"Adam O'Farrill is a trumpet player and composer from Brooklyn, NY. As a trumpeter, he has performed and/or recorded with artists such as Rudresh Mahanthappa, Mary Halvorson, Arturo O'Farrill, Mulatu Astatke, Brasstracks, Stephan Crump, Onyx Collective, Anna Webber, and Samora Pinderhughes. As a composer and bandleader, he has led the quartet, Stranger Days, comprised of Chad Lefkowitz-Brown, Walter Stinson, and Zack O'Farrill. Their eponymous debut (2016, Sunnyside Records) was inspired by film and literature, while the follow-up album, El Maquech (2018, Biophilia Records) covered everything from Mexican folk music to Irving Berlin, as well as O'Farrill's original compositions. Both were critically acclaimed, with the New York Times writing of the first release, "Marshaling a sharp band of his peers, Mr. O'Farrill establishes both a firm identity and a willful urge to stretch and adapt.". The latter album was listed as one of the best jazz albums of 2018 by the NPR Jazz Critics Poll, The Boston Globe, and Nextbop. Adam's newest project, Bird Blown Out of Latitude, is an electro-acoustic nonet, playing original music inspired by the feeling of being pushed off a perceived path.

O'Farrill comes from a rich musical background, with his grandfather being the Afro-Cuban-Irish composer and arranger Chico O'Farrill, his father being the cultural boundary-pushing composer and pianist Arturo O'Farrill, his mother Alison Deane being a classical pianist and educator, and his brother Zack O'Farrill being a drummer, composer, and educator. Adam is of Mexican, Cuban, and Irish heritage on his dad's side, and Eastern European Jewish and African-American on his mom's side. This, combined with growing up in a place of immense cultural diversity, has shaped his tendency to break stylistic borders within not only his original music, but also in terms of who he works with a sideman. O'Farrill was subject of an article in Jazztimes entitled, "Adam O'Farrill Does Not Play Latin Jazz", where he spoke about the unfair treatment and pigeonholing of Latinx musicians.

Adam made his professional recording debut on Chad Lefkowitz-Brown's debut album, Imagery Manifesto, in 2013. In 2015, he appeared on two critically acclaimed records; Rudresh Mahanthappa's Bird Calls and Arturo O'Farrill's Cuba: The Conversation Continues. Adam toured internationally with Mahanthappa's band from 2014 to 2017, performing at the Newport Jazz Festival, Chicago Symphony Hall, North Sea Jazz Festival, Cape Town International Jazz Festival, and more. In 2016, in addition to releasing Stranger Days, O'Farrill appeared on Stephan Crump's album, Rhombal, also garnering acclaim. Other projects he has recorded include Stimmerman (eponymous debut), Olli Hirvonen's New Helsinki, Gabriel Zucker's Weighting, and Onyx Collective's Lower East Suite Part One. Adam will also be featured on upcoming albums from Mary Halvorson, Anna Webber, Raf Vertessen, Thomas Champagne, and Idan Morim.

Adam studied at Fiorello H. LaGuardia High School, and obtained his Bachelor of Music degree from the Manhattan School of Music. He's studied trumpet with Jim Seeley, Nathan Warner, and Thomas Smith, and composition with Reiko Fueting and Curtis Macdonald. In 2014, O'Farrill won 3rd place honors at the Thelonious Monk Institute Jazz Trumpet Competition. He was also a recipient of the ASCAP Herb Albert Young Jazz Composer Award in 2013.

"One of improvised music's most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz-or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). The Philadelphia City Paper's Shaun Brady adds, "Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style."

After three years of study with visionary composer and saxophonist Anthony Braxton, Ms. Halvorson became an active member of several of his bands, including his trio, septet and 12+1tet. To date, she appears on six of Mr. Braxton's recordings. Ms. Halvorson has also performed alongside iconic guitarist Marc Ribot, in his bands Sun Ship and The Young Philadelphians, and with the bassist Trevor Dunn in his Trio-Convulsant. Over the past decade she has worked with such diverse bandleaders as Tim Berne, Taylor Ho Bynum, Tomas Fujiwara, Ingrid Laubrock, Myra Melford, Jason Moran, Joe Morris, Tom Rainey and Mike Reed.

As a bandleader and composer, one of Ms. Halvorson's primary outlets is her longstanding trio, featuring bassist John Hébert and drummer Ches Smith. Since their 2008 debut album, Dragon's Head, the band has been recognized as a rising star jazz band by Downbeat Magazine for five consecutive years. Ms. Halvorson's quintet, which adds trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon to the trio, has released two critically acclaimed albums on the Firehouse 12 label: Saturn Sings and Bending Bridges. Most recently she has added two additional band members-tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik-to form a septet, featured on her 2013 release Illusionary Sea. Ms. Halvorson also co-leads a longstanding chamber-jazz duo with violist Jessica Pavone, the avant-rock band People and the collective ensembles Thumbscrew and Secret Keeper."

