The Squid's Ear Magazine


Golia, Vinny / Marco Eneidi / Lisa Mezzacappa / Vijay Anderson: Hell-Bent in the Pacific (NoBusiness)

Insanely great free improvisation for the West Coast in this quartet of Vinny Golia (multi-reeds), Marco Eneidi (alto sax) Lisa Mezzacappa (bass), and Vijay Anderson (drums).
 

Price: $15.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Vinny Golia-tenor saxophone, sopranino saxophone, soprano saxophone, Bb clarinet, bass clarinet

Marco Eneidi-alto saxophone

Lisa Mezzacappa-acoustic bass

Vijay Anderson-drums


Click an artist name above to see in-stock items for that artist.




UPC: 4779022074233

Label: NoBusiness
Catalog ID: NBCD 49
Squidco Product Code: 16925

Format: CD
Condition: New
Released: 2012
Country: Lithuania
Packaging: Jewel Tray
Recorded by John Finkbeiner at New, Improved Recording, Oakland, CA.

Descriptions, Reviews, &c.

"I first met Marco Eniedi in the late 1990′s .. who can remember where? His American Jungle Orchestra had made a big impression on the new music scene in the SF Bay Area and we all knew that Marco had been collaborating with Cecil Taylor and had studied with the late, great, irreplaceable Jimmy Lyons. One night we were checking out a show and he asked me if i would like to join his large ensemble. I agreed without hesitation.

Marco's studies with Taylor and Lyons were evident at the first rehearsal. In those days he was using Cecil's notation system, but what he really had a knack for was setting up events where brilliant musical episodes would unfold. After a few performances, Marco scheduled a month-long residency at Venue 9, and invited some cream-of-the-crop improvisers as guest artists (Wadada Leo Smith, Jackson Krall, Bertram Turetsky, and more) to join the orchestra for a series of concerts. In addition to the outstanding guest artists, Marco featured the late great Glenn Spearman, myself and members of the ROVA Saxophone Quartet in the reed section. These live sessions were released on a 2-disc set on the Boticelli label. If you haven't had the pleasure of listening to this great release, suffice to say that the playing and the combinations he inspired always transcended the notes on the page. This is the sign of a great bandleader.

This says nothing about Marco's brilliant work as a saxophonist. Sure, he comes out of the traditions set in motion by Jimmy Lyons, but in recent years in particular he has transcended his influences completely and sounds like no one else but Marco Eniedi. He has reached a level of maturity that few have approached, and he is currently playing at the height of his powers. Marco left the United States a few years ago and has been living in Vienna Austria - a thriving center for music since the days of Haydn and Mozart. The music is still alive in Vienna, there are countless examples, and Marco is a force of nature on that scene.

All this to say you would do yourself a great service if you make it out to hear Marco surrounded by an outstanding cast of improvisers - Vinny Golia, Lisa Mezzacappa, Vijay Anderson. If you want to know what free jazz sounds like when it is in its highest form, look no further. The music is alive and well and Marco remains at the forefront of the music."-Phillip Greenlief, In The Flow 12


Get additional information at In The Flow 12

Artist Biographies

"As a composer Vinny Golia (born March 1, 1946) fuses the rich heritage of Jazz, contemporary classical and world music into his own unique compositions. Also a bandleader, Golia has presented his music to concert audiences in Europe, Canada, Mexico, Japan, Australia, New Zealand and the United States in ensembles varying dramatically in size and instrumentation. Mr. Golia has won numerous awards as a composer, including grants from The National Endowment of the Arts, The Lila Wallace Commissioning Program, The California Arts Council, Meet the Composer,Clausen Foundation of the Arts, Funds for U.S. Artists and the American Composers Forum. In 1982 he created the on-going 50 piece Vinny Golia Large Ensemble to perform his compositions for chamber orchestra and jazz ensembles.

A multi-woodwind performer, Vinny's recordings have been consistently picked by critics and readers of music journals for their yearly "ten best" lists. In 1990 he was the winner of the Jazz Times TDWR award for Bass Saxophone. In 1998 he ranked 1st in the Cadence Magazine Writers & Readers Poll and has continually placed in the Downbeat Critic's Poll for Baritone & Soprano Saxophone. In 1999 Vinny won the LA Weekly's Award for "Best Jazz Musician". Jazziz Magazine has also named him as one of the 100 people who have influenced the course of Jazz in our Century. In 2006 The Jazz Journalists Association honored him with a Lifetime Achievement Award.

