Composer Robert Marcel Lepage arranges a film score for a full-length film by Bernard Emond that is fascinating and enchanting.
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Sample The Album:
Stephane Allard-violin
Vincent Bernard-violoncelle
Bernard Buisson-piano
Claude Castonguay-glass organ
Normand Guilbeault-doublebass
Jean Rene-alto saxophone
Gilles Tessier-guitar
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UPC: 771028110827
Label: Ambiances Magnetiques
Catalog ID: AM_108
Squidco Product Code: 1716
Format: CD
Condition: New
Released: 2003
Country: Canada
Packaging: Jewel Tray
Robert Marcel Lepage has composed a great deal of music for film, including his work for the film Full Blast. This album presents the music for the full-length film by Bernard ƒmond "20 H 17 Rue Harling". Lepage's original music is interwoven with pieces from Beethoven, including his ÒGhostÓ Trio (for piano, violin and cello). The music is intermingled with the voice of the journalist in the film, GŽrard (played by Luc Picard), and with sound effects. The result is haunting, dark and lyrical, with melancholy harmonies and powerful string arrangements. The result is a coherent album that stands on its own as a fascinating work of music.
Artist Biographies
• Show Bio for Normand Guilbeault "First and foremost a double-bass player, composer, jazz and musiqueactuelle performer, he is very active in the provincial and national musicscenes and is highly regarded in the field. The tone, rhythm, and style of Guilbeault explain why he has played with Montréal's most creativemusicians (Jean Derome, Robert Marcel Lepage, Pierre St-Jak, René Lussier,and others) and why he has recently teamed up with excellent singers (suchas Lou Babin and Geneviève Letarte). Out of his ambitious projects havecome accomplished and very inspired and spirited works (Hommage à Mingusand RIEL Plaidoyer Musical). Along with other musicians (Pierre St-Jak, François Marcaurelle, and Jean Vanasse) is also the prime mover, programplanner, and organizer behind the Montréal OFF Festival de Jazz, at whichhe presented the first part of his PARKEROUAC, a project wedding poetry andjazz. Normand Guilbeault, who first became known through his work with Jean Beaudet, Yannick Rieu, Nelson Symonds, Bernard Primeau, and other jazz musicians, has gained public acclaim with the Normand Guilbeault Ensemble (winner of the Prix de Jazz duMaurier at the 1994 Festival international de Jazz de Montréal), whose 1994 album Dualismus [Red Toucan] was followed by Basso Continuo in 1995 and, with guest artist Jean Derome, Hommage à Mingus in 1996 [both on Justin Time]. The Jazz Report Magazine (Canada) voted the ensemble "Acoustic Group of the year" for 1997. Since 1995 some of the people he has worked with have included Jean Derome (on music for film, theatre and dance, and as part of a jazz trio and a jazz quartet), René Lussier (Les Boudines, Pour un Punch Hawaiien, music for film), Robert Marcel Lepage (music for film, theatre and dance), Michel F Côté (Bruire / Les Chants Rupestres, and music for dance), and trombonist Tom Walsh with the group NOMA. In May 1998, the 15th Festival international de musique actuelle de Victoriaville opened with his most recent project, Riel, which brought together thirteen of Montréal's most creative musicians and two talented narrators. He also presented the work at the Open Waters Festival of New and Improvised Music in Halifax, and at the Lion d'Or in Montréal on 20 and 21 February 1999. Recordings of these concerts were used to produce the double album entitled Riel Plaidoyer musical / Musical Plea, which appeared on the Ambiances Magnétiques label [AM 073] on 15 November 1999. Recently, performance of Normand Guilbeault's Riel project, in Confederation Park, was one of a the highlights of the Ottawa International Jazz Festival (July 17, 2000)." ^ Hide Bio for Normand Guilbeault • Show Bio for Jean Rene "Jean René. Born Victoriaville, Québec, 1956. Residence: Montréal, Québec. Performer (viola), Conductor. Jean René has a Bachelor's degree in composition from the Université de Montréal. He has studied viola and conducting; Raffi Armenian, Michel Longtin, and Bruno Guiranna were his professors. From 1991 to 2002, he was associate principal violist with l'Orchestre Métropolitain de Montréal. He still freelances with a number of ensembles. Since 1990 he has collaborated with many artists, including André Duchesne, Pierre Cartier, Jean Derome and René Lussier. He also headed the group from the Ensemble SuperMusique for the Symphony of the Millennium." ^ Hide Bio for Jean Rene
11/29/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/29/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1 J'aime pas la mer (2002) 2:23
2 Sonate pour piano et violon no 7 en do mineur, op 30 no 2 (excerpt) 2:25
3 Le sinistre (2002) 1:16
4 Rien comme un scotch... (2002) 2:00
5 Hochelaga-Maisonneuve (2002) 3:27
6 Les Histoires sont sacrées (2002) 2:57
7 Sonate pour piano no 21 en do majeur "Waldstein": Introduzione. Adagio molto - attacca, op 53 (excerpt) 4:25
8 (Premier Fantôme): Trio no 5 en mi bémol majeur, opus 70 no 1 ("Fantôme") (excerpt) (2002) 1:05
9 Nocturne à 20h17 (2002) 1:04
10 La Valse de la rue Laurier (2002) 1:08
11 Deuxième Fantôme (2002) 3:37
12 Le Diable (2002) 1:31
13 Nocturne à 20h17 (2002) 37s 14 Les décombres (2002) 2:32
15 Sur la montagne (2002) 1:05
16 Chez-nous (2002) 1:44
17 Sonate pour piano et violon no 5 en fa majeur "Le Printemps", op 24 (excerpt) 1:32
18 Maniwaki (2002) 2:06
19 Le noyé (2002) 1:15
20 La Valse de la rue Laurier (2002) 1:04
21 Troisième Fantôme (2002) 2:47
22 Y'a plus d'air... (2002) 1:45
23 Nocturne à 20h17 (2002) 3:05
Septet recordings
Before April-2006
Canadian Composition & Improvisation
Ambiances Magnetiques
Musique Actuelle
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Septet recordings
Before April-2006
Canadian Composition & Improvisation
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