The Squid's Ear Magazine
275 albums from Clean Feed & Shhpuma on Sale at 50% Off!



Fite, Niklas / Gunter Christmann: Insisting (Corbett vs. Dempsey)

Two string improvisers in an insistent dialog of quick-witted playing using every inch of their instruments under impressive technique, between Polish-born German cellist Günter Christmann, whose legacy hails from early European Free Jazz groups including Rudiger Carl Inc, and younger generation Finnish guitarist Niklas Fite, whose playing reminds of John Russell or Derek Bailey.
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Niklas Fite-guitar

Gunter Christmann-cello


Click an artist name above to see in-stock items for that artist.




Label: Corbett vs. Dempsey
Catalog ID: CD111
Squidco Product Code: 35221

Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Cardboard Gatefold
Recorded in Langenhagen, Germany, on May 5th and 6th, 2019, by Niklas Fite.

Descriptions, Reviews, &c.

"Hardcore proponents of free improvisation from different generations meet for a granular explosion.

Born in Poland, based outside Hannover, Germany, Gunter Christmann hails back to the origins of European improvised music, when he played trombone in Rudiger Carl Inc., the raucous trio that issued King Alcohol on FMP in 1972, as well as groups let by Peter Kowald, Alex Schlippenbach, and others. Christmann's personal arc drew him away from free jazz and deeper into a kind of improvised chamber music, which he explored in great detail with his many-versioned ensemble Vario and as a member of King ubu Orchestru, as well as in an extensive discography of solo and duo records on the Moers label. Marshalling incredibly acute listening with lightning quick response time and an endless well of extended techniques not only on trombone but also bass and cello, Christmann remained true to his own very particular vision, championing the most personal kind of absolutely free play.

On Insisting, he combines forces with Niklas Fite, a young Swedish guitarist who's equally committed to spontaneous music. Fite is the son of beloved Stockholm guitarist Andy Fite and was a student of British guitarist John Russell, with whom Christmann worked extensively. On this recording, Fite makes crystal clear his ability to pack gargantuan impact into the tiniest of sounds, manipulating time by placing ample space between sounds and allowing the mutuality to unfold in an unforced way.

Christmann plays cello exclusively here, the two stringed instruments combining with intensity and grace. A gorgeous, intimate recording, packaged with ink drawing by Christmann on the cover and notes by Fite."-Corbett Vs. Dempsey



"Two hardcore followers of free improvisation from different generations meet for an improvised explosion. Born in Poland, but based outside Hanover, Germany, cellist Günter Christmann traces his roots back to the beginnings of European improvised music, when he played trombone in Rüdiger Carl Inc., the trio that released King Alcohol on FMP in 1972, as well as groups led by Peter Kowald, Alex Schlippenbach and others. Christmann's personal bow playing drew him away from free jazz and deeper into a kind of improvised chamber music, which he explored in detail with his ensemble Vario and as a member of King Übü Örchestrü, as well as in an extensive collection of solo and duo records on the Moers label.

The young, Swedish guitarist Niklas Fite has, in a short time, developed into an exciting guitarist in the landscape of John Russell and Derek Bailey. He is a widely used guitarist in his home country and in the "freer" clubs in Copenhagen, and we have heard him with Raymond Strid, Sture Ericsson, Joe Williamson, Sven-Åke Johansson and Margeux Oswald, to name a few. He is the son of Stockholm guitarist Andy Fite and was a student of British guitarist John Russell, with whom Christmann worked extensively.

On 5 and 6 May 2019, they had a meeting in Langenhagen in Germany, where they recorded the eight free-flowing stretches that we get on the disc Insisting. They start with "exhalation", and immediately we discover that this is no ordinary guitar and cello record. Here there is free improvisation and playing in a way that is a long way from the blues scales or guitar jazz as we know it from the history of Charlie Christian, via Wes Montgomery and Jim Hall to Pat Metheny, Bill Frisell and all the others we are more used to to listen to. But that does not mean that the music we are served here is not very interesting.

On the eight tracks, the guitar and the cello almost intermingle with each other. There are sound experiences and communication much more than melodic tonal ranges, but an extremely fascinating use of both guitar and cello that creates interesting images.

