The Squid's Ear Magazine


Berner, Palu / Michael Moore: Amulet [2 CDs] (Ramboy)

More uncommon than than the sax/drum duo format, reedist Michael Moore performs on clarinet and Paul Berner on contrabass, releasing this double CD of intimately recorded duos, an eclectic mix of standards and original compositions in a lovely and engaging set of lyrical and succinct expression from two eloquent and passionate improvisers.
 

Price: $18.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units

Sample The Album:





product information:

Personnel:



Paul Berner-bass

Michael Moore-clarinet


Click an artist name above to see in-stock items for that artist.




UPC: 5904424870133

Label: Ramboy
Catalog ID: 39
Squidco Product Code: 30718

Format: 2 CDs
Condition: New
Released: 2021
Country: Netherlands
Packaging: Cardboard Gatefold 3 Panels
Recorded at Studio 2, in Muziek Centrum voor de Omroep, Hilversum, the Netherlands, on December 5th and 6th, 2020, by Frans de Rond.

Descriptions, Reviews, &c.

"In the early '70s, Chick Corea and Gary Burton made a duet record entitled Crystal Silence. With just piano and vibraphone, they bet the farm on intimacy and designed a template for contemplative jazz duos. Almost a decade ago, bassist Skuli Sverrisson and saxophonist Oskar Gudjonsson cut a triumph of the approach, The Box Tree. Its artistry was imposing, but it was the music's hushed nature that centered the program. Mildly romantic, utterly calm, the interplay glistened.

Bassist Paul Berner and clarinetist Michael Moore accomplish something similar with Amulet. These duets are the epitome of refinement, barring all things extraneous. They leave room only for melody, an aside or two, and the chance to absorb the natural beauty of their instruments. Expat Moore, a boomer who has lived in Amsterdam long enough to be considered a veteran of the city's creative improvising cohort, is a key member of the esteemed ICP Orchestra; he has also recorded a wealth of original albums (don't miss the most recent by his Fragile Quartet), and, with Jewels and Binoculars, two CDs of Bob Dylan gems. His clarinet work can be as elaborate as it is inviting, but here he plays to one of his strengths: simplicity.

Through a curt series of songs, one of our most engaging clarinetists invests in consonance and nods to pith. Bassist Berner, another Netherlands transplant of a certain age, is known for his agility and poise. His rapport with Moore is obvious. Through Louis Armstrong's "Home," Nat Cole's "Answer Me, My Love" and Joni Mitchell's "Night Ride Home," a genteel spirit dominates as the exchanges play out. To steal descriptors from each of the participant's individual liner notes, you can call this one a "heartfelt dialogue."-Jim Macnie, Lament For A Straight Line



"Here's what the producer has to say: "Chemistry between musicians is a magical thing. Michael Moore and Paul Berner have that kind of magic. When they play, the music seems to flow in a natural unhindered stream, each note being an obvious continuation of what was played before. It was a thrill to be in the producer's seat at this session, witnessing these two masters going about their craft. How they would feed off each other and pass the ball at just the right moment. Observing how they would shape a song into a whole by polishing, simplifying or embellishing where needed, yet all the time being aware of the freshness and immediacy of creating in the moment.

In order for musicians to function at this level, the environment has to be right. Engineer Frans de Rond deserves credit for designing a sound stage upon which Michael and Paul could thrive and create. Frans experimented with various microphone set ups before deciding to keep it as simple as possible by using only the Josephson 700s to record the duo. When Frans was satisfied with the balance of the musicians and the ambient sound of the hall, we invited Michael and Paul up to the control room, hoping they would agree that this was the sound with which we were going to proceed.

"This is us, this is how we sound, this is so real." was Michael's reaction upon listening. Paul just smiled at Frans and said: "Let's play!"

Listening right now to Amulet I marvel at the completeness of the album, how each song sounds as if it could not have been played in any other way. And it is all the more remarkable knowing that Michael and Paul were improvising, making up the framework of each song right there on the spot. And I marvel at the vivid naturalness of the sound, it's as if I am there, standing at the sweet spot where Frans placed the microphone."-Peter Bjørnild


Get additional information at Lament for a Straight Line

Artist Biographies

"Internationally-recognized American bassist Paul Berner, who has lived in the Netherlands since 1991, is renowned for his extremely musical, melodic and subtle playing. Gorgeous melodies are the hallmark of this bassist. The music he plays with his Paul Berner Band is a fascinating blend, influenced by Americana, jazz, country and folk, with languid songs that evoke images of sultry summers."

