"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

"Born in 1963, in Luanda, Angola. There, in the seventies, heard rock and local ethnic music in between radio sounds from my father's electricity and radio workshop. Saw a lot of films at open-air cinemas. With the independence of the Portuguese colonies moved to Setúbal.At age 15 commenced as a self-taught guitarist. In 1982 formed an experimental music project with Vitor Joaquim. Attended Classical Guitar and Music courses in the Luísa Todi Music and Fine Arts Academy (Setúbal, Portugal) and studied in the Château-Thierry Municipal Conservatory (France). Member of the choirs of both cities.

Has a degree in Cinema and Sound Engineering at the Lisbon Film and Theatre School (ESTC - Escola Superior de Teatro e Cinema).

Has the Title of Specialist on Sound for Audiovisual and Multimedia, awarded by the Instituto Politécnico de Tomar.

Took part in various workshops and courses on Structures, Forms and New Technologies in Improvised Music, supervised by Carlos "Zingaro", Peter Kowald and Richard Teitelbaum; Music and Sound Design for Film, Video and Games, supervised by Bruce Pennycook; Orchestra of Loudspeakers - Sound Spacialization, directed by Miguel Azguime; Initiation to Real Time Sound Programming and Manipulation in Max/MSP Environment, teached by Isabel Pires.

Assistant to the composer and musician Carlos "Zingaro" between 1997 and 2000.

Participated in concerts and intermedia performances with the likes of Carlos "Zíngaro", Günter Müller, Carlos Santos, Otomo Yoshihide, Nuno Morão, Rudiger Carl, Vitor Joaquim, Ulrich Mitzlaff, Matt Wand, Ernesto Rodrigues, Nuno Rebelo, Mike Beck, Miguel Cabral, Erik M, António Chaparreiro, Phill Niblock, João Silva, Ricardo Guerreiro, Renato Chiunfrini, Pedro Lopes, Pedro Alçada, José Oliveira, Adriana Sá, Ben Rubin, Ludger Lamers, Isabelle Schad, Olga Roriz, Margarida Bettencourt and João Natividade, among others.

Works on a regular basis in the areas of musical composition, performance and production, sound engineering, editing and design for films, documentaries, art installations, stage plays, dance, performance art, intermedia and television advertising in Portugal, Spain, France, Germany and the UK. Collaborations include Jorge Silva Melo, Pedro Sena Nunes, Fernando Matos Silva, Luís Fonseca, Fernando Lopes, José Barahona, João César Monteiro, Paulo Rocha, Sandro Aguilar, Walter Avancinni, Rita Palma, Jeremy Cooper, Margarita Ledo Andion, Paulo Mendes, Julião Sarmento, João Onofre, Susana Soares Pinto, Anabela Costa, Maria Joana Fernandes, Cláudia Bandeira, Antonino Solmer, Fernanda Lapa, Diamantino Ferreira, John Clease, Marco Martins, Miguel Coimbra, Gideon Nell, Edson Ataíde, Keith Rowe, Gush, Roof, Silvia Barrios, Greg Moore, Carlos Bica, Bernardo Devlin, Coty Cream, Osso Exótico, Michael Gira, Current Ninety Three, Antony, Simon Finn, Baby Dee, Six Organs of Admittance, Artistas Unidos, Karnart, Cão Solteiro, Teatro Meridional, Teatro da Cornucópia and Teatro da Comuna.

He is teacher on Sound Techniques and Technologies for Cinema, Audiovisual and Multimedia at the ESTC-IPL - Escola Superior de Teatro e Cinema, ESCS-IPL - Escola Superior de Comunicação Social, and ESTA-IPT - Escola Superior de Tecnologia de Abrantes.

As a Musicain, Sound Designer, Editor and Engineer for Cinema and Audiovisual, taught lessons at ETIC - Escola Técnica de Imagem e Comunicação, RESTART - Instituto de Criatividade, Artes e Novas Tecnologias, Videoteca Municipal de Lisboa, Granular - Associação, Encontros de Viana, Festival de Curtas-Metragens de Vila do Conde, IPA - Instituto Superior Autónomo de Estudos Politécnicos, ESAD-CR-IPL - Escola Superior de Artes e Design, AR.CO - Escola de Artes, including workshops and conferences.

Head of the Sound and Music Department at ETIC - Escola Técnica e Imagem e Comunicação, between 2006 and 2010.

Director and founding member of the GRANULAR Association, between 2002 and 2016.

PhD Student in Science and Art Technology - Computer Music, in the UCP - Universidade Católica do Porto, with the advising of the composer Dr. António de Sousa Dias."

"Ricardo Guerreiro (Lisbon, 1975) is a composer who predominantly develops his activity in the field of computer music creation, mainly departing from his interest in the algorithmic description of sonic phenomenon and musical structuring. Over the last years he has been collaborating with different musicians in the composition of collaborative performance situations in diversified contexts. In the field of musicological research, he is interested in the fundamentally ontological character of Aesthetics, seen as a discipline that implies an evaluation of our approach to technique, i.e., how we relate to the means we have at our disposal, as well as the broad acting context, namely the cultural, social and physical spaces.

He holds a PhD in Music Informatics / Computer Music from the School of Arts of the Catholic University of Porto. Graduated in Composition by the Escola Superior de Música de Lisboa (2000) and in Electronic Music (2004) by the Conservatorio di Musica Benedetto Marcello di Venezia, Italy. In 2007, he obtained his degree in Musicology at Universidade Nova de Lisboa. He attended several composition courses and seminars in Lisbon, Porto, Aveiro, Paris (IRCAM - '99), Darmstadt ('98 and 2000) and Venice, with names like Annette Vande Gorne, Chaya Czernowin, Curtis Roads, Emmanuel Nunes, François Bayle, Hans Zender, Helmut Lachenmann, Isabel Mundry, Julio Estrada, Mark André, Morton Subotnick and Salvatore Sciarrino, among others, as well as Giorgio Agamben's Aesthetics (2001) and Iconology (2004) semester seminars held at the Universities of Verona and Venice, respectively.

As a scholarship holder of the Italian Government he developed, between 2001 and 2002, a research project on the computer music in "Prometeo" by Luigi Nono, supervised by Prof. Alvise Vidolin and having as invited institutions the Center for Computational Sonology (CSC) of the University of Padua and the Luigi Nono Archive in Venice. Between 2004 and 2014 he created and directed the Laboratory of Sound and Composition for the course of Cinema / Motion Picture of Ar.Co (Center for Art and Visual Communication). He was professor (2010-2013) in the courses of Interactive Multimedia Production and Sound Design at the IPA (Instituto Politécnico de Estudos Autónomos). Since 2007, he has been collaborating as a trainer in both ETIC (Escola Técnica de Comunicação e Arte) and EPI (Escola Profissional de Imagem). Between January and October 2016 he was music informatics assistant at ADDAC System, a company that produces modular synthesizers."