"Mexican born vibraphonist, marimbist and composer Patricia Brennan has been always surrounded by music. She inherited a deep love and appreciation for musical tradition from both parents, as well as being exposed to the musical richness of her native Port of Veracruz. She started studying music at 4 years old, playing latin percussion along salsa records with her father and listening to Jimmy Hendrix and Led Zeppelin records with her mother. Also, around the same age, she started playing piano, influenced by her grandmother who was a concert pianist.

At the age of 17, Patricia was selected from musicians all over the Americas to be part of the Youth Orchestra of the Americas. During this time, she toured every country in the Americas and performed with renowned musicians such as Yo-Yo Ma and Paquito D'Rivera. Before moving to the U. S., Patricia was already performing with the top symphony orchestras in Mexico, such as Xalapa Symphony Orchestra and Mineria Symphony Orchestra. Also, she had already won several awards on marimba competitions and young artist competitions in Mexico and abroad. She was accepted at the prestigious Curtis Institute of Music in Philadelphia, where she was able to perform alongside high caliber musicians from all over the world and conductors such as Simon Rattle and Charles Dutoit. She also performed with the prestigious Philadelphia Orchestra and other acclaimed new music groups such as members from Eight Blackbird.

Patricia's search for freedom in her musical expression led her to find her voice through the vibraphone and mallet percussion in improvisational music and composition.

Currently, Patricia is a member of Grammy nominated John Hollenbeck Large Ensemble and Michael Formanek Ensemble Kolossus. She is also a member of Blind Spot with Teju Cole, a project led by renowned pianist Vijay Iyer along with bassist Linda Oh and writer Teju Cole. She has also collaborated with Vijay Iyer in other projects, including the large ensemble project Open City and several small ensemble performances along with renowned musicians like bassist Reggie Workman and trumpeter Wadada Leo Smith. She is also a member of Phalanx Ambassadors, a project led by pianist Matt Mitchell, and she is also a member of Tomas Fujiwara's 7 Poets Trio along with cellist and composer Tomeka Reid. Among Patricia's own projects include the newly recorded solo project Kaleidoscope and MOCH.

Patricia has performed with many renown musicians including singer and composer Meredith Monk and Theo Bleckmann, saxophonists Jon Irabagon and Scott Robinson, trumpeter Ambrose Akinmusire, drummer Marcus Gilmore, guitarist Mary Halvorson and many others. She has performed in venues such as Newport Jazz Festival, SF JAZZ, and Carnegie Hall, as well as international venues such as Wiener Konzerthaus in Vienna, Austria, Palacio de Bellas Artes in Mexico City and Teatro Colón in Buenos Aires, Argentina. She has also appeared on National Television and Public Radio several times.

Patricia has appeared on several recordings, including an ECM recording with Michael Formanek Ensemble Kolossus called "The Distance" and Matt Mitchell's featured recordings "A Pouting Grimace" and "Phalanx Ambassadors" under Pi Recordings. Also, Patricia recorded a new record with the Grammy nominated John Hollenbeck Large Ensemble called "All Can Work" which was released in January 2018 under New Amsterdam Records. Patricia will be releasing her debut solo album "Kaleidoscope" in 2019."

"David Leon is a Cuban-American saxophonist, woodwinds player, and composer/improviser living in Brooklyn, New York. His diverse musical output is guided by an exploration of nuance: in timbre by creatively manipulating saxophone technique, in pitch by tampering with equal temperament and employing microtonality, and in texture possibility through orchestration and improvisation.

As the winner of the 2017 ASCAP Herb Alpert Young Jazz Composer's Award, David debuted a new quartet at the Newport Jazz Festival in August of that year. In November 2018, he performed alongside pianist Kris Davis as part of The Jazz Gallery's Mentoring Series. Most recently, David was selected by New Music USA's 2021 Creator Development Fund to further develop his ensemble Bird's Eye - a new trio with Doyeon Kim on kayageum and Lesley Mok on percussion.

Other solo endeavors include Aire De Agua - a quartet which released it's debut recording in August 2021 on Out Of Your Head Records, the Current Obsession series - which documents improvisations with current collaborators, Trio, and the co-led chamber project Sound Underground. An active sideperson, David has collaborated with artists including Dafnis Prieto, Ingrid Laubrock, Francisco Mela, Kris Davis, Justin Vernon, Brian Lynch, Adam O'Farrill, Cory Smythe, Jim Black, Chris Pitsiokos, Arturo O'Farrill, Tomas Fujiwara, Michael Formanek, Matt Mitchell, Henry Fraser, Kalia Vandever, Michael Attias, Tom Rainey, and others.