-Paul Berner Website (https://www.paulberner.com/)
9/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Michael Moore was born (1954) and raised in Arcata, California, USA. After absorbing music at home, playing locally and attending The College of the Redwoods and Humboldt State University, he moved to Boston to study with Jaki Byard, Gunther Schuller, Ran Blake, Joe Allard, George Russell and Joe Maneri at the New England Conservatory of Music, graduating in 1977. After a year in New York City he travelled to Europe for the first time in the summer of 1978 to play with Available Jelly, the musical accompaniment to the Great Salt Lake Mime Troupe. Since 1982 he has made his home in Amsterdam, the Netherlands.

The early '80's found him working in the theater (Baal, Dogtroep, De Voorziening, Teo Joling, Mug met de Gouden Tand) and dance (Pauline De Groot, Katie Duck, Allessandro Certini, Shusaku Takeuchi and Virgilio Sieni) as well as various musical contexts such as Gijs Hendricks' Octet, Franky Douglas' Sunchild, Guus Janssen's Septet and Maarten Altena's Quartet and Octet. Later he played and recorded with the groups of Mark Helias, Gerry Hemingway, Sean Bergin, Maurice Horsthuis, Georg Graewe, Klaus Konig, Burton Greene (Klezmokum), Simon Nabatov, Dave Douglas, Myra Melford, Mark Dresser, Ig Henneman and others.

In 1986 he received the Dutch jazz award, the Boy Edgar Prijs. In '97 Trio Clusone was voted #1 acoustic group (Talent Deserving Wider Recognition) in Down Beat's Critics Poll; in 2000 - 2002 Moore was voted #1 clarinetist in the same poll. He was also voted winner of the Bird Award from the Northsea Jazz Fest in 2000.

Since '91 his activities as composer and performer have been documented both on his own recording label, Ramboy, and others including hatART, Palmetto, Gramavision, Between the Lines and Red Toucan. His playing and writing are to be heard on more than 80 CDs.

His activities as a concert designer came to the fore in '93 with a commission for YoYo Ma's Carte Blanche at the Concertgebouw, Amsterdam; a three day festival (Moore & more) in Bremen, Germany; Clusone & friends concerts in Italy and Holland, and a three-day Available Jelly Festival at the Felix Meritus concert hall in Amsterdam. In '94 he organized three evenings at De Singel in Antwerpen with Lee Konitz, Misha Mengelberg, Joey Baron, Marilyn Crispell, Gerry Hemingway, Kenny Wheeler, Mark Feldman and others.

His more recent activities include performances with his 'Fragile' Quartet, Michael Moore Quintet, Jewels & Binoculars - play the music of Bob Dylan, Misha Mengelberg's Instant Composers Pool Orchestra, the Magpie dance and music performance group, the Achim Kaufmann Trio, Benoit Delbecq, Oskar Aichinger (music of Carla Bley and Annette Peacock) and the Paul Berner band.

Michael Moore has a deep understanding of both the American jazz and the Dutch improvised music traditions, but his writing and playing are also influenced by music from other cultures. He has played Turkish music with Ogüz Büyükberber and Hüsnü Senlendirici, Malinese with Toumani Diabate, Keletigui Diabate and Habib Koite, Portuguese with Fernando Lameirinhas and Cristina Branco, and Brazilian with Rogerio Bicudo, Banda Mantiqueira and Paulo Moura. The musics of Sicily, Madagascar, Istria and Indonesia have also been particularly influential. He has collaborated with and been influenced by poets and poetry, dancers and other visual artists. Michael continues to write, improvise, play and prepare new releases for Ramboy and other labels."