It is impossible to pick out a few favorite tracks, because all the improvisations are exciting, and the whole that the two create by giving us "new" angles to the two instruments, is what remains the strongest after listening to the tracks a few times.

An exciting meeting!"-Jan Granlie, Salt Peanuts (translated by Google)


Get additional information at Salt Peanuts

Artist Biographies

"Guitarist Niklas Fite is a Swedish improviser, guitarist and banjoist. He was born 1995 in Stockholm."

-Discogs (https://www.discogs.com/artist/6435451-Niklas-Fite)
11/5/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born 1942; trombone, cello, film.

Günter Christmann has been working since 1968 as a free-lance musician specialising in improvised musics - particularly free improvisation - and their links with other art forms. In the late 1960s and throughout the 1970s, he was primarily known for his trombone (and less frequent double bass) playing in a variety of groupings: Rüdiger Carl group (1969-1972); Peter Kowald Quintett (1972-1974); a duo with Detlef Schönenberg (1972-1982) which itself included many collaborations - for example with the electronics player Harald Bojé - as a member of the Globe Unity Orchestra from 1973 onwards; and in duo with Tristan Honsinger (1978-1981). In the mid-1970s Christmann also began exploring the possibilities of solo playing, sometimes including electro-acoustic manipulations and montage techniques. Since 1980 Günter Christmann has played regularly with Paul Lovens - for example, in the excellent (and recorded) trio with Maarten Altena, in duo, and in trio with Mats Gustafsson - in duo with bass player Torsten Müller (generally under the name of their recording, Carte blanche, as a member of King Übü Orchestrü (1987-1994), and in duo with Alexander Frangenheim. He also started to feature cello in his playing, not as a second instrument to trombone but as an equal.

From 1979 Günter Christmann has been interested in working with different combinations of improvisers from an international pool, often combining musicians with dancers, actors and acrobats. These groupings have gone under the generic name of VARIO (now up to VARIO 35), with many combinations having been documented on LP and CD (see list below). VARIO concerts have included: Langenhagen Jazz 1979/1981/1983; Moers 1981/1983; Actual London 1981; Pisa 1982; Osnabrück 1982; Utrecht 1982; a tour of South and Central America in 1983 (Mexico, Columbia, Dominican Republic, Peru, Chile, Argentina, Uruguay, Brazil); Zürich 1984; Hannover 1985; Bremen 1985; Paris 1992; Hannover 1993; Den Haag 1994; Stuttgart 1995; Nickelsdorff 1998; Hannover 1998. Artists who have participated in VARIO formations include: Maarten Altena; Regina Baumgart (dancer); Steve Beresford; Udo Blickensdorf (acrobat); Lindsay Cooper; Axel Dörner; Katie Duck; Alexander Frangenheim; Wolfgang Fuchs; Mats Gustafsson; Andy Geer (pantomime); Gerd Gläsmer (drums); Michael Griener (percussion); Ulrich Gumpert; Bernd Halleck (actor); Shelley Hirsch; Tristan Honsinger; Guus Janssen; Sven-Åke Johannson; Theo Joling (clown); Peter Kowald; Gyde Knebusch (harp); Thomas Lehn; Paul Lovens; Rudi Mahall (bass clarinet); Radu Malfatti; Phil Minton; Torsten Müller; Christian Munthe; Maggie Nicols; Evan Parker; Melvyn Poore; Jon Rose; John Russell; Jo Sachse; Wolfgang Schliemdun (percussion); Detlef Schönenberg; Irène Schweizer; Günter Sommer; LaDonna Smith; Mariano Suarez (trumpet); Martin Theurer; Roger Turner; Peter van Bergen; Davey Williams; Stephan Wittwer.

