"Michel Edelin is a French jazz flautist born in Paris 25 February 1941. Self-taught, he became known for his participation in the unique recording of progressive rock band Triode 1.

In the 1980s, he created his own groups: a sextet "Flutes Encounter" with François Couturier, François Méchali, Christian Lété, Denis Barbier and Jean Querlier. Then a quartet with Nico Nissim, Andy Emler, François Méchali, Peter Gritz, François Verly and Fredy Studer. A nonet in collaboration with François Méchali in which we find members of his quartet as well as Yochk'o Seffer, Michel Godard, Philippe Legris, Maurice Magnoni, Philippe Maté, Jacques Di Donato, Tony Lakatos, Jean-François Canape, Jean Querlier, Jeff Sicard, Jean-Marc Larché.

In the 1990s, he was invited to the quintet of the flautist Dave Valentin on the occasion of his European tour (festivals of Sète, Vienna, Montreux). He participated in Jérôme Bourdellon's "Flute Europe Express" with Barry Altschul, François Méchali and Jiri Stivin. He created a new quartet with Jacques Di Donato, Jean-Jacques Avenel and Simon Goubert.

In 2000, a duet with François Méchali, Recording of a duet with the Portuguese flautist Carlos Bechegas, Creation of a trio with John Betsch and Jean-Jacques Avenel Quintet with Jacques Di Donato, François Couturier, François Méchali and Daniel Humair who recorded two discs.

He joined the group "Waraba" by Jean-Jacques Avenel with Yakhouba Sissokho, Lansiné Kouyaté and Moriba Koïta. He plays frequently in Steve Potts orchestras where he finds Sophia Domancich, Stéphane Kérecki, Bruno Rousselet, Thomas Savy, Michael Felberbaum, Richard Portier and musicians playing in his own bands.

Other events include Bénédicte Alexandre-Gil, Thierry Balasse, Jeff Boudreaux, Jean-Luc Cappozzo, Manu Codja, Philippe Deschepper, Eric Groleau, Chris Hayward, Kristof Hiriart, Alain Jean-Marie and David Jisse, Francois Laizeau, Serge de Laubier, Malik Mezzadri, Phil Minton, André Minvielle, Adam Nessbaum, Ronnie Lynn Patterson, Barre Philips, Larry Schneider, Hervé Sellin, Olivier Sens, Wilfried Wedling, Louis Winsberg and Camel Zekri...

He invited the flautist Nicole Mitchell and the violist Steve Lehman to join his trio for the Sons d'hiver festival. Steve Lehman also participates in the "Dolphy Spirit" in which the three instruments of the reference musician are represented: sax alto, flute and bass clarinet (Thomas Savy). Steve Lehman is also the special guest of "Kuntu", the record of Michel Edelin Trio. Nicole Mitchell (flute) and his "Indigo Trio" (Harisson Bankhead and Hamid Drake) invite Michel Edelin for two concerts (the South Pole in Strasbourg and the festival of Junas) and a recording for Rogueart.

In 2013 he created "Flute Fever", bringing together the flute players Sylvaine Hélary, Ludivine Issambourg, bassist Peter Giron and drummer John Betsch 2.

In 2014, at the Sons d'Hiver festival, the trombonist Steve Swell (en) is the guest of the quartet which then integrates the bassist Stéphane Kérecki. Steve Swell and Michel Edelin also play a duet at the loft Rogueart.

He is scheduled at the Vancouver International Jazz Festival as part of "Spotlight on french jazz" where he plays with cellist Tomeka Reid, bassist Clyde Reed and drummer Dylan van der Schyff.

He is the author of "Ze Blue Note", opera-theater for quintet and choir of children also declined in oratorio under the title of "Voices for a Blue note". "

"Sylvaine Hélary, enjoying a solid classical training, having plunged into the vertigo of improvisation with Bernard Lubat, this flutist is one of those soloists who establish a natural link between contemporary music, jazz and various currents of new music. Her curiosity leads her to projects that are often multidisciplinary, such as Spring.

She was part of the Surnatural Orchestra for ten years. She plays in duet with Noémi Boutin (Myssil and show young public Entre Chou and Loup), recently includes the new sextet of Marc Ducret (Chronicles of the frozen sea), Ensemble Dédales by Dominique Pifarély, Didier Levallet's quintet Croise), Ève Risser (White Desert Orchestra), Morgen Naughties (Tam De Villiers and Karsten Hochapfel), and Michel Édelin's quintet (Flute Fever).

She is invited to be part of the new creation of Alexandra Grimal (Steam over rice) and Jozef Dumoulin's next quintet. She collaborates with many musicians such as Robin Fincker, John Niekrasz, Marco Quaresimin, Nicole Mitchell, Edward Perraud, YJN (D. Yvinec), Dgiz, Dominique A and Fantazio. New York (Kris Davis, Matt Mitchell, Tim Berne, Dan Weiss, Ingrid Laubrock, Tom Rainey) and Chicago (The Bridge # 5 with Eve Risser, Mike Reed, Fred Lonberg-Holm). She realizes her dreams of writing and composition in her acoustic quartet Spring Roll (Antonin Rayon, Sylvain Lemêtre and Hugues Mayot), her trio (Antonin Rayon and Emmanuel Scarpa) and her new quartet Glowing Life Ray, Benjamin Glibert, John Niekrasz)."

"Peter Giron was born in the Bronx on November 2, 1952. Installed in France for almost thirty years, he is one of the animators of this American community whose dynamism is essential to the vitality of jazz in Paris. Sarah Morrow, Kirk Lightsey, Sylvia Howard and especially his old accomplice John Betsch (another pillar of clubs!) In the trio of Jobic Le Masson (p), with whom he released the album Hill (Enja, 2007). This trio is now regularly hosting Steve Potts (ts), which should result in a new recording. Peter Giron participates in many formations: that of Rick Margitza (ts) - with Jeff Boudreaux (dm) and Manuel Rocheman (p) - which is every month in residence at Baiser Salé and which has just passed in studio; That of Denise King (voc) who will perform in July at Sunside with Chris Culpo (p) and Tony Match (dm); That of Julien Coriatt (p) with Viktorija Gecyté (voc); And the quartet of Ricky Ford (ts) with Tom McClung (p) and Doug Sides (dm). The bassist will also be on record with Philippe O'Neill (dm) with Ronald Baker (tp, voc), and is working on another recording project with Francis Bourrec (ts) and Olivier Hutman (p). Professor at the IMEP (International Music Educator of Paris, ex-American School), his teaching activity did not allow him to develop his career on the international level, although he is in his element with the artists of this Dimension: Luther Allison (with whom he shot for four years), but also Kurt Elling, Dave Liebman, Archie Shepp, Ted Curson and more recently Steve Turre . A discreet musician who is nonetheless a centerpiece for the best rhythm sections."

"John Betsch (born October 8, 1945 in Jacksonville, Florida) is an American jazz drummer. Betsch was born in Jacksonville, Florida. His mother was a church organist and pianist, and his older sister Marvyne a soprano singer. He began playing drums in the school orchestra at the age of nine. He attended Fisk University, and while still a student there, at the age of 18, he began playing professionally with pianists Bob Holmes, Ernest Vantrease, and trumpeter Louis Smith. Betsch studied at Berklee College of Music and the University of Massachusetts-Amherst under Max Roach and Archie Shepp. After playing in organ trios, he released an album as a leader, Earth Blossom, in 1975. That year he moved to New York City, where he played with Marion Brown, Paul Jeffrey, Max Roach, Jeanne Lee and Henry Threadgill.

Between 1977 and 1979 Betsch joined Abdullah Ibrahim's ensemble, and from 1980 to 1982 he was with Archie Shepp's band that featured Hilton Ruiz, piano, Santi Debriano, bass and Roger Dawson, congas and percussion. In 1983 he recorded with Roger Dawson's septet featuring Hilton Ruiz, reedman John Purcell, trumpeter Claudio Roditi, bassist Anthony Cox and multi-percussionist Milton Cardona. Following this he was a member of quartets led by Marty Cook.

Since 1985 Betsch has lived in Europe, playing with Jim Pepper and Mal Waldron as well as in a band with his wife, French pianist Claudine François. In the 1990s he played in a group with Steve Lacy, and with Özay Fecht and in a trio with Elvira Plenar and Peter Kowald. He has done other recordings with Thomas Chapin, Marilyn Crispell, Klaus König, Billy Bang, Sathima Bea Benjamin, Uli Lenz and Simon Nabatov."

"Nicole Mitchell (b. 1967) is a creative flutist, composer, bandleader and educator. As the founder of Black Earth Ensemble, Black Earth Strings, Ice Crystal and Sonic Projections, Mitchell has been repeatedly awarded by DownBeat Critics Poll and the Jazz Journalists Association as "Top Flutist of the Year" for the last four years (2010-2014). Mitchell's music celebrates African American culture while reaching across genres and integrating new ideas with moments in the legacy of jazz, gospel, experimentalism, pop and African percussion through albums such as Black Unstoppable (Delmark, 2007), Awakening (Delmark, 2011), and Xenogenesis Suite: A Tribute to Octavia Butler (Firehouse 12, 2008), which received commissioning support from Chamber Music America's New Jazz Works.

Mitchell formerly served as the first woman president of Chicago's Association for the Advancement of Creative Musicians (AACM), and has been a member since 1995. In recognition of her impact within the Chicago music and arts education communities, she was named "Chicagoan of the Year" in 2006 by the Chicago Tribune. With her ensembles, as a featured flutist and composer, Mitchell has been a highlight at festivals and art venues throughout Europe, the U.S. and Canada.

Ms. Mitchell is a recipient of the prestigious Alpert Award in the Arts (2011) and has been commissioned by Chicago's Museum of Contemporary Art, the Ravinia Festival, the Chicago Jazz Festival, International Contemporary Ensemble (ICE), the Chicago Sinfonietta Orchestra and Maggio Fiorentino Chamber Orchestra (Florence, Italy). In 2009, she created Honoring Grace: Michelle Obama for the Jazz Institute of Chicago. She has been a faculty member at the Vancouver Creative Music Institute, the Sherwood Flute Institute, Banff International Jazz Workshop and the University of Illinois, Chicago. Her work has been featured on National Public Radio, and in magazines including Ebony, Downbeat, JazzIz, Jazz Times, Jazz Wise, and American Legacy.

Nicole MItchell is currently a Professor of Music, teaching in "Integrated Composition, Improvisation and Technology," (ICIT) a new and expansively-minded graduate program at the University of California, Irvine. In November 2014, ICIT was approved for the unleashing of a new MA/PhD program, which will be offered starting fall 2015. Mitchell's recent composition, Flight for Freedom for Creative Flute and Orchestra, a Tribute to Harriet Tubman, premiered with the Chicago Composers' Orchestra in December 2011 and was presented again with CCO in May 2014. She was also commisisoned by Chicago Sinfonietta for Harambee: Road to Victory, for Solo Flute, Choir and Orchestra in January 2012. Her latest commission was from the French Ministry of Culture and the Royaumont Foundation in October 2014, which supported the development and French tour of Beyond Black - a collaboration with kora master Ballake Sissoko, Black Earth Ensemble and friends. Currently Mitchell is preparing her next commission supported by the French American Jazz Exchange, entitled Moments of Fatherhood, featuring Black Earth Ensemble and the Parisian chamber group L'Ensemble Laborintus, to premiere at the Sons d'hiver Jazz Festival in late January 2015.

Among the first class of Doris Duke Artists (2012), Mitchell works to raise respect and integrity for the improvised flute, to contribute her innovative voice to the jazz legacy, and to continue the bold and exciting directions that the AACM has charted for decades. With contemporary ensembles of varying instrumentation and size (from solo to orchestra), Mitchell's mission is to celebrate the power of endless possibility by "creating visionary worlds through music that bridge the familiar and the unknown." She is endorsed by Powell flutes."