-Ramboy (http://www.ramboyrecordings.com/mm.htm)
9/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD1



1. I Never Knew 4:20

2. Answer Me, My Love 4:11

3. But Not for Me 4:00

4. This Nearly Was Mine 3:49

5. Night Ride Home 4:28

6. Crazy He Calls Me 2:24

7. Home 4:43

8. Emptier 2:50

9. Amulet 3:54

10. I'll Fly Away 3:49

11. You'll Never Walk Alone 4:02

CD2



1. The Sweetest Sounds 4:41

2. The Man I Love 4:57

3. The Gift 2:22

4. Quasimodo 4:35

5. The Best Thing for You 3:31

6. Baby, Baby All the Time 4:11

7. The Water is Wide 2:26

8. Born to Be Blue 5:34

9. I'll Be Seeing You 5:28

10. You'll Never Walk Alone 4:03

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
European Improvisation, Composition and Experimental Forms
Duo Recordings
Recordings by or featuring Reed & Wind Players
Melodic and Lyrical Jazz
Staff Picks & Recommended Items
Jazz & Improvisation Based on Compositions

Search for other titles on the label:
Ramboy.


Recommended & Related Releases:
Other Recommended Releases:
Xavier Pamplona Septet
Play The
(Casco Records)
Initiating his Netherlands-based ensemble in 2016, contrabassist Raoul van der Weide assembles younger musicians, alongside Michael Moore for one piece, orchestrated up to a septet performing a dizzying and joyfully fun array of original compositions including pieces from ICP composers Bert Koppelaar, Guus Janssen and Tristan Honsinger, and a piece from Fred Katz.
Koch, Hans / Paul Lovens
Nephlokokkygia 1992
(ezz-thetics by Hat Hut Records Ltd)
1992 live performances demonstrating masterful freedom in improvisation, recorded while on their first tour as a duo after working together in larger ensembles, from Hans Koch on clarinet, bass clarinet and tenor & soprano saxophones, and Paul Lovens on drums, cymbals, gongs & musical saw, in four live improvisations from Bulgaria presented in the order recorded.
Schindler, Udo / Damon Smith / Jaap Blonk
The Munich Sound Studies Vol 2 & 3
(FMR)
Refined and free ranging improvisation between German reedist Udo Schindler performing on bass clarinet, tenor & sopranino saxophones and also on cornet, and US double bassist Damon Smith, recorded 3 days after the first volume in this series, presenting two sets from the same day of informed and diverse dialogs between two masterful improvisers.
Colonna, Marco / Alexander Hawkins
Dolphy Underlined
(Listen! Foundation (Fundacja Sluchaj!))
A set of Eric Dolphy compositions and one Colonna composition in the style of Dolphy and a Dolphy-esque take on Billie Holiday's "God Bless the Child", from pianist Alexander Hawkins and Marco Colonna on clarinet, bass clarinet & sopranino saxophones, recorded live in Rome in 2020 for a spirited and tender hommage to one of the great and most singular figures in jazz history.
Moore, Michael (w/ Wierbos / de Joode / Vatcher)
Felix Quartet
(Ramboy)
Recorded at the historic Bimhuis during the Felix Meritis festival, this was the first meeting of the Felix Quartet featuring frequent collaborators Michael Moore on sax & clarinet and trombonist Wolter Wierbos, with Wilbert de Joode on bass and Michael Vatcher on drums & hammer dulcimer, performing Moore's superb compositions written for this event & for these players.
Holshouser / Bennink / Moore
Live in NYC
(Ramboy)
A rollicking set of interwoven tunes and improvisations from the trio of Michael Moore on clarinet, bass clarinet, alto saxophone & melodica, Will Holshouser on accordion, and Han Bennink on drums, performing live at Drom, in New York City in 2009 during a 2-week American tour, a joyfully upbeat and lyrical set of improvisations with exuberant drive.
Fragile Quartet (Moore / Fraanje / van der Feen / Hemingway)
Cretan Dialogues
(Ramboy)
If fragile means a thoughtful album of improvisation with a lyrical intention and sophisticated playing, then reedist Michael Moore's quartet with Harmen Fraanje on piano, Clemens van der Feen on bass, and Gerry Hemingway on drums & percussion shows a sublimely muscular fragilility in a lovely and extremely intelligent modern jazz album of embraceable and exemplary work.
Hemingway, Gerry / Barre Phillips / Michael Moore
Slips
(Ramboy)
The first four pieces of a concert at Splendor Performance Space in Amsterdam in 2019 by the free improvising trio of Michael Moore on alto sax, clarinets & bird whistles, Barre Phillips on bass, and Gerry Hemingway on drums & percussion, three open-minded and masterful improvisers who balance free jazz forms and non-idiomatic approaches with a chamber sensilbility.
Kaucic, Zlatko Quintet
Morning Patches
(Listen! Foundation (Fundacja Sluchaj!))
Using the natural resonance of the St. Martin's Church, in Smartno, Slovenia, percussionist Zlatko Kaucic leads the quintet of Michael Moore on alto sax & clarinet, Marco Colonna on clarinet & bass clarinet, Albert Cirera on tenor sax, and Silvia Bolognesi on Double Bass, in ten conversations from cinematic conversation to commandingly interactive.
McPhee, Joe / Andre Jaume
Nuclear Family
(Corbett vs. Dempsey)
In 1979 saxophonist/cornetist Joe McPhee met French reedist Andre Jaume in Paris to record this exceptional album of standards, drawing on works from Charles Mingus, Thelonious Monk, Duke and Ellington, and Ornette Coleman; melodic, poignant, emotional and insightful jazz.