Even outside VARIO, Christmann has longstanding interests in bringing together similar-minded artists from a variety of disciplines. This started in 1974 through a collaboration with dancer/choreographer Pina Bausch and was later continued with Elisabeth Clark and Regina Baumgart. These early experiments led to his interest in film, particularly the relationship between improvising musicians and experimental film-makers; his current work in this area goes under the banner Deja-vu, being a sequence of music-theatre scenes in which live music, acting, films and sound collage are brought together. At its centre is the playing musician who works both with and against the film and whose relationship with the situation on stage in constantly changing. Advantages are taken of the ability of film to snatch up, to double and enlarge, and to fragment what would otherwise be a traditional relationship between action, scenery and person. This results in an interchange and transformation of themes, properties and associations, and movement between illusion and reality. The films are by Günter Christmann, music is provided by Christmann and Michael Griener, and technical assistance is provided by Elke Schipper."

-European Free Improv (http://www.efi.group.shef.ac.uk/musician/mchrist.html)
11/5/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Exhalation 05:24

2. Inhalation 05:35

3. Holding 03:16

4. Suspense 03:13

5. Relief 07:55

6. Breath 02:16

7. Game 03:45

8. Felt 08:40

Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
European Improvisation, Composition and Experimental Forms
Stringed Instruments
Guitarists, &c.
Duo Recordings
Recent Releases and Best Sellers

Search for other titles on the label:
Corbett vs. Dempsey.


Recommended & Related Releases:
Fite, Niklas / Gunter Christmann
Insisting
(Corbett vs. Dempsey)
Two string improvisers in an insistent dialog of quick-witted playing using every inch of their instruments under impressive technique, between Polish-born German cellist Günter Christmann, whose legacy hails from early European Free Jazz groups including Rudiger Carl Inc, and younger generation Finnish guitarist Niklas Fite, whose playing reminds of John Russell or Derek Bailey.
Oswald, Margaux Collateral Damage
In Time, Hollow Oaks Become Chapels
(Clean Feed)
The debut of this international septet with three double basses, two electric guitars, drums, and grand piano, led by pianist Margaux Oswald, who chose these players for their connection to Copenhagen and their previous collaborations in varying configurations, here their collective improvisations employing subgroups juxtaposed to full ensemble power through texture and timbre.
Christmann / Schipper / Frangenheim
Core
(Creative Sources)
A free improvisation session with Gunter Christmann on cello and trombone, Alexander Fragenheim on double bass, and extended free vocalist Elke Schipper.
Other Recommended Releases:
Oswald, Margaux Collateral Damage
In Time, Hollow Oaks Become Chapels
(Clean Feed)
The debut of this international septet with three double basses, two electric guitars, drums, and grand piano, led by pianist Margaux Oswald, who chose these players for their connection to Copenhagen and their previous collaborations in varying configurations, here their collective improvisations employing subgroups juxtaposed to full ensemble power through texture and timbre.
Roebke, Jason
Four Spheres
(Corbett vs. Dempsey)
Brilliantly unusual approaches to jazz scores from Chicago bassist Jason Roebke in a quartet with legendary saxophonist and clarinetist Edward Wilkerson Jr., pianist Mabel Kwan and drummer Marcus Evans, all four also performing on metronome, and Roebke providing low-fi cassette interruptions, a fascinating merging of jazz forms and methods of making the music stop.
Lytton, Paul / Erhard Hirt
Borne on a Whim: Duets, 1981
(Corbett vs. Dempsey)