Golia has also contributed original compositions and scores to Ballet and Modern Dance works, video, theatrical productions, and film. As an educator Vinny has lectured on music & painting composition, improvisation, Jazz History, The History of Music in Film, CD & record manufacturing and self-production throughout the United States, Europe, Mexico, New Zealand and Canada. He currently teaches at California Institute of the Arts. In 1998 Golia was appointed Regent's Lecturer at the University of California at San Diego. In 2009 Vinny Golia was appointed the first holder of the Michel Colombier Performer Composer Chair at Cal Arts.

Vinny has been a featured performer with Anthony Braxton, Henry Grimes, John Carter, Bobby Bradford, Joelle Leandre, Leo Smith, Horace Tapscott, John Zorn, Tim Berne, Bertram Turetzky, George Lewis, Barre Phillips, The Rova Saxophone Quartet, Patti Smith, Harry "the Hipster" Gibson, Eugene Chadburne, Kevin Ayers, Peter Kowald, John Bergamo, George Gruntz Concert Jazz Band, Misha Mengelberg, Han Bennick, Lydia Lunch, Harry Sparrney and the Los Angeles Philharmonic Orchestra amongst many others."

-Vinny Golia Website (http://www.vinnygolia.com/bio.html)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Marco Eneidi (November 1, 1956 Ð May 24, 2016) was an American jazz alto saxophonist. He was primarily associated with free jazz.

Eneidi was born in Portland, Oregon. His father worked for the Lawrence Berkeley National Laboratory and his mother was a paralegal. Eneidi and his family lived in Livermore before moving to Oakland, California. As a child, he took lessons with Sonny Simmons. He attended Mt. Hood Community College before earning a Bachelor of Arts degree from Sonoma State University and Master of Arts from Mills College. Later in his career, he studied North Indian classical music at the Ali Akbar College of Music in San Rafael, California.

Eneidi moved to New York City in 1981 to study with Jimmy Lyons. He started to play with Jackson Krall, William Parker and Denis Charles. In 1984, he was hired by Bill Dixon to teach at Bennington College. In the early-1990s, he recorded his first important dates as a leader, such as Final Disconnect Notice. He was hired by Cecil Taylor, with whom he played in Europe. Eneidi moved back to the West Coast in the late 1990s, notably playing with Glenn Spearman. In 2005, he moved to Vienna, where he ran weekly free improvisation sessions until his move to Mexico in 2015."

-Wikipedia (https://en.wikipedia.org/wiki/Marco_Eneidi)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Lisa Mezzacappa is a San Francisco Bay Area-based bassist, bandleader, composer, curator and producer. An active collaborator in the Bay Area music community for more than a dozen years, she leads her own groups Bait & Switch, the Interlopers, Nightshade, Eartheaters and the Lisa Mezzacappa Trio, and co-leads the ensembles BODABODA, duo B., Cylinder, the Mezzacappa-Phillips Duo, and the Caribbean folk band Les Gwan Jupons. Lisa has released her music on the Clean Feed, NoBusiness, Leo, NotTwo, Evander, Odd Shaped Case and Edgetone record labels, and has recorded as a sideperson for the Tzadik, Kadima and Porto Franco labels. She collaborates frequently on cross-disciplinary projects in sound installation, film/video, sculpture and public music/art.

As curator, she programs the annual JazzPOP concert seres at the UCLA Hammer Museum in Los Angeles, now in its 10th year; and a live cinema series, Mission Eye and Ear, at Artists' Television Access. She founded the Monday Makeout creative music series in the Mission District of San Francisco, and programs the Best Coast Jazz Composers series as a member of the artistic committee San Francisco's Center for New Music. In 2012 she started the "Festival-of-Us," a semi-annual festival celebrating Bay Area creative jazz and improvised music. Recent projects include an avant-folk string band, the Interlopers; Eartheaters, a trio with Brooklyn vocalist Fay Victor; and BODABODA, a cross-planetary collaboration with Venice reed player/composer Piero Bittolo Bon. In fall 2015 she premieres Glorious Ravage, a multi-media song cycle for large ensemble with commissioned films, inspired by the writings of Victorian lady adventurers.

