The Squid's Ear Magazine


Finn, James Trio: Plazade Toros (Clean Feed)


 

Price: $10.00



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 4.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:


product information:

Personnel:



James Finn-tenor saxophone

Dominic Duval-doublebass

Warren Smith-drums


Click an artist name above to see in-stock items for that artist.




UPC: 5609063000344

Label: Clean Feed
Catalog ID: CF034
Squidco Product Code: 7517

Format: CD
Condition: New
Released: 2003
Country: Portugal
Packaging: Digipack
Recorded at Ginkotree Studio, New York, New York, on December 5th-12th, 2002, by James Finn.

Descriptions, Reviews, &c.

"James Finn not only plays brilliantly, but he also produced, engineered, mixed, and mastered this CD single-handedly. The album features bassist Dominic Duval, Downbeat Magazine 2003 Award recipient of 'Talent Deserving Wide Recognition' along with legendary percussionist Warren Smith. For this venture, Finn chose to capture in music the essence of the bullfight in all its radiant glory. The bullfight is the life and breath of Spain. It has a tradition dating back several thousand years when Greek and Roman influences transformed religious sacrifice into a spectacular for the people. It is passionately endorsed by that country's populace. The sport is majestic, regal, and a skilled work of choreographed artistry. In keeping with those qualities, James has generated a stunning work of musical art depicting the power, emotions, and elation emerging from the contest."-Clean Feed


Artist Biographies

"Dominic Duval (c. 1944 - July 22, 2016) was an American free jazz bassist.

Since the 1990s, Duval was active principally on the New York City jazz scene. He did not begin recording regularly until the 1990s, but since then had appeared on a very large number of albums, particularly on the labels CIMP, Cadence Jazz, and Leo Records. As a result, Duval was described by Allmusic as "unquestionably...one of the most-recorded free jazz bassists on the planet". Todd Jenkins describes Duval and drummer Jay Rosen as the "house rhythm section" for CIMP, given the number of recordings on which they have jointly appeared.: 231  Duval's freedom of expression was paramount in his playing. Duval played his Hutchings bass more often like a violin, guitar or lead saxophone. He displayed fast lines and rich textures. Seldom did he play the bass in a traditional role low pitch rhythmic role. Instead he freely interacted with other members within the ensemble.

Duval died on July 22, 2016."

-Wikipedia (https://en.wikipedia.org/wiki/Dominic_Duval)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Warren Smith (born May 14, 1934) is an American jazz drummer and percussionist, known as a contributor to Max Roach's M'boom ensemble and leader of the Composer's Workshop Ensemble (Strata-East).

Smith was born May 14, 1934 in Chicago, Illinois to a musical family. His father played saxophone and clarinet with Noble Sissle and Jimmie Noone, and his mother was a harpist and pianist. At the age of four he studied studied clarinet with his father. He graduated from the University of Illinois in 1957, then received a master's degree in percussion from the Manhattan School of Music in 1958.

One of his earliest major recording dates was with Miles Davis as a vibraphonist in 1957. He found work in Broadway pit bands in 1958, and also played with Gil Evans that year. In 1961 he co-founded the Composers Workshop Ensemble. In the 1960s Smith accompanied Aretha Franklin, Nina Simone, Lloyd Price, and Nat King Cole; he worked with Sam Rivers from 1964Ð76 and with Gil Evans again from 1968 to 1976. In 1969 he played with Janis Joplin and in 1971 with King Curtis and Tony Williams. He was also a founding member of Max Roach's percussion ensemble, M'Boom, in 1970.

In the 1970s and 1980s Smith had a loft called Studio Wis which acted as a performing and recording space for many young New York jazz musicians, such as Wadada Leo Smith and Oliver Lake. Through the 1970s Smith played with Andrew White, Julius Hemphill, Muhal Richard Abrams, Nancy Wilson, Quincy Jones, Count Basie, and Carmen McRae. Other credits include extensive work with rock and pop musicians and time spent with Anthony Braxton, Charles Mingus, Henry Threadgill, Van Morrison, and Joe Zawinul. He continued to work on Broadway into the 1990s, and has performed with a number of classical ensembles.

Smith taught in the New York City public school system from 1958 to 1968, at Third Street Settlement from 1960 to 1967, at Adelphi University in 1970Ð1, and at SUNY-Old Westbury from 1971."

