The Squid's Ear Magazine


Kurka, Irene : Chants (Edition Wandelweiser Records)

Soprano vocalist Irene Kurka performs two works works by Antoine Beuger, and one each by Christopher Fox, Eva-Maria Houben, and Thomas Stiegler, accompanied by Antoine Beuger on flute for his composition "Chants de Passage"; 5 beautiful, unhurried works that bring the delicate beauty of each compositions, and of Kurka's refined voice, to a resonant foreground.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Irene Kurka-soprano vocals

Antoine Beuger-composer,flute

Christopher Fox-composer

Eva-Maria Houben-composer

Thomas Stiegler-composer


Click an artist name above to see in-stock items for that artist.




UPC: 4011778040880

Label: Edition Wandelweiser Records
Catalog ID: EWR 1710
Squidco Product Code: 24783

Format: CD
Condition: New
Released: 2017
Country: Germany
Packaging: Cardboard Gatefold 3 Panels
Recorded at at Munster, Heilbronn, Germany, on August 31st through September 3rd, 2015, by Thomas Hirschberg.

Descriptions, Reviews, &c.

Antoine Beuger
un lieu pour faire sonner l'éternité


(text: Antoine Beuger)

tu viendras
tendrement
en m'attendant
et moi,
je t'attends
éternellement

viens ...

doucement
d'où
d'où viens-tu?

approche-toi
silencieusement
finalement
je t'approche
éternellement
débordante
t'accueillant

je t'attends
vigilante
viens
je t'attends
m'adonnant
je t'entends
finalement
viens



Christopher Fox
too far: showing and telling


(text: Julian of Norwich (1342-1413), Revelations of Divine Love)

These revelations were shown to a simple creature in the year of our Lord 1373, on the eighth day of May. (p.42)

God sent me a bodily sickness, in which I lay for three days and three nights [...] and in the third night I often thought I was dying [...]
my sight began to fail and the room was dark all around me. (p.44)

Then I saw red blood [...] hot and fresh and very plentiful [...] as plentiful as the drops of water which fall from the eaves after a
heavy shower of rain [...] Behold and see! (p.60)

This place is a prison, and this life a penance [...] Let us fly to the Lord, touch him, and we will be made clean. (p.168)

And in this vision he showed me a little thing, the size of a hazelnut, lying in the palm of his hand.
I looked at it and thought, what can it be? And the answer came, it is all that is made. (p.7)

All this our Lord showed me with time and space to contemplate it.
And when the vision stopped, it remained in my understanding.
And I waited in fearful anticipation, rejoicing in what I saw. (p.52)

It is a joy and a delight and an endless happiness that I have suffered.
If I could suffer more, I would suffer more. (p.18)

It is joy and delight enough for me, and I ask nothing more of my hardship but I give you pleasure. (p.75)

Look at thy beloved servant. Look at what injury and distress she has received for love of thee. (p.116)

At one moment my consciousness was taken down to the seabed, and there I saw green hills and valleys,
looking as thought they were covered in moss, with seaweed and sand. (p.55)

And then I understood the greatest labour of all to be a gardener, toiling and sweating, making fresh water flow,
and noble, plentiful fruits spring up. (p.120)

And God showed me all this most gloriously with this meaning: See that I am God! See that I am in everything!
See that I do everything! (p.59)

And after this I soon returned to myself and to my bodily sickness, understanding that I would live,
and like a wretch I tossed and turned and thought it a great weariness that I should live longer. (p.32)

It is true that sin is the cause of all this suffering, but all shall be well, and all shall be well,
and all manner of things shall be well. (p.80)

And soon after this it was all over and I saw no more. (p.155)

I pray to almighty God that this book come only into the hands of those who love him faithfully [...]
and beware that you do not take one thing according to your taste and fancy and leave another. (p.180)

(the page references are to the Penguin edition of Elizabeth Spearing's translation)



Thomas Stiegler
treibgut IV


(text: Unica Zürn, Berlin 1953-54)