Lisa has been artist-in-residence at Djerassi Resident Artists Program (2008, 2013), Headlands Center for the Arts (2006, 2015), the Banff International Jazz Workshop (2000), and the Painted Bride Arts Center (2000). She holds an MA in ethnomusicology from UC Berkeley (2003), and a BA in music from the University of Virginia (1997). She has performed at countless Bay Area venues including Intersection for the Arts, Yerba Buena Center for the Arts, SFMOMA, Yoshi's, the Jazzschool, and the de Young Museum, San Francisco; as well as the Earshot Jazz Festival, Seattle; the Montreal Jazz Festival and Victoriaville Festival de Musique Actuelle, Canada; the Monterey Jazz Festival, CA; Moers Festival, Germany; and Novara Jazz Festival, Italy.

Lisa has been awarded grants by the MAP Fund, the Foundation for Contemporary Arts, San Francisco Friends of Chamber Music, the Zellerbach Family Foundation, American Composers Forum, the City of Oakland, Meet the Composer and Southern Exposure/the Andy Warhol Foundation. She performs as a sideperson in original jazz, improv and chamber ensembles led by estemmed bandleaders and West Coast musical visionaries, like Phillip Greenlief, Aaron Novik, Beth Custer, Randy McKean, Marco Eneidi, Vijay Anderson, Aaron Bennett, Myles Boisen, Steve Adams, Graham Connah, Jon Raskin, Cory Wright and Ross Hammond, and collaborates often with Darren Johnston, Vinny Golia, Katy Stephan, Aram Shelton, Kjell Nordeson, Murray Campbell, Jason Levis, Dina Maccabee, Noah Phillips, Rob Ewing, Kasey Knudsen, Myles Boisen, Sam Ospovat, John Hanes, and many many others."

-Lisa Mezzacappa Website (http://www.lisamezzacappa.com/bio.html)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.
"Vijay Anderson is a freelance drummer, bandleader, composer, and teacher who recently relocated to Brooklyn, New York. He has performed and recorded with Los Angeles-based multi-instrumentalists Lynn Johnston and Vinny Golia; Bay Area composers/performers Ben Goldberg, Sheldon Brown, Graham Connah, Darren Johnston, Smith Dobson V, Lisa Mezzacappa, Aaron Bennett, Ava Mendoza, Hafez Modirzadeh and saxophonist/composer Marco Eneidi. He has worked extensively with bass player/composer Adam Lane as part of Lane's Full Throttle Orchestra, the Adam Lane Trio featuring Vinny Golia, and Adam Lane's Blue Spirit Band featuring Avram Fefer and Roy Campbell. He holds a MFA in music performance from Mills College and a BA in music performance from S.F. State.Anderson has composed and performed original scores for filmmakers Jeff Kao and Tim Hicks as well as for projects by the Facing East Dance Company. Other notable career highlights include performing with Connie Crothers, Virg Dzurinko, Daniel Carter, Roberto Miranda, Bobby Bradford, William Roper, Jamaaladeen Tacuma, Darius Jones, Prasant Radhakrishnan, Paul Smoker, John Tchicai, Wadada Leo Smith, Herb Robertson, Steve Swell, Kenny Wessel, Ken Filiano, Garrison Fewell, Karl Berger's Stone Workshop, Steve Adams, Bishop Norman Williams, BJ Papa, the Bill Horvitz Expanded Band, Phillip Johnston, Joel Forrester, Mike Watt, Chuck Dukowski, and Slovenly Jr. (subbing for Rob Holzman).Anderson has performed at many venues in the Bay Area and beyond, including: Yoshi's, the Stone, Bruno's, Café Claude, the Comstock Saloon, Barbes, the Luggage Store, New Langton Arts, Headlands Center for the Arts, the Bop Shop, the Hammer Museum, the Berkeley Art Museum, the De Young Museum, and Intersection for the Arts. He also has performed at many festivals including the Monterey Jazz Festival, the San Jose Jazz Festival, the Fillmore Jazz Festival, the San Francisco Alternative Music Festival, the North Beach Jazz Festival, Cimpfest 2011 in Villach, Austria, the Novara Jazz Festival 2012 in Novara, Italy, The 2013 VDU Jazz Connections Festival in Kaunas, Lithuania, The San Francisco Jazz Festival in 2014, and the Outsound Music Festival in 2016 and 2017.Anderson's recorded work can be found on Cadence Jazz Records, Clean Feed, CIMP, Pax Recordings, Edgetone, Evander Music, 3 Beads of Sweat, NotTwo, NineWinds, and NoBusiness Records. He additionally leads two of his own bands, the Vijay Anderson Quartet, and the Touch and Go Sextet. His first record under his own name, entitled "Hard Boiled Wonderland" was released in August 2010 on Nottwo Records. In 2012, Anderson received a travel grant from the Mid Atlantic Arts Foundation to take the Touch and Go Sextet to the Novara Jazz Festival 2012 in Novara, Italy. A recording of this concert was released in 2014 on the NineWinds Label.Recent work includes performing with Sheldon Brown's Blood of the Air, as well as various groups with saxophonist Hafez Modirzadeh, including a quartet with bassist Mark Dresser and pianist/composer Diane Moser. Other recent projects include the Silverscreen Sextet involving luminaries from Los Angeles creative music scene as well the Adam Lane Trio featuring alto saxophonist Nick Lyons which toured the Russian Federation in 2017."-Vijay Anderson Website (http://vijayanderson.com/bio/)
11/18/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Meteorites 9:21

