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Sample The Album:
Marc Copland-piano
Michael Brecker-tenor sax
John Abercrombie-guitar
Drew Gress-bass
Jochen Rueckert-drums
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UPC: 752156059325
Label: Hatology
Catalog ID: 593
Squidco Product Code: 10350
Format: CD
Condition: New
Released: 2003
Country: Switzerland
Packaging: Cardstock Gatefold Sleeve
Recorded on June 6 and 7, 2002 at The Studio, NYC by Jon Rosenberg.
"Saxophonist turned jazz pianist Marc Copland has been busy recording for a Switzerland based record label. He continues his high level of musicianship with his core trio, along with tenor saxophonist Michael Brecker and guitarist John Abercombie, both performing on selected tracks. Copland possesses a sensitive touch, while also residing as a well-versed swing and bop pianist. On the piece titled "See You Again," he lays down a groove ridden, lower register ostinato in support of Brecker's gritty, and rather heartening lines, as the soloists purse an open-ended dialogue via their peppery improvisations. Copland's and Abercrombie's temperate and reflective spin of Miles Davis' classic "Blue Is Green," serves as a mood-evoking ballad. While Charlie Parker's "Air Conditioning" features the guitarist's inimitable phraseology, fused with climactic lines and diminutive voicings. Here, the quartet's ascending momentum and bebop rhythms might suggest a sense of tension to complement an element of surprise. Other highlights include a sequence of staggered flows, marked by Brecker's soaring skyward approach and Copland's melodically shaded chord progressions. And of course, the rhythm section of bassist Drew Gress and drummer Jochen Rueckert provide the soloists with all the ammo required."-Glenn Astarita
Artist Biographies
• Show Bio for Marc Copland "Marc Copland (born May 27, 1948, as Marc Cohen) is an American jazz pianist and composer. Copland became part of the jazz scene in Philadelphia in the early 1960s as a saxophonist, and later moved to New York City, where he experimented with electric alto saxophone. In the early 1970s, while pursuing his own harmonic concept, he grew dissatisfied with what he felt were inherent limitations in the saxophone and moved to the Baltimore-Washington D.C. area, where he remained for a decade to retrain as a jazz pianist. He returned to New York in the mid-1980s." ^ Hide Bio for Marc Copland • Show Bio for Drew Gress "Drew Gress (born November 20, 1959) is an American jazz double-bassist and composer born in Trenton, New Jersey, raised in the Philadelphia area, and currently based in New York City. Biography Gress became interested in jazz and the double bass while a teenager, joining the Pennsbury Concert Jazz Band, a nationally-prominent high school jazz ensemble, in 1975, spending two years as bassist and arranger for the group. His interest in composing original material for large ensembles, such as those of Johnny Richards, Billy May, and Pat Williams, led him to Baltimore's Towson State University in 1977, where he studied composition and counterpoint with Hank Levy, known for his work with Don Ellis and Stan Kenton. While at Towson, Gress established a playing relationship with saxophonist Ellery Eskelin, with whom he cofounded Joint Venture with Paul Smoker and Phil Haynes. They released three albums on Enja Records between 1987 and 1994. During the 1980s in the Baltimore/Washington DC area, he played with Sonny Stitt, Clifford Jordan, Albert Dailey, Mose Allison, Zoot Sims, Cab Calloway, Buddy Hackett, Phyllis Diller, and pianist Marc Copland, with whom he still plays today. He also served on the faculties of the Peabody Conservatory, Towson State University, and the Baltimore School for the Arts. He formed a quartet, Tekke, in 1989 with David Kane, Glenn Cashman, and Michael Smith. In 1997, he cofounded the cooperative improvising trio Paraphrase with saxophonist/composer Tim Berne and drummer Tom Rainey. Together, they pursued a compositional approach to free improvisational practice. They recorded three live albums together and toured extensively. In 1998, he released his first album as leader, Heyday, with his band Jagged Sky (featuring David Binney, Ben Monder, and Kenny Wollesen). 2001 saw the release of Spin & Drift with Uri Caine, Berne, and Rainey, in which he played pedal steel guitar for the first time. Earlier in the 1990s, he served tenures as artist in residence at University of Colorado-Boulder and at Russia's St. Petersburg Conservatory. Since 1992, Gress has maintained an extensive touring schedule, traveling to Europe, Asia, and South America. Those with whom he has and continues to work include Tim Berne, Ravi Coltrane, Uri Caine, John Hollenbeck, Fred Hersch, Marc Copland, Don Byron, Steve Coleman, Dave Douglas, Jack DeJohnette, John Surman, Ray Anderson, Erik Friedlander, Kenny Werner, Bill Carrothers, Ralph Alessi, Tony Malaby, Steve Lehman, and Edsel Gomez. To date, he has appeared on over 140 recordings, 4 of which have received Grammy nominations. Gress' own ensembles have toured Europe four times since 2002, in addition to isolated festival appearances in Italy and Portugal. In 2004, the UK's BBC Radio and London's Guardian selected his quartet's live radio broadcast as Jazz Concert of the Year. Composition awards include an NEA grant (1990), funding from Meet the Composer (2003), a Chamber Music America New Works Grant (2005), a CMA French-American Exchange Grant (2007), and an Encore Grant from that same organization (2008). He continues to compose for larger groups and has begun experimenting with virtual synthesizers." ^ Hide Bio for Drew Gress
11/18/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/18/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Old Friends 1 2:10
2. See You Again 8:33
3. Blue in Green 6:00
4. Balloonman 8:06
5. Old Friends 2 3:14
6. Air Conditioning 5:53
7. Spring Song 7:56
8. Cantaloupe Island 9:52
9. You and the Night and the Music 8:26
10. Old Friends 3 2:29
Hat Art
Improvised Music
Jazz
Limited Editions & Out of Print
Quintet Recordings
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Hatology.