Wir lieben den Tod

Rot winde den Leib,
Brot wende in Leid,
ende Not, Beil wird
Leben. Wir, dein Tod,
weben dein Lot dir
in Erde. Wildboten,
wir lieben den Tod


Antoine Beuger
chants de passage


(poems: Anne Perrier, from: La voie nomade et autres poèmes. Oeuvres complètes)

Lumière je te tiens
Déjà trouble
Joie désirée unique je te tiens
Double
Ô monde sur deux tiges
Pour cueillir la fleur simple éternelle
Il faudra choir mortes les ailes
Dans la splendeur et l'ombre du vertige


Ô rompre les amarres
Partir partir
Je ne suis pas de ceux qui restent
la maison le jardin tant aimés
Ne sont jamais derrière mais devant
Dans la splendide brume
Inconnue



Moi l'envolée
J'ai perdu dans les airs la trace des oiseaux
Moi l'écoulée
En dormant j'ai perdue la voix
des passeurs d'eau
Je suis le chant qui s'en va tout seul
Entre terre et ciel



Minuit
La paix des chrysalides
Est si profonde
Ce n'est pas l'ombre que je cherche
Ni l'humble signe
De la halte sous les palmiers
Tranquilles ni l'eau ni l'ange
Gardien d'oasis
Je cherche le chemin qui dure
Toujours toujours toujours


Je m'arrête parfois sous un mot
Précaire abri à ma voix qui tremble
Et qui lutte contre la sable
Mais où est ma demeure
Ô villages de vent
Ainsi de mot en mot je passe
À l'éternel silence


Le monde est si tranquille
Cueilli
Sous le feuillage de l'éternité


L'heure venue
pousser la porte du jardin
Sans larme traverser
L'espace de la rose
Et doucement glisser
De l'un à l'autre été


Artist Biographies

"Irene Kurka studied voice at the Musikhochschule Munich with Professor Reri Grist, at the Meadows School of the Arts (SMU,Dallas) with Professor Barbara Hill-Moore and at the University of British Columbia (Vancouver, Canada) with Professor Nancy Hermiston.

The multifaceted soprano received many awards and scholarships. She sings recitals, opera and oratorio throughout Germany, Europe and the United States.

Within the realm of contemporary music, she is in great demand; many composers (Eggert, Corbett, Weeks, Muntendorf, Frey, Kampe, Seither, Brass, Beuger, Pisaro etc.) wrote and dedicated new creative output for her to perform as well as record. She has premiered over 140 pieces.

Since 2009 Irene Kurka has focussed intensively on the repertory for unacoompanied voice (Hildegard von Bingen, Nono, Berio, Cage, Bauckholt, Brass, Beuger, Stäbler, etc.) In 2012 she released a CD with music by Hildegard von Bingen and John Cage; this is a co-production with Bayerischer Rundfunk and Wandelweiser Records. 2013 follows with another CD co-production with Bayerischer Rundfunk and Wandelweiser Records; this CD considers the topic of "Prayer" and contains music by Brass, Beuger, Boon, Weeks, Corbett and Houben. After the acclaimed debut of her solo program "Prayer" at the Huddersfield Contemporary Music Festival in the UK, Irene Kurka has been invited to perform at hcmf//@ l'Auditori in Barcelona. Graham McKenzie, the festival director for both festivals in Huddersfield and Barcelona, was so impressed by the program that he is bring it to the Catalonian metropolis in October 2014.

Ms. Kurka sings with the ensembles e-mex, notabu, musikFabrik, Wandelweiser Ensemble, Klangkonzepte, Schlagquartett Köln, chronophonie, Kölner Vokalsolisten, La Tenerezza, socell 21 and SOPRAKKORDEON.

She has performed, among others, at the Tonhalle Düsseldorf, Kölner Philharmonie, Festival Mecklenburg-Vorpommern, Ungarischer Rundfunk Budapest, Huddersfield Contemporary Music Festival, hcmf//@L'auditori Barcelona, Theater Dortmund, A.DEvantgarde-Festival München, Acht Brücken Festival Köln, Festival Muziek Biennale Niederrhein, scene österreich in nrw, Theater Osnabrück, Globusklänge WM 2006, Ensemblia Mönchengladbach, Randspiele Berlin-Zepernick, MOMENTSMUSICAUX AARAU, Hydra Festival Boston, Oberstdorfer Musiksommer, Greifswalder Bachwoche, Fränkischer Sommer, Neuburger Kammeroper, Bayreuther Barock, Trier OPENING."