2. Inessential Melancholies 2:57

3. Everything Imaginable Can Be Dreamed 7:57

4. Deformities And Discords 1:45

5. Pendulum 4:34

6. Fumbling Fulminations 2:36

7. Prisoner Of A Gaudy And Unlivable Present 7:39

8. Lop-Sided Heels And Frayed Shoes 7:00

9. Catholic Comstocking Smut-Hound 13:18

Related Categories of Interest:


Improvised Music
Jazz
West Coast/Pacific US Jazz
NY Downtown & Metropolitan Jazz/Improv
Staff Picks & Recommended Items
Quartet Recordings

Search for other titles on the label:
NoBusiness.


Recommended & Related Releases:
Shirosihi / Golia / Fujioka / Cline
Borasisi
(Astral Spirits)
Two drums and two saxophones merge to create this epic 2-part free jazz trek - "Right Eye Sun" and "Left Eye Moon", the album title taken from a sun deity in Kurt Vonnegut's novel "Cat's Cradle", who mated with the moon; this pairing is realized by West Coast masterful musicians Patrick Shiroishi & Vinny Golia (sax) and Dylan Fujioka and Alex Cline (drums & percussion).
Lane, Adam / Darius Jones / Vijay Anderson
Absolute Horizon
(NoBusiness)
A trio of NY compatriots, bassist Adam Lane leads his trio with drummer Vijay Anderson and alto saxophonist Darrius Jones as they develop cohesive spontaneous compositions in a beautiful suite of sound.
Staiano's, Moe! - MOE!KESTRA!
2 Rooms Of Uranium Within 83 Markers: Conducted Improvisations, Vol.II
(Edgetone Records)
Two live conducted improvisations percussion for large group recorded at the Oakland Box Theater, presenting the 6 part Piece No.11: Two Orchestras in Separate Rooms.
Other Recommended Releases:
Golia, Vinny / Max Johnson / Weasel Walter
No Refunds
(Unbroken Sounds)
Recording in Brooklyn's Seaside Lounge in 2014, these five previously unreleased collective improvisations bring together West Coast reedist Vinny Golia, performing on clarinet, saxello, sopranino, baritone saxophones with double bassist Max Johnson and drummer Weasel Walter, an absolutely impressive example of free playing intent and well-balanced conversation.
Tapscott, Horace Quintet
Legacies For Our Grandchildren: Live In Hollywood, 1995
(Dark Tree Records)
The French Dark Tree label continues its curation of the unreleased material of West Coast pianist and band leader Horace Tapscott with this exuberant and substantial collection of live sessions at Catalina's Bar & Grill in Hollywood with Michael Session on saxophones, Thurman Green on trombone, Roberto Miranda on double bass, Fritz Wise on drums and vocal stylist Dwight Trible.
