"968: Born in Tours, France.
1987-91: Studied history of art (University of La Sorbonne, Paris).
1988: Starting sound experiments.

Since 1991: Sound artist.

(award: Festival "Soundscape before 2000")

- tape music composer
A research based on the landscape, its sound substances, its inner language, within a sensitive listening of the world.
[7 solo CDs, many CDs compilations : Japan, Germany, Taiwan, usa...]
+ Previous releases CD:
L'empreinte de l'ivresse (Digital Narcis Ltd, Japan), The Stone of the Threshold (The Ground Fault, Usa).
+ New CD (October 2000): Les Pierres du seuil part 4-7.

- "sound plastician"
(sound environments and installations: Clepsydre, Chute, mi-lieu...)
A research dedicated to the concept: the place - the sound/one place - one work.

- radio producer

(sound essays for the national radio program ACR-France Culture)
New work: Vent sur Ecoute (dedicated to the wind).
Work in progress: Ward Weis (a portrait of this sound artist).

Since 1996: Journalist for the french magazine of new musics: Revue et Corrigée.

Interviews with Pierre Marietan, Claude Schryer, Eric Cordier, Yann Paranthoën, Cédric Peyronnet, René Farabet, Slavek Kwi, Jocelyn Robert, Jean-Luc Guionnet,...
1989-1998: Director of La Légende des voix (label of experimental music).

10 releases (Arsenije Jovanovic, Jim O'Rourke, Syllyk, ...)"

"Jean-Luc Guionnet is an elusive figure. A Parisian artist active in many fields (music, visual arts, cinema), he has mostly worked in electro-acoustics but also has a career in free improvisation, playing alto saxophone, soprano saxophone, church organ, and piano. He has collaborated with Éric La Casa, Éric Cordier, and André Almuro on tape music. His main free improv and jazz projects include Hubbub, Schams, Return of the New Thing, and the Joe Rosenberg quintet.

Guionnet made scientific studies before shifting to fine arts. He studied musique concrete under Iannis Xenakis and Michel Zbar, but also pursued studies in philosophy (esthetics) with Geneviève Clancy. His first works date from the late '80s and are mostly collaborations with filmmaker André Almuro (some have been issued by Ground Fault). Then came a lasting partnership with electro-acousticians Éric Cordier and Éric La Casa. Together they wrote the series "Afflux." Guionnet also produces the Ateliers de Création Radiophoniques ("creative radio workshops") for France Culture. His eclecticism has kept him at bay of recognition -- because to the eye of the press it strips him from some credibility and because running careers in philosophy (he was co-director for the review Terre des Signes from 1993 to 1996), painting (he exhibited from 1992 to 1997), and music simultaneously tends to be time-consuming.

The release of an eponymous CD by Dan Warburton's free jazz quartet Return of the New Thing in 1999 on the respected label Leo Records introduced Guionnet to a wider audience. Since then his activities as an improviser have constantly stretched toward the fringes of experimentalism. His participation in the French-Swiss group Hubbub and his duo with guitarist Olivier Benoit (&Un, 2002) follow the school of Berlin reductionism."