-Wikipedia (https://en.wikipedia.org/wiki/Warren_Smith_(jazz_percussionist))
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Toreo de Capa

2. Plaza de Toros

3. The Phantom Blue of Seville

4. El Tercio De Varas

5. Eyes of Angelina

6. El Tercio de Vanderillas

7. El Tercio de Muleta

8. la Estocada

9. Toro Bravo

Related Categories of Interest:

Clean Feed
Improvised Music
Jazz
January 2007
Squidco's Clean Feed 50% Sale

Search for other titles on the label:
Clean Feed.


Recommended & Related Releases:
Blue Reality Quartet (Joe McPhee / Michael Marcus / Jay Rosen / Warren Smith)
Ella's Island
(Mahakala Music)
The 2nd album from the quartet of Joe McPhee on tenor saxophone, Warren Smith on vibraphone, Michael Marcus on reeds and Jay Rosen on drums, formed from a 2018 Jazzgalerie Nickelsdorf date with NY drummer Jay Rosen rounding out the quartet, this album extends their accessibly relaxed and creatively magnificent approach to free and structured jazz.
Taylor, Cecil / Sunny Murray
Corona
(Corbett vs. Dempsey)
Beginning with an 8-member vocal incantation led by Taylor himself, this incredible reunion concert between pianist Cecil Taylor and drummer Sunny Murray was recorded by the FMP label in 1996 at the Total Music Meeting in Podewil, Berlin, an incredible display of pyrotechnical playing with an exultant excitement through three "sector" improvisations; extraordinary!
McPhee, Joe / Michael Marcus / Jay Rosen / Warren Smith
Blue Reality Quartet!
(Mahakala Music)
Woodwind player Michael Marcus' duo with drummer Jay Rosen performed with fellow reedsman Joe McPhee and a 2nd drummer at the Jazzgalerie Nickelsdorf in 2018, the concept so appealing that he took it to the studio in New York, with Warren Smith handling the 2nd drum part and cementing this unusually orchestrated and elegantly passionate band as "The Blue Reality Quartet".
Marcus, Michael
Stone Jump
(Not Two)
Michael Marcus composed these lyrical jazz works to create a message about "New York City realities", recorded in two studio sessions with Marcus on soprano & tenor sax, octavin, A clarinet & tarogato, along with Denton Darien on piano, John Austria on Fender Rhodes, Tyler Mitchell on bass, Warren Smith on drums & percussion, and Lawrence Feldman on alto flute.
Dixon, Bill
Envoi
(Les Disques Victo)
The late trumpeter Bill Dixon's final performance at the 2011 Victo Festival, performing with and directing an incredible group including Taylor Ho Bynum, Rob Mazurek, Stephen Haynes, Graham Haynes, &c. &c.
Other Recommended Releases:
Anderson, Chad (Anderson / Smith / Stephenson / Amba / Ankhitek)
Mellifluous Excursions Vol. 1 - Where You Been
(Mahakala Music)
A solid album of buoyant collective improvisation led by NY drummer Chad Anderson, with vibraphonist Warren Smith adding an optimistic voice to the quintet of relative newcomer, sax and flute player Zoh Amba and bassist Barry Stephenson, the sophisticated and generally upbeat sound of the group taking a stinging tone on two tracks with the sharp observations from The Ankhitek.