The first release from Corbett vs. Dempsey drawing on the Paul Lytton Archives, this recording of electronic & acoustic improvisation from UK percussionist Paul Lytton and German guitarist Erhard Hirt was recorded in Belgium in 1981 for the German Po Torch label, founded in 1976 by Paul Lovens & Paul Lytton to release forward-looking forms of free improvisation.
Lindsay, Arto
Charivari (Black Cross Solo Sessions 7)
(Corbett vs. Dempsey)
Contrasting the explosively experimental side to his guitar work honed through the No Wave band DNA with glimmers of the lyrical approaches to his work heard in his acclaimed songwriting albums, Brazlian/Downtown New York legend Arto Lindsay shows his wide range of interests through thirteen succinct pieces of noise and thoughtful reflection.
Reichel, Hans
Bonobo Beach: Some More Guitar Solos
(Corbett vs. Dempsey)
The fourth and final record of solo guitar works from German guitarist and instrument inventor Hans Reichel, perhaps the most lyrical of the lot as he improvises on an unusual set of guitars, including a fretless Spanish guitar, 6 & 12 string guitars with extra frets, and an electric pick-behind-the-bridge guitar; fully restored artwork includes Reichel's amusing insert.
Johansson / Fite / Grip
Swinging at Topsi's
(Astral Spirits)
An evening of free improvisation recorded in Berlin at au Topsi Pohl in 2020 from the Swedish trio of Euro Free Jazz legend Sven-Ake Johansson on drums, Niklas Fite on acoustic guitar and Joel Grip on double bass, performing two extended and dynamic improvisations, and then settling into jazz standard form for "Isn't It Romantic" and "Out of Nowhere" sung by by Johansson.
Kowald, Peter Quintet
Peter Kowald Quintet
(Corbett vs. Dempsey)
First ever CD reissue of the only band under bassist Peter Kowald's own name, remastered; originally released by FMP in 1972, this is exemplary European Free Jazz from one of the orignal innovators in a quartet with Peter Kowald on tuba, bass, & alphorn, Gunter Christmann and Paul Rutherford on trombones, Peter van der Locht on alto saxophone, and Paul Lovens on drums.
Fite, Niklas / Alexander Frangenheim
Sugar Is A Necessary Fluid
(Creative Sources)
Two string players, Swedish acoustic guitarist and banjo player Niklas Fite, and German double bassist Alexander Frangenheim, recording in the studio in Berlin in 2017 for 10 succinct improvisations ranging from quick interactive discourse of a pointillistic nature to near silent meditations using unusual and extended techniques, a quirky and informed album.
Chadbourne, Eugene
The Lost Eddie Chatterbox Session [2017 REISSUE]
(Corbett vs. Dempsey)
Reissuing free improvising guitarist Eugene Chadbourne's 1977, San Francisco recording of compositions by the likes of Thelonious Monk, Charlie Parker, John Coltrane, and Ornette Coleman, plus a few standards and originals, captured on an ailing quarter-track tape deck, but saved for the force of his playing, here restored, corrected, and remastered.
Carl, Rudiger Inc.
King Alcohol (New Version) [2 CDs]
(Corbett vs. Dempsey)
The debut album of Rudiger Carl is an assertive studio session of brilliant free jazz from 1972, with Carl on tenor saxophone, Gunter Christmann on trombone, and Detlef Schonenberg on drums, presenting a great example of early European Free Improv, remastered from the original tapes and issued on CD for the first time, with a 2nd CD of previously unreleased bonus tracks.
Moore, Thurston / Frank Rosaly
Marshmallow Moon Decorum
(Corbett vs. Dempsey)
Chicago's 2012 Marshmallow Festival brought together improvising drummer Frank Rosaly with New York guitarist Thurston Moore for a thick 35 minute improvisation that builds in intensity as Moore's drive and Rosaly's vehement interaction take the listener on a monumental journey.
Moore, Thurston
Sonic STREET Chicago
(Corbett vs. Dempsey)
A solo electric guitar soundtrack to James Nares' film "Street" performed by Thurston Moore, freely improvising in a dynamic and impressive performance recorded live at the Rubloff Auditorium at the Art Institute of Chicago, Chicago, Illinois.