Customers Who Bought This Item Also Bought:
London, Frank / The Elders
Spirit Stronger Than Blood
(ESP)
Paying homage to recordings from Mingus, Sanders, Thornton, &c, albums that shaped his approach to jazz composition and playing, trumpeter Frank London and his band The Elders--Marilyn Lerner, piano; Hilliard Greene, bass; Newman Taylor Baker, drums; and Greg Wall on sax on 3 tracks--perform six sophisticated London compositions that bridge modern improv with 60s post-bop lyricism.
Mayas, Magda Filamental (Mayas / Abdelnour / Caddy / Davies / Davies / Mayaas / Parks / Theriot-Ramos / Thieke)
Ritual Mechanics
(Relative Pitch)
The 2nd release from Magda Mayas' Filamental octet of Mayas, Zeena Parkins, Michel Thieke, Christine Abdelnour, Angharad Davies, Rhodri Davies, Aimée Theriot and Anthea Caddy, is a fascinating studio composition developed from individual recordings provided by each musician, assembled into two detailed and cohesive works of impressive contours and almost ceremonial beauty.
Space (Ullen / Bergman / Lund)
Embrace the Space
(Relative Pitch)
A startlingly exciting album of piano trio jazz from three creative innovators, in the followup to the 2022 debut of the Swedish Space Trio of Lisa Ullen on piano, Elsa Bergman on double bass and Anna Lund on drums, recording in the studio for eight collective improvisations of extremely well matched, highly interactive and exhilarating modern improv.
STHLM svaga
Plays Carter, Plays Mitchell, Plays Shepp
(thanatosis produktion)
The Swedish free jazz septet STHLM svaga work at the liminal edges of delicate improvisation and song, for this album commissioning works from Archie Shepp, Ron Carter and Roscoe Mitchell, Carter traveling to Stockholm to provide guidance on his composition "Desert Lament"; the band also performs Coltrane's "Jupiter" and Per Henrik Wallin's piece "Winter Rhapsody".
Shipp, Matthew / Steve Swell
Space Cube Jazz
(RogueArt)
The first duo recordings from fellow New York jazz musicians, trombonist Steve Swell and pianist Matthew Shipp, having brushed shoulders together with Whit Dickey, Dom Minasai, Jemeel Moondoc, Allen Lowe &c., they bring a wealth of familiar knowledge and language to their binary concentration, through twelve concise dialogs themed around the dark expanse of space; masterful and intimate.
Sakata, Akira / Entasis
Live In Europe 2022 [2 CDs]
(Trost Records)
Three live performances in Greece, Italy and Brussels from saxophonist & multi-reedist Akira Sakata and his long-standing duo partner as Entasis — pianist Giovanni di Domenico — and based on location, with Giotis Damianidis on electric guitar, Petros Damianidis on double bass, and Stephanos Chytiris, Balazs Pandi or Aleksandar Skoric on drums.
Subatin, Javier (w/ Demian Cabaud & Pedro Melo Alves plus guests)
Mountains
(Habitable Records)
Led by Argentinian guitarist based in Lisbon, Javier Subatin, the core of his band is fellow Portugal-based Argentian bassist Demian Cabaud and drummer Pedro Melo Alves, with guests improvisers on a number of tracks, presenting a series of "Mountain" tracks interspersed with "Rocks", "Birds", "Cave", &c. in impressively advanced use of time, rhythm, structure and harmonics.
Remote Viewers, The
The Remote Code [3 CDs]
(Remote Viewers)
Three CDs of three concerts at London's Iklecktik Club, presenting primarily compositions by David Petts plus collective improvisations, from Adrian Northover, David Petts, Caroline Kraabel and Sue Lynch on saxophones, John Edwards on bass and Rosa Theodora on piano, with Northover, Edwards & Petts adding percussion and electronics to their cryptically rich music.