Katarsis4 (Bizys / Janonis / Pancerovas / Jusinskas)
Live At The Underground Water Reservoir [VINYL]
(NoBusiness)
Using the natural resonance of the Liepkalnis underground water reservoir in Vilnius, Lithuania, the Katarsis4 saxophone quartet of Arminas Bizys, Algirdas Janonis, Danielius Pancerovas and Kazimieras Jusinskas merge free improvisation, both melodic and of extended tetechniques, with composed forms and folk music, capturing this extended work of beguiling and powerful music.
Bennett / Johnston / Mezzacappa / Rosaly
Shipwreck 4
(NoBusiness)
Named for Shipwreck Studios, this is the first meeting between San Francisco Bay Area improvisers Darren Johnston (trumpet), Aaron Bennett (sax) and Lisa Mezzacappa (bass) with Chicago drummer Frank Rosaly, for 6 tracks of outstanding interactive and playful improvisation.
Golia, Vinny & Urs Leimgruber
Empiricism in the West
(Relative Pitch)
Two amazing wind players - saxophonist, clarinetist and flautist Vinny Golia and saxophonist Urs Leimgruber - in a series of free improvising duos pushing their instruments into unusual and captivating territories.
Quat Quartet (Fred Van Hove, Els Vandeweyer, Paul Lovens, Martin Blume)
Live at Hasselt
(NoBusiness)
Excellent free improvisation from the quartet of Els Vandeweyer (vibraphone), Fred Van Hove (piano / accordion), Paul Lovens (percussion), Martin Blume (percussion) recording at Kunstencentrum BELGIE & Cultuurplatform Motives for Jazz.
Convergence Quartet, The
Slow and Steady
(NoBusiness)
The Convergence Quartet with Taylor Ho Bynum (cornet), Alexander Hawkins (piano), Dominic Lash (bass) and Harris Eisenstadt (drums) performing live at the Vortex Jazz Club in November, 2011 as part of the London Jazz Festival.
Group, The (Abdullah / Brown / Bang / Sirone / Hopkins / Cyrille)
Live
(NoBusiness)
A previously unreleased concert recording from 1986 of a group of leading out jazz artists (Billy Bang, Fred Hopkins, Andrew Cyrille, &c.) playing original compositions as well as a cover of Mingus' "Goodbye Pork Pie Hat".
Golia Quartet, Vinny
Take Your Time
(Relative Pitch)
The third recording from this group of long-time collaborators, with Golia on soprano, alto and tenor sax, Bobby Bradford on cornet, Ken Filiano on bass and Alex Cline on drums in a set of Golia original compositions.
Mezzacappa, Lisa Bait and Switch
What is Known
(Clean Feed)
San Francisco Bay Area bassist Lisa Mezzacappa's "garage jazz" quartet, a raw collective with an energized approach to jazz that focuses on band sound and chemistry.