Customers Who Bought This Item Also Bought:
Lauro, Audrey
Prose Metallique
(Relative Pitch)
Versed in jazz and contemporary composed music, Belgian alto saxophonist Audrey Lauro embarks on a solo journey with seven saxophone improvisations, using 'everyday objects' to prepare her instrument and close-microphone placement to create an intimate sound space, exploring 'the area where voice and instrument converge'.
Butcher, John / Florian Stoffner / Chris Corsano
The Glass Changes Shape
(Relative Pitch)
A remarkable concert in 2023 at The Loft in Cologne, Germany, a superb example of collective free improvisation using extraordinary and masterful technique between UK saxophonist John Butcher, Swiss guitarist Florian Stoffner and NY drummer Chris Corsano, also performing on half clarinet; nine conversations of sophisticated and astute communication.
Reid / Kitamura / Bynum / Morris
Geometry of Phenomena
(Relative Pitch)
The next angle from the collective Geometry group of Tomeka Reid on cello, Taylor Ho Bynum on cornet & flugelhorn, Kyoko Kitamura on voice, and Joe Morris on guitar, exploring their "Geometry" first of "Caves", then "Distance", "Trees", and now "Phenomena", through highly attuned exploration of sonic complexities and intersecting approaches to their respective instruments.
Necks, The
Bleed
(Northern Spy)
The ever-chameleonic Australian trio The Necks — featuring Chris Abrahams on piano and keyboards, Tony Buck on drums & guitar, and Lloyd Swanton on bass — explore electronic stillness in this 42-minute, single-track composition, evolving from a meditative opening through rich textures and sonic spaces to a beautifully structured conclusion, offering a rewarding and captivating journey.
Das Rad
Funfair
(Discus)
The UK improvising rock/prog band Das Rad in their seventh album, expanded from the original trio of guitarist & mellotron player Nick Robinson, woodwind & keys player Martin Archer and drummer & synth player Steve Dinsdale, to this quintet with bassist Jon Short and guitarist & vocalist Peter Rophone, evolving their expansive approach merging electronic, jazz and rock music.
Ellis, Don (Byard / Carter / Persip; Bley / Peacock / Stone /Martinis)
How Time Passes To Essence, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Before his experimental, culturally absorbing large band work in the late 60s and 70s, trumpeter Don Ellis released these two excellent quartet albums featuring his own compositions, particularly the side-long work "Improvisational Suite 1", in bands with Jaki Byard, Ron Carter & Charlie Persip (How Time Passes) and with Paul Bley, Gary Peacock and either Gene Stone or Nick Martinis (Essence).
Hubbub (Blondy / Denzler / Guionnet / Mariage / Perraud)
abb abb abb
(Relative Pitch)
With prior albums on For4Ears and Matchless, the French electroacoustic (with an emphasis on "acoustic") free improvising quartet Hubbub of Frédéric Blondy (piano), Bertrand Denzler (tenor sax), Jean-Luc Guionnet (alto sax), Jean-Sébastien Mariage (guitar), and Edward Peraud (percussion) present two extended, perfectly paced improvisations of stunning interplay and incredible technique.
Missing Heads (Kazuhie / Mitsuru / Yoshida)
Astral Traveler
(Magaibutsu Limited)
With two guitarists split between the left and right sides of the head--Kazuhide Yamaji and Mitsuru Tabata, also on vocals--in a trio aTwo guitarists split between the left and right sides of the head--Kazuhide Yamaji and Mitsuru Tabata, also on vocals--in a trio with Ruins drummer and Magaibutsu label-leader Tatsuya Yoshida, for a an energetic album of mostly instrumental post-prog "no-wave" improvisations, nine wild tracks captured live from four 2024 concerts in Japan.with Ruins drummer and Magaibutsu label-leader Tatsuya Yoshida, for a an energetic album of mostly instrumental post-prog "no-wave" improvisations, nine wild tracks captured live from four 2024 concerts in Japan.
Swell's, Steve Imbued With Light
Hommage a Galina Ustvolskaya
(Silkheart)
Continuing his series of hommages to classical composers, New York trombonist Steve Swell assembles his sextet to improvise under the influence of Russian composer Galina Ustvolskaya (1919-2006), whose truly unique "out of the box" approach to structuring sound brings force and intensity to Swell's compositions, yielding inspired performances from all musicians.
Deschepper, Philippe / Noel Akchote
MMXXIV AD
(Ayler)
Having worked together as sidemen in various bands but never together as a duo, Ayler Records brought electric guitarists Noel Akchote and Philippe Deschepper together to record in the studio in Zurich, choosing an informed selection of jazz repertoire that includes works by each performer, and compositions from Paul Motian, Henri Texier, Steve Swallow and Ornette Coleman.
Moholo-Moholo, Louis
Viva La Blac
(Ogun)
South African drummer Louis Moholo-Moholo's 2nd album as a leader with his sextet Viva La Black, newly remastered and including two extra tracks from the original LP, issued for the first time on CD drawing out their unique approach to British jazz through compositions from Keith Tippett, Chris McGregor, Tristan Honsinger, Mongezi Feza, Harry Miller, and Moholo-Moholo himself.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC