"Guitarist Marc Ducret was born in Paris in 1957. A self-taught musician, he began working in various groups (dance and folk included), and in the studio, before reaching the age of 20. In 1986, he became a member of the first French National Jazz Orchestra. Also in the late '80s, Ducret led his own trio and toured Europe, Africa, and Asia. In 1991, he began working with Tim Berne and went on to play with Berne in Caos Totale, Bloodcount, and Big Satan. Ducret has several solo recordings to his credit, released on Berne's Screwgun label and the Winter & Winter label. In the late '90s, Ducret formed a tentet, Seven Songs, to explore music of the '60s."-Joslyn Layne

"Tim Berne (born 1954) is an American jazz saxophonist and composer.

Described by critic Thom Jurek as commanding "considerable power as a composer and ... frighteningly deft ability as a soloist", Berne has composed and performed prolifically since the 1980s. His mainstream success has been limited � Berne recorded two albums for Columbia Records � but he has released a significant body of work over the decades spanning dozens of critically acclaimed recordings.

Though Berne was a music fan, he had no interest in playing a musical instrument until he was in college, when he purchased an alto saxophone. He was more interested in rhythm and blues music � Stax records releases and Aretha Franklin, especially � until he heard Julius Hemphill's 1972 recording Dogon A.D.

Hemphill was known for his integration of soul music and funk with free jazz. Berne moved to New York City in 1974. There Berne took lessons from Hemphill, and later recorded with him.

In 1979, Berne founded Empire Records to release his own recordings. He recorded Fulton Street Maul and Sanctified Dreams for Columbia Records, which generated some discussion and controversy, due in part to the fact that Berne's music had little in common with the neo-tradionalist hard bop performers prominent in the mid-1980s. Some regarded Berne's music as uncommercial. In the late 1990s Berne founded Screwgun Records, which has released his own recordings, as well as others' music.

Beyond his recordings as a bandleader, Berne has recorded and/or performed with guitarist Bill Frisell, avant-garde composer/sax player John Zorn, violinist Mat Maneri, guitarist David Torn, cellist Hank Roberts, trumpet player Herb Robertson, the ARTE Quartett and as a member of the cooperative trio Miniature.

Recent years have found Berne performing in several different groups with drummers Tom Rainey and Gerald Cleaver, keyboardist Craig Taborn, bassists Michael Formanek and Drew Gress, guitarists Marc Ducret and David Torn, and reeds player Chris Speed.

He is one-third of the group BBC (Berne/Black/Cline) along with drummer Jim Black and Nels Cline of Wilco. The group released a critically acclaimed album called The Veil in 2011.

Berne's complex, multi-section compositions are often quite lengthy; twenty- to thirty-minute pieces are not unusual. One critic wrote that Berne's long songs "don't grow tiresome. The musicians are brilliantly creative and experienced enough not to get lost in all the room provided by these large time frames." "

"Dominique Pifarély modernized jazz violin, combining extraordinary technical skills with an inclusive idea of music-making. He has been soon very in-demand as a straight jazz player, but was soon in some of the more adventurous groups in Europe, too, including Mike Westbrook's band (On Dukes' Birthday, hatART) and the Vienna Art Orchestra.

In 1979, he began touring with bassist Didier Levallet and guitarist Gérard Marais as a trio. In the 1980s he began leading his own bands, as can be heard on 2 records, Insula Dulcamara (1988) et Oblique (1992).

In 1985, Pifarély started to work with reedist Louis Sclavis and in 1992, they formed the Sclavis/Pifarély Acoustic Quartet, featuring guitarist Marc Ducret and bassist Bruno Chevillon, and recorded for ECM. In the late 1990s, he started a duo work with pianist François Couturier, and they recorded a prominent album (Poros, ECM, 1997).

In the 2000's, Dominique Pifarély leads different personal projects. Impromptu is a development of the collaboration with François Couturier, adding counter tenor Dominique Visse and a work on contemporary poetry. He initiated numerous text/music experiences with french writer François Bon and actors Violaine Schwartz and Pierre Baux. The Dédales Ensemble is a acoustic nine piece band. He founded in 2007 a trio with keyboard player Julien Padovani and drummer Eric Groleau, and the Dédales Ensemble ("Time Geography", Poros éditions, 2013), played in duo with Michele Rabbia or Vincent Courtois,

In his mature style, the classical violin tradition and the swing lessons combine with a contemporary European sonic exploration ; his technical mastery and quick imagination allow him to move seamlessly between these worlds.

Dominique Pifarély created in 2014 a new quartet with Antonin Rayon on piano, Bruno Chevillon on double bass and François Merville on drums ("Tracé provisoire", ECM, 2016), and gives solo recitals. Then he is part, since 2015, of the collaborative trio Sclavis/Pifarély/Courtois ("Asian fields variations", ECM, 2017).

He regularly performs in whole Europe, and has been touring in USA, Canada, Japan, India, Middle East, Latin America or Africa."

"Thomas "Tom" Rainey (born 1957, Santa Barbara, California) is an American drummer.

After attending Berklee College of Music he moved to New York in 1979. He has played with American jazz saxophonist and composer Tim Berne, and also with Nels Cline, Fred Hersch, Tony Malaby, Tom Varner, Drew Gress, Kenny Werner, Mark Helias, and Simon Nabatov. A prolific session musician, he has appeared on close to eighty recordings over a career spanning over 25 years.

He released his own first album, Pool School (Clean Feed), in 2010."