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duo B. (Lisa Mezzacappa / Jason Levis): Luminous Axis (Queen Bee Records)

Longtime collaborators Lisa Mezzacappa and Jason Levis deepen their exploration of Wadada Leo Smith's Ankhrasmation language, interpreting his graphic score through an intuitive acoustic bass and drum dialogue shaped by years of study, live performance, and improvisational research, forging their own path through his modular notation in a dynamic and deeply immersive exchange.
 

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Lisa Mezzacappa-acoustic bass

Jason Levis-drum set


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UPC: 198999591514

Label: Queen Bee Records
Catalog ID: QB - 005
Squidco Product Code: 35854

Format: CD
Condition: New
Released: 2025
Country: USA
Packaging: Cardboard Gatefold
Recorded at New, Improved Recording, in Oakland, California, by John Finkbeiner.

Descriptions, Reviews, &c.

"Our first encounter with Wadada Leo Smith's compositional/ improvisational language was at a lecture/performance hosted by ROVA Saxophone Quartet in San Francisco in 2007. In his talk, "The Systemic Language of Music and the Spirituality of Art," Smith described, in mostly poetic terms, the underpinnings of his Ankhrasmation visual notational language, and laid out a series of mysterious drawings across the floor in front of him, each one printed on a letter-sized piece of paper. With his characteristic slouch, trumpet pointed at the floor, he traversed the score, interacting with it as he improvised. Afterwards, he explained some of the genesis of his notation, and demonstrated how the score images could be reconfigured and recombined.

duo B. was very new as an ensemble at that point, and we were incredibly energized by Smith's approach. We contacted him the next day to ask about the music, and he express mailed us copies of that score, Luminous Axis, the same week. The two of us have been developing an approach to interpreting and embodying this music, on and off, across all the intervening years. Without the benefit of working with Smith directly as students or collaborators, we had to chart our own path through the shapes, loops, curves and colors of the piece, hoping that this serious immersion in his work would get us to a place he might have approved of, or at least found interesting.

We finally performed a version at the annual Garden of Memory solstice event in Oakland, CA in June 2018, in a 4-hour duo set without breaks. That was an epiphany, and our continued research into Smith's musical world - through his writings, interviews, and recordings - has been so fruitful to our growth as an ensemble, guiding us with new revelations and discoveries as we prepared for this recording. Here, we created our own groupings and "movements" of his modular score panels, which informed our improvisations and are reflected in the track titles.'-Queen Bee Records


Artist Biographies

"Lisa Mezzacappa is a San Francisco Bay Area-based bassist, bandleader, composer, curator and producer. An active collaborator in the Bay Area music community for more than a dozen years, she leads her own groups Bait & Switch, the Interlopers, Nightshade, Eartheaters and the Lisa Mezzacappa Trio, and co-leads the ensembles BODABODA, duo B., Cylinder, the Mezzacappa-Phillips Duo, and the Caribbean folk band Les Gwan Jupons. Lisa has released her music on the Clean Feed, NoBusiness, Leo, NotTwo, Evander, Odd Shaped Case and Edgetone record labels, and has recorded as a sideperson for the Tzadik, Kadima and Porto Franco labels. She collaborates frequently on cross-disciplinary projects in sound installation, film/video, sculpture and public music/art.

As curator, she programs the annual JazzPOP concert seres at the UCLA Hammer Museum in Los Angeles, now in its 10th year; and a live cinema series, Mission Eye and Ear, at Artists' Television Access. She founded the Monday Makeout creative music series in the Mission District of San Francisco, and programs the Best Coast Jazz Composers series as a member of the artistic committee San Francisco's Center for New Music. In 2012 she started the "Festival-of-Us," a semi-annual festival celebrating Bay Area creative jazz and improvised music. Recent projects include an avant-folk string band, the Interlopers; Eartheaters, a trio with Brooklyn vocalist Fay Victor; and BODABODA, a cross-planetary collaboration with Venice reed player/composer Piero Bittolo Bon. In fall 2015 she premieres Glorious Ravage, a multi-media song cycle for large ensemble with commissioned films, inspired by the writings of Victorian lady adventurers.

Lisa has been artist-in-residence at Djerassi Resident Artists Program (2008, 2013), Headlands Center for the Arts (2006, 2015), the Banff International Jazz Workshop (2000), and the Painted Bride Arts Center (2000). She holds an MA in ethnomusicology from UC Berkeley (2003), and a BA in music from the University of Virginia (1997). She has performed at countless Bay Area venues including Intersection for the Arts, Yerba Buena Center for the Arts, SFMOMA, Yoshi's, the Jazzschool, and the de Young Museum, San Francisco; as well as the Earshot Jazz Festival, Seattle; the Montreal Jazz Festival and Victoriaville Festival de Musique Actuelle, Canada; the Monterey Jazz Festival, CA; Moers Festival, Germany; and Novara Jazz Festival, Italy.

Lisa has been awarded grants by the MAP Fund, the Foundation for Contemporary Arts, San Francisco Friends of Chamber Music, the Zellerbach Family Foundation, American Composers Forum, the City of Oakland, Meet the Composer and Southern Exposure/the Andy Warhol Foundation. She performs as a sideperson in original jazz, improv and chamber ensembles led by estemmed bandleaders and West Coast musical visionaries, like Phillip Greenlief, Aaron Novik, Beth Custer, Randy McKean, Marco Eneidi, Vijay Anderson, Aaron Bennett, Myles Boisen, Steve Adams, Graham Connah, Jon Raskin, Cory Wright and Ross Hammond, and collaborates often with Darren Johnston, Vinny Golia, Katy Stephan, Aram Shelton, Kjell Nordeson, Murray Campbell, Jason Levis, Dina Maccabee, Noah Phillips, Rob Ewing, Kasey Knudsen, Myles Boisen, Sam Ospovat, John Hanes, and many many others."

-Lisa Mezzacappa Website (http://www.lisamezzacappa.com/bio.html)
2/26/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ph.D. and M.A. in Composition, UC Berkeley; B.A. in Music, Naropa University. Two-time Meet the Composer award recipient; Eisner Prize for Music winner; Outstanding Graduate Student Instructor (UC Berkeley); Interaktion Festival finalist (Berlin), drummer and composer JASON LEVIS has led and been a collaborator in numerous jazz, improvised music, and chamber ensembles in the San Francisco Bay Area and Berlin, Germany. These include Joseph's Bones; duo B.; Junior Reggae; the Lost Shapes; the Berlin Boom Orchestra; the Nathan Clevenger Group, and many more. Through these avenues he has been a part of over two-dozen record releases, bridging a multitude of musical styles. He is an active performer on the drum set in both art and popular music settings and has extensive national and international performance experience. He is currently a professor at the California Jazz Conservatory, as well as gives private lessons throughout the bay area."

-Berkeley University (https://music.berkeley.edu/people/jason-levis)
2/26/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Double Blade, Vertical Structures Mirror (Circle) 15:14

2. Tower Structure 3:14

3. Double Blade Mirror 2:44

4. Stem Loop Form 4:19

5. Vertical Structures, Stem Loop Forms Mirrored at a Blade (The Journey) 5:46

6. Three Vertical Structures (Energy Boot) 6:16

7. Vertical Structures, Double Blade Mirror (Circle Redux) 11:17

8. Stem Loop Form into Tower Structure, Inverted 2:22

Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
NY Downtown & Metropolitan Jazz/Improv
Stringed Instruments
Percussion & Drums
Duo Recordings
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers

Search for other titles on the label:
Queen Bee Records.


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The Squid's Ear Magazine

The Squid's Ear Magazine

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