


Exploring the intersection of harsh noise, spoken word, and conceptual composition, Peter J. Woods constructs a sonic meditation on Samuel Beckett's Molloy, weaving fragmented text, tense ambience, and intense sonic ruptures into a dynamic and gripping experience, where shifting textures and calculated silences evoke both philosophical depth and visceral tension.
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Peter J. Woods-composer, performer
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Label: Love Earth Music
Catalog ID: LEM-359
Squidco Product Code: 35893
Format: CDR
Condition: New
Released: 2024
Country: USA
Packaging: Digipack
Mastered by Andrew Weathers.
"In seven tracks and precisely one hour Peter J Woods - of whom I had never heard before - is Sucking Stones. And as the name and the title triggered many things in my mind, I started exploring the web to see if I could find out why. First, the name: I went over everything but mistook the PJW acronym for another project I had reviewed once. This was not the same person, but I did find out about Peter having a split release with my dear friend Andy, a.k.a. The Vomit Arsonist (Phage Tapes, 2009). So maybe it was something that got stuck somewhere? I don't know... It's a release I don't have, so maybe, who knows...
As for the title, I was drawn towards artists working with stones as source material. Rubbing, throwing, clicking and ticking... But no one I ever knew of ever sucked them. It meant I had to dive in and see where it came from. Turns out there is a Samuel Beckett book entitled 'Molloy' which holds a highly conceptual phrase about sucking stones. And within that phrase a mathematical problem is being posed. I think Peter worked with this phrase - recognizable as spoken word on this release - as a guide for the sound creation, but I'm not going to take all the fun for you guys, and I'll try to leave as much mystery as possible for you to find out for yourself.
The seven tracks are "Overture" and "The Problem" in three parts and "The Answer" also in three parts. Soundwise a mixture of scarcely spoken words, ambience, harsh noise and drone-like buildups. It was very well executed, had excellent dynamics and was a pleasure to listen to. At moments, a bit on the harsh side to be catalogued as 'easy listening' and, for the hardcore HNW adepts, probably too relaxed at the other moments. It makes it an intriguing release that is definitely worth listening to more than once. On his website, we find what might be the reason: "Pulling equally from the worlds of harsh noise and absurdist theatre, [Peter's] performances build a sense of terror from simple imagery, muted text and an unpredictable barrage of silence and sound."
There's a lot of information to be found directed towards the writings of Beckett and the posed mathematical problem. I lost an evening reading and exploring. And well, as I've mentioned in earlier occasions, some noise can be considered an easy form of expressive art, but at the same time, there is noise that makes you think and wonder and enrich yourself. "Sucking Stones" is definitely the latter category."-BW, Vital Weekly
Get additional information at Vital Weekly

Artist Biographies
• Show Bio for Peter J. Woods "Peter J. Woods is a scholar and artist with a deep interest in experimental music, DIY arts communities, and communal knowledge production. As an artist, Woods is best known for his solo work that exists at the intersection of noise music, performance art, and expanded cinema. He toured the US extensively for over a decade and collaborated with artists including Olivia Block, Tatsuya Nakatani, Christopher Burns, Amanda Schoofs, Alex Kmet (of Climax Denial), Andrew Weathers, Jason Soliday, and more. Woods also ran the FTAM productions organization, a record label and concert promotion organization that hosted the Milwaukee Noise Fest, the Experimental Education Series, and the Noise Knowledge Consortium. He previously served as the chair of the music committee at the Jazz Gallery Center for the Arts. As a Scholar, Woods critically investigates, first, what and how people learn through creative production and, second, how cultural contexts and culturally situated technologies both enable and restrict that learning. Through this work, he employs a wide range of methodologies (ethnographic research, object studies, text analysis, design-based research, and arts-based research in particular) to investigate various educational contexts that range from informal arts communities to formal mathematics classrooms. This line of research intentionally addresses issues of equity within these learning ecologies by challenging historically situated traditions and practices that restrict agency and reinscribe oppressive social forces. He is currently an Assistant Professor of Learning Science at the University of Nottingham." ^ Hide Bio for Peter J. Woods
3/11/2025
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Track Listing:
1. Overture 13:07
2. The Problem (pt. 1) 03:35
3. The Problem (pt. 2) 14:33
4. The Problem (pt. 3) 05:44
5. The Answer (pt. 1) 02:57
6. The Answer (pt. 2) 11:10
7. The Answer (pt. 3) 08:52

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