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
An intense performance led by bassist Brandon Lopez, recorded live at Roulette during the 2023 Vision Festival, blending deep listening and collective spirit in a dynamic, politically charged composition featuring Zeena Parkins (electric harp), Mat Maneri (viola), Cecilia Lopez (electronics), DoYeon Kim (gayageum), and drummers Gerald Cleaver &Tom Rainey, propelling intricate textures and ritualistic intensity.
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Sample The Album:
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Brandon Lopez-bass
Zeena Parkins-electric harp
Mat Maneri-viola
Cecilia Lopez-electronics
DoYeon Kim-Gayageum
Gerald Cleaver-drums
Tom Rainey-drums
Click an artist name above to see in-stock items for that artist.
UPC: 5904224873370
Label: Relative Pitch
Catalog ID: RPR1204
Squidco Product Code: 35793
Format: CD
Condition: New
Released: 2025
Country: USA
Packaging: Cardboard Gatefold
Recorded live at Roulette Intermedium, during the Vision Festival 2023, in NYC.
"Brandon Lopez leads his septet through an electrifying set recorded live at the Vision Festival. Mixed and mastered by David Torn and polished into a gem."-Relative Pitch
"American, New York-based double bass player Brandon Lopez feels at home playing with the New York Philharmonic, accompanying silent films by directors Stan Brakhage and Germaine Dulac, or playing with forward-thinking improvisers like Ingrid Laubrock, Nate Wooley, Joe McPhee, Paal Nilssen-Love, Elliot Sharp and Henry Kaiser. He is currently an instructor of improvisation and double bass at the New School for Jazz.
nada sagrada (Nothing Sacred) is Lopez's commissioned, ambitious, multimedia composition for an all-star septet - Lopez on double bass, Zeena Parkins on electric harp, violist Mat Maneri, Argentinian Cecilia Lopez on electronics, Korean DoYeon Kim on the traditional plucked zither, gayageum, and drummers Gerald Cleaver and Tom Rainey - recorded live at Roulette Intermedium during the 2023 edition of the Vision Festival (and mixed and mastered beautifully by guitarist David Torn). This composition was published during the festival as "the gospel of sans", but the cover artwork, a detail of a painting of Christopher Columbus (by Sebastiano del Piombo, 1519) points to the political nature of this composition.
It is a complex composition that explores the delicate, resonant timbres and unique tonalities of the acoustic and electric string instruments, intensified and colored by Cecilia Lopez' sci-fi-like electronics and propelled by the polyrhythmic pulses of drummers Cleaver and Rainey. Lopez emphasized the deep listening and the collective spirit needed to realize this composition, with brief solos, and a ritualist, lyrical and compassionate, deep-toned coda. It is an inspired and timely musical statement that answers authoritarian, demented global leaders who claim that nothing is sacred anymore. [...]"-Eyal Hareuveni, Salt Peanuts
Get additional information at Salt Peanuts
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Artist Biographies
• Show Bio for Brandon Lopez "[..] Composer/bassist, Brandon A. Lopez, deemed "The Ubiquitous Free Improv Bass Ace" by the Village Voice and said to play with a "Bruising Physicality" by the Chicago reader. He was born and raised in the splendors of Northwestern New Jersey, in the shadow of the (New York) city. It was there that he cultivated a taste for the left of center musics and subsequently, dug graves. He's had the pleasures of working with many of the world's luminary weirdos. Here's a list: Nate Wooley, William Parker, Chris Corsano, Justice Yeldham, Weasel Walter, Peter Evans, Tyshawn Sorey, Gerald Cleaver, Ingrid Laubrock, Tom Rainey, Tony Malaby, Paul Lytton, Mette Rasmussen, Jooklo Duo, Michael Foster, Leila Bordreuil, Jaimie Branch, Joe Morris, Brandon Seabrook, Cactus Truck, John Dykeman, Daniel Carter, and many others. He's currently leads a trio dubbed "The Mess", another one called the Brandon Lopez Trio, works as a soloist and is formerly/currently/latterly writing more and more music. He may play some it sometime soon (see "gigs"). He attended New England Conservatory." ^ Hide Bio for Brandon Lopez • Show Bio for Zeena Parkins "Multi-instrumentalist/composer/improviser, Zeena Parkins, pioneer of contemporary harp practice and performance, reimagines the instrument as a "sound machine of limitless capacity." Parkins has built three versions of her one-of-a-kind electric harp and has extended the language of the acoustic harp with the inventive use of unusual playing techniques, preparations, and layers of electronic processing. Inspired and connected to visual arts, dance, film, and history, Zeena follows a unique path in creating her compositional works. Through blending and morphing of both real and imagined instruments, crafting, recombining, and layering mangled, sliced, massaged or possibly disengaged sounds, drawing from extra-musical sources for unusual scoring and formal constructions as well as utilizing multi-speaker environments, Zeena remains in process with sound as material and music, engaged in translations of sonic states in the concert hall, the black box theater, the dance studio, the recording studio, the classroom, the cinema, the skyscraper, the ocean and the gallery. Zeena has a particularly strong commitment to making scores for dance and continues to re-evaluate the nature and issues of the body's imprint on sound and sound/music's imprint on movement. Parkins's compositions have been commissioned by NeXtWorks Ensemble, Merce Cunningham Dance Company, Roulette Intermedium, The Eclipse Quartet, William Winant, Bang on a Can, The Whitney Museum, The Tate Modern, Montalvo Arts Center, The Donaueschinger Musiktage and Sudwestrundfunk/SWR. Parkins has released four solo records featuring her electric and acoustic harp playing and has released her compositions and band projects on six Tzadik recordings, with a new Tzadik CD with Ikue Mori and Phantom Orchard Orchestra, Trouble in Paradise, to be released in November 2012. As a sought-after collaborator Zeena has worked with: Fred Frith, Björk, Ikue Mori, Dame Evelyn Glennie, Maja Ratkje, Hild Sofie Tafjord, John Zorn, Butch Morris, Chris Cutler, Elliott Sharp, Nels Cline, Alex Cline, William Winant, Anthony Braxton, Pauline Oliveros, Yoko Ono, Christian Marclay, Matmos, Yasunao Tone, So Percussion, Bobby Previte, Carla Kilhstedt, Tin Hat, James Fei, Kim Gordon, Lee Renaldo and Thurston Moore. Awards: The Foundation for Contemporary Arts Fellowship, NYFA Music Fellowship, Meet the Composer Commission, NYSCA Composer Commission, Multi-Arts Production Fund Grant, American Music Center, BAFTA award for best interactive media with visual artist Mandy McIntosh and sound artist Kaffe Matthews, Peter S. Reed Fellowship, Mary Flagler Cary Charitable Trust Commissions, Arts International, Prix Ars Electronica Honorary Mention for Phantom Orchard in the Digital Music category. Curatorial: Guest curator for The Music Unlimited Festival in Wels, Austria, co-curator of the Movement Research Festival: Sidewinder, in NYC and curator for a month + a week of shows at The Stone in NYC Residencies: Civitella Ranieri Foundation Fellowship, Oxford University, Harvestworks, Steim, Paf: Performing Arts Forum, Wooda Arts Residency, Montalvo Arts Center, RPI/iEAR and The Watermill Center. Teaching: Zeena has given lectures at Oxford and Princeton Universities and has taught at the School of the Museum of Fine Arts in Boston, Bard and Mills College. Currently, Zeena is a Distinguished Visiting Professor, at Mills College Graduate Music Department." ^ Hide Bio for Zeena Parkins • Show Bio for Mat Maneri "Mat Maneri was born in 1969, and started studying violin at age five. He studied privately with Julliard String Quartet founder Robert Koff, and with bass virutuoso Miroslav Vitous. Mat received a full scholarship as the principal violinist at Walnut Hill High School, but left school to pursue a professional career in music. By 1990, Mat founded the critically acclaimed Joe Maneri Quartet with Randy Peterson. Mat started releasing records as a leader in 1996, and has developed four working ensembles. Pianists Paul Bley, Cecil Taylor, Matthew Shipp, and Borah Bergman have