-Irene Kurka Website (https://www.irenekurka.de/lebenslauf.html)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Antoine Beuger (b. 1955 in Oosterhout, Netherlands) studied composition with Ton de Leeuw at Sweelinck Coservatorium in Amsterdam 1973-78. In 1990 he began composing after an interruption of about 10 years. Two years later he founded Edition Wandelweiser together with composer/performer Burkhard Schlothauer. Since 1994 he's been active with the conception and organisation of KLANGRAUM, a concert series at Kunstraum Düsseldorf. During the years 1995-2001 he was working together with visual artist Mauser as artistic director of "Werkraum", Place for Interdisciplinary Artistic Events, Cologne. Since 1996 he's been artistic director of edition wandelweiser records and since 2004 managing director of Edition Wandelweiser gmbh."

-Last.FM (http://www.last.fm/music/Antoine+Beuger/+wiki)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Christopher Fox (born 1955 in York) is an English composer.

He studied at the universities of Liverpool, Southampton and York, where his teachers included Hugh Wood and Jonathan Harvey. He received a PhD in composition from the University of York in 1984. From 1984 to 1994 he was a member of the composition staff at the Darmstadt New Music Summer School. He is currently Professor in Music at Brunel University, a post he took up in 2006. His music is widely performed, broadcast and recorded. He is also a prolific writer on music. In addition to concert works, Fox has collaborated with artists on gallery works, and with the poet Ian Duhig on a "musical box".

An important aspect of Fox's music is its stylistic breadth-whilst his principal considerations may seem to be with systems music and adopting a systematic approach, his music also serves a political function, is deeply rooted in the post-war Darmstadt traditions of applying psychological and intellectual models to the structure and content of music and at the same time exists in a world of diverse musical attitudes, including references to the popular arts, to historical music and to cross-cultural music. The stylistic range of his works is very aurally apparent and includes complex microtonal chamber works, large-scale modernist ensemble pieces, tape cut-up collages and minimalistic pieces for guitars and saxophones.

His writings on music have also been published widely, in the journals Contact (of which he was an editor), Contemporary Music Review, Musical Times and Tempo, and deal principally with new music, in particular experimental, minimalist and complex tendencies in American and European music. He was co-editor of Von Kranichstein zur Gegenwart (1996, DACO Verlag, Stuttgart), a history of 50 years of the Darmstadt Ferienkurse, and of Uncommon Ground: The Music of Michael Finnissy (1998, Ashgate Press, Aldershot)."

-Wikipedia (https://en.wikipedia.org/wiki/Christopher_Fox_(composer))
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Eva-Maria Houben (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Secondary School. She received her doctorate and postdoctoral lecturing qualification in musicology and was called for lectures at Gerhard-Mercator-Universität Duisburg and Robert-Schumann-Hochschule Düsseldorf. Since 1993 Professor Houben has been lecturing at Dortmund University`s "Institut für Musik und Musikwissenschaft", with both music theory and contemporary music as her focus. Up to now many books were published, concerning contemporary music, contemporary composers and traditional music, listened to with 'new ears'.

Eva-Maria Houben has been performing works for the organ for more than 30 years. As she is related to the "wandelweiser-group" of composers, her compositions are published by "edition wandelweiser", Haan. Her list of compositions up to now includes works for the organ, piano, clarinet, trombone, violoncello and other solo instruments, works for voice and piano, for wind and chamber ensembles, for orchestra and for voice and orchestra, works for choir (www.wandelweiser.de). She publishes on subjects of contemporary music (Steiner, PFAU, Edition Howeg, bis-label Oldenburg)."

-Eva-Maria Houben Website (http://www.evamariahouben.de/)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Thomas Stiegler

1966 born in Meschede (D)

1987-94 studied medicine in Cologne, Freiburg and Frankfurt

1991-94 studied composition in Freiburg with Immanuel Nunes and Matthias Spahlinger

since 1994 assistent doctor, since 2001 senior physician (internal medicine)

1997 1. prize at the International Composition Contest Boswil (CH)"

-Editions Wandelweiser (http://www.wandelweiser.de/thomas-stiegler.html)
11/29/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Un Lieu Pour Faire Sonner L'eternite 8:40

2. Too Far: Showing And Telling 12:38

3. Images II 19:25

4. Treibgut IV 10:33

5. Chants De Passage 24:13

Related Categories of Interest:


Compositional Forms
Solo Artist Recordings
Unusual Vocal Forms
Duo Recordings
Woodwinds
Compositional Forms
New in Compositional Music

Search for other titles on the label:
Edition Wandelweiser Records.


Recommended & Related Releases:
Fox, Christopher
Music For Piano
(ezz-thetics by Hat Hut Records Ltd)
Six compositions for solo piano written by English composer Christopher Fox between 1991 and 2015, performed by Netherlands pianist John Snijders at Abbey Road Studios in London, each work uniquely approached in both writing and performance, each a concept or style that brings something unique to Fox's music while still retaining his voice and character in composition.
Sijstermans, Germaine
Betula [2 CDs]
(elsewhere)
The solo debut album from Dutch composer & clarinetist Germaine Sijstermans: seven recent contemplative works in a Wandelweiser vein, composed between 2017-2019 and performed with six exemplary and complementary performers: Antoine Beuger (concert flute), Rishin Singh (trombone), Johnny Chang (viola), Fredrik Rasten (guitar, ebow), and Leo Svirsky (accordion).
Houben / Rodrigues / Rodrigues / Santos
Falling into wide spaces
(Creative Sources)
Four improvisations recorded iteratively during the pandemic and assembled into this exquisitely subtle two-part composition with Eva Maria Houben's piano & organ recorded in Berlin in 2020, Guilherme Rodrigues's cello recorded in Berlin and Ernesto Rodrigues's zither recorded in Lisbon in 2021, merged with nocturnal recordings from Carlos Santos captured in Spain & Portugal.
Waeckere, Emmanuelle
A Direction Out There, Readwalking (With) Thoreau [2 CDS]
(Edition Wandelweiser Records)
Four unique interpretations of David Henri Thoreau's essay "Walking", "a transcendental essay that analyzes the relationship between man and nature, trying to find a balance between society and our raw animal nature." (Wikipedia), performed by Antoine Beuger, Marianne Schuppe, Stefan Thut, Sylvia Alexandra Schimag and Marie-Cecile Reber.
Beuger, Antoine / Apartment House
Jankelevitch Sextets
(Another Timbre)
The 4th album on Another Timbre from a series of pieces by composer Antoine Beuger, each acknowledging a cultural or intellectual figure, here titled for philosopher, musicologist, educator and one-time member of the French Resistance, Vladimir Jankélévitch, represented by Beuger in a large dramatic work performed by the Apartment House sextet.
Hannesson, Mark
Undeclared
(Edition Wandelweiser Records)
"Undeclared" refers to a 2006 drone attack in Pakistan that struck a school, killing more than 80 civilians including 70 children, which took place on a day that was intended for a peace agreement; Hanneson pays homage to the victims by finding a sound for each of them, rendering the piece 3 times by himself via electronics, by Rene Holtkamp on guitar, and by Antoine Beuger on children's glockenspiel.
Schlothauer, Burkhard
Harmonies And Structures
(Edition Wandelweiser Records)
When the Zeitkratzer Ensemble was asked to perform a late ensemble work by John Cage, director Reinhold Friedl turned to composer Burkhard Schlothauer, who reworked one of Cage's Number Pieces to create this rich piece using Cage's methods; plus a composition for the dance piece "Bewegte Bauhausbilder"; and an octet commissioned for the Klangzeit-Festival Time Is On My Side.
de Alvear, Maria / Antoine Beuger
Besando El Tiempo [2 CDs]
(Edition Wandelweiser Records)
Antoine Beuger performs composer Maria De Alvear's 1995 contemplative work "Besando El Tiempo" (Kissing The Time) written using an automatic script and originally composed for the flautist Caren Levine; after hearing Beuger's interpretation she requested that he record it, the result this rendition that takes the composition on an introspective journey.
Other Recommended Releases:
Houben, Eva-Maria (Takahiro Kuroda / Kei Kondo)
Echo Fantasy II
(Ftarri Clasical)
The second of two albums capturing a May 15th, 2023 concert in Tokyo by composer & pianist Takahiro Kuroda at the Ftarri performance space, titled "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x", this album presenting a 2018 Houben composition for horn and piano titled "Echo Fantasy II", performed by virtuoso horn player Kei Kondo and Takahiro Kuroda on upright piano.
Houben, Eva-Maria (Kei Kondo / Takahiro Kuroda)
His Master's Voice / Aus Den Fliegenden Blattern Eines Fahrenden Waldhornisten / Lose Verbunden
(Ftarri Classical)
One of two albums capturing a May 15th, 2023 concert in Tokyo by composer Takahiro Kuroda at the Ftarri performance space, titled "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x", this album presenting two Houben works for solo horn performed by virtuoso horn player Kei Kondo, and one solo piano piece performed by Kuroda on upright piano.
Boon, Dante (Beuger / Boon / Elina / Holtkamp / Schuppe / Van der Ster)
Duos
(Edition Wandelweiser Records)
A collection of works from pianist & composer Dante Boon in diverse duos and virtual duo compositions that reflect on John Cage's "inner clock" concept from "Two2", each of Boon's compositions directing the players through systems of notation and counting unique to each player, varying the rules of how the two players eventually synchronize their performances.
Beuger, Antoine / Anastassis Philippakopoulos
Floating By
(erstwhile)
Wandelweiser founder and composer Antoine Beuguer and French composer Anastassis Philippakopoulos in a work for voice (Philippakopoulos) and breath (Beuguer), employing spaces of silence against utterance and sibilant expression, a patiently developing work that floats by in deceptively simple ways, captivating through each articulation that seems perfectly placed.
Houben, Eva-Maria
4 For Four
(Edition Wandelweiser Records)
A work for percussion in thirty-four succinct movements from German composer Eva-Maria Houben and performed by the Frantic Percussion Ensemble of Markus Behn, David Gutfleisch, Simon Gutfleisch, Gunnar Kötke and Jonathan Szegedi, each section using broad and patient spacing to highlight a fascinating mix of traditional and unusual percussive devices.
Fox, Christopher
Hieroglyphs
(ezz-thetics by Hat Hut Records Ltd)
Three works from English composer Christopher Fox performed by the five-member Ensemble SEV, with two renderings of his work "This is the Wind" along with three duos, each combining two of a set of six "Paralogos", a solo work for violin--"Planes and Folds"--and the title piece "Hieroglyph" about decoding the incomprehensibility of unfamiliar music.
Houben, Eva-Maria
John Muir Trails
(Edition Wandelweiser Records)
Four compositions depicting the John Muir Trails, a high-quality set of biking trails near Madison and Milwaukee two hours from Chicago, composed by Eva-Maria Houben and performed by the West Coast percussion duo DesoDuo of Katie Eikam and Kevin Good, portraying the trails through bowed cymbals, marimba & vibraphone along with field recordings from the outdoor ambiance.
Houben, Eva-Maria
Together On The Way
(Another Timbre)
A brooding work for pipe organ, piano and percussion, created by composer Eva-Maria Houben and the GBSR Duo of Siwan Rhys & George Barton, commissioned by the 2021 Huddersfield Contemporary Music Festival and recorded in concert in the resonance of of Huddersfield's St. Paul's Hall using the organ built by Wood's of Huddersfield.
Moller, Andre O. / Hans Eberhard Maldfeld
Out Of A Matrix (Partially)
(Edition Wandelweiser Records)