Customers Who Bought This Item Also Bought:
McNeill, Michael (w/ Susan Alcorn / Dave Ballou / Shelly Purdy)
Barcode Poetry
(Infrasonic Press)
After their 2022 tour, the quartet of Michael McNeill on piano, Susan Alcorn on pedal steel guitar, Dave Ballou on trumpet, and Shelly Purdy on vibraphone and percussion recorded seven studio improvisations composed by McNeill, using a compositional framework inspired by the black and white keys of the piano (the 'barcode') to fuel their poetic and expressive impulses.
Davis, Kris Trio (w/ Hurst / Blake)
Run the Gauntlet
(Pyroclastic Records)
A tribute to six extraordinary female pianists — Geri Allen, Carla Bley, Marilyn Crispell, Angelica Sanchez, Sylvie Courvoisier & Renne Rosnes — through compositions from New York pianist Kris Davis and one by drummer Johnathan Blake, melodically rich and intricately challenging pieces as Davis stands shoulder to shoulder with those who inspired her.
Fujii, Satoko Quartet (w/ Tamura / Takeharu / Yoshida)
Dog Days of Summer
(Libra)
One of Satoko Fujii's wildest groups, the quartet of Fujii on piano, Natsuki Tamura on trumpet, Hayakawa Takeharu (HAYAKAWA, Dr. Umezu Band) on bass and Magaibutsu label leader & Ruins drummer Tatsuya Yoshida present their first album since 2007, expanding their assertive approach to improv in an adventurous set that merges rock and jazz forms with lyricism and power.
Ellis, Don (Byard / Carter / Persip; Bley / Peacock / Stone /Martinis)
How Time Passes To Essence, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Before his experimental, culturally absorbing large band work in the late 60s and 70s, trumpeter Don Ellis released these two excellent quartet albums featuring his own compositions, particularly the side-long work "Improvisational Suite 1", in bands with Jaki Byard, Ron Carter & Charlie Persip (How Time Passes) and with Paul Bley, Gary Peacock and either Gene Stone or Nick Martinis (Essence).
Hirsh / Swell / Clouse / Parker
Out On A Limb
(Soul City Sounds)
Brooklyn Saxophonist and Park West Studios founder is the common thread to this quartet with Steve Hirsh on drums, Steve Swell on trombone and William Parker on bass, all frequent collaborators in innumerable projects, here in three extended improvisations beautifully recorded, showing the wealth of experience each has alone and in collective expression.
Arashi With Takeo Moriyama
Tokuzo
(Trost Records)
The trio of Japanese saxophone legend Akira Sakata with the Scandinavian rhythm section of Johan Berthling on double bass and Paal Nilssen-Love on drums, plus a second drummer with Takeo Moriyama (Yosuke Yamashita Trio), perform six wildly exciting improvisations, Sakata's vocalizations at times pushing the band as they are heard live in this 2019 recording at Tokuzo in Nagoya, Japan.
Brennan, Patricia Septet (Irabagon / Shim / O'Farrill / Gilmore / Herrera / Cass)
Breaking Stretch
(Pyroclastic Records)
For her third album as a leader, NY vibraphonist and composer Patricia Brennan expands her band to a septet with bassist Kim Cass, drummer Marcus Gilmore, percussionist Mauricio Herrera, saxophonists Jon Irabagon and Mark Shim and trumpeter Adam O'Farrill also on electronics, for an exciting, widely embracing and fully modern album of compelling modern jazz, bound to be a 2024 top 10!
Parker's, Evan Transatlantic Trance Map
Marconi's Drift
(False Walls)
Bringing together two groups of spectacular improvisers versed in free and electroacoustic improvisation for a live transatlantic performance, one group of seven musicians primarily from The UK & Europe performing from The Hot Tin venue in Faversham, Kent, UK, the other group of six musicians performing from Roulette, New York City, for this stunningly impressive group improvisation.
Bridge, The (Amado / von Schlippenbach / Haker-Flaten / Hemingway)
Beyond the Margins
(Trost Records)
Assembled by Portuguese saxophonist Rodrigo Amado, this stellar quartet bridges nations with German pianist Alexander von Schlippenbach, Norwegian double bass player Ingebrigt Haker-Flaten, and American drummer Gerry Hemingway, presenting the extended, masterful collective title track, along with two shorter works, particularly revisiting Albert Ayler's "Ghosts".
Swell, Steve / Joe Mcphee / Chris Corsano
Sometimes The Air Is
(Mahakala Music)