Born and raised in Miami, Florida, David discovered a love for music in his uncle's collection of global percussion instruments. After starting formal instruction on piano he found the saxophone by chance, and was accepted into the prestigious New World School of the Arts high school to study jazz. He quickly garnered national recognition from the National YoungArts Foundation, the GRAMMY Foundation, the ASCAP Foundation, Jazz at Lincoln Center, and the Jazz Band of America. His trio #bicmnrosfulmfrenh was recognized as the Best Small Ensemble by Downbeat Magazine's Student Music Awards in 2016.

David graduated with a Bachelor of Music from the University of Miami's Frost School of Music, as a member of the cross-genre Henry Mancini Institute. In addition, David is a two-time alumni of the Kennedy Center's Betty Carter Jazz Ahead Program and the Banff Centre in Canada. He has been mentored by Terence Blanchard, Kris Davis, Manley "Piri" Lopez, and Ira Sullivan."

"Kevin Sun is a saxophonist and composer living in New York City. His music has been called "...intense, harmonically virtuosic and compositionally complex" by DownBeat Magazine, and he has released seven albums to date-most recently Quartets, in October 2024.

Sun has also recorded four albums with the ensembles Mute, Earprint, and Great On Paper, and he appears on recordings led by Jacob Garchik, Dana Saul, Xiongguan Zhang, and Elijah Shiffer.

In addition to performing in the U.S., Sun has performed extensively in China and was the Artistic Director of the Blue Note China Jazz Orchestra from 2018 to 2020. In 2021, Sun was named a Finalist for the Jerome Hill Foundation Artist Fellowship."

"Kalun Leung (he/him) is a collaborative trombonist, augmented instrumentalist, and sound artist with an extended practice in instrument building, electronics, and movement. His projects are motivated by the exploration of new and unexpected contexts in which the trombone can thrive, an interdisciplinary and research-based approach that has led to the invention of new electronic trombone augmentations, the study of Balkan brass band music in Guča, the premiere of never-before-seen Keith Haring computer art, the mounting of a Fluxus-inspired trombone sound sculpture, and site-specific improvisations with landfills and robots.

As a performer, he is a major proponent for the presentation of new work through commissioning, collective creation, and improvisation, and performs in new music, improvised, jazz, inter-arts and folk music ensembles in New York City and Tiohtià:ke/Montréal where he is based. He has premiered works by George Lewis, Bekah Simms, and Lesley Mok, and has contributed to a GRAMMY-winning album with the Experiential Orchestra. He has collaborated with the International Contemporary Ensemble, Nation Beat, Slavic Soul Party, Zlatne Uste, David Taylor and Felix del Tredici (So Wrong it's Right), Billy Martin (Medeski Martin & Wood), John Aaron Cockburn (Bruce Cockburn, Little Suns), and many others.

As an interdisciplinary creator, he was a member of the NY-based sound and movement collective ECHOEnsemble from 2018 to 2020 and is creating new work for the mubone with choreographer Bettina Szabo. He creates and performs with the mime and sound duo ék, with trumpetist and multidisciplinary artist Émilie Fortin. He explores the intersection of art and technology in his own work and in projects with instrument designers Frank Spigner, creator of the Splunger mute, and Travis West, creator and technical lead for the mubone. The mubone has been published in the conference on Movement and Computing (MOCO) and was presented at the Institute for Research and Coordination in Acoustics/Music (IRCAM) in Paris. It will be published in the International Conference on New Interfaces for Musical Expression (NIME) in 2022.

From 2019 to 2022, Kalun helped design, launch, and administer the Performer-Composer Master of Music at The New School as the Assistant Director of Academic Affairs. As a conservatory-trained musician who was charged to "conserve" an artistic tradition, this position filled a strong desire for Kalun to create spaces for artists who practice in non-traditional ways. In 2019, Kalun was Composer-in-Residence for the NYU New Music Ensemble, and has held artistic residencies at Harvestworks, Brooklyn Fashion & Design Accelerator (BF+DA), Teatro del Lago, and Orford Musique. He has received grants from the Canada Arts Council and the New York State Council on the Arts (NYSCA) in Research & Creation and Film & Media / New Tech Production respectively, and was awarded Exemplary Service to the Community and State by the New York State Senate in 2017."

"Allen grew up in Temple Hills, Maryland and began playing the recorder when he was three; his father teaches in Washington DC public schools. At first he listened to R&B and rock'n'roll, which led him to learn guitar. After taking lessons, his guitar teacher introduced him to music by Carlos Santana and Eric Clapton . Eventually he started playing the occasional electric bass and double bass that his father owned, and he soon became more drawn to the bass. In high school he played in the string orchestra, jazz ensemble, and in his local parish. Later he also played in the wind ensemble and djembé in the African dance and music program.

