"Alessandro Bosetti (Born Milano, Italy, 1973) is a composer, performer and sound artist currently based in Marseille.

Most of his works delve on musicality of spoken language and sonorous aspects of verbal communication. He utilizes misunderstandings, translations and interviews as compositional tools.

He has been presenting pieces for voice and electronics blurring the line between electro acoustic composition, aural writing and performance in leading venues as the GRM/Presences Electroniques festival in Paris, Roulette in NYC, The Stone in NYC and Cafe OTO in London among many more all over Europe, Asia and the United States.

One of the most innovative radio artists of his generation he created a vast body of work of hybrid, award winning, text-sound and radio compositions for the main Radio and Electro Acoustic Music studios in Europe, most notably for the historical WDR's Studio Akustische Kunst in Cologne and Deutschland Radio Kultur in Berlin.

Most recently he was awarded the Phonurgia Nova prize 2012 for his composition "636" (RTBF 2010) and the IDAF prize 2013 for his performance "Mask Mirror" an instrument and software that reorganizes speech for musical purposes enacting an electronic ventriloquism.

Since 2009 he started exploring repetitive speech-loop forms with his ensemble Trophies with drummer Tony Buck and fretless guitarist Kenta Nagai. Trophies has released three CDs and tours regularly. Further ongoing collaborations are with pianist Chris Abrahams (The Necks), composer vocalist Jennifer Walshe and vocalists Tomomi Adachi and Amelia Cuni.

As a concert composer he has been writing for ensembles as the Kammerenseble Neue Musik and Die Maulwerker in Berlin while upcoming collaboration include a project for the Janacek Opera house in Brno and a new vocal piece for the Neue Vokalsolisten Stuttgart. Renard, a cycle of chamber pieces for guitar, clarinet and voice commissioned in 2013 by the Besançon museum of Contemporary Art has just been released as an LP by Les Presses du Reel.

Although being known in recent years mostly as a solo performer past and present collaborations include musicians as Sophie Agnel, Serge Bagdassarians, Boris Baltschun, Günter Christman, Rhodri Davies, Michel Doneda, Axel Dörner, Annette Krebs, Peter Kowald, Giuseppe Ielasi, Phil Niblock, Enrico Malatesta, Renato Rinaldi, Christian Kesten, Bhob Rainey, Hankil Ryu, Otomo Yoshihide, Ches Smith, Taku Sugimoto, Taku Unami along with writers Charles Pennequin and Kim T'ae Yong and typographers Indre Kilimaite and Annette Stahmer.

Bosetti has published more than ten CD's under his own name on labels as Errant Bodies Press, Monotype, Rossbin and Sedimental and many others in different collaborative settings."

DJ Lenar, real name Marcin Lenarczyk, is a composer of electroacoustic and musique concrète. From his website:

"My compositions are a musical collage created with the help of looped fragments of traditional, contemporary and concrete music. I do not have favorite styles. I take subjectively and look for sound in all genres of music and fieldrecording. When playing I use turntables, loops and vinyl records.

As a sound director, I deal with the entire film production process. From working on the sounddesign at the script level, to recording on the set and post-production finalized with cinema mixing.

I am the author of the sound installation being a part of the "Hotel Polonia.BudynkówŻycie po życiu" project which won the main Golden Lion award at the 11th International Architecture Exhibition in Venice. My concert in the framework of Ars Acustica (an annual merger of radio stations from all over Europe dedicated to the art of sound) was broadcast by Polskie Radio Pr.2 and retransmitted by the most important European radio stations. In 2013, at Koszaliński Festiwal Debiutów Filmowych "Młodzi i Film" together with the band, I received an award for sound for "creating a professional atmosphere for a big city" for the film Stacja Warszawa."