Customers Who Bought This Item Also Bought:
Taylor, Cecil (w/ Lyons / Dixon / Grimes / Silva / Cyrille)
With (Exit) To Student Studies, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Changing approaches to his music with new quartet of Jimmy Lyons on alto sax, Alan Silva on double bass and Andrew Cyrille on drums, pianist Cecil Taylor's incredible 1966 concert in Paris presented four extended compositions, here remastered and reissued with a track from a compilation LP--"With (Exit)"--extending his quartet with Bill Dixon on trumpet and Henry Grimes on double bass.
New York Contemporary Five
Copenhagen 1963, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Originally released in 1964 on The Sonet label as Volumes 1 & 2, this CD remasters this exceptional 1963 concert of original material and pieces by Ornette & Monk, complete in sequence as performed at Jazzhaus Montmarte in Copenhagen with Archie Shepp on tenor saxophone, Don Cherry on cornet, John Tchicai on alto saxophone, Don Moore on double bass and J.C. Moses on drums.
Taylor, Mike
Trio, Quartet & Composer, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Found dead in the Thames River in 1969, pianist & composer Mike Taylor left a legacy of two solid & lyrical jazz albums, of which the complete Trio album and one track from Pendulum are remastered; but he was also a songwriter for the Eric Clapton/Ginger Baker/Jack Bruce band Cream, of which three Taylor compositions with lyrics and vocals by Baker are included.
Von Orelli, Marco
The Unasked Answer
(ezz-thetics by Hat Hut Records Ltd)
A remarkable album of solo trumpet improvisation of incredible and creative technique, performed on trumpet, cornet, piccolo trumpet and slide trumpet, from Swiss trumpeter Marco von Orelli, the album title referencing a work by Charles Ives for offstage string ensemble, woodwind quartet and, most significantly for this album, solo trumpet.
New York Contemporary Five
Consequences Revisited
(ezz-thetics by Hat Hut Records Ltd)
Though short-lived, the New York Contemporary Five brought together NY free players Don Moore on bass, J.C. Moses on drums, Archie Shepp on tenor saxophone, and Don Cherry on trumpet with Danish alto saxophonist John Tchicai, in a remastered edition of their 1966 album "Consequences", expanded with Shepp's revisiting of the material in a sextet with Sunny Murray and Ted Curson.
von Orelli, Marco / Tommy Meier / Luca Sisera / Sheldon Suter
Lotus Crash
(ezz-thetics by Hat Hut Records Ltd)
Trumpeter Marco von Orelli's piano-less quartet with Tommy Meier on tenor saxophone, bass clarinet, Luca Sisera on double bass, and Sheldon Suter on drums is caught live at Theater am Gleis, in Winterthur, Switzerland in 2018, and at Boudoir au Revoir, the same year, performing von Orelli's compellingly clever compositions, plus one each from Adam lane and Tommy Meier.
Coleman, Steve and Five Elements
Live at the Village Vanguard, Vol. I (The Embedded Sets) [2 CDs]
(Pi Recordings)
With his earliest and most current performance history tied to the enduring Manhattan jazz club The Village Vanguard, alto saxophonist Steve Coleman records his Five Elements in a 2017 live show with Jonathan Finlayson on trumpet, Miles Okazaki on guitar, Anthony Tidd on bass, and Sean Rickman on drums for a fiery, exuberant and masterful concert of modern jazz.
Conly, Sean
Hard Knocks
(Clean Feed)
The history of bassist Sean Conly's collaborations and releases shows a strong love of the jazz tradition and a perceptive writing style that references that tradition, heard here in free and lyrical original Conly compositions performed in the studio in a trio setting with fellow New York musicians Satoshi Takeishi on drums and Michael Attias on alto saxophone.
Renku (Attias / Hebert / Takeishi)
Live in Greenwich Village
(Clean Feed)
A live recording at Greenwich House Music School in New York City in 2014, and the 3rd album from the Renku trio of Michael Attias on alto sax, John Hebert on double bass, and Satoshi Takeishi on drums, lyrical and intimate trio work from three masterful players.
Universal Indians + Joe McPhee (Dikeman / Strom / Ostvang)
Skullduggery
(Clean Feed)
The free improvising trio of John Dikeman on sax, Jon Rune Strom on bass, and Tollef Ostvang on drums, invites Joe McPhee on pocket trumpet and alto sax for a release of rugged free improv using unorthodox approaches and amazing dexterity in their playing.
Evans, Peter / Tim Dahl / Mike Pride
Pulverize The Sound
(Relative Pitch)
The trio of trumpeter Peter Evans, electric bassist Tim Dahl, and drummer/percussionist Mike Pride have played together since 2010, crossing the boundaries of improvisation, composition and rock in dynamic genre-defying music intended to be played loud.
Lambkin, Graham / Michael Pisaro-Liu
Schwarze Riesenfalter
(erstwhile)
Balancing active organized sound worlds from Graham Lambkin with Wandelweiser discretion from Michael Pisaro-Liu in five tracks that punctuate concrete sound compositions with Feldman-esque piano progressions, bound together by a short poem; captivating and elusive.
Morris, Joe
Solos - Bimhuis
(Relative Pitch)
Live recordings from guitarist Joe Morris, performing solo at Bimhuis in Amsterdam in two Octobers from 2013 to 2014, showing remarkable technical and creative skills while captivating his audience with accessible progressions and story-telling; masterful!



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC