Zorn's Book of Angels series presenting the Masada composition books performed by a wide variety of groups, here with AutorYno, a wild power trio of three Paris avant rockers, taking Masada into heavy rock territory blanding Metal, Punk, Thrash, Dub and Surf rock.

The 19th volume in the Book of Angels series is led by gimbri player Shanir Ezra Blumenkranz in a primal reading of Zorn's music with Eyal Maoz & Aram Bajakian (guitars) and Kenny Grohowski (drums).

Idiosyncratic improvisation with a strange set of tools from two master musicians, fascinating recordings from 1983-85 in the blossoming downtown NY scene.

Perhaps the most unique take on the Masada book, 4 female voices interpret eleven songs from Zorn's Book of Angels in beautiful and haunting a cappella.

Drummer Roberto Rodriguez interprets John Zorn's "Book of Angels" in this 23rd volume from the series, recording in Israel with a wonderfully compelling ensemble emphasizing both rhythmic and melodic elements in nine exciting compositions.

Bill Laswell on bass and drones and John Zorn on shofar and alto saxophone perform darkly evocative ambient music to readings by magus David Chaim Smith from selections of his mystical text "The Awakening Ground".

Tzadik's new Spectrum series begins with the collaboration of 3 legendary NY performers--Wadada Leo Smith (trumpet); George Lewis (trombone); John Zorn (alto sax)--in 8 technically superb and joyfully unique compositions and collective improvisations.

10 new compositions from John Zorn's Book of Angels featuring the same band from "The Dreamers" & "O'o", seductive music drawing on exotica, surf, world music, latin jazz, rock, film music and more.

John Zorn's Gnostic Quartet of Bill Frisell on guitar, Carol Emanuel on harp, John Medeski on organ, piano & Fender Rhodes, and Kenny Wollesen on vibraphone perform Zorn's melodic compositions dedicated to one of Zorn's earliest mentors, Ennio Morricone, through nine compositions of "beautiful harmonies, a driving rhythmic pulse and stunning lyricism."

Two iconic New York players - saxophonist John Zorn and guitarist Thurston Moore - meet for the first time, presenting seven exhilarating improvisations of great diversity, inventiveness, sonic power, and creative drive.

The fifth set of compositions from John Zorn for the guitar trio of Bill Frisell, Julian Lage and Gyan Riley, these works inspired by the short stories of Argentine philosopher and writer Jorge Luis Borges, each of the nine pieces drawing on elements of folk, classical, jazz, bluegrass, world music and more, rendered impeccably by the masterful skills of all three guitarists.

Intended for late night listening, John Zorn's seven rich and evocative compositions are beautifully rendered by the Downtown New York quartet of Bill Frisell on guitar, Brian Marsella on piano & Fender Rhodes Piano, John Medeski on organ and Kenny Wollesen on drums & chimes, in an album to accompany a dream-like evening of reflective music.

The completion of John Zorn's second trilogy of albums performed by the extraordinarily masterful acoustic guitar trio of Bill Frisell, Gyan Riley and Julian Lage, here performing six intricate and lyrically graceful compositions dedicated to literary visionary Samuel Beckett; uniquely packaged in a clear imprinted sleeve.

The third and final CD in composer John Zorn's trilogy inspired by historic figures of Christian mysticism, following works for Francesco d'Assisi and Julian of Norwich, these 10 pieces are conducted by Zorn and written specifically for the acoustic guitar trio of Bill Frisell, Julian Lage and Gyan Riley; an album of breathtaking character and inspired playing.

Zorn's compositions on this album bridge the worlds of contemporary compositional and fully improvised jazz, Zorn conducting a quartet with Stephen Gosling's piano and Sae Hashimoto's vibraphone parts fully notated, while drummer Ches Smith and bassist Jorge Roeder provide an improvisational rhythm section, bringing to life these dynamic and lyrical works.

Based on the influential 1929 novel by Welsh writer Richard Hughes, A High Wind in Jamaica, about the disturbing ordeal of four children captured by pirates on the sea, realized through John Zorn's compositions for two guitarist--Julian Lage and Gyan Riley--and expressed through a spectrum of tranquil and portentous passages of virtuosic playing.

Following up "Nove Cantici Per Francesco D'Assisi" with the three acoustic guitars of Bill Frisell, Gyan Riley and Julian Lage, "Virtue" is inspired by Julian of Norwich, one of the founders of Christian mysticism, portrayed through twelve succinct Zorn compositions of beautifully lyrical contrapuntal interplay and transcendental reflection.

A collection of twenty musical aphorisms inspired by the writings and thought of French philosopher Gilles Deleuze (1925-1995), following Zorn's first Multiplicities volume performed by his electric jazz ensemble Chaos Magick, here in Volume 2 energetically performed by his acoustic Incerto ensemble of Brian Marsella on piano, Ches Smith on drums, Julian Lage on guitar & Jorge Roeder on bass.

The 4th release from the New York electric jazz quartet Chaos Magick of Brian Marsella on electric piano, John Medeski on organ, Kenny Grohowski on drums and Matt Hollenberg on electric guitar, playing the lyrical & passionate compositions of John Zorn, in eight tracks varying from rhythmically propulsive to contemplatively dream-like, with a little Chaos thrown in.

Ten numbered Ballads from the pen of John Zorn, writing for the trio of Brian Marsella on piano, Jorge Roeder on bass and Ches Smith on drums, his third album with this same Downtown New York piano trio and by far the most lyrical and lovely collection to date, as the trio settles into Zorn's inventive structures with improvisational passion and adroit interaction.

Blurring the lines between composed and improvised music, John Zorn's ten-part composition in his "Suite for Piano" was inspired in part by the Goldberg Variations and Schoenberg's solo piano music, set in the classic piano trio format and performed by extraordinary New York musicians and improvisers, Brian Marsella on piano, Jorge Roeder on bass, and Ches Smith on drums.

Inspired by the writings of Russian philosopher, mystic and composer Georges Gurdjieff (1866-1949), John Zorn composes for his piano trio of Brian Marsella (piano), Ches Smith (drums) and Jorge Roeder (bass), their 3rd album after Suite for Piano and their quartet work with guitarist Julian Lage on Incerto; technically sophisticated and melodically compelling music; exceptional.

The eight album from John Zorn's Simulacrum ensemble, blurring the lines between improvisation, fusion, exotica, compositional forms, and death-metal organ trio, performed with keyboardist John Medeski and members of heavy rock bands Cleric and Imperial Triumphant--Kenny Grohowski & Matt Hollenberg--in an epic 40 minutes long-form composition.

Merging heavy melodic jazz with tinges of heavy metal, John Zorn's Simulacrum trio of John Medeski on organ, Kenny Grohowski on drums, and Matt Hollenberg on guitar perform nine of Zorn's intense compositions in a beautifully recorded concert at the Firehouse 12 studio, the band's consummate playing and passion bringing power to Zorn's darkly exciting music.

The fifth album from John Zorn's Chaos Magic Ensemble of Brian Marsella on Fender Rhodes Piano, John Medeski on organ, Kenny Grochowski on drums and Matt Hollenberg on guitar, in three free flowing works that display Zorn's perceptive merging and the band's enormous skill, contrasting lyrical electric jazz with turbulent rock forms and disciplined contemporary structure.

Featuring some of composer John Zorn's most lyrical work, the duo of guitarists Gyan Riley and Julian Lage continue their collaboration in the series that started in 2015 with The Bagatelles and continues through Midsummer Moons (2017), Book Beri'ah (2019), and Quatrain (2023), as they render Zorn's beautiful merging of eclectic forms inspired by William Shakespeare.

The third volume in John Zorn's New Masada Quartet — Zorn on alto sax, Jorge Roeder on bass, Kenny Wollesen on drums, and Julian Lage on guitar — captures a packed 2024 concert at Roulette in Brooklyn, where fervent interplay and exceptional soloing bring six Zorn compositions to life in a single, seamlessly indexed track before an enthusiastic audience.

Two virtuosic contemporary performers--pianist Stephen Gosling and vocalist Barbara Hannigan--heard in live performances of three challenging works by John Zorn: Jumalattaret, a song cycle in praise of line Finnish Goddesses out of Sami Shamanism, and Split the Lark, Zorn's tribute to the magical American poet Emily Dickinson, plus Zorn's early work Nazdar, Poupon, Nazdar.

A suite of short pieces for solo piano subtitled "Images and Impressions for Piano", composed by John Zorn and performed by frequent Zorn interpreter Stephen Gosling, the works inspired by the sketches of English painter J.M.W. Turner, embracing influences including Ligeti, Scriabin, Bach, Glass, Debussy, Bartok, Berio, Feldman, Xenakis, Schoenberg &c.

LOWER PRICE! Taking on another set of compositions from John Zorn's Masada Songbook, the New and electrified Masada quartet of Kenny Wollesen on drums, Julian Lage on guitar, Jorge Roeder on bass and Zorn himself on alto saxophone releases their second volume, seven melodically rich and intricate works that lead to incredible, often burning soloing and group interchange.