called upon Matt to perform with them in such venues as the Montreal Jazz Festival, the Library of Congress, and concert stages across Europe. Mat also enjoys a strong relationship with bassists Ed Schuller, Mark Dresser, William Parker, Michael Formanek, Barre Phillips, and John Lockwood. Never to be boxed in, Mat has also worked with Joe Morris, John Medeski, Tim Berne, Cecil McBee, T.K. Ramakrishnan, Franz Kogelman, Roy Campbell, Spring Heel Jack, Draze Hoops, and appears on an Illy B Eats remix CD. Mat presently teaches privately and through the New School / NYC, and performs and records worldwide." ^ Hide Bio for Mat Maneri • Show Bio for Cecilia Lopez Cecilia Lopez is a composer, musician and multimedia artist from Buenos Aires, Argentina currently based in New York. She works across the media of performance, sound, installation and the creation of sound devices and systems. Lopez holds an MFA from the Milton Avery Graduate School of the Arts, Bard College and an MA from Wesleyan University in composition (2016). Her work has been performed and exhibited at Museo de Arte Moderno de Buenos Aires (AR), Center for Contemporary Arts (Vilnius, Lithuania), Roulette Intermedium, Issue Project Room, Ostrava Days Festival 2011 (Ostrava, Czech Republic), MATA Festival 2012, Experimental Intermedia, Fridman Gallery (NY), Kunstnernes Hus (Oslo, Norway) and the XIV Cuenca Biennial, among others. She was a Civitella Ranieri fellow in 2015 and has participated in various international residency programs.In 2019, Lopez curated the intermedia festival Folly Systems coproduced by Roulette Intermedium and Outpost Artists Resources that featured 11 international artists. Collaborators include Carmen Baliero, Aki Onda, Brandon Lopez, John Driscoll, Carrie Schneider and Lars Laumann among others. ^ Hide Bio for Cecilia Lopez • Show Bio for DoYeon Kim Do Yeon Kim is a Korean composer and gayageym player. Kim incorporates traditional Korean music into her composition and promotes music performed on the gayageum. She was born in Seoul, Korea and currently lives in Boston, Massachusetts. She studied Contemporary Improvisation at New England Conservatory. She is a member of Jayu Quartet. ^ Hide Bio for DoYeon Kim • Show Bio for Gerald Cleaver "Gerald Cleaver (born May 4, 1963) is an African-American jazz drummer from Detroit, Michigan. Cleaver's father is drummer John Cleaver Jr., originally from Springfield, Ohio, and his mother was from Greenwood, Mississippi. Gerald had six older siblings. Cleaver joined the jazz faculty at the University of Michigan in 1995. He has performed or recorded with Joe Morris, Mat Maneri, Roscoe Mitchell, Miroslav Vitous, Michael Formanek, Tomasz Sta ko, Franck Amsallem and others. Under the name Veil of Names, Cleaver released an album called Adjust on the Fresh Sounds New Talent label in 2001. It featured Maneri, Ben Monder, Andrew Bishop, Craig Taborn and Reid Anderson and was a Best Debut Recording Nominee by the Jazz Journalists Association. Cleaver currently leads the groups Uncle June, Black Host, Violet Hour and NiMbNl as well as working as a sideman with many different artists." ^ Hide Bio for Gerald Cleaver • Show Bio for Tom Rainey "Thomas "Tom" Rainey (born 1957, Santa Barbara, California) is an American drummer. After attending Berklee College of Music he moved to New York in 1979. He has played with American jazz saxophonist and composer Tim Berne, and also with Nels Cline, Fred Hersch, Tony Malaby, Tom Varner, Drew Gress, Kenny Werner, Mark Helias, and Simon Nabatov. A prolific session musician, he has appeared on close to eighty recordings over a career spanning over 25 years. He released his own first album, Pool School (Clean Feed), in 2010." ^ Hide Bio for Tom Rainey
2/19/2025
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2/19/2025
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2/19/2025
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2/19/2025
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2/19/2025
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Track Listing:
1. nada sagrada 39:11
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