Composer Andre O. Moller's work for solo double bass, performed by Hans Eberhard Maldfeld, was inspired by Moller's fascination in just tuning & rational frequency relations and an admiration for the work of Hans Eberhard Maldfeld, presented compositionally as a group of 7 pieces for 5-stringed double bass and pre-produced playback, creating a virtual double bass choir.
Roundell, Toby
Meditations On The Great O Antiphons [MP3 CD]
(Edition Wandelweiser Records)
A collaboration with German soprano vocalist Irene Kurka from London-born composer currently working in China, Toby Charles Roundell, seven works for unaccompanied solo voice, who have worked for several years exploring psalms, antiphons and books from the minor prophets, in seven contemplative works of spiritual, resonant vocal progressions.
Houben, Eva-Maria
3 Trios
(Edition Wandelweiser Records)
"Trios" refers to the relationship of two keyboards and the pedals of an organ, as performed by accomplished American composer Carson Cooman as he patiently unfolds Eva-Maria Houben's three minimal compositions exploring the relationships between three melodic lines or three-tone chords, presented on the Organ Probsteikirche St. Ludgerus, in Billerbeck, Germany.
Beuger, Antoine
Laments [2 CDs]
(Edition Wandelweiser Records)
Wandelweiser composer and performer Antoine Beuger reflects, or more correctly, laments, in nine solo vocal works of profound emotional depth, utterances first on the dearth of time and the vicissitudes and intersections we face; then on mourning and grief, a requiem that extolls the listener to use our voice to confront sadness that we may gain strength from it.
Bober, Max
Somos
(Edition Wandelweiser Records)
Four works by Argentinian composer Max Bober living in Warsaw, Poland, performed in solo, duo and trio configurations by pianist Alejandro Peña Gutiérrez, flutists Francisco Rojas and Clara Peláez Hidalgo, and soprano Natalia Jarosiewicz; fragile works of depth and beauty that unfold gracefully.
Good, Kevin
Slow, Silent, Singing
(Edition Wandelweiser Records)
The centerpiece of composer Kevin Good's "Slow" series is this evening-length glockenspiel solo, performed by San Diego based glockenspiel player Michael Jones, the composition of slow, melodic fragments that are increasingly permeated by swathes of silence of increasing length, exploring how the expressivity of the melodies are perceived and framed by these silences.
Chase, Claire
Density 2036 [4 CDs]
(Corbett vs. Dempsey)
Part of flutist Claire Chase's project to commission a modern body of work for the instrument, this 4-CD set features 17 works by 15 composers, including the multi-part album-long composition "Pan" by Brazilian-born Marcos Balter, with works for the entire flute family from piccolo to contrabass flute; participants include Tyshawn Sorey, Vijay Iyer, Pauline Oliveros, &c.
Power, Ian
Diligence
(Edition Wandelweiser Records)
Two works for solo instrumentalists by Baltimore composer Ian Power, both written in 1984: "mahrem bir eser | a private work" using microtonal harmonics and electronic noise, performed by cellist Mariel Robers and recorded in 2016 at Brandeis Univeristy; and "swathe" using overtone and microtone performed by clarinetist Gleb Kanasevich and recorded in NYC in 2019.
Wittenburg, Florian
Beyond The Traceries
(Edition Wandelweiser Records)
Various facets of German composer and experimenter Florian Wittenburg's interests, in two iterations of two pieces and two compositions, using voice, vibraphones and ringing bowls, treated electronically to emphasize unique characteristics of sound from warmly rich to mysteriously fragile, balanced with space and careful timing; a valuable introduction to his work.
Nordheim / Schmidt / Weinheimer
Das Gekochte
(Edition Wandelweiser Records)
Sharing compositional credits with the title translating to "the cooked", the trio of Andreas Nordheim on cornet, Ole Schmidt on clarinets, and Chris Weinheimer on flutes, with pianist Jan Gerdes guesting on one piece, present 16 recordings of minimalist harmonic and tonal development, mysterious and haunting works are taxonomically named by their location.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC