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Viltard, Guillaume: Running Away (Un Reve Nu)

An art object, acrylic painting on wood with a CD inside, a beautiful package to house solo recordings of double bassist Guillaume Viltard's, who has worked with Heddy Boubaker, Catherine Jauniaux, &c.
 

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product information:

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Guillaume Viltard-doublebass


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Acrylic painting on wood by Zehavite Cohen.

Label: Un Reve Nu
Catalog ID: urn001
Squidco Product Code: 14937

Format: CD
Condition: New
Released: 2009
Country: France
Packaging: Two hand-painted slates held together with magnets with CD inside
Recorded on May 2008 1 & 2 at Local (1, 2, 3, 4, 5 & 6), on May 2008 3 in Bouconne forest at 5am (7 & 8). Mixing and Mastering Nicolas Carrière at studio l'Annexe, Castres

Descriptions, Reviews, &c.

Guillaume Viltard

"Born in 1975 in the North of Ivory Coast, I had grown up in a wild countryside with almost no music - but many natural sounds. Back in France at the age of 10, I was seized by a compulsive desire of music, listening to many sorts of music, and especially free jazz, to the great displeasure of my brothers who never appreciated Cecil Taylor for breakfast. I was dreaming about bass playing but started studying philosophy.

By the whims of fate, I saw a double bass at a friend's flat. A few weeks after, I was studying at the Paris Conservatoire and having private jazz lessons. It was ages ago.

I gave my first improvised bass solo in 2003 (not without apprehension !) I have played with many artists of the French improv' scene, including Heddy Boubaker, Nusch Werchowska, Isabelle Duthoit, Alexandre Kittel, Catherine Jauniaux, Jean Pallandre, Mathias Pontévia, Etienne Brunet, Soizic Lebrat, Sébastien Coste, etc. I have also organised many concerts in Lyon where I lived from 2000 to 2007."-Guillaume Viltard Website


Acrylic painting on wood by Zehavite Cohen.

Get additional information at Guillaume Viltard Website

Artist Biographies

"Born in 1975 in the North of Ivory Coast, I had grown up in a wild countryside with almost no music - but many natural sounds. Back in France at the age of 10, I was seized by a compulsive desire of music, listening to many sorts of music, and especially free jazz, to the great displeasure of my brothers who never appreciated Cecil Taylor for breakfast. I was dreaming about bass playing but started studying philosophy.

By the whims of fate, I saw a double bass at a friend's flat. A few weeks after, I was studying at the Paris Conservatoire and having private jazz lessons. It was ages ago.

I gave my first improvised bass solo in 2003 (not without apprehension !) I have played with many artists of the French improv' scene, including Heddy Boubaker, Nusch Werchowska, Isabelle Duthoit, Alexandre Kittel, Catherine Jauniaux, Jean Pallandre, Mathias Pontévia, Etienne Brunet, Soizic Lebrat, Sébastien Coste, etc. I have also organised many concerts in Lyon where I lived from 2000 to 2007."

-Guillaume Viltard Website (http://utofmu.free.fr/?page_id=4)
10/30/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Local 1 9:15

2. Local 2 2:48

3. Local 3 4:54

4. Local 4 9:18

5. Local 5 6:44

6. Local 6 8:12

7. Bouconne 1 4:14

8. Bouconne 2 5:25

Related Categories of Interest:


Improvised Music
European Improvisation and Experimental Forms
Limited Editions & Out of Print
Free Improvisation

Search for other titles on the label:
Un Reve Nu.


Recommended & Related Releases:
Butcher / Prevost / Viltard
Iklectik Live One
(Matchless)
Part of the Iklectic club's "Meetings With Remarkable Saxophonists" programmed by drummer Eddie Prévost and double bassist Guillaume Viltard, here meeting John Butcher performing on tenor and soprano saxophone for a masterful concert of free improvisations, energetically turning the "Electric", "Light", "On", "Click" through 4 extended and remarkable converstations.
Kraabel, Caroline
Last1 And Last2
(Emanem)
LAST is part of a series by Caroline Kraabel (LIO, Remote Viewers) mixing live improvisation with pre-recorded material provided by Robert Wyatt for this purpose, performed live at Cafe OTO in two versions: first where the 15-piece ensemble has not yet heard the Wyatt interventions, and second where they were familiar with and use his voice to structure what they play.



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