During his studies at the Eastman School of Music , where he studied with James VanDemark and Jeff Campbell, he worked with various groups in Rochester, New York. In 2016, Allen received the Rochester Links Scholarship Award; In 2017 he obtained a Bachelor of Music in classical bass and jazz bass. He then continued his studies at Berklee College of Music , where he received his Master of Arts. In Boston he played among other things. with Ralph Peterson , George Garzone and Jerry Bergonzi , later in New York with Rodney Green , Kyle Benford and David Weiss . He also performs regularly in Washington DC and Baltimore, including. in clubs like Blues Alley , Twins Jazz Club, Bohemian Caverns and the Kennedy Center . At the end of 2019 he released the album The Bond: Chants of the Political Prisoner with his own compositions under his own name ; further recordings have been made so far with Luke Norris ( Northern song) and Jennifer Bellor ( Stay ). Allen lives in Brooklyn."

"Born in Boston in 1977, Brooklyn-based drummer Tomas Fujiwara emerged during the early to mid-2000s as a valued sideman before forming his own quintet, Tomas Fujiwara & the Hook Up, which gathered accolades for blending influences such as Wayne Shorter, Taleb Kweli, and Me'Shell Ndegéocello with the experimental and unpredictable spirit of the 21st century Brooklyn creative jazz scene. After studying for eight years with drummer and educator Alan Dawson in the Boston area, Fujiwara moved to New York at the age of 17. His first performing experiences included a five-year stint beginning around the turn of the millennium with the off-Broadway show Stomp, but he also began appearing as a sideman on jazz recordings (e.g., Three Souls by the Adam Rafferty Trio in 2003) and moving in exploratory, adventurous directions.

Fujiwara developed a particularly strong collaborative relationship with New Haven, Connecticut-based cornetist Taylor Ho Bynum, whose own avant-leaning ensembles have featured a number of top Brooklyn improvising musicians. Fujiwara first appeared with Bynum on two 2007 recordings, The Middle Picture by the Taylor Ho Bynum Sextet (Firehouse 12) and True Events by the Taylor Ho Bynum/Tomas Fujiwara Duo (482 Music). During the following years, the drummer appeared on the Bynum Sextet albums Asphalt Flowers Forking Paths (hatOLOGY, 2009), Apparent Distance (Firehouse 12, 2011), and Navigation (Possibility Abstracts X & XI) (Firehouse 12, 2013), and the Bynum/Fujiwara Duo album Stepwise (Nottwo, 2010). Fujiwara is also a member of Positive Catastrophe, a ten-piece outfit co-led by Bynum and percussionist Abraham Gomez-Delgado and inspired by Sun Ra and Latin jazz; the group has released two albums on Cuneiform, Garabatos Volume One (2009) and Dibrujo, Dibrujo, Dibrujo... (2012).

Another musician with whom Fujiwara has often worked, guitarist Mary Halvorson, also often travels in the same creative orbit as Taylor Ho Bynum; like Fujiwara, Halvorson is a member of the Bynum Sextet, and along with Bynum and violist Jessica Pavone, the drummer and guitarist formed the collective quartet the Thirteenth Assembly, which has recorded two albums for the Important Records label, 2009's (un)sentimental and 2011's Station Direct. Fujiwara, Halvorson, and Bynum also appeared as members of the Chicago-New York nonet Living by Lanterns, whose New Myth/Old Science album -- based on fragments of music recorded by Sun Ra in 1961 -- appeared on Cuneiform in 2012. In 2014 Cuneiform released another album featuring Fujiwara and Halvorson, the eponymous debut of Thumbscrew, a collaborative trio also including veteran bassist Michael Formanek.

Fujiwara first assembled his Hook Up quintet in 2008, later describing the bandmembers as "some of the most important musicians in my life" -- and given all of Fujiwara and Halvorson's recorded appearances together in various settings, it was no surprise that the guitarist was in the lineup. Also featuring tenor saxophonist Brian Settles, trumpeter Jonathan Finlayson, and bassist Danton Boller, Tomas Fujiwara & the Hook Up released their debut album, Actionspeak, on 482 Music in 2010. Featuring Trevor Dunn on bass in place of Boller, the group's sophomore album, The Air Is Different, arrived (also on 482 Music) in 2012.

The many other projects in which Fujiwara has played as a collaborator or sideman include the Steve Lacy tribute band Ideal Bread, the eight-piece "bhangra funk dhol 'n' brass" outfit Red Baraat, and saxophonist/clarinetist Matt Bauder's acoustic jazz quintet. "