A masterful album of collective free improvisation captured in Brooklyn's Park West Studios by Jim Clouse, of the trio of tenor saxophonist Joe McPhee, trombonist Steve Swell and drummer Chris Corsano, ten conversations of diverse approach, from reflectively abstract to uncompromisingly assertive discourse that is ultimately fueled by a joyful camaraderie.
Grdina, Gordon / Mat Maneri / Christian Lillinger
Live at the Armoury
(Clean Feed)
The premiere encounter of the uniquely orchestrated trio of two legendary string improvisers--Gordon Grdina on guitar & oud, and Mat Maneri on viola--with drummer Christian Lillinger (New Old Luten, Punkt vs. Plastik, EUPHORIUM_freakestra) recording in the studio in Vancouver, BC for three impressive, innately lyrical, dexterous and magnificent conversations.
Day & Taxi (Gallio / Jeger / Hemmingway)
Live in Baden
(Clean Feed)
For 35 years saxophonist & composer Christoph Gallio has directed the exemplary Swiss jazz group Day & Taxi, here in a trio format with bassist Silvan Jeger and drummer Gerry Hemingway, Gallio on soprano, alto & C melody saxophones, heard in this 2021 live performance at Stadtbistro Isebahnli, in Baden, Germany for nine diverse, creative and delightfully quirky pieces.
Almeida, Goncalo
Improvisations on Amplified and Prepared Double Bass
(Shhpuma)
Performing on double bass, amp and a volume pedal, Gonçalo Almeida (LAMA, Albatre, The Attic) explores new sonic environments and possiblities for the large strings, using feedback that modifies based on the physical location between the amp and the resonator of the double bass, Almeida improvises with bowing strokes, pizzicato and unusual string preparations.
Paulo, Joao / Paulo Curado / Bruno Pedroso
As Sete Ilhas De Lisboa
(Clean Feed)
2003 release of the Lisbon improvising trio of Bruno Pedroso on drums, Joao Paulo on piano and Paulo Curado on saxophone, merging jazz and world styles from Lisbon, America, Arabic and Jewish forms with lyrical strength, clear communication and an experimental attitude between the three players, a great example of the Portuguese free improvising scene.
Coltrane, John
Chasin The Trane, Revisited
(ezz-thetics by Hat Hut Records Ltd)
The 4-night engagement at the Village Vanguard in November 1961 with sidemen Eric Dolphy, McCoy Tyner, Reggie Workman, Jimmy Garrison & Elvin Jones resulted in saxophonist John Coltrane's 1962 "Live at the Village Vanguard" album, his evolving freedom surprisingly divisive and even decried as "anti-jazz", here reissued and remastered with a bonus version of "Spiritual".
Korekyojinn (Yoshida / Nasuno / Natsuki)
Mesopotamia
(Magaibutsu Limited)
The Japanese Korekyojinn trio of Tatsuya Yoshida on drums, Mitsuru Nasuno on bass and Kido Natsuki on guitar continue their high energy approach to prog and jazz/rock with this, their 6th studio album over 20 years, in seven new pieces of extended instrumental works maintaining the effortlessly complex & joyful interplay amid quickly shifting time signatures and melodic changes.
Tsahar, Assif Brass Reeds Ensemble
The Hollow World
(Hopscotch Records)
Tsahar's 9-piece Brass Reeds Ensemble Herb Robertson, Chris Jonas, Rob Brown, Susie Ibarra, &c. is an ambitious and incredible undertaking of group improvisation.
Lisbon String Trio / Luis Lopes
Isotropy
(Creative Sources)
Isotropy - having a physical property which has the same value when measured in different directions - is the collaboration between the Lisbon String Trio of Ernesto Rodrigues (viola), Miguel Mira (cello) and Alvaro Rosso (double bass) with Luis Lopes, here on acoustic guitar, in a 2 part extended improvisation recorded live at the 2020 Small Format Materials Festiva.
Arthurs / Khroustaliov / Sartorious
Hangkerum
(Clean Feed)
An album of alien soundscape and un-anticipatable rhythm with seductive brass sonority floating above, from the Swiss trio of trumpeter Tom Arthurs, Isambard Khroustaliov on electronics, and Julian Sartorious on drums & percussion, contrasting complex and strangely aberrant sonic and rhythmic environments with lyrically virtuosic trumpet work.
Cat in a Bag (Figueira / Fonseca / Clemente / Lucas)
Cat in a Bag
(Clean Feed)
With 3 members of the sextet Slow is Possible--alto saxophonist Bruno Figueira, guitarist Joao Clemente and drummer Duarte Fonseca--plus bassist Joao Lucas (who has his own trio on Creative Sources), this cat is a genre-mashing band, blurring jazz and rock forms in a very Downtown NY way: open-minded, surprising, articulate, sophisticated, and passionate improv.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC