"Alive with nurturing visions of simple sonic offerings to morph our present situation, Caroline Davis' main reason for playing music is to connect with others, beckoning new vistas among curious listeners. Her musical journey began in Singapore, in a humid climate, hearing sounds underwater that she would recreate by singing to her German shepherd dogs, who treated her as their own. Her family moved to the United States, Atlanta, Georgia, around age 6, where she encountered R&B and gospel music rife with horns that called her to choose the saxophone 6 years later.

Today, Caroline's music covers a wide range of styles, owed to this shifting environment. As a leader, she has released seven albums: Live Work & Play (2012), Doors: Chicago Storylines (2015), Heart Tonic (2018), Alula (2019), Anthems (2019), Portals: Mourning (2021), and Alula: Captivity (2023). Her active projects include jazz-leaning Portals, experimental R&B outfit My Tree, and protest band Alula. She has won Downbeat's Critic's Poll Rising Star Alto-Saxophonist (2018) and has been included in numerous Reader and Critics Polls. Her work has garnered much praise from NPR, The New York Times, The Wall Street Journal, The Wire, DownBeat, and many international publications.

Davis is active as both a side-person and a leader in a diverse set of expressions. Davis has shared the stage with Lee Konitz, Rajna Swaminathan, Michelle Boulé, Angelica Sanchez, John Zorn, Bari Kim, The Femme Jam, Matt Mitchell, Terry Riley, Miles Okazaki, and Billy Kaye.

Outside of these performance relationships, she has been involved with the following mentorship communities: IAJE's Sisters in Jazz, the Kennedy Center's Betty Carter Jazz Ahead Program, and Mutual Mentorship for Musicians. Grants and residencies supporting a grateful Caroline include: Foundation for Contemporary Arts, Chamber Music America, New York Foundation for the Arts, Jerome Hill, Civitella, BringAbout Residency, The Jazz Gallery, and MacDowell. Some of her compositional practice integrates music with cognitive science, influenced by her Ph.D in Music Cognition.

Caroline's awards and recognitions are plentiful. She has been involved with various mentorship communities: IAJE's Sisters in Jazz (2006), the Kennedy Center's Betty Carter Jazz Ahead Program (2011), and Jen Shyu/Sara Serpa's Mutual Mentorship Program (2020). Davis was the recipient of CMA's Performance Plus Grant (2021), NYFA's City Artist Corps Grant (2021), Jerome Hill Artist Fellowship (2019-2020); and she has participated in several residency programs, including fellow-in-residence at The Jazz Gallery (2022) and composer-in-residence at MacDowell (2019). Some of her compositional practice integrates music with cognitive science influenced by her Ph.D in Music Cognition. As a teaching artist, Caroline brings her unique knowledge of music and psychology to her teaching. She offers a yearly Jazz & Gender course at The New School, co-taught with Sarah Elizabeth Charles, and private lessons at Manhattan School of Music, and has been invited to institutions of all levels as a guest educator.

Caroline is an advocate for social justice in the realms of gender (This Is a Movement) and in the movement for carceral justice (Justice for Keith Lamar). She is organizing community events as "Community Conversations on Art & Justice for Incarcerated People", showcasing the intersectionality between liberation and art of all forms."

"Wendy Eisenberg is an improvising guitarist, banjo-player, vocalist and poet. Using the languages of free jazz, new music, extreme metal and art song, her music sets to pose and expose the questions surrounding the human body in the world and the representational and technical demands placed on it in artistic practice.

She has written and performed in numerous projects, including the critically acclaimed experimental band, Birthing Hips, described by NPR as "brainy, noisy punk based in sonic adventure, technical mastery, and rejection of the status quo." Her work as an improviser has led to collaborations with Ted Reichman, Joe Morris, Damon Smith, John Zorn, Travis LaPlante and Zach Rowden, among many others. Eisenberg has premiered work by John Zorn, Maria Schneider, and Bill Holman, as well as the work of her many peers.

In addition to her work as a collaborative artist, she has two solo careers: improviser/composer, and songwriter. Wendy's debut record as an improviser will come out on the esteemed label VDSQ in 2018. Her "songs" album, Time Machine, released on HEC Tapes in April 2017, will be re-released on Feeding Tube records in the spring, and she is slated to release a new song cycle summer 2018.

Wendy has provided soundtrack work for the scientific projects of MIT Media Lab fellow and scientist-artist Ani Liu. Her poetry has been set into a large scale work by Matt Curlee, premiered at the Eastman School of Music in 2014. Her writings on music can be found in John Zorn's Arcana VIII: Musicians on Music, and on the websites Jazz Right Now and Free Jazz Blog."

"Greg Saunier is a musician, producer, and composer best known as the drummer of Deerhoof. Rolling Stone included Saunier alongside Brian Chippendale (Lightning Bolt) and Zach Hill (Hella) as together composing "a generation of trailblazing 21st-century avant-rock percussionists".

Saunier graduated from the Oberlin Conservatory of Music in 1991. The next year, he joined a four-piece band, Nitre Pit, in San Francisco as its drummer. When the band's two guitarists left, Saunier and Nitre Pit's bassist, Rob Fisk, reformed as an "elastic, hyper-expressive" band to fulfill Nitre Pit's extant scheduled shows, which later became Deerhoof when Slim Moon of Kill Rock Stars signed the group in 1995. Saunier moved to New York with two suitcases and has said that he does not own many possessions. As a drummer, he says, things he touches tend to break.

Saunier uses a minimal drum kit, with a kick drum, snare drum, and a cymbal, inspired in part by the kit and play style of Questlove (The Roots). In 2008, Saunier said that he rarely practices, mainly for lack of time. When he writes songs, he usually considers the drum part last and is more concerned about the components of rest of the song and its technical elements. His interest and judgement in the latter came from his experience starting Deerhoof without producers, a record label, or much outside help.

Outside of Deerhoof, Saunier's bands include Mystical Weapons (a duo with Sean Lennon) and a collaboration with Brian Chippendale, about which a documentary, Checking in at 20, was produced. He also formed Nervous Cop with drummer Zach Hill and harpist Joanna Newsom, and bands with members of Erase Errata and Rainer Maria, soundtracked a film by Martha Colburn, and collaborated with Xiu Xiu. Saunier has produced albums including Xiu Xiu's The Air Force and Always, Marc Ribot's Ceramic Dog's Your Turn, Sholi's self-titled album and People Get Ready's Physiques, remixed tracks for Shy Hunters and WOOM, and appeared on albums including Zach Hill's Face Tat. In 2016, Saunier collaborated with American Brazilian composer Marcos Balter, in which they wrote songs for Deerhoof and Ensemble Dal Niente."