Bringing together John Zorn's trio from Suite for Piano (Brian Marsella, Jorge Roeder, Ches Smith) with guitarist Julian Lage, this new jazz quartet is a versatile and flexible unit capable of instantaneous changes in direction of genre or mood with virtuosic finesse and sensitivity, as Zorn's compositions explore concepts from Freud, Sartre, and the Uncertainty Principle.

A heartfelt tribute to three significant jazz innovators associated with the 1960's free jazz scene--Pharoah Sanders, Wayne Shorter, and Milford Graves--in one improvisation each from the long-running collaboration of alto saxophonist John Zorn and bassist Bill Laswell, contrasting Laswell's fx-expanded bass underpinnings with Zorn's emphatic and expressive playing.

A series of duo improvisation between long-time Downtown NY collaborators, alto saxophonist John Zorn and electric bassist Bill Laswell, recorded in the studio during pandemic lockdown and the first return for Zorn to the saxophone after 15 months, in a uniquely thoughtful set of recordings named for artists including Brion Gysin, W.S. Burroughs, Alejandro Jodorowsky, &c.

The third volume in John Zorn's "Olympiad" series is this solo performance in 2007 at the Kompo Cultural Center in Gyungee, Korea by Zorn associate and eccentrically eminent improviser Eugene Chadbourne, performing on electric and acoustic guitars as he interprets 15 compositions for improvisers from John Zorn's seminal 1976 series: The Book of Heads.

The long-standing duo of alto saxophonist John Zorn and guitarist Fred Frith continues with these "late works", improvisations in a unique language of formidable breadth and imagination.

Ensemble InterContemporain is viola player Garth Knox's string and percussion performance group, here called upon by John Zorn to present new interpretations of his "Book of Angels" Masada compositions, in nine magnificent recordings of great depth and intimacy.

Taking the collaboration between composer John Zorn and composer/vocalist Jesse Harris on the stage for a live performance at National Sawdust, in Brooklyn in 2023, supported by a dream band of Brian Marsella on piano, Jorge Roeder on bass and Ches Smith on drums; sixteen upbeat, beautiful and sophisticated songs that bring Downtown NY sensibilities to lyrical vocal jazz.

This Book of Angels release is the first recording in 10 years from this Masada ensemble blending Sephardic and Ashkenazi sonorities with latin, surf, world music and more.

Two major 20-minute long-form compositions scored for piano trio from composer John Zorn, performed by the NY trio of pianist Brian Marsella along with the dynamic rhythm section of Trevor Dunn and Kenny Wollesen, each piece a tour-de-force from rapid runs of technical mastery to fervid moments of instrospection and delicacy, a passionate expedition in the piano trio form.

Continuing his work with the Incerto quartet of Julian Lage on guitar, Brian Marsella on piano, Jorge Roeder on bass and Ches Smith on drums, the fourth album for the group from John Zorn's compositional pen explores the artwork of Spanish surrealist/irrealist painter María de los Remedios Alicia Rodriga Varo, whose life was influenced by Paris enlightenment and the terrors of war.

Zorn expands the canon for his lyrical jazz quartet Incerto of Brian Marsella on piano, Ches Smith on drums & Haitian Tanbou, Julian Lage on guitar and Jorge Roeder on bass, composing a suite of seven subtle and passionate nocturnes inspired by the night imagery of Shakespeare, merging jazz and chamber forms with a Downtown NY sensibility; gorgeous.

John Zorn composes for, conducts and plays saxophone with his Simulacrum group with Kenny Grohowski on drums, Matt Hollenberg on guitar and John Medeski on organ & electric piano, a scorching band that combines Downtown NY jazz and metal forms as they explore the life and thoughts of Dutch 17th century Age of Enlightenment philosopher Baruch Spinoza.

Two guitarists -- Gyan Riley and Julian Lage -- perform 10 lyrical John Zorn compositions inspired by Shakespeare and written for the moon, a symbol of love, lust, madness and dreams, as the two guitarists play in unison and interweaving figures, a beautiful album of contemplative, refined and elegant works from one of New York's most prolific composers.

Simulacrum's 5th CD, with John Medeski on organ, Kenny Grohowski on drums and Matt Hollenberg on guitar, powerful playing that blends heavy rock, blues, funk and jazz with modern classical music, here performing composer John Zorn's 10 part suite on decscending into madness.