New Rumours And Other Noises (Ada Rave / Nicolas Chentaroli / Raoul van der Weide)
The Moonlight Nightcall
(Casco Records)
The debut of the Amsterdam-based trio of Argentinian pianist Nicolas Chientaroli and saxophonist & clarinetist Ada Rave with Dutch bassist Raoul van der Weide, all three using preparations, objects and voice to extend their unique approach to instant composition, heard in eight succinct, animated and sometimes eccentric dialogs recorded at BIMHuis.
Expanse Meets The JMDE Quartet
Scope
(Evil Clown)
David Peck's Grand Aesthetic approach to compositional structures for groupings of any size and orchestral combination leads to unexpected and sometimes exotic results, as heard in this live and monumental performance of his Expanse project expanded with percussionist Michael Knoblach, David Welans on flutes, Eric Dahlman on trumpet and Jimmy Zhao on Chinese instruments.
Blue Lines Trio (Scheen / van der Weide / Hadow)
Blue Lines Trio
(Casco Records)
With all the tongue-in-cheek aspects of Dutch improvisers, the piano trio of Michiel Scheen on piano, Raoul van der Weide on bass, crackle box & sound objects and George Hadow on drums, all hailing from a superb pedigree of European Free Improv involvement, show their connection through comprehensible playing with a wonderful sense of humor in their approach to delightfully smart playing.
As If 3 (Bommel / Weide / Janssen)
Klinkklaar
(Casco Records)
Bassist Raoul van der Weide formed this sophisticated Dutch piano trio with pianist Frank van Bommel and drummer Wim Janssen (the latter two part of Guus Janssen's trio) exploring instant composition in a variety of conceptual approaches, including richly lyrical music, darkly mysterious environments, and spirited and inventive interplay; an accomplished and encompassing album.
Tippett, Keith / Matthew Bourne
Aeolian [2 CDs]
(Discus)
Two generations of remarkable pianists--Keith Tippets and Matthew Bourne--performed a series of two-piano concerts between 2017 and 2019, also recording in the studio, as heard in this 2-CD release, the first a set of consequential piano duos recorded at Leeds Conservatoire in 2019, the 2nd disc a live performance at Daylight Music at Union Chapel, London, Tippetts' final public performance.
Umlaut Big Band
Mary's Ideas [2 CDs]
(Umlaut Records)
Rare and newly discovered works from jazz composer and pianist Mary Lou Williams performed by the Umlaut Big Band in their series of portraits of forgotten jazz artist, here taking a broad look at the prodigious career of this essential and gifted pianist, composer & arranger, whose influence on swing and early be-bop deserves this fitting and inclusive overview.
Smith, Wadada Leo / Henry Kaiser / Alex Varty
Pacifica Koral Reef
(577 Records)
Interpreting trumpeter Wadada Leo Smith's Ankhrasmation graphic score--the term joining the Egyptian symbol for life, the Ethiopian word for leader and the universal term for mother--Smith and guitarists Alex Varty & Henry Kaiser use the rich combination of visual cues and musical notation to record this rapturous and unduplicable album of profound and engaging improvisation.
Kaiser, Henry / John Oswald / Paul Plimley
At One Time - Improvisations for Cecil Taylor
(Metalanguage)
In tribute to late free jazz pianist Cecil Taylor, the West Coast/Vancouver trio of guitarist Henry Kaiser, alto saxophonist John Oswald and vibraphonist Paul Plimley explore the intention of Taylor's singular style in six anagrammatically titled improvisations, with Chicago violinist Tracy Silverman joining for the massive "Oceans Felons Salad", and Scott Amendola joing for "fir loom".



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC