Clarinetist Robert Marcel Lepage in a "sweet and slightly skewed homage" to the American clarinetist and swing player Pee Wee Russell.
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Sample The Album:
Robert Marcel Lepage-clarinet
André Moisan-clarinet
François Houle-clarinet
Guillaume Bourque-clarinet
Jean-Sébastien Leblanc-clarinet
Pierre-Emmanuel Poizat-clarinet
Richard Simas-clarinet
Normand Guilbeault-doublebass
Pierre Tanguay-drums
René Lussier-guitar
Click an artist name above to see in-stock items for that artist.
UPC: 771028114429
Label: Ambiances Magnetiques
Catalog ID: AM_144
Squidco Product Code: 5480
Format: CD
Condition: New
Released: 2005
Country: Canada
Packaging: Cardstock Gatefold Sleeve
"Pee Wee and Me: Lepage has created a sweet and slighly skewed homage to the legendarily idiosyncretic American clarinettist Pee Wee Russell. Each and every blues of this suite are an affectionate tribute to the great swing player. Deeply troubled clarinetist Pee Wee Russell rose to fame through the 1930's and into the 1950's where his musicianship was on par with leading jazz players of that time."-Ambiance Magnetiques
Artist Biographies
• Show Bio for Robert Marcel Lepage "Robert Marcel Lepage (born 5 July 1951) is a Canadian musician and film score composer. Born in Montreal, Lepage trained in music at the age of 20, and learned to play the clarinet and saxophone. He performed with René Lussier and Pierre Hébert during the 1980s and 1990s. He went on to write the scores for 150 films. He was nominated for the Genie Award for Best Score and the Jutra Award for Best Music for the 2008 film The Necessities of Life. Marc-André Lussier of La Presse positively reviewed Lepage's score for Iqaluit (2016) as "lyrical". In his personal life, he has three children, Félix; Étienne Lepage (fr), a playwright; and Florence, an artist." ^ Hide Bio for Robert Marcel Lepage • Show Bio for Normand Guilbeault "First and foremost a double-bass player, composer, jazz and musiqueactuelle performer, he is very active in the provincial and national musicscenes and is highly regarded in the field. The tone, rhythm, and style of Guilbeault explain why he has played with Montréal's most creativemusicians (Jean Derome, Robert Marcel Lepage, Pierre St-Jak, René Lussier,and others) and why he has recently teamed up with excellent singers (suchas Lou Babin and Geneviève Letarte). Out of his ambitious projects havecome accomplished and very inspired and spirited works (Hommage à Mingusand RIEL Plaidoyer Musical). Along with other musicians (Pierre St-Jak, François Marcaurelle, and Jean Vanasse) is also the prime mover, programplanner, and organizer behind the Montréal OFF Festival de Jazz, at whichhe presented the first part of his PARKEROUAC, a project wedding poetry andjazz. Normand Guilbeault, who first became known through his work with Jean Beaudet, Yannick Rieu, Nelson Symonds, Bernard Primeau, and other jazz musicians, has gained public acclaim with the Normand Guilbeault Ensemble (winner of the Prix de Jazz duMaurier at the 1994 Festival international de Jazz de Montréal), whose 1994 album Dualismus [Red Toucan] was followed by Basso Continuo in 1995 and, with guest artist Jean Derome, Hommage à Mingus in 1996 [both on Justin Time]. The Jazz Report Magazine (Canada) voted the ensemble "Acoustic Group of the year" for 1997. Since 1995 some of the people he has worked with have included Jean Derome (on music for film, theatre and dance, and as part of a jazz trio and a jazz quartet), René Lussier (Les Boudines, Pour un Punch Hawaiien, music for film), Robert Marcel Lepage (music for film, theatre and dance), Michel F Côté (Bruire / Les Chants Rupestres, and music for dance), and trombonist Tom Walsh with the group NOMA. In May 1998, the 15th Festival international de musique actuelle de Victoriaville opened with his most recent project, Riel, which brought together thirteen of Montréal's most creative musicians and two talented narrators. He also presented the work at the Open Waters Festival of New and Improvised Music in Halifax, and at the Lion d'Or in Montréal on 20 and 21 February 1999. Recordings of these concerts were used to produce the double album entitled Riel Plaidoyer musical / Musical Plea, which appeared on the Ambiances Magnétiques label [AM 073] on 15 November 1999. Recently, performance of Normand Guilbeault's Riel project, in Confederation Park, was one of a the highlights of the Ottawa International Jazz Festival (July 17, 2000)." ^ Hide Bio for Normand Guilbeault • Show Bio for Pierre Tanguay "Quebec City, Québec, 1956: Composer, Performer (drum set, percussion, voice) A percussionist, composer and inveterate inventor, Pierre Tanguay is one of the most sought-after Montréal musicians on the Quebec scene. Since the beginning of the 80s, he has participated in an impressive number of ensembles, including Jean Derome and the dangereux zhoms, Évidence, Castor et compagnie, the Jean-François Groulx Trio, the ODD (a danse orchestra), Villemure Ô Carré, the Pierre Cartier Ensemble and Projet Riel. Among his collaborators are Jean Derome, Normand Guilbeault, Pierre Langevin, René Lussier, Karen Young, Fred Frith, Michel Donato, Daniel Mille, André Duchesne and Antoine Berthiaume. He is very active in the fileds of medieval and traditional music, jazz and musique actuelle. He is the co-founder of Strada, Midi Tapant, Derome/Tanguay. He has composed works for dance (Lucie Grégoire, Andrew Harwood, Irène Stamou and Francine Gagné), as well as works for the theatre and film (Allan Booth, Imago and Roberto Ariganello). He regularly tours throughout Canada and Europe." ^ Hide Bio for Pierre Tanguay
11/29/2024
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11/29/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/29/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1 Pee Wee's Blues (Russell) 4:15
2 Pee Wee fait des archaïsmes, moi je fais des anachronismes (Lepage) 3:40
3 Tutti Pee Wee (Lepage) 4:26
4 Pee Wee a des papillons sur les doigts (Lepage) 3:50
5 Pee Wee souffre d'une labyrinthite (Lepage) 4:00
6 Pee Wee joue aux échelles et serpents (Lepage) 4:55
7 Dixie chinois (Lepage) 4:16
8 Un, deux, trois, Pee Wee (Lepage) 3:42
9 Blues au compte-gouttes (Lepage) 5:21
10 Le tire-pois (Lepage) 3:28
11 Pee Wee rocks (Lepage) 3:16
12 Portrait de Pee Wee à la face longue (Lepage) 4:39
13 Le contortionniste (Lepage) 3:01
14 Muskogee Blues (Russell) 4:45
Ambiances Magnetiques
Jazz
Musique Actuelle
Improvised Music
November 2005
Canadian Composition & Improvisation
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