defying performance uniting spoken-word absurdity, a diverse array of instruments, and spontaneous musical transformations in an embraceably unpredictable listening experience.

Recorded live at Iklectik in London, saxophonist John Butcher on soprano and tenor leads an ensemble of Angharad Davies on violin, Mark Sanders on percussion, and Pat Thomas on electronics, iPad, and samples in four open, exploratory electroacoustic improvisations that reflect a post-lockdown freedom and Butcher's ethos of spontaneity and personal expression in creative music-making.

Recorded across two sessions at LondonÕs now-closed Iklectik, named for its Lambeth Marsh location, saxophonist John Butcher performs in duos and small groups with Angharad Davies on violin, Mark Sanders on percussion, Pat Thomas on electronics, and John Edwards on double bass, crafting remarkable acoustic and electroacoustic improvisations that honor the venueÕs legacy.