Possibly Joe McPhee's earliest recording, this session with bassist Tyrone Crabb's band, The Jazzmen, features McPhee on trumpet alongside saxophonists Harry Hall and Reggie Marks, pianist Mike Kull, and drummer Charlie Benjamin, performing two extended pieces, including the politically charged 'Killed in Vietnam' that evolves into a passionate interpretation of Miles Davis' 'Milestones'.
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Sample The Album:
Joe McPhee-trumpet, recorder
Harry Hall-tenor saxophone, recorder
Reggie Marks-tenor saxophone, recorder
Mike Kull-piano
Tyrone Crabb-bass, bandleader
Charlie Benjamin-drums
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Label: Corbett vs. Dempsey
Catalog ID: CvsDCD116
Squidco Product Code: 35453
Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Cardboard Gatefold
Recorded in Newburgh, New York, in June, 1966.
"Until now, the earliest recordings anyone has heard by Joe McPhee come from the period around his 1968 debut album, Underground Railroad. McPhee had just started playing tenor saxophone at that point. A couple of years earlier, the bassist featured on all of McPhee's early recordings, Tyrone Crabb, led a band of his own, the Jazzmen, in which McPhee was featured on his first instrument: trumpet. Indeed, McPhee was a trumpet legacy - his father was a trumpeter.
In the mid-'60s, Joe was a serious young player with deep knowledge and an expansive ear. Performing around Poughkeepsie and across the Hudson Valley, the Jazzmen were one of the very first ensembles recorded by Craig Johnson, who would go on to form the CJR label expressly to release McPhee's music. The fledgling audio engineer was clearly learning the ropes when he documented this incredible 1966 performance, but despite a few excusable acoustic blemishes, it's a beautiful window into McPhee's trumpet playing, suggesting that, had he stuck to that instrument alone, he might well have been considered a major figure on the horn (of course, he is such a figure on the pocket trumpet); the opening track, a version of "One Mint Julep" as arranged by Freddie Hubbard (on his Blue Note record Open Sesame) shows McPhee's lithe stylings to good effect.
McPhee's musical cosmology was much bigger than a single axe, however, as is evident on the sprawling second track, which, over the course of half-an-hour proceeds from an excoriating yowl to a version of Miles Davis's "Milestones" taken at a sweltering tempo. A portent of the free jazz to follow and a marker of McPhee's foundations in hard bop and soul jazz, 1966 features the entire reel-to-reel tape long thought lost, simply labeled: "Joe McPhee, 1966, trumpet."-Corbette Vs Dempsey
Artist Biographies
• Show Bio for Joe McPhee "Joe McPhee, born November 3,1939 in Miami, Florida, USA, is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He began playing the trumpet at age eight, taught by his father, himself a trumpet player. He continued on that instrument through his formative school years and later in a U.S. Army band stationed in Germany, at which time he was introduced to performing traditional jazz. Clifford Thornton's Freedom and Unity, released in 1969 on the Third World label, is the first recording on which he appears as a side man. In 1968, inspired by the music of Albert Ayler, he took up the saxophone and began an active involvement in both acoustic and electronic music. His first recordings as leader appeared on the CJ Records label, founded in 1969 by painter Craig Johnson. These include Underground Railroad by the Joe McPhee Quartet (1969), Nation Time (1970), Trinity (1971) and Pieces of Light (1974). In 1975, Swiss entrepreneur Werner X. Uehlinger release Black Magic Man by McPhee, on what was to become Hat Hut Records. In 1981, he met composer, accordionist, performer, and educator Pauline Oliveros, whose theories of "deep listening" strengthened his interests in extended instrumental and electronic techniques. he also discovered Edward de Bono's book Lateral Thinking: A Textbook of Creativity, which presents concepts for solving problems by "disrupting an apparent sequence and arriving at the solution from another angle." de Bono's theories inspired McPhee to apply this "sideways thinking" to his own work in creative improvisation, resulting in the concept of "Po Music." McPhee describes "Po Music" as a "process of provocation" (Po is a language indicator to show that provocation is being used) to "move from one fixed set of ideas in an attempt to discover new ones." He concludes, "It is a Positive, Possible, Poetic Hypothesis." The results of this application of Po principles to creative improvisation can be heard on several Hat Art recordings, including Topology, Linear B, and Oleo & a Future Retrospective. In 1997, McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival in 1998 but the concert went unnoticed by the press. McPhee, Duval, and Rosen therefore decided that an apt title for the group would be Trio X. In 2004 he created Survival Unit III with Fred Lonberg-Holm and Michael Zerang to expand his musical horizons and with a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections while reaching for music's outer limits." ^ Hide Bio for Joe McPhee • Show Bio for Reggie Marks Reggie Marks is an American saxophonist, known for the groups Contemporary Improvisational Ensemble, Joe McPhee Quartet, The Jazzmen, The Nibblers. ^ Hide Bio for Reggie Marks • Show Bio for Mike Kull Mike Kull is an American pianist, known for the groups Byron Morris And Unity, Joe McPhee & Survival Unit II, The Jazzmen, The Joe McPhee Quintet ^ Hide Bio for Mike Kull • Show Bio for Tyrone Crabb Tyrone Crabb is an American bassist, known for the groups Contemporary Improvisational Ensemble, Hugh Brodie And The Real Thing, Joe McPhee Quartet, The Jazzmen, The Joe McPhee Quintet. ^ Hide Bio for Tyrone Crabb • Show Bio for Charlie Benjamin Charlie Benjamin is an American drummer, known for the Ernie Bostic Quartet, and The Jazzmen. ^ Hide Bio for Charlie Benjamin
11/29/2024
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12/2/2024
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12/2/2024
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12/2/2024
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12/2/2024
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Track Listing:
1. One Mint Julep 9:58
2. Killed In Vietnam / Milestones 34:06
Improvised Music
Jazz
Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Sextet Recordings
Joe McPhee
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